René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809 Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976 Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35653 George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048 Brett Whiteley, Deya, Mallorca Day, (1967), Ink, cut paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35073 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35676 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Colin Lanceley, Siegfried, 1967, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38826 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35643 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Peter Booth, [Untitled], 1986, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35634 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927