Franz Hitzler, [Untitled], 1987, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33454 František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252 Alfonso Ramirez Fajardo, Fiesta, 1942, Watercolor, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38042 Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873 Morris Graves, Joyous Young Pine, 1944, Watercolor and gouache on paper on fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34637 Abraham Walkowitz, Isadora Duncan, 1933, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34531 Fernand Léger, Study for a mural, 1938, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34588 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Knud Merrild, Herma, 1935, Gesso, wax, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33655 David Park, Group of Figures, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33191 Per Kirkeby, [Untitled], 1977, Watercolor on tissue paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33747 Ralston Crawford, Worth Steel Plant, 1936, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33090 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33709 David Smith, Untitled 10/14/52, 1952, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37097 Lyonel Feininger, Figures, 1936, Ink, watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34578 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Lyonel Feininger, [Untitled], 1952, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34802 Jean Hélion, Ile de France, 1935, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38221 Carl-Henning Pedersen, Winged Man, 1944, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33624 Lyonel Feininger, Church on the Cliff I (Kirche auf der Klippe I), 1953, Pen and ink, watercolor, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36699 Lyonel Feininger, The Schooner "America", 1933, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34550 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499 Paul Klee, Errand Boy (Ausläufer), 1934, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33968 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341 Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715 Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36763 Cauleen Smith, Blues Legacies and Black Feminism, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238005 Richard Lindner, Checkmate, 1966, Cut-and-pasted papers, watercolor, pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36538 Pavel Tchelitchew, Set design for Act III of the ballet Mozart's Violin Concerto (Concierto de Mozart), 1942, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37606 Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37091 Abraham Walkowitz, Isadora Duncan, 1931, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34516 Georges Méliès, Project for Théâtre de Verdure, Orly, 1935, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33225 Eugene Berman, Curtain design for The Threepenny Opera, 1937, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34040 Francisco Toledo, Letter to Antonio Souza, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33721 Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757 Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328 Jörg Immendorff, THE PILOT, 1993, Gouache, watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34950 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33815 Keith Morrow Martin, Costume design for the ballet Harlequin for President, 1936, Gouache, watercolor, metallic gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33297 Joseph Beuys, Cross, 1961, Collage, oil and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00649 Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261 Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843 Joseph Beuys, Dove, Food, Rainbow, 1949, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00095 Cauleen Smith, Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238023 Emil Nolde, Magicians (Zauberer), (1931–35), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37718 Thomas Schütte, WATERCOLOR (I BELIEVE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38106 Emil Nolde, Amaryllis and Anemone (Amaryllis und Anemone), (c. 1930), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33097 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063 Gerhard Richter, G.A.2 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33515 Rosemarie Trockel, [Untitled], 1983, Watercolor and synthetic polymer paint on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35437 Jim Dine, Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume, 1960, Ballpoint pen, ink, chalk, watercolor, colored pencil, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34208 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062 Knud Merrild, Synthesis, (c. 1936), Watercolor, gesso, and wax on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33646 Edward Ardizzone, At the Brasserie, 1931, Watercolour and ink on paper, Tate, London. https://dartabase.art/cite/tate/A01029 Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747 Sigmar Polke, "Young Man Come Back Soon!" ("Junge komm bald wieder!"), 1963, Ballpoint pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33455 Henri Michaux, [Untitled], 1946–48, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38706 Thomas Hart Benton, Study for Homestead, 1928–1930, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38639 Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 Jeanne Mammen, Carnival in Berlin N III (Fasching Berlin N III), c. 1930, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37249 Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797 Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726 Jean Dubuffet, Baba Solstice, May 1, 1961, Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38570 Cauleen Smith, The World and Africa, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238011 Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063 Gerhard Richter, 24.6.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35689 Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906 Gustavo Lazarini Terradas, Aunt Juliana, 1941, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37842 Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744 Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043 Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Joseph Beuys, Bathroom of Circe, 1954–8, Watercolour and gold paint on paper and board, Tate, London. https://dartabase.art/cite/tate/AR00636 Amelia Peláez Del Casal, Girls, 1943, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33710 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Cauleen Smith, Women, Race & Class, from Human_3.0 Reading List, 2015, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238007 Lyonel Feininger, [Untitled], (1950), Watercolor, metallic paint, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34777 Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33808 Lyonel Feininger, [Untitled], 1954, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34878 William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069 Gerhard Richter, G.A.4 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33517 Edward Ardizzone, The Bedroom, 1931, Watercolour and ink on paper, Tate, London. https://dartabase.art/cite/tate/A01032 Joseph Beuys, Granite in Arid Chalk, 1965, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00123 Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631 Robert Motherwell, The Mexican Sketchbook, 1941, Notebook with ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37696 Jim Dine, Titania. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, watercolor, pencil, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36773 Jim Dine, Puck. Costume design for the play A Midsummer Night's Dream, 1966, Watercolor, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36675 Joseph Beuys, Two Red Fish, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00633 Richard Lindner, Costume design for The Magic Cock, 1942, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37563 Cauleen Smith, Dhalgren, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238008 Adolf Dehn, Florida Symphony, 1939, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37364 Julio Montenegro, To Work Is to Pray (Laborar es orar), c. 1928, Colored ink, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37951 Moses Soyer, Studies for Julia Evergood, 1962, Watercolor, ink, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36818 Saul Steinberg, B Movie, 1948, Pen and brush and black ink and graphite with wiping, smudging and erasing, with colored crayon, watercolor, rubber stamp in gray ink, and gummed registration crosses, ruled in graphite, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220502 Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065 William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716 Stephen Greene, Biograph, (1967–68), Pencil, cut-and-pasted paper, gouache, and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33158 Joseph Beuys, Geysir, 1953, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00631 Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500 Cauleen Smith, More Brilliant than the Sun, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches brush and blue ink and opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238014 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171 Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780 Edward Burra, Bal des Pendus, 1937, Watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35434 Cauleen Smith, Black Skin, White Masks, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238015 Lyonel Feininger, Country Road, 1942, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34680 William Fett, Landscape of Michoacan, 1942, a) Watercolor and gouache on paper b) Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33841 Cauleen Smith, The Black Interior, from Human_3.0 Reading List, 2015, Graphite and watercolor, with touches of brush and blue ink and traces of silver ink, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237996 Gustavo Lazarini Terradas, Old-Fashioned Lady (Dama Antigua), 1941, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37845 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36997 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890 Joseph Beuys, Girl in Conversation with a Seal (Mädchen mit Seehund im Gespräch), 1955, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36257 Yves Tanguy, Volière (Aviary), 1941, Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36707 Morris Graves, Fledgling, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34729 Joseph Beuys, Hearts of the Revolutionaries: Passage of the Planets of the Future, 1955, Watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00103 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38583 Wyndham Lewis, Roman Actors, (1934), Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33170 John Marin, Buoy, Maine, 1931, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35010 Lyonel Feininger, [Untitled], 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34870 Mark Rothko, [Untitled], 1944–46, Watercolor, tempera, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37024 Lyonel Feininger, Glassy Sea, 1934, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35680 Lyonel Feininger, Rain (recto); Walking Figures (verso), 1952, Watercolor, charcoal, and pen and ink (recto); charcoal (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34814 Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088 Morris Graves, Bat Dancing for a Slug, 1943, Watercolor and gouache on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33729 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33761 Alfonso Ramirez Fajardo, Landscape, 1942, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38045 Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736 Ralston Crawford, Sanford Tanks, (1939), Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33071 Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Cauleen Smith, The Fire Next Time, from Human_3.0 Reading List, 2015, Graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237999 Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717 Joseph Beuys, Sun and Pylon, 1946, Graphite, watercolour and chloride on paper, Tate, London. https://dartabase.art/cite/tate/AR00629 Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263 Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073 Jean Dubuffet, Meal for Four III, (May 2) 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38575 Édouard Vuillard, Siesta, 1928, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36851 Sekino Jun’ichirō, Drawing for Eizo and Matsuomaru, 1947, Watercolor on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109282 Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910 Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250 Yves Tanguy, Untitled (pages from Breton-Tanguy Notebook), 1941, White ink on colored paper (recto); Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36715 Yves Tanguy, [Untitled], 1931, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35711 Lyonel Feininger, Figures, 1950, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34731 Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36995 Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735 Jackson Pollock, [Untitled], (c. 1945), Crayon, colored pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37756 Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37096 Pavel Tchelitchew, Tree into Hand and Foot (Study for Hide-and-Seek), 1939, Watercolor, ink, and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36460 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33926 Jim Dine, Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36666 Édouard Pignon, Ostend, 