Nancy Rubins, [Untitled], 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35090

Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415

Jenny Holzer, Men don't protect you anymore, 1991, Screenprint on timber, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3083

Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011

Gregory Amenoff, Thorax, 1987, Ink, oil stick, oil, charcoal, and pastel on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/87.26

Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479

Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135

Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835

Julian Schnabel, Le plus bas prix (from 'The readymade boomerang' portfolio), 1990, Lithograph with aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1609

Allan McCollum, Collection of Thirty Drawings. (No. 14), (1988/1990), Pencil on board in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36490

Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899

Roy Lichtenstein, Study for Interior with Mobile, 1992, Tape with painted and printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35293

Robert Therrien, RED ROOM, 2000–7, Organ, radio, telephone, wall clock, grill, kitchen utensils, clothes, shoes and other materials, Tate, London. https://dartabase.art/cite/tate/AR00702

Raymond Pettibon, No Title (Houdini let your...), 1990, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33794

Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325

Edward Ruscha, Gardner & Sunset, 1998, Pencil and crayon on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34783

John Baldessari, [Untitled], (1988), Cut-and-taped printed paper with crayon, and ink and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36229

Raymond Pettibon, No Title (In my youth...), 1994, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33792

Raymond Pettibon, No Title (A recurrent dream...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33801

Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470

Ronald Bladen, Untitled (Abstract Drawing), 1984, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32970

Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481

Kim Jones, [Untitled], (1991–94), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35172

Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482

Robert Motherwell, 18 October 1987 Sketchbook #4, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37656

Louise Bourgeois, Louise Bourgeois, 2003/2008, Photogravure with chine-collé, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2009.93

Richard Prince, [Untitled], 1984 and 1990, Pencil and spray paint on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34782

Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485

Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159

Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715

Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836

Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325

Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685

Peoples Power Assemblies, Poster reading "Jail Darren Wilson 4 Murder" used at Baltimore protests, April 2015, ink on paper, tape and metal; H x W: 22 × 17 1/2 in. (55.9 × 44.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751320-0

John Baldessari, Heaven and Hell, 1988, Etching with aquatint, scraping, roulette and photo-etching on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3114

Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624

Jim Shaw, Dream Drawing (In Reno there was a Titanic mockup where a girl...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33374

Julia Fish, Garden #38, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36602

Paul McCarthy, Father with Shiny Shoes, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35001

Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688

Robert Barnes, Bathed in light, 1989, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7661

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5212

Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683

Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260

Raymond Pettibon, No Title (The sketch is...), 1992, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33802

Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025

Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177

Ida Applebroog, Just Watch and See, 1985, LIthograph and ink wash on paper; two parts, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.297a-b

Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524

Russell Maltz, S. P. Drawing, 1990, Oil on card (four sheets) hung on metal pin, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5138

Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626

Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830

Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048

John Morris, [Untitled], 2000, Black ink on cream laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5498

Carl Andre, (The Title Of This Work Is Apparent When Taken Apart), 1990, Found object and book, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.154a-b

Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898

Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473

Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014

Raymond Pettibon, No Title (Blue as all...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33249

Kiki Smith, Worm, 1992, Etching and collage, cut paper and gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8709

Robert Barnes, Valley, 1989, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/381

Vija Celmins, Web #1, 1999, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00164

John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38709

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37318

Joe Zucker, [Untitled], 1994, Acrylic polymer gloss medium and acrylic on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/94.129

Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474

Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012

Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000

Edward Ruscha, Blank Signs, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5672

Geoffrey Hendricks, Untitled (from 'Anatomy in the sky' series), 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1275

Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126

Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825

Richard Serra, Pittsburgh, (1985), Paintstik on paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33668

Louise Bourgeois, Pink Days and Blue Days, 1997, Steel, fabric, bone, wood, glass, rubber and mixed media, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/97.101a-s

Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469

Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694

Bruce Conner, Inkblot Drawing, 1990, Ink, cut-and-pasted paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36282

