Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 Nigel Hall, Drawing #229, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38219 David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134 Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143 Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290 Kiehl Marthe, VIEUX BASSIN HONFLEUR, 3e quart 20e siècle, gouache; carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065568 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802 Jean Julien Lemordant, PORTEUSE DE FRUITS, 1ère moitié 20e siècle;3e quart 20e siècle, fusain; aquarelle; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000067330 David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035 David Hockney, Vase and Flowers, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P13156 Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105 Eduardo Paolozzi, The Offspring of Eos, (c. 1961), Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34724 David Hockney, White Lines Dancing in Printing Ink, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12457 John Piper, Malmesbury, Wiltshire: the south porch, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12962 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01037 Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722 David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353 David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133 Eduardo Paolozzi, Illumination and the eye, 1967, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12937 David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923 Lucian Freud, Head of a Man, 1986, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33435 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Gilbert & George, Faith Drop, 1991, 15 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00176 Ben Nicholson, Jug, 1967, Engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12899 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Elisabeth Frink, Spinning man VIII, 1965, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12953 Chagall Marc, ESQUISSE POUR LA LUTTE DE JACOB ET DE L'ANGE, 3e quart 20e siècle, gouache; pastel; collage; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069263 Haug Hans, VUE D'ALSACE : SATTELFELS PRES OBERSTEIGEN, 3e quart 20e siècle, plume; encre brune; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066483 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029 David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Pierre Pelhate, PECHEURS DEBARQUANT DES CAISSES DE POISSONS, 1ère moitié 20e siècle;3e quart 20e siècle, crayon; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE019797 Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326 Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261 Chagall Marc, ESQUISSE POUR LE CANTIQUE DES CANTIQUES II, 3e quart 20e siècle, encre noire; pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069306 David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063 Blais Jean Charles, SANS TITRE, 4e quart 20e siècle, pastel gras; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022443 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01515 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 Bridget Riley, Big Blue, 1981–82, Oil over synthetic polymer paint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7210 Christian Fouquet, PAYSAGE, 3e quart 20e siècle, plume; encre noire; crayon noir; fusain; papier; carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065608 Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722 Mallay Armand Gilbert (1805-1883), PLAN DE L'ETAT ACTUEL DE L'EGLISE, A PARTIR D'UN DESSIN DE MALLAY, 3e quart 20e siècle, encre noire; papier calque (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055554 Chagall Marc, ESQUISSE POUR LE CANTIQUE DES CANTIQUES II, 3e quart 20e siècle, peinture à l'huile; pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069308 Joe Tilson, New York decals 3 and 4, 1967, Screenprint with collage of envelopes and label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12455 David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130 Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192 Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 Hamish Fulton, Song path. (Two walks, January 1992 and January 1993) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1766 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 Gilbert & George, Hunger, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00173 William Scott, Towards the left, 1963, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1769 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Michael Craig-Martin, Order of appearance, 1990, Screenprint on drafting film, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1419 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Pierre Pelhate, PECHEUR DEBARQUANT UNE CAISSE DE POISSONS, 1ère moitié 20e siècle;3e quart 20e siècle, fusain; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE019795 Jacob Epstein, Kitty, 1957, Bronze, marble pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14603 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834 Chagall Marc, ESQUISSE POUR MOISE DEVANT LE BUISSON ARDENT, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069274 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 Richard Long, Somerset Willow Line, 1980, Willow wood, Tate, London. https://dartabase.art/cite/tate/AR00615 Anna Staritsky, COMPOSITION, 3e quart 20e siècle, plume; encre noire; lavis gris; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE023587 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Kiehl Marthe, VITSOR, 3e quart 20e siècle, pinceau; encre noire; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065581 Richard Long, Nile (Papers of River Muds), 1990, Book, Tate, London. https://dartabase.art/cite/tate/AR00599 Born Jacques, VIEUX-BRISACH, 3e quart 20e siècle, plume; encre noire; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065655 Anish Kapoor, [Untitled], 2006–07, Resin fibreglass and lacquer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14801 Leon Kossoff, Pilar No. 1, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35229 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293 David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290 David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105 David Hockney, Mise-en-scène for the opera The Rake's Progress, 1975, Ink, felt-tip pen, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35969 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Matthew Smith, (Still life with sculpture and fruit), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14217 Hamish Fulton, Night life. (One walk, March 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2543 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12455 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026 David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104 David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075 David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597 Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 Richard Deacon, [Untitled], 1990, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37150 Gilbert & George, CRUSADE, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00172 David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108 Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162 John Piper, The Four Seasons as foliate heads (4 panels), c.1981–82, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1357 David Hockney, Hotel Acatlan: First Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20112 Eduardo Paolozzi, Karakus Döner, Havada (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12463 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 Chagall Marc, ESQUISSE POUR LE FRAPPEMENT DU ROCHER, 3e quart 20e siècle, pastel; carton, Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069287 Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919 David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239 Pierre Pelhate, CONVERSATION ENTRE DEUX PECHEURS, 1ère moitié 20e siècle;3e quart 20e siècle, crayon; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE019802 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 Joy Jérôme, REPETITION ; HOMMES AVEC LANCES POINTEES VERS LE HAUT, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022806 Chagall Marc, ESQUISSE POUR ADAM ET EVE CHASSES DU PARADIS, 3e quart 20e siècle, crayon; encre noire; papier calque (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069204 David Hockney, Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford, 1972, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11897 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Chagall Marc, ESQUISSE POUR LE SONGE DE JACOB, 3e quart 20e siècle, lavis; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069254 Richard Hamilton, Carapace, 1954, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14389 Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161 David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123 Bridget Riley, [Untitled], 1978, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12977 David Hockney, Study for Dollboy, 1960, Chalk on paper, Tate, London. https://dartabase.art/cite/tate/T11898 Chagall Marc, ESQUISSE POUR LE CANTIQUE DES CANTIQUES II, 3e quart 20e siècle, lavis; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069304 David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 Joy Jérôme, REPETITION ; HOMMES AVEC LANCES POINTEES VERS LE HAUT, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022807 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Gilbert & George, Leaners, 1989, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13566 Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263 David Ryan, DAUPHINS, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022813 Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307 David Hockney, Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias, 1979, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35120 Rachel Whiteread, Drawing for Water Tower, VII, (1997), Varnish and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38726 Chagall Marc, ESQUISSE POUR NOE ET L'ARC-EN-CIEL, 3e quart 20e siècle, mine de plomb; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069219 David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109 Peter De Francia, The Disparates, 1970, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38279 Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170 Chagall Marc, ESQUISSE POUR L'ARCHE DE NOE, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069216 Hamish Fulton, The crow speaks. (Two walks, summer 1991 and June 1986) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1285 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12460 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Elisabeth Frink, Horse and rider V, 1970–71, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12938 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Joe Tilson, Lufbery and Rickenbacker, 1963, Colour screenprint and photo-screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12450 Di Rosa Hervé, AVEZ-VOUS TOUS LES NUMEROS DE DI ROSA MAGAZINE ?, 4e quart 20e siècle, crayon feutre; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022500 Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 Gilbert & George, Light Headed, 1991, 15 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00504 Chagall Marc, ESQUISSE POUR NOE ET L'ARC-EN-CIEL, 3e quart 20e siècle, peinture à l'huile; toile; papier (blanc); matériaux colles l'un sur l'autre, Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069217 David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031 Chagall Marc, ESQUISSE POUR NOE ET L'ARC-EN-CIEL, 3e quart 20e siècle, fusain; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069224 Chagall Marc, ESQUISSE POUR MOISE DEVANT LE BUISSON ARDENT, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069278 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01034 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12456 Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783 DE LA HAYE Raoul Lesage, LA TOUR DU VIEUX SAINT-MARTIN, 3e quart 20e siècle, pierre noire; papier, Musée du