Otto Dix, Passer-By (Schreitende), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34917

Rosemarie Trockel, [Untitled], 1992, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38124

Max Beckmann, A Mirror on an Easel (Spiegel auf einer Staffelei), 1926, Charcoal and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33778

Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623

Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625

Hans Troschel, Portrait of a Young Man Leaning on his Hand, c. 1620, Black chalk, white heightening, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334701

Joseph Beuys, Sekretarstasche, 1976, Envelope and ink on papers, Tate, London. https://dartabase.art/cite/tate/AR00601

Sebald Beham, The Presentation of the Infant Jesus in the Temple, early to mid-16th century, Pen and brown ink, gray and some pink wash, red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334784

Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653

Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665

Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282

Martin Kippenberger, [Untitled], 1992, Pencil on doctor's stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37173

Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239

Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745

Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649

Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684

Karin Sander, KS 1993/54, 1993, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36669

Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812

Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286

Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663

Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194

Fritz Stuckenberg, Opium, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38357

Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984

Martin Kippenberger, [Untitled], 1992, Ink and pencil on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37177

Karl Hofer, Woman with Draped Shoulders, (c. 1936), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34041

Master of the Drapery Studies, Christ Appearing to Mary Magdalen, c. 1490, Pen and brown ink, brush and brown wash, and black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334923

Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink over graphite underdrawing and white wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334853

Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643

Mario Sironi, Multiplication (8), (n.d.), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38021

Albrecht Dürer, Young Woman in Netherlandish Dress, 1521, brush and brown and white ink on gray-violet prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1836

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

Kurt Schwitters, Merz 39. Russian Picture, 1920, Cut-and-pasted colored and printed papers, and cardstock with pencil on colored paper with cardstock border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35174

Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881

Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651

Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076

Alfred Pohl, The Forest, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38698

Ernst Ludwig Kirchner, Sailor Saying Goodbye (Matrose sich verabschiedend), (1914), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33951

Heinrich Friedrich Füger, Two Warriors in Classical Costume Bending over Two Figures, mid-18th–early 19th century, Black chalk and a few stray lines of black ink in lower left on yellow paper (or paper washed with yellow), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334854

Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344

Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207

Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink, brush and brown wash over black chalk, over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334855

Max Liebermann, Beach Scene, c. 1908, Black chalk on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4629

Martin Kippenberger, [Untitled], 1992, Pencil and crayon on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37170

Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832

Joseph Beuys, with Filzplastik, 1981, Collage, crayon and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00689

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Sebald Beham, The Circumcision of Christ, 1510–50, Pen and brown ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334794

Alexander Gonda, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33101

Joseph Beuys, Untitled (Sun State), 1974, Chalk and felt-tip pen on blackboard with wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36537

Anselm Kiefer, Hortus philosophorum, 2010, Photograph, black and white, on paper with paint and chalk, Tate, London. https://dartabase.art/cite/tate/AR01175

Ernst Wilhelm Nay, [Untitled], (1936), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33190

Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596

Hanne Darboven, 49 x 49 (7 x 7 = 49), 1972–73, Graphite pencil on 49 sheets of lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35852

Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318

Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831

Georg Kolbe, Male Figure (Männliche Figur), (c. 1927–37), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33134

Joseph Beuys, Woman with falling stone, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00645

Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765

Joseph Beuys, Honey is Flowing in All Directions, 1976, Ink, graphite and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00128

Käthe Kollwitz, Beggars, 1924, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8141

Antonius Höckelman, Woman, 1976, Crayon, wash, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33924

Anton Raphael Mengs, Holy Family with St. John the Baptist, mid-18th century, Pen and brown ink, squared for transfer in black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334925

A.R. Penck (Ralf Winkler), Untitled (Standart), 1980, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35655

Karin Sander, KS 1993/52, 1993, Pencil and staples on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36665

Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223

Ernst Barlach, Standing Figure with Extinguished Torches, 1922, charcoal on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4144

Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060

Martin Kippenberger, Untitled (A la Grande Cloche), 1995, Colored pencil, transfer type, ballpoint pen, and felt-tip pen on hotel stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34527

Felix Klee, Fritzi, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36795

Paul Klee, Three Fruit (Drei Früchte), 1927, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33863