Ellen Phelan, Curtain call, 1995, Photogravure, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2936

Ida Applebroog, Emetic Fields, 1989, Acrylic on canvas, eight parts, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.100a-h

Raymond Pettibon, No Title (In the midsts...), 1993, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35598

Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146

Raymond Pettibon, No Title (With his unshrinking...), 1987, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35571

Elizabeth Peyton, Artist towel, 2008, Cotton towel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1939

Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063

Elizabeth Peyton, Liam, (1996), Ink wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38714

Joe Zucker, 1995-2000, 2005, Watercolor and graphite on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5523

Louise Bourgeois, Homely Girl, A Life, 1992, Bound book in two volumes; letterpress, drypoint and offset color lithograph on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/93.1

Richard Artschwager, Six in Four-E4, 2012–2015, Stainless steel and powder-coated metal, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.159.4

Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176

William Anastasi, Untitled (Jerry Saltz Lecture Pocket Drawing), 2008, Graphite pencil on found paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2009.24

Louise Bourgeois, The Ladders, 2006, Engraving and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2007.8

Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613

Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682

Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020

Louise Bourgeois, Tree with Split Trunk, 1998, Drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.2

Richard Prince, Untitled ("A couple is driving..."), 1987, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34749

Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062

Jim Shaw, Dream Drawing (I'm teaching a class in which some black students...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33383

Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780

George Condo, [Untitled], 1989, Pastel and charcoal on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35614

Louise Bourgeois, Seated Woman, 2005, Etching with colored pencil, graphite, and opaque watercolor, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.49

Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496

Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621

Andy Warhol, Queen Elizabeth II of the United Kingdom, 1985, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P13295

Raymond Pettibon, No Title (Sweet ether. To...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33796

Ida Applebroog, [Untitled], 1996, Screenprint with watercolor, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.144.2

Robert Motherwell, 18 October 1987 Sketchbook #16, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37667

Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37224

John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250

Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019

Richard Prince, Untitled ("My father was never home..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34748

Joe Zucker, Cover for Yawl in a Box and Yawl in a Box, 2002, Transparent watercolor and graphite pencil on paper (a and b), Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.41a-b

Brice Marden, Rain, 1991, Ink and ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37195

Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900

Paul McCarthy, WGG (Wild Gone Girls) (from 'Point of view:  An anthology of the moving image' series), 2003, DVD:  5:20 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14712

Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564

James Davis, Ode for Rose, 1988, Brush, pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4974

Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689

Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635

Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100

Kiki Smith, A Man, 1990, Printing ink on torn-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35538

Louise Bourgeois, Spiral Woman, 2006, Etching and drypoint with watercolor, wax crayon, and graphite pencil (a and b), Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.60a-b

Jenny Holzer, Torture is barbaric, 1991, Screenprint on timber, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9495

Carole Seborovski, Layered Rectangles, 1987, Cut-and-pasted paper on paper with charcoal on layered paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35399

Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307

Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336

Alex Katz, Black Brook, 1988, Oil paint on linen, Tate, London. https://dartabase.art/cite/tate/AR01176

Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976

Alice Aycock, The Angels Continue Turning the Wheels of the Universe, Part I, 1984, Opaque watercolor, graphite pencil, ink, metallic ink pen and pastel on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.203

Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305

Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484

Raymond Pettibon, No Title (Yes! This belonged...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33806

Joe Zucker, HE. RUNNELS, 1998, Watercolor, wax crayon, and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.40

Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474

Raymond Pettibon, No Title (Not a single...), 1990, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35583

Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310

Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006

Peter Fischli, Pilze in Wasser [Mushroom in Water], 1998, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5118

Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717

Louise Bourgeois, Yes, 2004, Etching with opaque watercolor, and colored pencil, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2005.6

Robert Motherwell, 18 October 1987 Sketchbook #22, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37678

Robert Motherwell, 18 October 1987 Sketchbook #13, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37664

Elizabeth Murray, Bed, Shoe and Cup, 1994, Collage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33770

Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834

Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015

Raymond Pettibon, No Title (And where are...), 1995, Ink, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33798

Raymond Pettibon, No Title (Bible. Filling in...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33803

Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250

Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775

Louise Bourgeois, Male and Female, 2005, Drypoint, engraving with chine-collé (a and b), Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2007.9a-b

Alex Katz, Full Moon, 1988, Oil paint on linen, Tate, London. https://dartabase.art/cite/tate/AR01177

Robert Motherwell, 18 October 1987 Sketchbook #17, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37670

John Baldessari, Buildings=Guns=People:  Desire, Knowledge, and Hope (with Smog).  Study for Mural, Carnegie International, 1985, Cut-and-pasted paper with pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36184

Joe Zucker, John B. Cowle, 1998, Watercolor, wax crayon, and graphite on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.39

Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166

Roni Horn, Untitled 683, 1986, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37475

Robert Gober, [Untitled], 1995, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34921

Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248

Alice Aycock, Things Pass By in the Night: Murmuration 5, 2009, Opaque watercolor, acrylic, wax crayon, and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.16

Martin Puryear, [Untitled], 1994, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35083

John Morris, [Untitled], 2000, Black ink on white laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5362

Richard Artschwager, White Table, 1988, Acrylic on Celotex, formica, and wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2017.218

Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074

Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686

John Pearson, Doubts #1: Reassess, 1985, Pastel, conté crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34202

Julia Fish, Garden #9 (revised), 1993/95, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36595

Louise Bourgeois, Blue Dress, 1998, Drypoint and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.8

Jim Nutt, Drawing for Fret, 1990, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34727

Richard Artschwager, Chair/Chair, 1987–1990, Red oak, melamine laminate, cowhide and painted steel, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.206

Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179

Jenny Holzer, Survival Series pencil set, 1991, Lead pencils in cardboard box, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3704

Sean Scully, Untitled 11.7.88, 1988, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35699

Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480

Robert Motherwell, 18 October 1987 Sketchbook #20, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37676

Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477

Louise Bourgeois, [Untitled], 2006, Drypoint with watercolor, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.114

Raymond Pettibon, No Title (I'm longing for...), 1997, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35589

Harvey Quaytman, [Untitled], 1988, Etching, mezzotint and flocking on screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14451

Lari Pittman, This recipe, beloved and despised, continues regardless, 1989, Lithograph with screenprint on Arches paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1123

Sean Scully, Untitled 7.12.90, 1990, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34819

Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356

Raymond Pettibon, No Title (Under my thumb...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33805

Jenny Holzer, The beginning of the war will be secret, 2002, Screenprint on timber, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2065

Richard Artschwager, Table, Window, Mirror, Door, Basket, 1993, Etching and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2016.18

John Morris, [Untitled], (1993–99), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38707

Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554

Jim Shaw, Dream Drawing (We were waiting at a restaurant & 2 guys read an art tabloid...), 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33362

Richard Artschwager, Building Riddled with Listening Devices (Beta), 1990, Etching and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/90.37

Richard Artschwager, Building Riddled with Listening Devices (Alpha), 1990, Aquatint, etching, and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/90.36

John Baldessari, [Untitled], (1986), Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36205

Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953

Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692

Ida Applebroog, Modern Olympia, 2003, Inkjet print with collage, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.149.1

Julia Fish, Garden #42, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36606

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38730

Raymond Pettibon, No Title (And his mouth...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33795

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37319

David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535

Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716

George Condo, [Untitled], 1985, Charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35606

Alex Katz, Artist towel, 2007, Cotton towel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4808

Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596

William Anastasi, 60 Minutes, 1987, Pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33397

Ellen Gallagher, Paper Cup, 1996, Ink on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00066

Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291

Alex Katz, Sylvie, 1988, Charcoal and pencil on perforated colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36314

Cindy Sherman, [Untitled], 2007/2008, Colour photograph mounted on aluminium, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14169

