Jan J. Schoonhoven, T76 M2, 1976, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34182

Rembrandt van Rijn, Angel Standing, c. 1637/1639, pen and brown ink over traces of charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1839

Roelant Roghman, A View of Cronesteyn Castle, near Leiden, 1646–1647, Gray wash, black chalk and graphite on cream antique laid paper, framing lines in brown ink, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4726

Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177

Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628

Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981

Gerrit Adriaensz Berckheyde, Seated Young Woman, 17th century, Red chalk; framing lines in black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334773

Govaert Flinck, Saskia, 1615, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1852

Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614

Ferdinand Bol, Rembrandt van Rijn, c. 1640, chalk, pen and ink, brush and wash on sheet trimmed with gold paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4647

José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055

Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630

Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789

Jacob Matham, Martyr with an Angel, 1571, pen and brown ink with brown-gray wash over black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8793

Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350

Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589

Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340

Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667

Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607

Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165

Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824

Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692

Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811

Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811

Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056

Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818

Friedrich Vordemberge-Gildewart, Intimately Silvered, (1923), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33446

Piet Mondrian, Chrysanthemum (recto) and Head in Profile (verso), 1906, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34486

Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112

Nicolaes Berchem, Animal Studies, mid-17th–late 17th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334683

Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039

Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128

Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169

Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617

Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464