Daisy Makeig-Jones, Plate Showing Imps on a Bridge and Tree House, 1924–1930, lusterware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2754 England, Chest, c. 1590–1610, Oak with marquetry, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.55 Hercules Brabazon Brabazon, Grand Canal, Venice, 19th century, Watercolor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.31 Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703 England, Embroidered panel, mid 17th century, Wrapped wire, silk and metallic threads, raised work embroidery, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.12.15 England, Rummer, c. 1800–1820, Glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.87 Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862 Louis Legoux, Louis XVI, 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2589 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.43 Moche artist, Vessel, c. 200 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.8 Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869 England, Chair, one of a pair, 1650–99, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.26.1 England, Cupboard, c. 1580–90, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.23 England, Table, c. 1580–1600, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.55 England, Bench, early 17th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.73 Thomas Flatman, John Lee Warner, Lord Chief Justice, c. 1670–1675 (Baroque), opaque watercolor on vellum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.160 England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.64 Lambayeque artist, Vessel in the form of vegetables, 6th-15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.26 England, Armchair, late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.77 Nasca artist, Vessel, 1st century BCE - 6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.3 England, Cordial glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.502 Benjamin Pyne, Monteith Bowl, 1715–16, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141927 England, Cordial glass, c. 1770–90, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.497 Inca artist, Vessel, 15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.20 Silversmith: RF, Footed salver, 1662–63, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.7 Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696 Nasca artist, Cup, 3rd century BCE–6th century CE, Polychromed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.2 Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842 Clark of London, Private contract musket, late 18th century, walnut, brass (alloy), iron and steel; L x W (overall): 58 × 5 1/8 × 3 1/8 in. (147.3 × 13 × 8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752008-0 Thomas Holme, A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, c. 1687, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8690 Moche artist, Vessel, 6th-8th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.73 England, Mirror Frame, mid 17th century, Silk and metal threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.28 Nasca artist, Bowl with Swimmer Motifs, 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.13 Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2 England, Armchair, c. 1650, Oak and light-colored wood inlays, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.25 Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769 Nasca artist, Vessel, 6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.5 England, Stool, possibly late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.27 Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1 Chimú artist, Vessel, 11th-15th century, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.31 Nasca artist, Vessel, 100 BCE– 600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.29 Louis Legoux, Marie Antoinette d'Autriche (Marie Antoinette of Austria), 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2588 England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494 England, Wine glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.507 Decorator: John Pennington, Plate from the Hope dinner service, 1790, Porcelain, enamel, gilt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.56 Nasca artist, Vessel in the form of a man, 3rd century BCE–6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.6 Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b Nasca artist, Vessel in the Form of a Fish, c. 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.59