J. Crew, Suit worn by Dr. Jamal Harrison Bryant to a protest in Ferguson, Missouri, October 13, 2014, .1: wool cloth, rayon and polyester blend cloth, and plastic buttons;; .2: wool cloth, rayon cloth, plastic and metal fasteners; H x W x D (.1 flat): 32 3/4 × 26 3/4 × 1/4 in. (83.2 × 67.9 × 0.6 cm); H x W x D (.2 flat): 42 1/4 × 19 1/2 × 3/4 in. (107.3 × 49.5 × 1.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750076-0

Bruce Nauman, (Untitled) (from 'Fingers and holes' series), 1994, Lithograph on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2680

Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125

Susan Rothenberg, [Untitled], (1990), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37331

Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693

John Baldessari, [Untitled], 1989, Cut-and-taped colored plastic sheet and cut-and-taped printed paper with crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36244

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5241

Soffe, Undershirt worn by Adm. Michelle Howard as rear admiral (lower half), 2009, cotton and polyester; H x W (flat): 28 × 17 1/4 in. (71.1 × 43.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748663-1

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5073

Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471

David Hammons, Out of Bounds, 1995–96, Dirt on paper in artist's frame, with basketball, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34932

Bruce Nauman, Partial Truth, 1997, Granite, Tate, London. https://dartabase.art/cite/tate/AR00575

Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37228

Jenny Holzer, BLUE PURPLE TILT, 2007, 7 light emitting diode columns, Tate, London. https://dartabase.art/cite/tate/AR00082

Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691

William Anastasi, Diptych Self-portrait, 2001, Two daguerreotypes, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2003.140a-b

Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047

Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156

Markus Raetz, Untitled (for Parkett no. 8), 1986, Aquatint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11344

Richard Artschwager, See by Looking/Hear by Listening, 1992, Melamine laminate, wood, velvet, chrome plated brass and etched glass, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/92.132a-f

Cindy Sherman, [Untitled], 2003, Digital C-print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5181

Jasper Johns, [Untitled], 1986, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36289

Gregory Amenoff, Gordian Knot, 1985, Oil on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/85.12

Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684

Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476

Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134

Robert Motherwell, Elegy fragment no. 1, 1985, Etching and aquatint on handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5933

Joe Zucker, Sail, 2009, Latex on paper mounted on cardboard tube, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.24a-b

Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049

Richard Prince, Untitled ("What it means...Do you know what..."), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34750

Jo Davidson, Man, woman and sphinx, 1989, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6018

Elizabeth Peyton, Spencer, (1999), Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38718

Tom Otterness, The European Notebook, 1984, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35236

Terry Winters, [Untitled], 1990, Charcoal, with stumping and erasing, on off-white wove Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113993

Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828

Richard Serra, Two Rounds, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35338

Louise Bourgeois, Follow the Child Within You, 1999, Drypoint, engraving, and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.133

Louise Bourgeois, Ode à Ma Mère, 1995, Portfolio with 9 compositions: 9 drypoints, 1 with monoprinting and embossing, plus 1 with roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10999

Andrea Zittel, Functionally Fixed and Functionally Unfixed Panels, (1998), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36044

Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475

Vija Celmins, Night Sky #19, 1998, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00163

Richard Artschwager, Organ of Cause and Effect III, 1986, Melamine laminate and latex paint on plywood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/87.6a-f

Louise Bourgeois, Hairy Spider, 2001, Drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2003.115

Bruce Nauman, Raw Material Washing Hands, Normal (A of A/B) Raw Material Washing Hands, Normal (B of A/B), 1996, Video, 2 monitors, colour and sound, Tate, London. https://dartabase.art/cite/tate/AR00579

Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625

Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980

Stuart Diamond, Human/Nature, 1988, Charcoal, pastel and metallic powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36116

Louise Bourgeois, Tree with Woman, 1998, Drypoint with graphite pencil, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.3

