Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940

Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501

Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044

Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814

Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561

George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058

Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951

Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734

Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454

George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705

George Grosz, An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33882

Hannah Höch, [Untitled], 1945, Cut-and-pasted printed paper and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33012

Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468

Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525

George Grosz, Metropolis (Grossstadt), 1917, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34605

Hannah Höch, [Untitled], 1943, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38229

Hannah Höch, Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum), 1930, Cut-and-pasted printed paper and metallic foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37360

Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008

Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478

Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542

George Grosz, Punishment (Strafe), 1934, Watercolor and opaque watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35002

Hannah Höch, With Seaweed, 1950, Cut-and-pasted papers, torn papers, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33026

George Grosz, The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], 1913, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33054

George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169

Marcel Duchamp, Sundays, 1909, Conté crayon, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37779

George Grosz, The Last Soldier, 1937, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34670

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

George Grosz, Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33869

Hannah Höch, Study for Man and Machine (Skizze zu Mensch und Maschine), 1921, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33945