Joseph Beuys, Astral Chemical Goddess, 1974, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00125

Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681

Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113

Joseph Beuys, The Shaman’s Two Bags, 1977, Graphite, crayon and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00129

Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767

Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963

Paul Klee, Hannah, 1910, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34019

Joseph Beuys, Angel Whale, 1953, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00099

Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813

Otto Dix, A Riddled Wall (Zerschossene Mauern), (1916), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35838

Hannah Höch, [Untitled], 1922–23, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38228

Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167

Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076

Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950

Ludwig Meidner, Curt Valentin, 1923, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37095

Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817

Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644

Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251

Ernst Barlach, The Hornblower (Der Hornbläser), 1927, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32975

Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766

Paul Klee, With the Flag (Mit der Fahne), 1918, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35629

Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268

Joseph Beuys, [Untitled], 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36098

Paul Klee, View of Ancient City (Antikes Stadtbild), 1927, Ink and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37343

Jochen Seidel, Standing Nude, (1961), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33257

Ludwig Meidner, Portrait of a Soldier, 1918, Black ink and graphite on tan wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4630

A.R. Penck (Ralf Winkler), [Untitled], 1975, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36288

Lovis Corinth, Self-Portrait with Reflections, 1925, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33361

Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763

Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185

Ernst Ludwig Kirchner, Seated Woman with Hat (Sitzende mit Hut), 1908–09, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34549

Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544

Joseph Beuys, Fluxus-Name List, 1963, Collage, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00658

Lovis Corinth, Slaughtered Pig (Geschlachtetes Schwein), 1906–07, Chalk and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37429

Joseph Beuys, For the lecture: The social organism - a work of art, Bochum, 2nd March 1974, 1974, Chalk on blackboard, Tate, London. https://dartabase.art/cite/tate/AR00621

Hans Purrmann, Reclining Nude, 1906, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37581

Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307

Martin Kippenberger, [Untitled], 1992, Pencil and crayon on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37178

Horst Janssen, Girl, 1967, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33209

Bernhard Heiliger, [Untitled], 1962, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37558

Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598

Joseph Beuys, Dwarf (Self-Portrait), 1965, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00122

Horst Janssen, Ami-Kiss, 1968, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33227

Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061

Jörg Breu the Younger, The Garden of Love, 16th century, Pen and brown ink, brown, pink and blue wash, over black chalk., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334797

Anonymous, German, 18th century, Interior of Farm House, 18th century (?), Pen and brown ink, brush and brown and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334862

Gerhard Marcks, Standing Nude, Back (Stehender Rückenakt), (c. 1938), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34010

Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485

Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829

Joseph Beuys, Blacksmith II, 1958, Graphite on card, Tate, London. https://dartabase.art/cite/tate/AR00108

Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197

Paul Klee, Scene of an African Village (Afrikanische Dorfscene), 1925, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38598

Ludwig Meidner, Soldier Karl Stein, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36934

Anton Raphael Mengs, Seated Nude Male, n.d., Black chalk, heightening with white, brown wash (?), on gray-brown paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334926

Willi Baumeister, [Untitled], 1949, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33011

Alessandro Algardi, The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334747

Otto Dix, Beautiful Mally (Die schöne Mally), 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37043

Horst Antes, Veiled Figure, 1965, Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38756

Lovis Corinth, Wolfgang Gurlitt, (1917), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37434

Hartmut Friedrich, Remains of a Meal of Carp, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33085

Martin Kippenberger, Untitled (Hallo Hallo), 1995, Colored pencil and felt-tip pen on hotel stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34543

Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744

Wilhelm Lehmbruck, Standing Girl (Stehendes Mädchen), (c. 1915), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35154

Joseph Beuys, [Untitled], 1974, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36534

Joseph Beuys, [Untitled], 1983, Ink, graphite and stamp on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00690

Oskar Schlemmer, Figures in a Room (Figuren im Raum), 1936, Pencil and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38339

Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764

Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550

Joseph Beuys, [Untitled], 1947 and 1970s, Pencil on four sheets of paper on painted wood panel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35588

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Heinrich Friedrich Füger, Man Embracing Woman with Child in Her Arms, mid-18th–early 19th century, Graphite; framing lines in graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334856