1948, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35818 Jim Dine, Costume study for A Midsummer Night's Dream: Philostrate, 1966, Cut-and-pasted papers, pencil, watercolor, ink, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36824 Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451 John Flannagan, Nude, (1941), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36783 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33862 Mariano (Mariano Rodríguez), Figures in a Landscape, 1942, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37852 Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752 Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37655 Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739 Jim Dine, 3 Rainbows for CORE, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36654 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33719 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36994 Gladys Nilsson, People Houses, 1967, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33015 Yves Tanguy, [Untitled], 1949, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33576 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33772 Charles Demuth, Corn and Peaches, 1929, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33537 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33875 Otto Nebel, Told to Autumn, III, 1951, Ink and watercolor on colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38290 A.R. Penck (Ralf Winkler), [Untitled], c. 1980–81, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35366 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Paul Kelpe, Composition, Number 337, 1933, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36505 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33174 Pavel Tchelitchew, The Dandelion (Study for Hide-and-Seek), 1939, Gouache and watercolor on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36474 Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750 Robert Birmelin, Opening Car Doors, 1962, Ink, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35821 Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888 Eugene Berman, The Cat. Costume design for the ballet Le Renard, (1966), Gouache, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35727 Claes Oldenburg, Store Poster, Torn Out Letters, Newspaper. Pie, Cup Cakes and Hot Dog, 1961, Cut-and-pasted paper and printed paper, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35318 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36998 Lyonel Feininger, Dawn, 1938, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37203 Romare Bearden, He Is Arisen, 1945, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34896 Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910 Ben Shahn, Au Pêre Tranquille. Set design for the 1927 play "him" by e. e. cummings, 1961, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35141 Barnett Newman, [Untitled], 1945, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38100 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33826 Franz Erhard Walther, The Body is the Border, 1969–72, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37259 Kurt Seligmann, Phantom of the Past from VVV Portfolio, 1942, published 1943, Etching and aquatint from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32003 Thomas Schütte, WATERCOLOR (TRUE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38108 Susan Folwell, Badlands, from the series Roads Well Traveled: Route 66, 2024, Taos micaceous earthenware with watercolor, acrylic, wood stain, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283235 Theodore Roszak, Study for Spectre of Kitty Hawk, 1944–45, Watercolor, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36482 Jan Lebenstein, Figure, 1962, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37823 Morris Graves, Snake and Moon, 1938–39, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33333 Cauleen Smith, Camera Lucida, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238000 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Wyndham Lewis, A Hand of Bananas, (c. 1938), Gouache, watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36768 David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33601 Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716 Helen Frankenthaler, Great Meadows (recto); Untitled (Landscape) (verso), 1951, Watercolor and acrylic on paper (recto); Watercolor on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36579 Kcho (Alexis Leyva Machado), A los Ojos de la Historia, 1992–95, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33724 Gerhard Altenbourg, Garden Behind the Spinnbahn, End of February (Gartenkolonie hinter der Spinnbahn, Ende Februar), 1956, Ink, lithographic crayon, and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33952 Jörg Immendorff, I DROVE ALL NIGHT, 1995, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34982 Jim Dine, Costume study for A Midsummer Night's Dream: Peaseblossom, 1966, Cut-and-pasted papers, pencil, pen and ink, watercolor and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36784 Joseph Beuys, Crystal Measurement, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00632 Joseph Beuys, For Siberian Symphony, 1962, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00655 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36999 Cauleen Smith, Archaeologies of the Future, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238028 Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with watercolor and colored crayons on gray wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246570 Gerhard Richter, G.A.5 (17.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33518 Erik Ortvad, [Untitled], 1945, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33586 André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37123 Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895 Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734 Dong Kingman, From My Roof, 1941, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36670 Byron Browne, Girl with Bows, 1937, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35774 Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740 Cauleen Smith, Open Veins of Latin America, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238018 Jim Dine, Dorian Gray as His Dress Gets More Eccentric. Costume design for the unrealized play The Picture of Dorian Gray, 1967, Watercolor, felt-tip pen, colored pencil, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33447 Agnes Martin, [Untitled], 1952, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37312 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33758 Pavel Tchelitchew, Metamorphic Landscape, 1942, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36311 Eva Hesse, No title, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38380 Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33607 Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628 Alfonso Ossorio, Impregnate, 