Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.43 Moche artist, Vessel, c. 200 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.8 William Kentridge, Zeno writing, 2002, Betacam SP and DVD formats: 11 minutes, black and white, stereo, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14104 Marlene Dumas, Magdalena, 1996, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36055 Marlene Dumas, Chlorosis (Love sick), 1994, Ink, gouache, and acrylic on twenty-four sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37856 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.64 Lambayeque artist, Vessel in the form of vegetables, 6th-15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.26 William Kentridge, Seated Couple (Back to Back), 1998, Charcoal on pasted book pages on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37480 William Kentridge, Zeno writing (portfolio), 2002, Photogravure with drypoint and burnishing on Hahnemühle paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11575 Nasca artist, Vessel, 1st century BCE - 6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.3 William Kentridge, Atlas procession II, 2000, Etching, aquatint, drypoint, letterpress and hand-colouring on Velin Arches Blanc paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11492 Inca artist, Vessel, 15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.20 Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696 Nasca artist, Cup, 3rd century BCE–6th century CE, Polychromed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.2 Moche artist, Vessel, 6th-8th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.73 Nasca artist, Bowl with Swimmer Motifs, 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.13 Nasca artist, Vessel, 6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.5 Chimú artist, Vessel, 11th-15th century, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.31 Nasca artist, Vessel, 100 BCE– 600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.29 Nasca artist, Vessel in the form of a man, 3rd century BCE–6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.6 William Kentridge, Automatic writing (from 'Point of view: An anthology of the moving image' series), 2003, DVD: 2:38 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14711 William Kentridge, Drawing from Stereoscope, (1998–99), Charcoal, pastel, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36774 Nasca artist, Vessel in the Form of a Fish, c. 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.59