John Russell Pope, Palazzo Communale, Bologna, 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/552

Jean-Louis Forain, Before the Repast at Emmaus, c. 1910, brush and gray ink with brown and gray wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7095

F. L. Griggs, Landscape with Castle, 1921, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7431

Jean-Louis Forain, a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso), c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7244

Jean-Louis Forain, The Economic Withdrawal, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7248

Jean-Louis Forain, Toward Peace, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7250

Alphonse Legros, Head of a Man, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8437

François Boucher, Tête-à-tête, 1764, black chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1835

Jean-Michel Moreau the Younger, A Dancer, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2386

Jean-Louis Forain, a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black chalk on wove paper; b) black chalk and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7168

William Blake, "And Saul Said unto David, Go, and the Lord be with Thee" [recto], c. 1780/1785, pen and ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4869

Jean-Louis Forain, Soldiers Preparing a Meal, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7169

Jean-Louis Forain, Rassurez vous; je suis gauché., c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7214

Jean-Louis Forain, Sur la ligne de feu, c. 1914/1919, black crayon with brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7159

Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643

Albrecht Dürer, Young Woman in Netherlandish Dress, 1521, brush and brown and white ink on gray-violet prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1836

Anonymous Artist, Judith with the Head of Holofernes, c. 1480, pen and dark brown ink with black chalk and white heightening on olive-brown prepared paper laid down on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/319

Jean-Louis Forain, Le demobilisé, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7171

Jean-Louis Forain, Au fil de la marne, 1918, red chalk, black crayon, and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7192

Jean-Louis Forain, Reims 9bre 1918, probably 1918, brush and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7166

Honoré Daumier, Dancer, 1808, crayon over charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6421

F. L. Griggs, Garden House, 1909, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7427

Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9124

Alphonse Legros, Bust of Nude Man, 1837, graphite on blue hand-prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8427

Alphonse Legros, Head of a Man Facing Left [recto], 1837, black chalk on heavy laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8447

Charles Meryon, River Dredges and Lighters, probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9128

Jean-Louis Forain, a) At the Conference (recto); b) Reclining Figure (verso), c. 1919, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7202

Jean-Louis Forain, a) -Un farman?  -non, c'est un boche. (recto); b) Sketch of Figure (verso), c. 1914/1919, a) black crayon and brush and black ink on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7245

Jean-Louis Forain, The Objective of War, c. 1914/1919, crayon and brush and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7252

Jean-Louis Forain, The Empire Destroys, The Republic Pays, probably 1918, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7236

John Russell Pope, The Duomo, Florence, 1897, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/548

Rembrandt van Rijn, Angel Standing, c. 1637/1639, pen and brown ink over traces of charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1839

Alphonse Legros, Centaur Woman, 1837, pen and brown ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8431

Jean-Louis Forain, a) After Douai (recto); b) Untitled (verso), probably 1918, a) brush with brown and black ink and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7228

Alphonse Legros, Death and Its Horse, 1837, brush and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8425

Jean-Louis Forain, a) Fetters (recto); b) Several Figures (verso), probably 1919, a) brush and black ink and black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7209

Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7024

Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7158

Alphonse Legros, Head of a Man Facing Left, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8444

Charles Meryon, Seated Female Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9134

Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765

Käthe Kollwitz, Beggars, 1924, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8141

Louis-Marin Bonnet, Marie-Antoinette, Dauphine, 1736, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3020

Ernst Barlach, Standing Figure with Extinguished Torches, 1922, charcoal on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4144

Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060

Jean-Michel Moreau the Younger, Yes or No, 1778, graphite and red chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2385

Charles Meryon, Seine Boat for "Le Pont-au-Change", probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9129

John Russell Pope, Brickwork in Rimini, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/556

Honoré Daumier, Study of a Man, 1808, black chalk with black crayon and traces of graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6411

Jean-Louis Forain, En somme ca n'est que du "materiel humain.", c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7198

Jean-Louis Forain, Mother and Child Visited by Soldier in Hospital, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7154

Alphonse Legros, Study of a Beggar, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8443

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9127

Jean-Louis Forain, Elections Municipales, c. 1897, brush and black ink with brown and gray wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7046

Honoré Daumier, The Reading, 1808, charcoal and crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6424

Charles Meryon, Chasse-maree au plus pres, 1821, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9125

Jean-Louis Forain, Two Soldiers Looking at a Placard, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7174

Jean-Louis Forain, The Hats of the Allies [recto], c. 1914/1919, black crayon and brush and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7183

