Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623

W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924

Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625

Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665

Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282

Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239

Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745

Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649

Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684

Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812

Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286

Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663

Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194

Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984

Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633

Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905

Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643

Mario Sironi, Multiplication (8), (n.d.), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38021

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881

Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651

Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076

Hans Gasser, Recto:Nude Female Figure in a Niche   Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857

Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547

Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344

Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207

Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119

Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596

Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504

Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318

Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522

Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831

Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536

Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765

Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991

Carl Fredrik Reuterswärd, Bam Bam, 1958, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37755

Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223

Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060

Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681

Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271

Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113

Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767

Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963

Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813

Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167

Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899

Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076

Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950

Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121

Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817

Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644

Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251

Marlene Dumas, Magdalena, 1996, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36055

Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766

Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268

Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916

Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763

Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979

Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185

Öyvind Fahlström, Study for Eddie (Sylvie's brother) in the Desert, 1966, Ink and pencil on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37763

Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544

William Kentridge, Seated Couple (Back to Back), 1998, Charcoal on pasted book pages on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37480

Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297

Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307

Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902

Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598

Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061

Georg Raphael Donner, Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper
Verso: black and brown chalk and pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334804

Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498

Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485

Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829

Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197

Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107

Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543

Alessandro Algardi, The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334747

Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921

Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488

Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744

Anonymous, Austrian, 18th century, Saints Peter and Paul, 18th century, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334780

Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764

Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778

Johann Anton Eismann, Ruins on the Palatine in Rome, c. 1650, Brush and gray ink, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334711

Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837

Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277

Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916

Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470

Domenico Beccafumi, The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), c. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334686

Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047

Maximilian Kurzweil, View of the Valley (Talblick), (n.d.), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33291

Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895

Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651

Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898

Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312

Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025

Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220

Giulio Romano, A Tabernacle Containing a Papal Escutcheon Supported by Angels, c. 1538–40, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334694

Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344

Öyvind Fahlström, Notes for "The Little General", 1968, Ink, ballpoint pen, and pencil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36867

Perino del Vaga (Pietro Buonaccorsi), Seated Triton, 1545–47, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334756

Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600

Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449

Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896

Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245

Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937

Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319

Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906

Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304

Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127

Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846

Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683

Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901

Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903

Francesco Salviati (Francesco de' Rossi), Design for a Vase with Hercules and Farnese Lilies, c. 1540, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334659

Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767

Francesco Clemente, [Untitled], (n.d.), Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35546

Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626

Andrea del Sarto (Andrea d'Agnolo), Studies of a Head and a Hand, 1510, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334646

Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358

Girolamo Macchietti, Seated Boy, 1555–92, Red chalk, highlighted with white chalk; framing outlines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334708

Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149

Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032

Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171

Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904

Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582

Alfred Kubin, On the Tower Stairs (Auf der Turmtreppe), (n.d.), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37553

Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788

Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284

Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118

Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681

Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949

Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395

Cigoli (Ludovico Cardi), Design in Elevation for the Façade of a Building, 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334713

Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825

Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682

William Kentridge, Drawing from Stereoscope, (1998–99), Charcoal, pastel, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36774

Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593

Michelangelo Buonarroti, Design for the Tomb of Pope Julius II della Rovere, 1505–6, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334655

Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740

Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766

Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555