château, Vitré. https://dartabase.art/cite/joconde/00000063072 Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137 Louis Fritsch, PLAGE DANS LE VENT, 3e quart 20e siècle, plume; encre noire; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065611 Henry Moore, Two reclining figures linear, 1969, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15431 Rachel Whiteread, Drawing for Water Tower, IV, (1997), Color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38723 David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119 Chagall Marc, ESQUISSE POUR ABRAHAM ET LES TROIS ANGES, 3e quart 20e siècle, pastel; collage; carton, Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069236 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33636 Jean Julien Lemordant, LA RUE, 1ère moitié 20e siècle;3e quart 20e siècle, lavis rouge; papier (blanc); carton; matériaux colles l'un sur l'autre, Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000070783 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 Henry Moore, Reclining figure: Prop, 1975, Bronze maquette, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7612 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619 Nicola Tyson, Untitled #7, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35105 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Hugh O'Donnell, Body Echo 26, 1990, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37326 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892 David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038 David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125 David Hockney, Cecil Hotel, 1963, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36785 l'Aîné Portal, ELEVATION DE LA FACADE DE LA CHAIRE A PRECHER ET DES PORTES DE L'ARRIVEE DE L'ESCALIER A LA CATHEDRALE DU PUY, 20e siècle, encre noire; crayon de couleur; papier calque, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070479 Rachel Whiteread, Drawing for Water Tower, II, (1997), Correction fluid, varnish, pencil, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135 David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Frank Auerbach, Head of Catherine Lampert VI, 1979–80, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36886 David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132 David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141 John Piper, Foliate head, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12963 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121 David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Richard Hamilton, Picasso's meninas (from 'Hommage à Picasso' portfolio), 1973, Hard-ground, soft-ground and stipple etching, open bite and lift ground aquatint, engraving, drypoint and burnishing on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14300 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 Henry Moore, Elephant Skull, 1970, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19428 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 Gilbert & George, To Be With Art Is All We Ask..., 1970, Triptych: Charcoal and wash on partially charred folding sheets of paper in cardboard box, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36585 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040 David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Chagall Marc, ESQUISSE POUR LE CANTIQUE DES CANTIQUES IV, 3e quart 20e siècle, peinture à l'huile; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069329 Joe Tilson, Transparency, clip-o-matic breast, 1971, Colour screenprint and photo-screenprint on overlaid foil, acetate and thick smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12457 Hatt-Trocme Suzanne, PORTRAIT DE JEUNE FILLE, 3e quart 20e siècle, fusain; carton, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065549 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138 Chagall Marc, ESQUISSE POUR LE PARADIS, 3e quart 20e siècle, pastel; papier (vert), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069197 Hamish Fulton, No talking for seven days. (One walk, February 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2805 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136 David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107 David Hockney, The Berliner and the Bavarian, 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12883 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820 David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184 Hamish Fulton, Seven 7 day walks. (Seven walks, March 1985, June 1986, February 1988, September 1988, September 1990, March 1991, April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1991 J B Gautier, VUE DU CHATEAU DE VITRE DU COTE DU MIDY, 4e quart 20e siècle, sanguine; papier, Musée du château, Vitré. https://dartabase.art/cite/joconde/00000063724 Rachel Whiteread, Drawing for Water Tower, VIII, (1997), Varnish and pencil on black and white photograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38727 David Hockney, Très (End of Triple), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12461 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Coloured pencil on paper, Tate, London. https://dartabase.art/cite/tate/T01517 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106 David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352 John Piper, Buckden in a storm, 1978, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11303 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120 Reg Butler, Figure in space, 1962–63, Lithograph on thin wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12951 Chagall Marc, ESQUISSE POUR LE PARADIS, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069199 Gilbert & George, Thirst, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00174 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115 Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208 Henry Moore, Hands I, 1973, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15429 Chagall Marc, ESQUISSE POUR NOE ET L'ARC-EN-CIEL, 3e quart 20e siècle, encre noire; peinture à l'huile; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069222 Eduardo Paolozzi, Turkische Musik (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12464 