John Russell Pope, Study of an Altarpiece and Ceiling Panels, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/541

Auguste Lepère, Spring, probably 1909, charcoal and colored chalk on laid blue-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8400

Govaert Flinck, Saskia, 1615, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1852

Charles Monnet, Jupiter couvre la Terre de Nuages pour jouir d'Io, published 1767/1771, pen and black ink and brush and brown ink with brown wash over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2027

Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950

Jean-Louis Forain, German Advance, c. 1914/1919, brush with black and brown ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7175

Jean-Louis Forain, Defenseur et  Accuse, c. 1908, crayon with graphite additions on brown wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7121

Alphonse Legros, Study of a Head, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8445

Jean-Louis Forain, La retour (The Return), c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7210

Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644

Alphonse Legros, Two Studies of Hands, 1837, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8452

Ferdinand Bol, Rembrandt van Rijn, c. 1640, chalk, pen and ink, brush and wash on sheet trimmed with gold paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4647

Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766

Jean-Louis Forain, Au front de Champagne - Les dernieres prieres, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7211

Jean-Louis Forain, a) Along the Marne (recto); b) Study for Along the Marne (verso), probably 1918, a) black crayon with graphite and red and yellow crayon additions on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7234

Jean-Louis Forain, Benediction a Lourdes, c. 1912, pen and brown ink, brown wash, and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7019

John Russell Pope, Library, San Lorenzo, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/547

Jean-Louis Forain, Noyon, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7199

Jean-Louis Forain, To Each His Own, 1852, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7032

Hubert François Gravelot, Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757, pen and gray ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1878

Charles Meryon, College Henri IV, 1869, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9131

Jean-Louis Forain, The Departure for Versailles, c. 1919, brush and brown ink and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7231

Louis-Marin Bonnet, Le Rendez-vous, 1771, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2851

Alphonse Legros, Head of a Man with Curly Hair and Beard, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8435

Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763

Alphonse Legros, Head of a Man with a Skullcap, 1837, wash over charcoal, heightened with white, on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8414

Jean-Louis Forain, Discharged from Military Service, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7165

Honoré Daumier, Woman with Veil, 1808, pen and black ink over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6425

Jean-Louis Forain, Men of Justice, 1921, brush and brown ink with brown wash on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7119

Jean-Louis Forain, Two Soldiers, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7194

Jean-Louis Forain, Le depart pour Versailles, c. 1919, brush and brown ink over graphite on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7213

Honoré Daumier, Bathers, 1808, black chalk on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6410

Alphonse Legros, Study of a Workman, 1837, graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8410

Honoré Daumier, Lawyer, 1808, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6420

William Blake, The Belvedere Torso [verso], probably c. 1779/1780, graphite on two joined sheets, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4868

Jean-Louis Forain, Nach Paris.  -moi aussi, chai des enfants, c. 1914/1919, brush and black ink over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7197

Jean-Louis Forain, Ceux de la premiere heure.  "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ...", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7225

Charles Monnet, Perseus Turning Phinneas to Stone with the Head of Medusa, 1767, pen and black ink with brown and gray wash over traces of graphite, with double border line by the artist in pen and gray ink, on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2111

Louis-Marin Bonnet, Louis-Auguste, Dauphin de France, 1770, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3111

Jean-Louis Forain, A Versailles.  L'envoye des boches, c. 1914/1919, black crayon and brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7182

Jacob Matham, Martyr with an Angel, 1571, pen and brown ink with brown-gray wash over black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8793

Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061

Jean-Louis Forain, C'est la, que j'ai fini le cure, c. 1914/1919, pen and brown ink with brown wash over black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7238

Honoré Daumier, Sheet of Studies with Two Large Men on the Ground, 1808, black chalk and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6414

Joseph Pennell, Study for "Le Stryge", probably 1893, pen and black ink over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9568

Auguste Lepère, Saint Servan, 1917, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8401

F. L. Griggs, Cloitre St. Pierre, Avignon, 1922, red and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7430

Alphonse Legros, Centaur Carrying a Tree Trunk, 1837, brown and green ink over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8418

Jean-Louis Forain, News in the Trenches, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7223

Jean-Louis Forain, a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso), 1852, a) black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7028

Alphonse Legros, Head of a Man, 1837, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8458

Auguste Lepère, Arrivee au Marche, 1849, black chalk on two sheets of laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8399

John Russell Pope, An Interesting Romanesque Treatment, San Giovanni, Pistoia, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/545

Alphonse Legros, Peasant and Ass, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8407