1951, Watercolor, wax, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37212 George Grosz, An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33882 Hannah Höch, [Untitled], 1945, Cut-and-pasted printed paper and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33012 Joseph Beuys, Actress, 1956, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00637 Raúl Milián, [Untitled], 1960, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33784 Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260 Abraham Walkowitz, Isadora Duncan, 1932, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34546 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33687 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Abraham Walkowitz, Isadora Duncan, 1931, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36245 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Ralston Crawford, Exton Barn No. 3, (1936), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33059 Lyonel Feininger, Walking in a Dream, 1945, Watercolor, pen and ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34707 Lyonel Feininger, Excursion, 1940, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34610 John Marin, Movement: Sky and Grey Sea, 1941, Watercolor, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36944 Cauleen Smith, Things Fall Apart, from Human_3.0 Reading List, 2016, Brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237995 Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500 Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112 Jörg Immendorff, IN THE HOUSE OF MOTHER GOOSE (THE RAKE'S PROGRESS), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34964 Cauleen Smith, The Gift, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238019 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Mark Rothko, [Untitled], 1945, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34796 Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741 Morris Graves, Bird Singing in the Moonlight, 1938–39, Tempera and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33165 Franz Hitzler, [Untitled], 1987, Gouache, watercolor, pencil, oilstick, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33488 Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313 Franz Hitzler, [Untitled], 1987, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33467 Cauleen Smith, The Wretched of the Earth, from Human_3.0 Reading List, 2016, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238016 Jean Dubuffet, Facade, 1951, Watercolor on gesso on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38742 Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107 Paul Cadmus, Gluttony, 1949, Pencil, gouache, and watercolor on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33308 Gerhard Richter, 23.2.91, 1991, Colored ink and watercolor on paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35523 Franz Erhard Walther, Assemblies, 1966, 1967, Watercolor, oil, colored pencil, pencil, and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37262 André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001 Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634 Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055 Joseph Beuys, From the Life of the Bees, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00635 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057 Joseph Beuys, Sculptures, 1954, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00102 Lyonel Feininger, Farewell to "82", 1954, Watercolor, pastel, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34826 David Park, Richard Diebenkorn, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33207 Svavar Guðnason, Dead Bird, 1934, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36040 Mark Rothko, [Untitled], 1945–46, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37033 Abraham Walkowitz, Isadora Duncan, 1932, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34500 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33640 Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749 Sigmar Polke, Untitled ("Witz"), 1965, Felt-tip pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33861 Lyonel Feininger, Ruin by the Sea II (Ruine am Meere II), 1934, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33911 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33656 Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525 Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111 Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562 Jim Dine, Costume study for A Midsummer Night's Dream: Hermia, 1966, Cut-and-pasted colored paper, pencil, watercolor, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36819 Morris Graves, Nestling, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33296 Jörg Immendorff, Untitled (The Rake's Progress), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34973 Joseph Beuys, The Table, 1952, Graphite, watercolour and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00098 León Ferrari, [Untitled], 1997, Watercolor on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230231 David Hare, Untitled from VVV Portfolio, c. 1941, published 1943, Gelatin silver print on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32009 Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157 Lyonel Feininger, Rain, 1952, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34813 Gladys Nilsson, The Pink Suit, 1965, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37778 Los Carpinteros, Proyecto de Acumulacion de Materiales (Project of Accumulation of Materials), 1999, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38705 Raúl Milián, [Untitled], 1959, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33775 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33853 Cauleen Smith, Simians, Cyborgs, and Women, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238021 Joseph Beuys, White Woman in the Grass (Fairy), 1954, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00101 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Joseph Beuys, Roses, 1952, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00097 Francisco Toledo, Letter to an Unnamed Person, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33733 Luis Martínez Pedro, At the Beach of Jibacoa, 1946, Watercolor and gouache on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33166 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33739 Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737 Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Abraham Walkowitz, Isadora Duncan, 1931, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34482 Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694 Alexander Calder, Score for Ballet 0-100 from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32005 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33670 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Carl-Henning Pedersen, The Happy World, 1943, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33615 