Viallat Claude, SANS TITRE, 4e quart 20e siècle, peinture acrylique; collage; papier (blanc); papier (blanc); matériaux colles l'un sur l'autre, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022470 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508 Robert Groborne, PROJET POUR UNE SCULPTURE NO 19981 A, 4e quart 20e siècle, encre noire; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000070764 Richard Hamilton, The Orangeman (from 'The readymade boomerang' portfolio), 1990, Five colour offset lithograph with hand-applied enamel on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14301 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 Ben Nicholson, Torcello I, 1962, Etching on wove paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1691 Combas Robert, SEIGNEUR DE MONTAIGNE (BABADI BALALA), 4e quart 20e siècle, mine de plomb; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022507 David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269 David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032 David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377 Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157 Richard Hamilton, Fashion-plate, 1969–70, Photo-offset lithograph, collage, screenprint and pochoir, retouched with cosmetics on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14299 David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116 David Hockney, Self-Portrait, 1962, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11496 Bernard Cohen, [Untitled], 1965, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33088 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043 Auguste Fayard, CARTE DES ENVIRONS DE MONTFAUCON-EN-VELAY, 20e siècle, encre noire; encre rouge; encre bleue; papier calque, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070477 Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122 Jean Claude Fourgoux, BOUTIQUE EN ESPAGNE, 3e quart 20e siècle, pastel; papier, Musée Goya, Castres. https://dartabase.art/cite/joconde/00000058101 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Joe Tilson, Ho Chi Minh, 1970, Screenprint, photo-screenprint and collage on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12456 David Ryan, HOMME TOMBANT LA TETE EN BAS, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022810 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01035 Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297 David Hockney, Christopher Isherwood and Don Bachardy (from 'Portraits of friends' series), 1976, Colour lithograph on grey wove hand-made paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2315 David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Anish Kapoor, Void (#13), 1991–92, Fibreglass and pigment, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5041 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 Lucian Freud, Self-Portrait: Reflection, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11509 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801 Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107 Chagall Marc, ESQUISSE POUR LE PARADIS, 3e quart 20e siècle, pastel; papier (gris), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069202 David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041 Di Rosa Hervé, TRAIN, 4e quart 20e siècle, crayon feutre; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022482 Henry Moore, Reclining figure and mother and child studies, 1978, Colour lithograph on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11302 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 Rachel Whiteread, Drawing for Water Tower, V, (1997), Tape, ink, varnish and correction fluid on color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38724 Lynn Chadwick, The Jewel, study for the sculpture The Inner Eye, 1952, Watercolor and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33042 Allen Jones, Left hand lady, c.1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12960 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Rachel Whiteread, Drawing for Water Tower, VI, 1997, Varnish, ink, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38725 Richard Long, Ring of stones, 1982, Stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2098 Richard Long, River Avon Mud drawings, Ten Mud-dipped papers, 1988, 10 works on paper, mud, Tate, London. https://dartabase.art/cite/tate/AR00616 Chagall Marc, ESQUISSE POUR LE SONGE DE JACOB, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069258 Joe Tilson, 21st, 1964, Screenprint, photo-screenprint and collage on smooth paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12451 David Hockney, Panama Hat with a Bow Tie on a Chair, 1998, Aquatint, etching, and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.62.3 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 David Ryan, DEUX HOMMES, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022821 David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299 Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972 Richard Long, Cornish Slate Ellipse, 2009, Slate, Tate, London. https://dartabase.art/cite/tate/AR00703 Richard Long, Walking a Straight 10-Mile Line, Dartmoor, England, 1970, Typewriting on cut-and-pasted paper, cut-and-pasted printed map, and gelatin silver print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36644 Hamish Fulton, Geese flying south. (One walk, September 1990) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1139 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Marinot Maurice, COMPOSITION, 3e quart 20e siècle, lavis; papier (beige), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE023541 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042 David Hockney, According to Prescriptions of Ancient Magicians, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77567 David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139 John Walker, Memory I, print 2, 1989, Screenprint with woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3997 Joe Tilson, Ziggurat 5, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12452 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 Graham Sutherland, Predatory form, 