Franz Hitzler, [Untitled], 1987, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33454

Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044

Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415

Sondra Perry, couch and fern, GLITTER AND THE LION’S MANE, 2020, 2021, 2022, 2023, 1934, 1.8 Ga., Sofa with video screen, fern, motorized barbershop chair, urethane, acrylic, glitter, iron, lion's mane mushrooms, polyethylene vinyl acetate, and single-channel video, color, sound; 28 min, 22 sec. continuous loop, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/179315

Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011

Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873

Sylvia Plimack Mangold, Study for Two Exact Rules on a Diminishing Floor Plane, 1976, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38302

Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135

Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512

Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297

Alan Cote, [Untitled], (1978), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36062

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38511

Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325

Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255

Jörg Immendorff, TABLES FOR CAFÉ DEUTSCHLAND (TISCHE FÜR CAFÉ DEUTSCHLAND), 1978, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33946

Per Kirkeby, [Untitled], 1977, Watercolor on tissue paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33747

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38522

José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634

Gego (Gertrud Goldschmidt), Drawing Without Paper 85.22 (Dibujo sin papel 85.22), 1985, Aluminum, steel wire, screws, wooden pins, iron rods, and coiled springs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224867

Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38519

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38521

Ted Stamm, [Untitled], 1974, Synthetic polymer paint, torn shopping bag, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36664

Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699

Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722

James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341

Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715

Cauleen Smith, Blues Legacies and Black Feminism, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238005

Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325

Franz Hitzler, [Untitled], 1987, Gouache, ink, and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33479

Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825

Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710

Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328

Jörg Immendorff, THE PILOT, 1993, Gouache, watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34950

Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545

Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387

Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260

Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314

Joseph Beuys, Coyote I, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00695

Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713

Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177

Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524

Cauleen Smith, Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238023

Thomas Schütte, WATERCOLOR (I BELIEVE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38106

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38493

Gerhard Richter, G.A.2 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33515

Rosemarie Trockel, [Untitled], 1983, Watercolor and synthetic polymer paint on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35437

Gerhard Richter, Brigid Polk (305), 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00344

Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048

Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898

Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014

Francis Bacon, Triptych - August 1972, 1972, Oil paint on 3 canvases, Tate, London. https://dartabase.art/cite/tate/T03073

Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36895

Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36902

Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797

Cauleen Smith, The World and Africa, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238011

Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474

Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012

Gerhard Richter, 24.6.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35689

Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38479

Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126

Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043

José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601

Bob Duran, Untitled (No. 206), 1977, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35865

Nancy Graves, Arctic Ocean Floor, Barometric Curves, 1972, Ink, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33955

Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146

Cauleen Smith, Women, Race & Class, from Human_3.0 Reading List, 2015, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238007

Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431

David Ligare, SDX #31, (1973), Pencil, synthetic polymer paint, and aluminum powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36060

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38517

Robert Motherwell, Medusa #4, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37691

Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834

Sylvia Plimack Mangold, Study for Floor with Horizontal Mirror, 1973, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38554

Robert Motherwell, Medusa #6, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37693

William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069

Gerhard Richter, G.A.4 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33517

Jannis Kounellis, [Untitled], 1977, Synthetic polymer paint, tallow, and adhesive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36938

Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38480

Felix Gonzalez-Torres, "Untitled" (Bloodwork—Steady Decline), 1993, Graphite and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/181815

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38510

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38483

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38488

Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293

Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613

Joseph Beuys, Fight, 1980, Collage, oil and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00688

Cauleen Smith, Dhalgren, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238008

Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020

William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716

Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500

Cauleen Smith, More Brilliant than the Sun, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches brush and blue ink and opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238014

Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062

Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058

Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38477

Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38520

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38524

Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38514

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410

Gerhard Richter, [Untitled], 1985, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00346

Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496

Robert Ryman, Untitled, Bruxelles, 1974, Polymer paint on vinyl mounted on composite board, Tate, London. https://dartabase.art/cite/tate/AR00343