Georg Baselitz, [Untitled], 1991, Pencil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37285

Georg Baselitz, I Made Richard Wagner as a Woman, 1988, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37801

Joseph Beuys, [Untitled], 1958, Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36265

Jakob Philipp Hackert, View of Marino in the Alban Hills, c. 1770–1807, Pen and brown ink, brown wash over black chalk., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334879

Willi Baumeister, Figures, (1926), Charcoal, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38174

Joseph Beuys, Trance in the House of the Shaman, 1961, Collage and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00650

Paul Klee, The Hanged Ones (Die Gehängten), 1913, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38148

Joseph Beuys, La Piantagione, 1984, 4 works on paper, graphite and paper, Tate, London. https://dartabase.art/cite/tate/AR00701

Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837

Karl Hofer, Two Women by the Shore, (c. 1928–29), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33956

Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277

Joseph Beuys, INTELLIGENTIA, 1965, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00668

Gerhard Richter, (1) 20.12.85, 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35344

Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916

Anonymous, German, 16th century, Crucifixion with the Virgin and St. John the Evangelist, 16th century, Pen and brown ink, black and red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334866

Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470

Lovis Corinth, Woman Carrying a Basket (recto); Untitled (Study for Portrait of Frau Luther) (verso), c. 1910, Pencil on paper (recto); Pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37438

Domenico Beccafumi, The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), c. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334686

Gerhard Richter, 4.4.83 (8), 1983, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35334

Martin Kippenberger, [Untitled], 1992, Pencil and crayon on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37171

Joseph Beuys, Score for MANRESA, 1966, Paper and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00124

Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047

Christian Wilhelm Ernst Dietrich, Saint Francis Reading, 1747, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334802

Lucas Cranach the Elder, Saint Catherine, late 15th–mid-16th century, Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334800

Joseph Beuys, Drawing for Dominica delle Palme vitrine, 1981–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00090

August Macke, Street Scene with Cathedral (Straßenbild mit Kathedrale), 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33999

Ernst Barlach, The Miser (Der Geizige), 1922, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33060

Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651

Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312

Gerhard Richter, 24.4.90, 1990, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37894

Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025

Gerhard Richter, 4.4.83 (9), 1983, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35335

Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220

Giulio Romano, A Tabernacle Containing a Papal Escutcheon Supported by Angels, c. 1538–40, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334694

Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344

Otto Dix, Old Woman ( Alte Dame ), 1932, Silverpoint and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35561

Peter Brüning, [Untitled], 1966, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37592

Paul Klee, Physiognomy of a Dream (Physiognomie eines Traumes), 1924, Pencil on paper with ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37819

Perino del Vaga (Pietro Buonaccorsi), Seated Triton, 1545–47, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334756

Franz Marc, Elephant (Elefant), 1913, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37666

Wilhelm von Kobell, Studies of Horsewomen, late 18th–mid-19th century, Graphite, heightened with white chalk, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334908

Michael Herr, The Last Judgment, 1615–20, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334715

Paul Klee, Lady Bell-Tone Bim (Glockentönin Bim), 1922, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33082

Lovis Corinth, Leonid Osipovich Pasternak, (1923), Crayon and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37270

Joseph Beuys, Facing the Stars, 1978, 2 paper bags, graphite and stamp on glass, Tate, London. https://dartabase.art/cite/tate/AR00626

Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600

Joseph Beuys, Monument to the Stag, 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00111

Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449

Willi Baumeister, [Untitled], 1944, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36884

Joseph Beuys, Blackboard (Schultafel), 1974, Chalk on painted board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35539

Kurt Schwitters, Merz 88. Red Stroke, 1920, Cut-and-pasted colored and printed papers and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37701

Isaak Major, Landscape, early 17th century, Pen and blue ink, brush and blue wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334918

Jakob Philipp Hackert, A Large Tree at Albano, 1782, Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334880

Martin Kippenberger, [Untitled], 1992, Pencil, ballpoint pen, and crayon on doctor's stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37176

Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887

Jakob Philipp Hackert, A Rocky Landscape at Civita Castellana, 1776, Brush and brown wash over graphite; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334882