1953, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4197 David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039 David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Peter Blake, Babe rainbow, 1967, Colour screenprint and photo-screenprint on tin with gloss varnish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12947 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 Chagall Marc, ESQUISSE POUR MOISE RECEVANT LES TABLES DE LA LOI, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069290 David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618 Joe Tilson, A-Z BOX, FRAGMENTS OF ONEIRIC ALPHABET (portfolio), 1969, 26 screenprints, some with collage, some printed on both sides, some on double- sized folded sheets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10015 Ferri Patrick, DESSINE MOI, DESSINE MOI, DESSINE MOI, 4e quart 20e siècle, peinture à l'huile; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022824 Joe Tilson, Alchera: Notes for country works (Wiltshire and Tuscany) 1970-1974, 1976, Book containing 10 loose, folded leaves, title page, frontispiece, 33 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; photo-screenprinted and brown hand-made paper wrapper and endpapers, portfolio with colour screenprinted paper boards and label on front, linen-covered corners and spine with gilt title, black cloth on front, linen-covered corners and spine with gilt title, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12461 David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117 Pierre Buraglio, PROJET POUR ONZE PIECES REALISEES A PARTIR DES PORTE (SIC) FENETRES A IMPOSTE CEINTREES (SIC) DES ENTREPOTS LAINE EN 1981 ET 1982, 4e quart 20e siècle, crayon feutre (?); encre noire; encre rouge; mine de plomb; crayon de couleur; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022483 Marinot Maurice, PAYSAGE, 3e quart 20e siècle, crayon de couleur; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE023530 MOAL Jean Le, ESPACE MARIN, 3e quart 20e siècle, aquarelle; papier (blanc); papier (collé en plein) (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE023642 Gounot Roger, CALQUE D'UN PLAN ANCIEN CONSERVE DANS UNE COLLECTION PARTICULIERE DONNANT L'ETAT DE L'EGLISE SAINT PIERRE LE MONASTIER EN 1823, 3e quart 20e siècle, encre noire; crayon; papier (beige), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055580 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182 Hamish Fulton, Wind through the pines. (Two walks, March 1985 and April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/669 Chagall Marc, ESQUISSE POUR ABRAHAM ET LES TROIS ANGES, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069235 David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103 Philip John Martin, Painting, Positano, 1953, Enamel on paper on canvas over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35567 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 Chagall Marc, ESQUISSE POUR L'ARCHE DE NOE, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069211 David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036 David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818 Elisabeth Frink, Wild boar, 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12130 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498 Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507 David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126 Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177 David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Eduardo Paolozzi, Composition, 1951, Collage of cut and pasted serigraphs, printed in dye, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35116 Allen Jones, The Empress's New Clothes. Costume design for the theatrical revue Oh! Calcutta!, May 1970, Colored pencil, ballpoint pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35982 Henry Moore, Pallas heads, 1973, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15471 David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037 Kiehl Marthe, AUX FORGES DES TROLLS, 3e quart 20e siècle, pinceau; encre noire; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065573 Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964 William Scott, Still Life with Strainer, 1956, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36533 David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748 Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574 Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01516 David Hockney, Portrait of Felix Man 1969, 1970–71, Lithograph on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12958 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520 Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 Matthew Smith, (Still life with wooden figure), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14230 Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186 Chagall Marc, ESQUISSE POUR ABRAHAM ET LES TROIS ANGES, 3e quart 20e siècle, encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069238 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510 Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 David Ryan, FEMME SERRANT UN HOMME, 4e quart 20e siècle, peinture à l'huile; peinture acrylique; vernis; papier (blanc); support composé de plusieurs feuilles assemblées, CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022820 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 Blais Jean Charles, SANS TITRE, 4e quart 20e siècle, pastel gras; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022448 Jacob Epstein, (Sketch for sculpture), 1954, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5633 David Hockney, The First Marriage (A Marriage of Styles I), 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00596 Marc Burkardt, SANS TITRE, ABSTRACTION, 3e quart 20e siècle, mine de plomb; papier; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065661 Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231 Blais Jean Charles, CARNET, 4e quart 20e siècle, pastel gras; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022456 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 John Piper, Untitled (abstract landscape), c.1970, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11308 