Cauleen Smith, The Autobiography of Malcolm X, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238020 Abraham Walkowitz, Isadora Duncan, 1932, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34455 Pavel Tchelitchew, Head of Autumn (Study for Hide-and-Seek), 1941, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33366 Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107 Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803 Jim Dine, Costume study for A Midsummer Night's Dream: Egeus, 1966, Cut-and-pasted colored paper, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36780 Edward Ardizzone, The Arrival, 1931, Watercolour and ink on paper, Tate, London. https://dartabase.art/cite/tate/A01031 L. (Alfred Lewin Copley) Alcopley, "Spiritus Ubi Vult Spirat," 24 ("The Wind Bloweth Where it Listeth", 24), 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35389 Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33630 Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36766 José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106 David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910 Kurt Seligmann, Costume design for the Raven-Phoenix for the ballet The Golden Fleece, (1940), Watercolor, pencil, and cut-and-pinned paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38050 Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851 Jean Dubuffet, Cyclist with Five Cows, (July) 1943, Gouache, watercolor and brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38568 Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Lyonel Feininger, [Untitled], 1950, Metallic paint, watercolor, pen and ink, charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34763 Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745 Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061 Kay Sage, The Great Impossible, 1961, Watercolor and charcoal on cut-and-pasted paper with glass lenses and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38435 Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551 Pavel Tchelitchew, Paul J. Sachs, 1949, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36825 Robert Michel, From X to Y (Von X nach Y), 1936, Pencil, ink, and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38286 Jean Dubuffet, Two Automobiles: Ford, Citroen, June 18, 1961, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38572 Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949 Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330 Bill Traylor, Arched Drinker, c. 1939–42, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35261 Gerhard Richter, 11.4.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35677 Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33592 Cauleen Smith, African Fractals, from Human_3.0 Reading List, 2015, Graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238013 Georg Baselitz, Dog-Split (Hund-geteilt), 1968, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33735 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770 Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726 Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Georg Baselitz, [Untitled], 1976, Watercolor, ink, and gouache on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36532 Jörg Immendorff, IMMENDORFF'S PROGRESS / THE RAKE'S PROGRESS GOES ON, 1994, Gouache, watercolor, pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34957 Jan Lebenstein, Axial Figure, 1960, Watercolor, ink, and ballpoint pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37821 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33596 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33917 Paul-Émile Borduas, La Guignolée, 1954, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32988 Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33664 Lyonel Feininger, People and the Sprite, 1945, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34694 Gerhard Richter, 22.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36334 Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33835 Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33749 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 Yves Tanguy, [Untitled], 1945, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34937 David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223 Gerhard Richter, G.A.3 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33516 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33782 Edward Ardizzone, The Departure, 1931, Watercolour and ink on paper, Tate, London. https://dartabase.art/cite/tate/A01033 Paul Kleinschmidt, Head of a Woman (Frauenkopf), 1935, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34978 Wols (A. O. Wolfgang Schulze), Stringed Instrument, 1942, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33439 Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186 Mell Daniel, Tree Forms, 1970, Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33880 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Mary Petty, The New Year, (1949), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37836 Hashimoto Okiie, Watercolor for Hikone Castle, 1941, Watercolor on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84190 Thomas Schütte, WATERCOLOR (NO), 1996, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38109 George Grosz, Punishment (Strafe), 1934, Watercolor and opaque watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35002 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33896 Thomas Schütte, Sieben Felder (Seven Fields), 1989, .a and .e) Watercolor, felt-tip pen, gouache and pencil on paper; .b and .c) Watercolor, felt-tip pen and gouache on paper; .d and .f) Watercolor and ink on paper; .g) Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37335 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Robert Motherwell, Untitled from VVV Portfolio, 1942, published 1943, Watercolor with ink from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32012 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Cauleen Smith, Love & Rockets, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238022 Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641 Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985 Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422 Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696 Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518 Richard Lindner, Boy, 1954, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33943 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33697 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33193 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36992 Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Cauleen Smith, Young British & Black, from Human_3.0 Reading List, 2016, Graphite and bush and colored inks and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238017 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33844 Adolf Dehn, Butte, Utah, 1940, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35496 Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748 Cauleen Smith, The Sons of the Wind, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238010 Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742 Morris Graves, In the Moonlight, 1938–39, Tempera and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33267 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33678 Lyonel Feininger, Blind Musician on the Beach (Blinder Musikant am Strande), 1933, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34565 František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788 Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325 Wifredo Arcay, [Untitled], 1953, Opaque watercolor, over traces of blue crayon, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237883 Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896 Gerhard Richter, G.A.1 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33513 Georg Baselitz, Big Night Down the Drain, 1963, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35623 Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181 Mary Petty, Mother's Day, (1951), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37838 Rosemarie Trockel, [Untitled], 1983, Watercolor on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35413 Cauleen Smith, Yearning, from Human_3.0 Reading List, 2015/16, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238025 Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011 Paul Feeley, [Untitled], (1965), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37454 Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636 Gerhard Richter, 23.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36341 Lyonel Feininger, [Untitled], 1954, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34862 William Fett, Landscape of Michoacan, 1942, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33608 Lyonel Feininger, Figures Walking, 1949, Watercolor, gouache, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34720 Alfred Jensen, Study, 1960, Cut-and-pasted paper with watercolor, gouache, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33995 Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836 William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36648 Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903 Jacques Lipchitz, Study for the sculpture Mother and Child, (1939), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35455 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33726 Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with colored crayons, watercolor, and pen and red ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246569 Morris Graves, Blind Bird, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33183 Morris Graves, Woodpeckers, 1941, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33355 Pavel Tchelitchew, Paul J. Sachs, 1949, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37110 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942 Jim Dine, Costume study for A Midsummer Night's Dream: Snug, 1966, Cut-and-pasted colored paper, felt-tip pen, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36791 Cauleen Smith, Wild Seed, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238003 Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33647 George Grosz, The Last Soldier, 1937, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34670 Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928 Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466 Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739 Cauleen Smith, Gender Trouble, from Human_3.0 Reading List, 2015, Graphite with red watercolor and blue watercolor with glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238002 Leo Rabkin, The Red Visit, (1960), Watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36514 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33949 Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321 Lyonel Feininger, Hot Weather!, 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34853 Camille Bryen, Imaginary Structure (Structure imaginaire), 1948, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35442 Bruce Nauman, Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33499 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33614 Alfonso Ossorio, Animulae, 1950, Watercolor and wax on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38413 Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725 Robert Michel, Rendez-vous, 1930, Cut-and-pasted gelatin silver print on paper with ink, colored ink, watercolor, paint, metallic paint, and linen tape on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38284 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Lyonel Feininger, a. Untitled b. Untitled, 1952, a. Watercolor, charcoal, and pen and ink on paper b. charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34790 Dorothy Dehner, From Japan, 1951, Watercolor, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33099 Abraham Walkowitz, Isadora Duncan, (1931–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33907 Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105 H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462 Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723 Abraham Walkowitz, Duncan Dancer, (1931–33), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38731 George Grosz, Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33869 Cauleen Smith, The Black Jacobins, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches of brush and colored inks and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238027 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061 Dubin, Dubin and Black, Highrise Apartment Building, Chicago, Illinois, Perspective Rendering, 1965, Watercolor, tempra, and ink on illustration board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/67929 Edward Ardizzone, The Meeting, 1931, Watercolour and ink on paper, Tate, London. https://dartabase.art/cite/tate/A01030 Pavel Tchelitchew, Tree into Hand and Foot with Children (Study for Hide-and-Seek), 1940, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37513 Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432 Franz Hitzler, [Untitled], 1987, Crayon, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33460 Cauleen Smith, Freedom is a Constant Struggle, from Human_3.0 Reading List, 2015, Brush and black and colored inks and graphite with touches of watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238006 Susan Folwell, Tucumcari, from the series Roads Well Traveled: Route 66, 2024, Santa Clara micaceous earthenware with watercolor, acrylic, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283236 Cauleen Smith, Ain't I a Woman, from Human_3.0 Reading List, 2016, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238024 Abraham Walkowitz, Isadora Duncan, (1930–33), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33622 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36996