Anonymous, German, 16th century, Design for a Table Fountain, 16th century, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334874

Joseph Beuys, Actress, 1964, Graphite on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00663

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937

Lovis Corinth, Self-Portraits (Selbstbildnisse), 1902, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38265

Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319

Werner Graeff, Construction, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38218

August Macke, Promenade on the Bridge (Spaziergang auf der Brücke), 1913, Charcoal on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35274

Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304

Otto Dix, A Soldier Writing (Schreibender Soldat), 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35853

Kurt Schwitters, Mz. 252. Colored Squares, 1921, Cut-and-pasted colored and printed paper with pencil on paper with cardstock border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37704

Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127

Joseph Beuys, Damp Value, 1964–74, Graphite on paper, paint on glass and wire, Tate, London. https://dartabase.art/cite/tate/AR00604

Markus Lüpertz, Snail and Shovel, 1976, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33993

Karl Hofer, Reclining Nude, (c. 1948), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38146

Hans Werl, Madonna and Child Enthroned, late 16th–early 17th century, Pen and black ink and brush and gray wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334698

Peter Brüning, [Untitled], (n.d.), Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37289

Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846

Joseph Beuys, [Untitled], 1965, Graphite and fat on paper, Tate, London. https://dartabase.art/cite/tate/AR00671

Joseph Beuys, Hare’s Blood, 1974–7, Graphite, blood and stamp on aluminium plate, Tate, London. https://dartabase.art/cite/tate/AR00625

Paul Klee, Houses Drawn by Oxen, Ox Speared by a Lantern, Overpass (Häuser von Ochsen gezogen, Ochse laternengespiesst, Strassenüberführung), 1916, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33836

Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683

Paul Klee, Magicians in Dispute (Magier im Disput), 1928, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35216

Martin Kippenberger, Untitled (What we gone do), 1995, Felt-tip pen, ballpoint, and pencil on hotel stationery, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34558

Gerhard Richter, 3.5.82, 1982, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36243

Kurt Schwitters, Untitled (OPENED BY), 1946–47, Cut-and-pasted paper, printed paper, and painted paper, pencil, and crayon on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35541

Georg Baselitz, Masai, 1972, Ink and pencil on paper (recto); Pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33745

Johannes Theodor Baargeld (Alfred Emanuel Ferdinand Gruenwald), Factory, (1920), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33303

Joseph Beuys, German Students Party, 1967, Ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00677

Martin Kippenberger, [Untitled], 1992, Pencil and crayon on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37169

Anonymous, German, 16th century, A Standard Bearer, 1534, Brush and black ink with white heightening, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334875

Francesco Salviati (Francesco de' Rossi), Design for a Vase with Hercules and Farnese Lilies, c. 1540, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334659

Richard Oelze, Performer, 1952–53, Crayon on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33206

Joseph Beuys, Young Blacksmith with his Work, 1971, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00681

Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674

Ludwig Meidner, Dr. Wilhelm Valentiner, 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36927

Gerhard Richter, 17.11.82, 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37017

Johann Liss, Recto: The Concert
Verso: Seated Male Nude, early 17th century, Black chalk on brown paperf, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334913

Hans Süss von Kulmbach, Saint John the Baptist in the Wilderness, c. 1510–15, Pen and brown ink with traces of black chalk and brush and gray ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334911

Ella Bergmann-Michel, Des Mondes Licht (Moonlight), 1922/23, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38180

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767

Ernst Ludwig Kirchner, Berliner Straßenszene, c. 1914, Pastellkreiden und Kohle auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11716

Lovis Corinth, The Artist's Wife Asleep, 1902–03, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33352

Joseph Beuys, Score for Action with Transmitter (Felt) Receiver in the Mountains, 1973, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00683

Ernst Ludwig Kirchner, Two Nudes in a Landscape (Zwei Akte im Freien), c. 1908–10, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35352

Francesco Clemente, [Untitled], (n.d.), Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35546

Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626

Andrea del Sarto (Andrea d'Agnolo), Studies of a Head and a Hand, 1510, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334646

Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358

Girolamo Macchietti, Seated Boy, 1555–92, Red chalk, highlighted with white chalk; framing outlines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334708

