Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472 Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475 František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 František Kupka, Girl with a Ball, c. 1908, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37352 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462 Pieter Snayers, Cavalry Battle, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.338 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5649 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765 Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36477 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5855 Kim Yu-sŏng (also known as Sŏ-am), Landscape, dated 1764, Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5109 Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34553 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356 Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455 Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593 Master of the Boccaccio Illustrations, The Resurrection, c. 1470/1475, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8737 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34568 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4 Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 Joong Seop Lee, People Reading the Newspaper (Number 84), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33369 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Korea, Bowl, 13th-14th century, Porcelaneous ware, inlaid celadon with cloud motif, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.10 František Kupka, Composition géométrique (Geometric composition), c.1909–11, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65734 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, Set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6260 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448 Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461 Master FVB, The Judgment of Solomon, c. 1480, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3409 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684 Alphonse Mucha, Rocks on the Shore, n.d., Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36941 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460 Chŏng Sul-wŏn (also known as Tu-san), Mountainous Landscape with a Scholar Riding a Donkey and Approaching a Village Nestled in a Grove of Trees, early-mid 20th century, One leaf from a set of six album leaves; ink and light colors on silk; with inscription and two seals of the artist, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5858 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36467 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443 Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Korea, Bowl, 12th-13th century, Porcelaneous stoneware, celadon with inlaid designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.2 Jirí Kolár, Stinova (Mrs. Stein), (1960's), Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36697 Jacob Jordaens, Hirtenanbetung, n.d., Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/143 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Joong Seop Lee, Fairyland (Number 57), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33357 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 František Kupka, Bather, (1906), Pastel and charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37271 Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Giambologna, The Flagellation of Christ, c.1579, Red wax relief on a wooden ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13490 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Korea, Tea bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.11 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981 Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16 Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17 Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 František Kupka, Replica of Fugue in Two Colors: Amorpha, 1912, (1946), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34761 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450 Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885 Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607 Published by Gerard de Jode, Twelve Scenes from Ovid's Metamorphosis, c. 1606, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4604 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466 Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416 Joong Seop Lee, Family in Paradise (Number 50), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33348 Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354 Alphonse Mucha, Head of a Child, (n.d.), Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36948 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464 Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358 Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442 František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788 Korea, Bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.9 Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 František Kupka, View from a Carriage Window, c. 1901, Gouache and watercolor on paper with cardboard overlay, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34108 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Frans Crabbe van Espleghem, The Adoration of the Shepherds, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5993 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445 Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6259 Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721 František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 František Kupka, An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31875 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36472 Adriaen Collaert, Twelve Scenes from the Life of Christ (Emblemata Evangelica) plus title page, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4605 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451 Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987 František Kupka, Study with Green, (c. 1912), Chalk and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38151 Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359 Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986 Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412 František Kupka, Prometheus, (1909), Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36018 Ung-no Lee, Sailing, 1957, Ink and colored ink on paper on scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33864 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837 Ung-no Lee, Composition, (1959), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34154