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798 David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 Hamish Fulton, Eroded rock outline Beinn Mheadhoin. (Two walks, summer 1991 and September 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4136 Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803 David Hockney, The Marriage in Hawaii of David and Ann, 1983, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20102 Reg Butler, Studies for Woman Standing, (1951), Pencil, crayon, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33006 Gounot Roger, SCHEMA DE REPARTITION DES BLOCS DU MUSEE SUR CETTE RESTITUTION, 3e quart 20e siècle, aquarelle; papier (noir), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055708 David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360 David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127 Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33644 Gilbert & George, Existers, 1984, 28 photographs, gelatin silver print on paper with dye and silver leaf on board, Tate, London. https://dartabase.art/cite/tate/AR00505 Rachel Whiteread, Twenty-five spaces, 1995, Cast resin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13586 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 Rachel Whiteread, Drawing for Water Tower, I, 1997, Graphite with cut-and-pasted color photocopy, varnish and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38720 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 John Golding, Drawing 80/10, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35111 Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799 Hamish Fulton, Seven days walking and seven nights camping in a wood Scotland. (One walk, March 1985) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4135 David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296 David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131 David Hockney, 40 Snaps of my House, August 1990, 1990, Digital print on paper, Tate, London. https://dartabase.art/cite/tate/P20140 David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128 Chagall Marc, ESQUISSE POUR MOISE RECEVANT LES TABLES DE LA LOI, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069294 Nicola Tyson, Untitled #13, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35113 David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032 Recipon Georges, TETE DE FEMME AGEE, 4e quart 20e siècle, crayon noir; papier (beige), MUDO - musée de l'Oise, Beauvais. https://dartabase.art/cite/joconde/000DE019866 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040 David Hockney, Study for Doll Boy, 1960, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12882 Eduardo Paolozzi, 'Franko' Amsterd (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12462 John Piper, Llangloffan Pembrokeshire, the Baptist Chapel, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12961 Gilbert & George, Fallen Leaves, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00171 Raymond Mason, Studies For Sculpture, 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38782 Duncan Grant, Kinetic Realisation of T01744 made for Tate Gallery, 1974, Film, Tate, London. https://dartabase.art/cite/tate/A01111 David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887 Richard Long, [Untitled], 1992, Mississippi mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37189 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100 Bill Jacklin, Benedictine, 1970, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37444 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 Richard Long, River Avon Book, 1979, Book with mud on paper, Tate, London. https://dartabase.art/cite/tate/AR00144 Chagall Marc, ESQUISSE POUR L'ARCHE DE NOE, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069212 Chagall Marc, ESQUISSE POUR LE CANTIQUE DES CANTIQUES IV, 3e quart 20e siècle, lavis; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069330 David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238 Chagall Marc, ESQUISSE POUR LE SONGE DE JACOB, 3e quart 20e siècle, pastel; encre noire; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069257 David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110 Chagall Marc, ESQUISSE POUR LE SACRIFICE D'ISAAC, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069245 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Allen Jones, Ways and means, 1976, Book containing 18 loose, folded leaves, with title page, frontispiece, 30 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; colour screenprinted wrapper and endpapers, buff, linen-covered portfolio with title on front and spine tooled in black, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6265 David Hockney, Eine (Part 1), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12459 Chris Ofili, Prince Amongst Thieves with Flowers, 1999, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36642 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Gilbert & George, Family Tree, 1991, 18 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00175 Peter De Francia, Illustration for Aimé Césaire's Diary of a Return to the Native Country, 1978, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38277 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061 Blais Jean Charles, SANS TITRE, 4e quart 20e siècle, pastel gras; papier (blanc), CAPC-musée d'Art Contemporain, Bordeaux. https://dartabase.art/cite/joconde/000DE022439 Allen Jones, Portrait one, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1264 David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Joe Tilson, Ziggurat 7, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12454 Joe Tilson, Ziggurat 6, 1966, Screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12453 Graham Sutherland, Portrait of Aloys Senefelder, 1971, Colour lithograph on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12936 David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33653 Chagall Marc, ESQUISSE POUR MOISE RECEVANT LES TABLES DE LA LOI, 3e quart 20e siècle, pastel; papier (blanc), Musée Marc Chagall, Nice. https://dartabase.art/cite/joconde/00000069289 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01036