Sondra Perry, couch and fern, GLITTER AND THE LION’S MANE, 2020, 2021, 2022, 2023, 1934, 1.8 Ga., Sofa with video screen, fern, motorized barbershop chair, urethane, acrylic, glitter, iron, lion's mane mushrooms, polyethylene vinyl acetate, and single-channel video, color, sound; 28 min, 22 sec. continuous loop, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/179315 Andy Warhol, Marilyn Diptych, 1962, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03093 Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255 Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028 Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387 Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314 Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177 Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048 Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146 Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042 Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431 Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176 Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613 Elaine de Kooning, Bullfight, 1960, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34171 Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062 Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058 Arch Connelly, Chip, 1982, Acrylic, faux pearls, costume jewelry on papier-mâché, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233491 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621 Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281 Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290 Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166 Martin Creed, Work No. 1104, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01153 Marlene Dumas, Chlorosis (Love sick), 1994, Ink, gouache, and acrylic on twenty-four sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37856 Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248 Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074 Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179 Susan Folwell, Badlands, from the series Roads Well Traveled: Route 66, 2024, Taos micaceous earthenware with watercolor, acrylic, wood stain, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283235 Martin Creed, Work No. 1105, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01154 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Helen Frankenthaler, Great Meadows (recto); Untitled (Landscape) (verso), 1951, Watercolor and acrylic on paper (recto); Watercolor on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36579 Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596 Cauleen Smith, Archaeologies of the Future, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238028 Bryde Glynn, Glimpses of Ireland, 1984, Appliquéd, pieced and embroidered quilt; dyed plain and twill weave fabrics of wool, silk, cotton, linen, polyester, rayon, nylon and acrylic in single and multi-fiber blends; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180161 Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162 Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248 Damien Hirst, Away from the Flock, 1994, Glass, stainless steel, Perspex, acrylic paint, lamb and formaldehyde solution, Tate, London. https://dartabase.art/cite/tate/AR00499 Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600 Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049 Cauleen Smith, Harriet Tubman, from Human_3.0 Reading List, 2016, Graphite and and brush and colored inks with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238029 Ana Mendieta, Untitled (Amategram), 1981–82, Acrylic paint on amate (Mexican bark paper), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111850 Cauleen Smith, Things Fall Apart, from Human_3.0 Reading List, 2016, Brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237995 Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178 Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313 Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061 David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269 Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426 Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626 Lee Krasner, [Untitled], 1964, Felt-tip pen, pastel, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33262 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299 Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330 Cauleen Smith, The Autobiography of Malcolm X, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238020 Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093 Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638 Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820 Martin Creed, Work No. 1102, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01150 Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34233 Gaylen Gerber, Untitled (Clear Sky), n.d., reframed 2009, Gelatin silver print, acrylic frame fabricated from a souvenir from Daniel Buren’s Crossing Through the Colors, a work in situ, 2006, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/227001 Ben Rose, Girafters (Furnishing Fabric), 1965 (produced and reprinted 1988), Modacrylic and rayon, plain weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74340 Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065 Chung, Sang-Hwa, Untitled 72–12–A, 1972, Acrylic on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234004 Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626 Roy Lichtenstein, Baked Potato, 1962, Ink and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36620 R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, Acrylic, silk-screened tempera, gesso on wood, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217365 Andy Warhol, Electric Chair, 1964, Screenprint and acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07145 Edward Ruscha, HONK, 1962, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00184 Damien Hirst, Mother and Child (Divided), exhibition copy 2007 (original 1993), Glass, stainless steel, Perspex, acrylic paint, cow, calf and formaldehyde solution, Tate, London. https://dartabase.art/cite/tate/T12751 Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635 Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063 Damien Hirst, Controlled Substance Key Painting, 1994, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00498 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35425 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264 Tom Wesselmann, Study for Mouth, 8, 1966, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33317 Francis Bacon, Second Version of Triptych 1944, 1988, Oil paint and acrylic paint on 3 canvases, Tate, London. https://dartabase.art/cite/tate/T05858 Anselm Kiefer, Man under a Pyramid, 1996, Emulsion, acrylic paint, shellac and ash on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00037 Anselm Kiefer, Cette obscure clarté qui tombe des étoiles, 1999, Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia, Tate, London. https://dartabase.art/cite/tate/AR00041 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273 Cauleen Smith, The Black Jacobins, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches of brush and colored inks and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238027 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630 Susan Folwell, Tucumcari, from the series Roads Well Traveled: Route 66, 2024, Santa Clara micaceous earthenware with watercolor, acrylic, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283236 Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616