Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290

Vito Acconci, Corrections, 1972, Cut-and-pasted gelatin silver prints and crayon on black paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33704

Vito Acconci, Throw, 1969, Ink and pastel on painted foamcore with gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38701

Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881

Vito Acconci, Instant House #2, Drawing, 1980, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33062

Henry Moore, Sculpture and Red Rocks, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33081

Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887

Francesco Clemente, [Untitled], (n.d.), Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35546

Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36731

Henry Moore, Seated Figures, II, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33648