F. L. Griggs, Topiary Archway, 1910, charcoal and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7432

Samuel Prout, Sion, c. 1830, graphite with white heightening on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/869

Jean-Louis Forain, a) Refugees (recto); b) No 2 (verso), c. 1914/1919, a) brush and black ink and blue crayon on wove paper; b) blue crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7163

Alphonse Legros, Death and the Woodcutter, 1837, pen and brown ink over graphite on ground wood paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8292

Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!", c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7186

Auguste Rodin, Two Figures, c. 1905, graphite with wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1030

Charles-Nicolas Cochin II, Eighth Day, First Story, Madonna Ambruogia Gives Her Husband the Two Hundred Florins She Was Given by Gulfardo in Payment for Her Favors, c. 1757, graphite on wove(?) paper with a border line in pen and brown ink, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1921

Charles Eisen, The Great Flood, 1765, graphite on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2015

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9136

Jean-Louis Forain, Sur le Rhin.  -maintenant c'est l'arriere., probably 1918, black crayon and graphite with black and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7177

Jean-Louis Forain, Bredouilles,  l'Equipage d'un Zeppelin, probably 1915, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7200

Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841

Charles Meryon, Seated Male Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9135

John Russell Pope, Byzantine Doorway with Duomo, Rimini, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/557

Alphonse Legros, Study of Two Figures Seated Side by Side, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8426

Jean-Louis Forain, a) Kammerade.  Porquoi cette froideur? (recto); b) Study for German Figure (verso), c. 1914/1919, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7179

John Russell Pope, Study of Moldings, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/551

Eugène Delacroix, Portrait of a Child, 1798, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6492

John Russell Pope, St. Andrea, Pistoia, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/546

Charles Eisen, Jupiter and Callisto, 1765, graphite on wove(?) paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2044

Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764

Honoré Daumier, The Prodigal Son, 1808, charcoal heightened with white on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6435

Jean-Louis Forain, Projet de Voyage, c. 1897, brush and black ink and colored washes on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7066

Louis-Marin Bonnet, Tête de Flore, 1769, chalk manner printed in blue, black, and red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2776

Jean-Louis Forain, Poilu and German Prisoners, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7164

Jean-Louis Forain, Hiding the "louis" [verso], c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7184

F. L. Griggs, Apse of St.-Didier, Avignon, 1922, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7428

Jean-Louis Forain, a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso), 1918, a) brush and brown and black ink over black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7176

Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277

Henri Fantin-Latour, Siegfried and the Rhine Maidens, 1836, black crayon on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6847

François Boucher, Aurora and Cephalus, c. 1766, brown chalk with stumping on light beige laid paper, with later framing line in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2156

Alphonse Legros, The Reapers, 1907, graphite on white prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8408

Félix Bracquemond, The Old Cock, c. 1882, conté crayon with brush and brown-black wash on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5264

William Blake, A Resurrection Scene (The Gambols of Ghosts) [recto], 1805/1808, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4873

Jean-Louis Forain, On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!, 1852, graphite and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7017

Jean-Louis Forain, a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso), c. 1914/1919, a) brush and black ink with brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7196

F. L. Griggs, Sunset and Moonrise at Cilian-Aeron, 1902, pen and black ink with black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7436

Jean-Louis Forain, a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso), c. 1914/1919, a) brush and black ink on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7203

Hubert François Gravelot, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1883

Jean-Louis Forain, 7me 1914, c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7242

Jean-Louis Forain, Prussian Soldier and Civilians, c. 1919, black crayon and brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7227

William Blake, Group of Men Seated in a Circle [recto], c. 1780/1785, pen and black ink with wash over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4871

Jean-Michel Moreau the Younger, The Sacrifice of Iphigenia, 1769, pen and brush and black ink with gray wash over traces of graphite with border line by the artist on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2234

Hubert François Gravelot, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1941

Eugène Delacroix, Women of Algiers, 1833, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6491

Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7220

Jean-Louis Forain, Hiding the "louis", c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7251

Jean-Louis Forain, Choisissez vos chambres, c. 1914/1919, black crayon and brush with black and gray ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7212

Charles Meryon, La Panne, 1839, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9133

Jean-Louis Forain, a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7015

Alphonse Legros, Head of an Old Man, 1837, black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8446

Jean-Louis Forain, Le retour du permissionnaire.  -Tu Tombes a pie!, c. 1914/1919, black and orange crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7232

Jean-Louis Forain, a) Nurse and Child (recto); b) Man on Horseback (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink and purple pencil on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7018

John Russell Pope, Siena Cathedral, Entrance to Library, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/544

Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449

Jean-Michel Moreau the Younger, Phaeton au Palais du Soleil ..., 1766, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2037

Jean-Louis Forain, Comedie Parisienne, 1852, graphite and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7020

Honoré Daumier, Scene in a Palace of Justice, 1808, black chalk with wash marks on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6423

Jean-Louis Forain, a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso), 1852, a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper; b) black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7021

Jean-Louis Forain, The Hat of Marshall Foch, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7195

Alphonse Legros, The Departure, 1905, pen and brown ink with brown wash over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8403

Honoré Daumier, Head of a Man, 1808, black and red chalk on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6427

Jean-Louis Forain, During the Armistice, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7218

Jean-Louis Forain, Woman and Two Children with German Soldiers, c. 1914/1919, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7207

Jean-Louis Forain, -Qu'est-ce vous voulez?  -Les "louis" de 1871, c. 1914/1919, brush and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7219

Alphonse Legros, Head of a Young Man, 1837, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8415

Alphonse Legros, The Big Tree, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8429

Jean-Louis Forain, a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso), 1918, a) black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7162

John Russell Pope, Bologna Brick Wall, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/550

Jean-Louis Forain, Le pas de l'oie - dans le sang, c. 1914/1919, black crayon and brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7180

Honoré Daumier, Head of a Man, 1808, black chalk with brown, orange, and blue wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6426

Alphonse Legros, Rest, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8423

Jean-Louis Forain, Celui qui tira sur Clémenceau, in or after 1919, brush and black ink with black chalk on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7132

Alphonse Legros, After the Battle, 1837, pen and brown ink with brown wash over graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8428

Charles Meryon, Boats on River with Masts, 1821, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9132

Honoré Daumier, The Smoker, 1808, pen and black ink and charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6413

Jean-Louis Forain, Avant la fête persanne, 1912, brush and black ink, wash, and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7040

Alphonse Legros, Peasant at the Source, 1837, pen and brown ink over touches of graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8434

Jean-Louis Forain, a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso), c. 1919, a) brush and black ink on laid Van Gelder paper; b) brush and black ink on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7233

Alphonse Legros, Footpath in Burgundy, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8430

Alphonse Legros, Study of a Head, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8442

Jean-Louis Forain, En 1871, c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7191

John Russell Pope, Loggia del Consiglio, Padua, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/559

Jean-Louis Forain, Sketch of a Woman, 1885/1890, pastel on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3238

Alphonse Legros, Head of a Bald Man with a Beard, 1906, pen and brown ink with yellow and brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8455

Jean-Louis Forain, Grace!, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7222

Jean-Louis Forain, a) In the Trenches (recto); b) Study for In the Trenches (verso), c. 1914/1919, a) black crayon with black and grey wash on wove paper; b) black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7239

Alphonse Legros, Study of a Man's Head [recto], 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8439

Jean-Louis Forain, French Soldier Addressing Germania, c. 1914/1919, brush and brown ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7216

Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851

John Russell Pope, Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/540

Jean-Louis Forain, a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso), c. 1916, a) brush with black and gray ink and black crayon over graphite on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7160

Alphonse Legros, Study of a Man's Figure, Holding Rod behind Back, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8412

Alphonse Legros, Head of a Priest, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8441

Jean-Louis Forain, German Advance, c. 1914/1919, brush and brown ink and blue and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7217

Alphonse Legros, Head, 1879, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8451

Jean-Louis Forain, Toward Peace, c. 1914/1919, brush and black ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7134

Jean-Louis Forain, Les chefs (The Chefs), c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7153

Jean-Louis Forain, Le train de Berne (The Train for Berne), c. 1914/1919, brush with brown and black ink and black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7140

Alphonse Legros, Study of a Greek, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8411

Jean-Louis Forain, Le démobilisé, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7205

Jean-Louis Forain, Hospital Scene, c. 1914/1919, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7241

Jean-Louis Forain, Consolation, 1852, black crayon and brush and ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7034

Jean-Louis Forain, a) Ludus pro Populo (recto); b) Head of a Man (verso), 1852, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7030

Jean-Louis Forain, Ceux de la priemiere heure.  "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?...", c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7201

Alphonse Legros, Torso, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8422

Alphonse Legros, Head of a Child, 1837, red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8413

Jean-Louis Forain, a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso), c. 1914/1919, a) brush and black ink and black crayon on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7142

Jean-Louis Forain, Quand le boche se retire..., probably 1917, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7190

François Boucher, Venus appuyee sur son cher Adonis ..., 1767, black and white chalk on faded blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2216

Aubrey Beardsley, Withered Spring, 1872, pen and black ink heightened with white over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4599

Jean-Louis Forain, -Am Rhien?  -Ya., c. 1918, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7208

Alphonse Legros, Study of a Philosopher, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8436

Honoré Daumier, Head of a Man, 1808, black, brown, and white crayon on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6428

Jean-Louis Forain, a) Fetters (recto); b) Sketch for Fetters (verso), 1919, a) crayon and bursh and black ink on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7204

Jean-François Millet, The Newborn, 1814, charcoal on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9190

Francis Seymour Haden, Griff, probably c. 1864, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6524

Jean-François Millet, The Sower, 1814, chalk on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9189

Jean-Louis Forain, Toward Peace, c. 1914/1919, black crayon and brush with black and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7237

Jean-Louis Forain, Au Front de Vincennes, Bolo pacha, c. 1914/1919, crayon in black and blue and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7193

Jean-Louis Forain, Sur le canape, 1852, brush and black ink and brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7033

Jean-Louis Forain, Toward Justice, c. 1914/1919, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7246

Jean-Louis Forain, A Versailles juillet 1919, probably 1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7226

Jean-Louis Forain, En esclavage, c. 1914/1919, pen and brown ink with brown wash over red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7149

Jean-Louis Forain, L'attaque d'une "place forte" anglaise, probably 1917, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7215

John Russell Pope, Tomb of Dante, Ravenna, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/555

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9123

Alphonse Legros, Head of a Man Facing Left, 1837, black crayon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8454

Louis-Joseph Lefevre, Nous n'avons pas le patience d'attendre que nous fussions seuls, published 1797, pen and black ink and brush and black ink with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2649

Jean-Louis Forain, Refugees, c. 1914/1919, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7170

Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949

John Russell Pope, Siena Brickwork, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/542

Auguste Rodin, Seated Female Nude Leaning to the Left, 1908, graphite on folded paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1031

Honoré Daumier, Scene of the Tribunal (The Verdict), c. 1865–1867, pen and ink over charcoal, pieced on laid paper and laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6412

Jean-Louis Forain, Lost Illusions, probably 1918, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7229

Alphonse Legros, Study from the Antique, 1837, graphite on blue prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8416

John Russell Pope, Il Marzocco, Donatello, c. 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/549

Charles Meryon, Tikao, naturel d'Akaroa, 1821, ink and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9126

Alphonse Legros, Study of Woman Praying, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8405

Jean-Louis Forain, Poilu Acknowledging German Soldier, probably 1918, black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7161

Alphonse Legros, Two Monks Seated in a Church, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8406

Jean-Louis Forain, The Taking of Fort Douaumont, probably 1916, brush and black ink with crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7173

Jean-Louis Forain, a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso), c. 1914/1919, a) brush and brown and black ink on wove paper; b) brush and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7172

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9122

Jean-Louis Forain, a) Versailles juillet.  La Germania signe... (recto); b) Sketch for Figure of Germania (verso), probably 1919, a) black crayon and brown wash on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7224

Jean-Louis Forain, Sur le Rhin, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7167

Charles Meryon, College Henri IV, 1863, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9130

John Russell Pope, Palazzo Pollini, Siena, Attributed to Peruzzi, 1896, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/543

Jean-Louis Forain, Lost Illusions, probably 1918, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7247

Jean-Louis Forain, Le demobilise, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7143

Auguste Rodin, Seated Female Nude Looking Forward, 1908, graphite on folded paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1032

Jean-Louis Forain, Children Looking over the Edge of a Crib, 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7022

John Russell Pope, Sta. Maria della Salute, Venice, c. 1898, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/558

Gilles Demarteau the Elder, Young Woman with a Rose, c. 1776, chalk manner printed in green, red, and black on green prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2871

Jean-Louis Forain, After Douai, probably 1918, brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7230

Jean-Michel Moreau the Younger, La Famine par l'ordre de Ceres ..., 1767, pen and black ink and brush and black ink with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2174

Jean-Baptiste-Pierre Le Brun, Monks in a Cathedral, 1748, pen and brown ink with brown wash and white heightening over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8461

Jean-Louis Forain, Germania before the Judges, c. 1914/1919, black crayon and brush and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7235

Honoré Daumier, Don Quixote, 1808, crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6418

Honoré Daumier, Figure of a Man, 1808, black chalk with traces of gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6407

Honoré Daumier, Centaur Carrying Off a Woman, 1808, pen and black ink with wash over crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6417