Elaine Lustig Cohen, Topkapi, 1997, Pasted gelatin silver print, torn-and-pasted printed paper, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37157

Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178

Joel Shapiro, [Untitled], (1988), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36348

Jenny Holzer, LAMENTS: THE NEW DISEASE CAME..., (1988–89), Ink transfer and pencil on transparentized paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37309

Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002

Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483

Christopher Wilmarth, [Untitled], 1987, Graphite, graphite wash, gesso and rabbit-skin glue on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35729

Louise Bourgeois, Amputee with Peg Leg, 1998, Drypoint and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.6

Richard Artschwager, Monument, 2010, Laminate on wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2014.238

Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634

Robert Therrien, No Title (Table and Four Chairs), 2003, Aluminium, steel, wood and plastic, Tate, London. https://dartabase.art/cite/tate/AR00166

Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001

Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061

Allyson Strafella, [Untitled], 1995, Typewriting on carbon paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36758

Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998

Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5213

Gregory Crewdson, Untitled Documentary Shot, 2004, Digital C-print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4593

Richard Prince, Untitled ("I've been married..."), 1986, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34747

James Rosenquist, Digits from the Wildwood, 1984, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33524

William Tucker, Study for Sculpture, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35720

John Baldessari, [Untitled], 1985, Crayon on printed paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36198

Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007

Sara Sosnowy, Large Spiral Series #9, 1994, Charcoal and correction fluid on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35545

Louise Bourgeois, Nature Study, 1984, Bronze on steel base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/84.42

Robert Motherwell, 18 October 1987 Sketchbook #7, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37660

Robert Arneson, The Colonel's at It Again, 1986, Lithograph, with hand-coloring, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2014.38

Louise Bourgeois, Tree/Legs, 1998, Drypoint with graphite pencil, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.4

Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018

Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475

Vija Celmins, Untitled (Source Materials), 1999, Iris print on paper, Tate, London. https://dartabase.art/cite/tate/AR00472

Richard Artschwager, Mirror, 1988, Melamine laminate on plywood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/97.120.1

Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083

Andy Warhol, Rorschach, 1984, Acrylic on linen, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.279

Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626

Louise Bourgeois, A Flower in the Forest, 1997, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.62.1

Raymond Pettibon, Popeye, 1991, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33110

Richard Artschwager, Six in Four-E1, 2012–2015, Melamine laminate, powder-coated metal, and rubber flooring, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.159.1

James Rosenquist, Hand Towel, 1984, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35361

Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132

Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160

Sol LeWitt, Wall Drawing #1136, 2004, Paint on wall, Tate, London. https://dartabase.art/cite/tate/AR00165

Bruce Nauman, Setting a Good Corner (Allegory and Metaphor), 1999, Video, monitor, colour and sound (stereo), Tate, London. https://dartabase.art/cite/tate/AR00576

Robert Therrien, Untitled (doors), 1995–96, Aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3574

Eve Andrée Laramée, Approximate Locations Near Ingólfsfjall, Iceland, 1993, Charcoal, ballpoint pen, and colored pencil on printed map, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36631

Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824

Pat Steir, [Untitled], (1985), Graphite, powdered graphite, charcoal, gesso, pencil, and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37050

Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477

Richard Artschwager, Six in Four-E3, 2012–2015, Melamine laminate, powder-coated metal, and rubber flooring, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.159.3

Andy Warhol, La Grande Passion, 1985, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2000.196

Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330

Louise Bourgeois, Spider Woman, 2005, Drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.76

Richard Artschwager, Cerise, 2002, Photostat on plywood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2024.259

Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345

Richard Prince, Untitled ("A friend of mine..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34753

Louise Bourgeois, The Puritan, 1990, Engraving with chine-collé and letterpress, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/91.8

Richard Artschwager, Diderot's Last Resort, 1992, Formica on wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2017.220

Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155

Robert Barnes, Looking skywards, c.1989, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11409

Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703

Jill Baroff, Blackbird, (1997), Graphite on cut-and-pasted Japanese paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37447

Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612

Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829

Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158

Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084

Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064

John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803

Louise Bourgeois, Tree, 1998, Drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.1

Robert Motherwell, 18 October 1987 Sketchbook #25, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37679

Richard Artschwager, [Untitled], 1998, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.83.2

Robert Therrien, No Title (Beard Cart), 2004, Steel plate, stainless steel, plastic, wood, rubber, human hair and plaster, Tate, London. https://dartabase.art/cite/tate/AR01128

Jo Davidson, Figures and shadows, 1989, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7231

Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480

Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010

Louise Bourgeois, The Curved House, 2010, Marble, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.63

Vija Celmins, Concentric bearings, C, 1984, Aquatint, drypoint and mezzotint on BFK Rives paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4697

Andy Warhol, Portrait of Emily Fisher Landau, 1984, Acrylic and screenprint on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2024.245

COR Health Institute, Placard for the 300 Men March, 2015, ink on paper; H x W: 13 × 19 in. (33 × 48.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750032-1

Roni Horn, AS IV, 1987, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33198

Robert Therrien, No Title (Scrubbrush panel), 1997, Photograph, black and white, on paper with chalk, graphite and paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00168

Richard Serra, Dead Weight (Edfu), 1991, Paintstik on two sheets of paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35530

Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330

William Eggleston, Untitled, Memphis, 2001, Digital C-print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5561

Richard Artschwager, [Untitled], 1998, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.83.3

Raymond Pettibon, No Title (A sweeping left...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33789

Robert Therrien, No Title (Oil Can), 2004, Stainless steel, Tate, London. https://dartabase.art/cite/tate/AR00167

Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005

Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695

Susan Rothenberg, [Untitled], 1984, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33530

Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024

Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837

Mel Bochner, Via Vanvitelli, 1987, Charcoal on four sheets of colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37303

Bruce Nauman, Violent Incident: Man-Woman Segment, 1986, Video, monitor, colour and sound (mono), Tate, London. https://dartabase.art/cite/tate/AR00577

Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009

Matthew Barney, HYPERTROPHY (incline), (1991), Light-reflective vinyl, petroleum jelly, and pencil on paper sewn with thread to; self-lubricating plastic frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35186

Brice Marden, St. Barts 10, 1989–91, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35286

Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049

Vito Acconci, Crash, 1984, Photo-etching, aquatint, and embossing on two sheets of paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2009.35a-b

Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181

Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007

Allyson Strafella, [Untitled], 1994, Typewriting and chalk on painted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36678

Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623

Richard Diebenkorn, Untitled (Ocean Park), 1986, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36263

Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005

Robert Morris, Blind Time III, 1985, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36976

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon and pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37317

Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468

Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013

Louise Bourgeois, Amputee with Crutch, 1998, Drypoint and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.7

Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017

Robert Therrien, No Title (Large Red Brick Drawing), 2003, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00169

Paul McCarthy, Father Operation with Dog, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35000

Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133

Matthew Barney, Stadium, (1991), Pencil on paper with self lubricating plastic frame with ice packs, velcro and thread, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35196

Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065

Roy Lichtenstein, Study for Interior with Mobile, 1991, Pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35284

Jake Berthot, For Adorno #5, (1989), Ink on torn paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35581

Louise Bourgeois, Mamelles, 1991, cast 2001, Rubber, fibreglass and wood, Tate, London. https://dartabase.art/cite/tate/T11916

Gary Simmons, boom, 1996/2003, White pigment and pastel on blackboard-paint primed panel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33390

Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004

Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355

Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690

Vito Acconci, Inside a Room of Sky: Memphis, 2001, Inkjet print, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.148.1

Jake Berthot, For Adorno #4, (1989), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35580

Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622

Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016

Richard Artschwager, Book, 1987, Formica on wood, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2024.67

Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264

Andy Warhol, Absolut Vodka, 1985, Screenprint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2000.195

Raymond Pettibon, No Title (Last request with...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33148

Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320

Richard Artschwager, [Untitled], 1998, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.83.4

Patricia Watwood, Ida B. Wells (1862-1931), 2006, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4728

Raymond Pettibon, No Title (Paint unspeakable.), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33797

Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625

Leon Golub, Interrogation (from '10:  Artist as Catalyst' portfolio), 1992, Screenprint and photo-screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6196

Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422

Jenny Holzer, The beginning of the war will be secret, 2002, Screenprint on timber, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5762

Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823

Raymond Pettibon, No Title (Learning to talk...), 1989, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33804

Cindy Sherman, Artist towel, 2008, Cotton towel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/615

Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831

Abby Leigh, My Personal Atlas, 2004, Cotton paper, with inclusions, colored pencil and overlaid with watermarked abaca and ink, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4632

Louise Bourgeois, The Son Is Father to the Man, 2000, Drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2003.151

Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322

Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478

Andrea Zittel, A to Z 1993 Living Unit, 1993, Steel, wood, glass, mirror, four hangers, sweater, towel, soap container, calendar, filing cabinet, pack of ten pencils, two notepads, two folding seats, folding bed, folding bed travel bag, four glass jars, two ceramics cups, two glasses, two ceramic bowls, digital clock, electric lighting system, two keys, key ring, hot plate, pot, and toaster oven, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2014.293a-e

Raymond Pettibon, No Title (For this reason...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33791

Robert Motherwell, The Red and Black #51, 1987, Torn-and-pasted printed paper and handwritten music on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37697

Lari Pittman, This desire, beloved and despised, continues regardless, 1989, Lithograph with screenprint on Arches paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8738

Raymond Pettibon, No Title (Dumped in Arizona...), 1984, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35558

Robert Motherwell, 18 October 1987 Sketchbook #18, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37673

Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628

Tom Levine, Opus 67 No. 1, 1987, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35267

Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504

William Anastasi, bababad (dalgha), 1987, Acrylic, oil, oil stick, and charcoal on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/95.223

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37315

Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325

Robert Gober, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34687

Martin Puryear, [Untitled], 1989, Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37214

Louise Bourgeois, Le Blazer de Pierre, 1997, Wax crayon, watercolor, ballpoint pen, and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.12

Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060

David Salle, Canfield Hatfield no. 3, 1989–90, Etching and aquatint on Somerset Mouldmade 300gsm paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7374

Martin Puryear, Malediction, 1989, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37207

Louise Bourgeois, Tree with Red Crutch, 1998, Drypoint and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.9

Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827

L. (Alfred Lewin Copley) Alcopley, Somewhere, 1987, Lithograph, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2011.24.1

Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636

Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833

Raymond Pettibon, No Title, 1991, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33230

John Baldessari, Study for Splattered Faces, (1990), Cut-and-taped printed paper with crayon, pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36191

Sandra Matthews, surveyed/surrounded/supplanted, 2004, Carbon inkjet print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6110

Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063

Richard Serra, Egypt, (1989), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35380

Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627

Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679

Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826

John Baldessari, Six colorful gags, 1991, Photogravure with colour aquatint and spit bite aquatint on Somerset Textured White paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5081

Louise Bourgeois, The Guilty Girl is Fragile, 2000, Lithograph and acrylic, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2012.147.1

Carroll Dunham, [Untitled], 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33970

John Baldessari, [Untitled], (1989), Crayon on cut-and-taped printed paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36237

Jasper Johns, Spring, 1986, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35552

John Cage, Wild Edible Drawing # 6, 1990, Handmade paper of mulberry, burdock, hibiscus stems, barley, hijiki, and clover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36559

Louise Bourgeois, Progression, 1990, Engraving with chine-collé, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2008.69

Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629

Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067

Elizabeth Murray, Note for DIS PAIR, 1990, a: Crayon and traces of pencil on lined notebook paper. b: Pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37320