Gottfried Bernhard Goetz, Allegory of Europe, from the Four Continents, 1728–74, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334877

Kurt Schwitters, Untitled (fec.), 1920, Cut-and-pasted printed paper and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35419

Joseph Beuys, [Untitled], 1961, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00651

Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032

Kurt Schwitters, Karlsruhe, 1929, Cut-and-pasted printed paper and crayon on printed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38342

Martin Kippenberger, Die Welt des Kanarienvogels (The World of the Canary), 1988, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34700

Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582

Martin Kippenberger, [Untitled], 1992, Pencil and crayon on hotel stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37174

Paul Klee, A Balance-Capriccio (Ein Gleichgewicht-Capriccio), 1923, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33845

Martin Kippenberger, [Untitled], 1992, Pencil on doctor's stationery in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37175

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788

August Macke, Tightrope Walker I (Seiltänzer I), (1913–14), Color crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34691

Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709

Anonymous, German, 18th century, Raising of Lazarus, 18th century (?), Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334863

Joseph Beuys, Electric Sphinx, 1977, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00685

Anonymous, German, 19th century, Portrait of a Lady, 19th century, Pastel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334861

Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284

Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118

Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681

Carl Müller, Holy Family, 1872, Black and white chalk on gray paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334933

Gerhard Richter, 17.11.1982, November 17, 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37012

Gottfried Bernhard Goetz, Allegory of Africa, 1728–74, Black chalk (and graphite?), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334878

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Anonymous, German, 16th century, The Vision of Saint Eustace, 16th century, Pen and brown and black ink, over traces of black chalk., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334820

Joseph Anton Koch, Landscape with Saint George and the Dragon and the Monte Soratte, c. 1816, Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203867

Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949

Georg Kolbe, Dancer (Tänzerin), (c. 1918), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35416

Antonius Höckelman, [Untitled], 1969, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33915

Joseph Beuys, FILTER, 1958, Graphite and gold paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00640

Cigoli (Ludovico Cardi), Design in Elevation for the Façade of a Building, 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334713

Ernst Wilhelm Nay, [Untitled], 1961, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38160

Horst Antes, The Painter in America, (1965), Pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38755

Joseph Beuys, [Untitled], 1972, Leaves, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00682

Wilhelm Lehmbruck, Head, Kneeling Woman (Kopf, Kniende Frau), 1911, Blue chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34600

Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825

Johann Matthias Kager, Design for an Ornamental Panel with the Figure of Astronomy, 1590–1637, Pen and black ink, brush and gray wash and ochre washes., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334894

Paul Klee, The Crooked Mouth and the Light Green Eyes of Mrs. B. (Der schiefe Mund und die hellgrünen Augen der Frau B.), 1925, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33854

Joseph Beuys, the Breathless, 1966, Fat, copper oxide and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00675

Erich Heckel, Head of a Girl (Mädchenkopf), 1912, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33991

Johannes Theodor Baargeld (Alfred Emanuel Ferdinand Gruenwald), Untitled (Beetles), 1920, Ink and pencil on tissue, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35886

Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682

Lovis Corinth, Self-Portrait (Selbstbildnis), 1922, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37306

Wilhelm Lehmbruck, Study for Bather, (1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36454

Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593

Michelangelo Buonarroti, Design for the Tomb of Pope Julius II della Rovere, 1505–6, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334655

Wilhelm von Kaulbach, Virginius and Virginia (?), 19th century, Pen and black ink, brush and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334893

Paul Klee, Quarry at Ostermundigen (Steinbruch Ostermundigen), 1909, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35208

Richard Oelze, Frieda, 1936, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33906

Joseph Beuys, Observation on the Cat, 1956, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00104

Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740

Max Beckmann, The Chained One (Der Gefesselte), (1944), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33973

Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203

Rupprecht Geiger, Number 9, 1959, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34504

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766

Jakob Philipp Hackert, View of Svenarum in the Province of Småland, Sweden, c. 1764, Brush and gray and brown wash, over faint indications in black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334881

Paul Klee, Snail (Schnecke), 1914, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34935

Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555

Max Beckmann, The Iceman (Der Eismann), (1944), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36770