Cauleen Smith, Black Skin, White Masks, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238015

Joseph Beuys, Night in the Rafters, 1974, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00126

Cauleen Smith, The Black Interior, from Human_3.0 Reading List, 2015, Graphite and watercolor, with touches of brush and blue ink and traces of silver ink, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237996

Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652

Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919

Arch Connelly, Chip, 1982, Acrylic, faux pearls, costume jewelry on papier-mâché, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233491

Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236

John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Jörg Immendorff, Café Deutschland, (1978), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33933

Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019

Susan Rothenberg, Untitled Drawing, No. 41, 1977, Synthetic polymer paint, gouache, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35044

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621

Dennis Evans, Composition for 100 Discrete Rain Events, 1976, Ink, gouache, and thumbprint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35884

Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900

Bill Jensen, Drawing for Crown of Thorns, 1975–76, Egg tempera, gouache, pastel, charcoal, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36605

John Chamberlain, Untitled (MAAB #315), 1971, Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36925

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38476

Dorothea Rockburne, [Untitled], (1972), Oil stain on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37847

Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555

Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400

Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564

Robert Overby, Sketchbook, 1974, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38533

Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635

Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633

Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100

Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38481

Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768

Wolfgang Laib, [Untitled], 1983, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36068

Sigmar Polke, [Untitled], 1983, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35327

Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307

Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336

Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547

Robert Overby, Sketchbook, 1970, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38475

Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976

Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305

Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439

Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310

Cauleen Smith, The Fire Next Time, from Human_3.0 Reading List, 2015, Graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237999

Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907

Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717

Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281

Rosemarie Trockel, [Untitled], 1983, Oil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35421

Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263

Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073

Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307

Robert Overby, Untitled (14 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38518

Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38503

Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910

Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015

Georg Baselitz, Eagle, 1977, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33754

Philip Guston, Untitled (Rome), 1971, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35508

Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290

Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

Anselm Kiefer, Birth of Painting (Nascita della Pittura), (1981), Synthetic polymer paint and oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36182

Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166

Martin Creed, Work No. 1104, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01153

Marlene Dumas, Chlorosis (Love sick), 1994, Ink, gouache, and acrylic on twenty-four sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37856

Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624

Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248

Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652

Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35894

Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898

Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648

Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930

Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480

A.R. Penck (Ralf Winkler), [Untitled], c. 1980–81, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35366

Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618

Öyvind Fahlström, Notes 4 (C. I. A. Brand Bananas), 1970, Synthetic polymer paint and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36861

Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38523

Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753

Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324

Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712

Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38504

Sigmar Polke, Untitled (Dancer), 1994, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35516

Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38500

Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804

Robert Overby, Untitled (7 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38495

Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554

Sonia Gechtoff, Violet Window, 1976, Pencil and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33210

Thomas Schütte, WATERCOLOR (TRUE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38108

Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953

Robert Overby, Untitled (18 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38501

Susan Folwell, Badlands, from the series Roads Well Traveled: Route 66, 2024, Taos micaceous earthenware with watercolor, acrylic, wood stain, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283235

Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38513

Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619

Martin Creed, Work No. 1105, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01154

Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38525

Cauleen Smith, Camera Lucida, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238000

Gerhard Richter, 2.3.86, 1986, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33661

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38496

Robert Overby, Sketchbook, 1972, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38508

David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535

Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716

Kcho (Alexis Leyva Machado), A los Ojos de la Historia, 1992–95, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33724

John Chamberlain, Untitled (MAAB #81), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36920

Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596

Jörg Immendorff, I DROVE ALL NIGHT, 1995, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34982

David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255

Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125

Cauleen Smith, Archaeologies of the Future, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238028

Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141

Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with watercolor and colored crayons on gray wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246570

Gerhard Richter, G.A.5 (17.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33518

Robert Overby, Sketchbook, 1973, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38531

Bryde Glynn, Glimpses of Ireland, 1984, Appliquéd, pieced and embroidered quilt; dyed plain and twill weave fabrics of wool, silk, cotton, linen, polyester, rayon, nylon and acrylic in single and multi-fiber blends; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180161

Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162

Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519

Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418

Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895

Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615

Markus Lüpertz, Atelier, c. 1973–74, Tempera and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33981

Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248

Joseph Beuys, [Untitled], 1974, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00684

Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093

Francis Bacon, Three Figures and Portrait, 1975, Oil paint and pastel on canvas, Tate, London. https://dartabase.art/cite/tate/T02112

Damien Hirst, Away from the Flock, 1994, Glass, stainless steel, Perspex, acrylic paint, lamb and formaldehyde solution, Tate, London. https://dartabase.art/cite/tate/AR00499

Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047

Cauleen Smith, Open Veins of Latin America, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238018

Charles Addams, "And Although the Dark Mysteries...", (1974), Gouache, ink, typewriting, and pasted paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38448

Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600

Martin Creed, Work No. 1103, 2011, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01152

Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134

Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628

Markus Lüpertz, [Untitled], 1980, Charcoal, gouache, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35763

Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38489

Gerhard Richter, Gilbert, George (381-1, 381-2), 1975, Oil paint on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00345

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38515

Sigmar Polke, o.T. COLOR TEST, BLUE (o.T. FARBPROBE, BLAU), 1984, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33178

Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38512

Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772

Robert Motherwell, Collage with Ultramarine Blue, 1972, Oil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37798

Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292

Cauleen Smith, Harriet Tubman, from Human_3.0 Reading List, 2016, Graphite and and brush and colored inks with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238029

Ana Mendieta, Untitled (Amategram), 1981–82, Acrylic paint on amate (Mexican bark paper), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111850

Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38502

Cauleen Smith, Things Fall Apart, from Human_3.0 Reading List, 2016, Brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237995

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087

Claire Zeisler, Untitled Leather Construction, 1974–1975, Cut leather (suede), cotton, glazed ceramic, glass, coins, foil-wrapped stones, mother-of-pearl button, and clear plastic shells; appliquéd, pieced and over sewn with cotton needle lace; straight, button hole, stem and roman stitches; some printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229420

Jörg Immendorff, IN THE HOUSE OF MOTHER GOOSE (THE RAKE'S PROGRESS), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34964

Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281

Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970

Cauleen Smith, The Gift, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238019

Robert Motherwell, Study for Shem the Penman #1, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37698

Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980

Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178

Anselm Kiefer, Urd Werdande Skuld (The Norns), 1983, Oil paint, shellac, emulsion and fibre on canvas, Tate, London. https://dartabase.art/cite/tate/AR00036

Jake Berthot, [Untitled], 1973, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36898

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, pencil, oilstick, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33488

Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711

Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33467

Cauleen Smith, The Wretched of the Earth, from Human_3.0 Reading List, 2016, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238016

Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203

Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555

Anselm Kiefer, Auszug aus Aegypten (Departure from Egypt), 1984, Synthetic polymer paint, charcoal, and string on cut-and-pasted gelatin silver on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34137

David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35883

Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660

Gerhard Richter, 23.2.91, 1991, Colored ink and watercolor on paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35523

Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35961

Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

Rosemarie Trockel, [Untitled], 1983, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35431

Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017

David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269

Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111

Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975

Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562

Jörg Immendorff, Untitled (The Rake's Progress), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34973

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090

León Ferrari, [Untitled], 1997, Watercolor on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230231

Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018

Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475

Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157

Raúl Martínez, La Juventuo et Ala, 1978, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34020

Gerhard Richter, Abstract Painting (Grey) (880-3), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00030

Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083

Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743

Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626

Los Carpinteros, Proyecto de Acumulacion de Materiales (Project of Accumulation of Materials), 1999, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38705

Gerhard Richter, Abstract Painting (809-3), 1994, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00027

Cauleen Smith, Simians, Cyborgs, and Women, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238021

Robert Motherwell, Study for Shem the Penman #4, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37702

Joseph Beuys, Coyote II, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00694

Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991

José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662

Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122

Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299

Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297

Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608

Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477

Moshe Kupferman, [Untitled], 1976, Synthetic polymer paint and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36704

Gerhard Richter, Abstract Painting (Silicate) (880-4), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00029

Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893

Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330

Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38506

Cauleen Smith, The Autobiography of Malcolm X, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238020

Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703

Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093

Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612

Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35960

Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255

Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651

Joseph Beuys, Call, 1978–83, Oil paint and ink on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00686

Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084

Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064

John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803

Richard Francisco, Zebra, 1973, Cut-and-pasted tracing papers, balsa wood, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33913

Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271

Robert Motherwell, Medusa #7, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37695

Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468

Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010

Joseph Beuys, Pyramidal image, 1979, 2 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00687

José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106

David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638

Patti Smith, Self Portrait, 1971, Pencil, ballpoint pen, colored pencil, charcoal and gouache with black and white instant print on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38111

José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616

Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330

Christo, Wrapped Floor and Closed Windows (Project for Haus Lange Museum, Krefeld), 1971, Pencil and oil with fabric stapled to board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38192

Gerhard Richter, 11.4.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35677

Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003

Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005

John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453

Cauleen Smith, African Fractals, from Human_3.0 Reading List, 2015, Graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238013

Georg Baselitz, Where is the Yellow Milkjug, Mrs Bird?, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00032

Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972

Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820

Nancy Spero, Codex Artaud XXIII, 1972, Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35544

Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38509

Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009

Martin Creed, Work No. 1102, 2011, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01150

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34233

Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181

Georg Baselitz, [Untitled], 1976, Watercolor, ink, and gouache on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36532

Jörg Immendorff, IMMENDORFF'S PROGRESS / THE RAKE'S PROGRESS GOES ON, 1994, Gouache, watercolor, pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34957

Jannis Kounellis, [Untitled], 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00497

Ted Stamm, [Untitled], 1975, Cut-and-pasted board, charcoal, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36668

Ted Stamm, [Untitled], 1975, Torn-and-pasted paper, charcoal, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36673

Blinky Palermo, [Untitled], 1976, Oil on notebook paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36492

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Gaylen Gerber, Untitled (Clear Sky), n.d., reframed 2009, Gelatin silver print, acrylic frame fabricated from a souvenir from Daniel Buren’s Crossing Through the Colors, a work in situ, 2006, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/227001

Gerhard Richter, 7.4.89, 1989, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35374

Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013

Robert Motherwell, Study for Shem the Penman #3, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37700

Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017

Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133

Gerhard Richter, 22.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36334

Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065

Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394

Gerhard Richter, G.A.3 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33516

Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355

Robert Overby, Sketchbook, 1971, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38491

Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710

Robert Motherwell, Spanish Wall #1, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37705

Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016

Chung, Sang-Hwa, Untitled 72–12–A, 1972, Acrylic on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234004

Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264

Thomas Schütte, WATERCOLOR (NO), 1996, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38109

Thomas Schütte, Sieben Felder (Seven Fields), 1989, .a and .e) Watercolor, felt-tip pen, gouache and pencil on paper; .b and .c) Watercolor, felt-tip pen and gouache on paper; .d and .f) Watercolor and ink on paper; .g) Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37335

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38499

Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506

Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320

Gerhard Richter, Self Portrait Standing, Three Times, 17.3.1991, 1991, 6 photographs, gelatin silver print on paper with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00182

Cauleen Smith, Love & Rockets, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238022

Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626

Blinky Palermo, [Untitled], 1971, Crayon on sandpaper with gouache on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37748

Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422

R. H.  Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, Acrylic, silk-screened tempera, gesso on wood, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217365

William Copley, Study for Thimble, 1971, Synthetic polymer paint and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34230

Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322

Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550

Cauleen Smith, Young British & Black, from Human_3.0 Reading List, 2016, Graphite and bush and colored inks and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238017

Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38497

Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540

Robert Morris, Footprints from Traveling. Limit of Reach, 1976, Powdered graphite and plate oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37258

