Auguste Rodin, Nude with Serpent, (c. 1900–05), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35331

Louis Michel Eilshemius, