Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643 Mario Sironi, Multiplication (8), (n.d.), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38021 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Zbigniew Makowski, [Untitled], 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38584 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Alessandro Algardi, The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334747 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Domenico Beccafumi, The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), c. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334686 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Giulio Romano, A Tabernacle Containing a Papal Escutcheon Supported by Angels, c. 1538–40, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334694 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Perino del Vaga (Pietro Buonaccorsi), Seated Triton, 1545–47, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334756 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449 Andrzej J. Wroblewski, Instrument #3, 1962, Colored ink and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37075 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Miroslaw Balka, Moulting, 1988, Pencil, colored pencil, gesso, and pine needles on paper installed with pile of pine needles on floor, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38459 Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Magdalena Abakanowicz, Body 81F, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35178 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Francesco Salviati (Francesco de' Rossi), Design for a Vase with Hercules and Farnese Lilies, c. 1540, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334659 Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767 Louis Marcoussis, Stairway with Figure, 1930, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36794 Francesco Clemente, [Untitled], (n.d.), Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35546 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Andrea del Sarto (Andrea d'Agnolo), Studies of a Head and a Hand, 1510, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334646 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Girolamo Macchietti, Seated Boy, 1555–92, Red chalk, highlighted with white chalk; framing outlines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334708 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207 Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949 Cigoli (Ludovico Cardi), Design in Elevation for the Façade of a Building, 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334713 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Michelangelo Buonarroti, Design for the Tomb of Pope Julius II della Rovere, 1505–6, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334655 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555