Cauleen Smith, The Sons of the Wind, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238010

Sigmar Polke, [Untitled], 1983, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36633

Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298

Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504

Robert Motherwell, Spanish Wall #2, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37708

Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906

Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325

Damien Hirst, Mother and Child (Divided), exhibition copy 2007 (original 1993), Glass, stainless steel, Perspex, acrylic paint, cow, calf and formaldehyde solution, Tate, London. https://dartabase.art/cite/tate/T12751

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

Gerhard Richter, G.A.1 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33513

Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060

Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089

Anselm Kiefer, Palette, 1981, Oil paint, shellac, emulsion, paper and nails on canvas, Tate, London. https://dartabase.art/cite/tate/AR00613

Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38528

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406

Rosemarie Trockel, [Untitled], 1983, Watercolor on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35413

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635

David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807

Gerhard Richter, 28.2.88, 1988, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35509

Cauleen Smith, Yearning, from Human_3.0 Reading List, 2015/16, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238025

John Chamberlain, Untitled (MAAB #225), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36932

Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636

Gerhard Richter, 23.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36341

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38505

Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Joseph Beuys, The Woman with the Dog, 1975, Graphite, oil paint and metal on paper and card, Tate, London. https://dartabase.art/cite/tate/AR00127

Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063

Robert Motherwell, Medusa #3, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37688

William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Gerhard Richter, Abstract Painting (Skin) (887-3), 2004, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00028

Willem de Kooning, [Untitled], 1976, Oil on newspaper on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38092

Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with colored crayons, watercolor, and pen and red ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246569

Nancy Spero, Notes in Time, 1979, Cut-and-pasted painted paper, gouache, and pencil on joined sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37539

Damien Hirst, Controlled Substance Key Painting, 1994, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00498

Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35425

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38498

Cauleen Smith, Wild Seed, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238003

James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264

Santiago Cárdenas, Dibujo - Figure and Electric Cord, 1991, Synthetic polymer paint, oil paint, oil pastel, and colored pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35213

Robert Motherwell, Study for Shem the Penman #10, 1972, Charcoal and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37749

Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304

Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476

Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097

Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245

Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426

Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

Georg Baselitz, Folkdance Melancholia, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00031

Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38529

Barbara Horosko, Patch, 1977, Synthetic polymer paint, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35991

Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739

Cauleen Smith, Gender Trouble, from Human_3.0 Reading List, 2015, Graphite with red watercolor and blue watercolor with glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238002

Francis Bacon, Second Version of Triptych 1944, 1988, Oil paint and acrylic paint on 3 canvases, Tate, London. https://dartabase.art/cite/tate/T05858

Betty Goodwin, Figure/Ladder Series, IV, 1996, Oilstick, pastel, graphite,and charcoal on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38465

Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198

Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321

Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006

Anselm Kiefer, Man under a Pyramid, 1996, Emulsion, acrylic paint, shellac and ash on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00037

Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063

Anselm Kiefer, Cette obscure clarté qui tombe des étoiles, 1999, Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia, Tate, London. https://dartabase.art/cite/tate/AR00041

David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099

H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462

Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004

Harvey Quaytman, Coup d'eclat, 1974, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38317

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273

Cauleen Smith, The Black Jacobins, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches of brush and colored inks and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238027

Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719

Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686

Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38494

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630

Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204

Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432

Franz Hitzler, [Untitled], 1987, Crayon, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33460

Cauleen Smith, Freedom is a Constant Struggle, from Human_3.0 Reading List, 2015, Brush and black and colored inks and graphite with touches of watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238006

Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008

Susan Folwell, Tucumcari, from the series Roads Well Traveled: Route 66, 2024, Santa Clara micaceous earthenware with watercolor, acrylic, and India ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/283236

Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616

Cauleen Smith, Ain't I a Woman, from Human_3.0 Reading List, 2016, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238024

Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38516

Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38492

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38527

Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38526