John Baldessari, Prima facie (second state): Apprehensive, 2005, Archival digital print with UV varnish coating on canvas; synthetic polymer paint on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/928

Richard Artschwager, [Untitled], 1998, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.83.1

Carl Andre, Paraglyph, 1989, Steel plates, Quincy granite, and Eastern pine, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2011.150a-c

Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003

Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726

John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38708

Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304

Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476

Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245

Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426

Richard Artschwager, Six in Four-E2, 2012–2015, Powder-coated metal, mirrors, and rubber flooring, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2015.159.2

Richard Artschwager, [Untitled], 1994, Wood and metal hardware, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2017.221

Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094

Raymond Pettibon, No Title (As a man...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33800

Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832

Win Knowlton, Plowman, 1984, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33619

John Baldessari, [Untitled], (1986), Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36222

Chuck Close, Merce Cunningham, 2004, Color pigment print (from 20 x 24 Polaroid), Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5560

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6602

Raymond Pettibon, No Title (Make your deathbed...), 1991, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33793

Dennis Oppenheim, Field guard (from 'The power tool' series), 1989, Anodized aluminium, steel, enamel, electric drills, electric cord, electric plugs, timer, cloth figures and straw, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10218

Christopher Wool, [Untitled], 1989, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36509

Bruce Nauman, Untitled (Hand Circle), 1996, Bronze, silver solder and copper, Tate, London. https://dartabase.art/cite/tate/AR00580

Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321

James Rosenquist, Drawing of Leakey, Ride for Dr. Leakey, 1985, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37021

Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006

Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063

Sue Williams, Bunnies, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4864

Geoffrey Hendricks, The journey of the goat and the moon, 1986–96, Watercolour on paper and found objects in wooden chest with lid, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1833

Robert Therrien, No Title (Stacked Plates), 2010, Plastic, Tate, London. https://dartabase.art/cite/tate/AR01127

Vito Acconci, I Love New York/New York Loves Me, 1986, Photo-offset lithograph, stencil, and collage, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2006.37.1

Sol LeWitt, (Untitled) (from 'Forms derived from a cube in colour (simple and superimposed) and black and gray' series), 1984, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3118

Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157

Richard Prince, Untitled ("Black crows..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34752

Paul McCarthy, Blessing, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34999

Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104

Richard Prince, Untitled ("I wasn't invited here..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34751

John Cage, Wild Edible Drawing # 8, 1990, Handmade paper of milkweed, cattail, saffron, pokeweed, and hijiki, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36563

William T. Wiley, Now who's got the blue prints, 1989, Colour aquatint and soft-ground etching with drypoint and burnishing on Somerset paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14430

Joe Zucker, Western Reserve, 1998, Watercolor, wax crayon, and graphite pencil on paper, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.38

Louise Bourgeois, Amputee, 1998, Drypoint and aquatint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/98.23.5

Raymond Pettibon, No Title (With all the...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33799

Richard Artschwager, Table (Wannabe), 2009, Wood and melamine laminate, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2009.166

Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204

David Moreno, [Untitled], 1994, Ballpoint pen, synthetic polymer glue, and pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35032

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38729

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5072

Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432

Geoffrey Hendricks, Untitled (from 'Anatomy in the sky' series), 1988, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1274

Richard Artschwager, Horizon, 1990, Etching, aquatint, and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/90.38

Richard Serra, Videy Drawing XIX, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35347

Christopher Wool, [Untitled], 1986, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35386

Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008

Claes Oldenburg, Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II", 1986, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37885

Sol LeWitt, (Untitled) (from 'Forms derived from a cube in colour (simple and superimposed) and black and gray' series), 1984, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1037

Richard Prince, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34769

Gregory Amenoff, 'Gnarl', 1987, Woodcut, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/87.56

Goldenvoice, Flier for The Beastie Boys with Fishbone at the Hollywood Palladium, February 7, 1987, ink on paper (fiber product); H x W: 8 3/8 × 10 13/16 in. (21.2 × 27.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752626-0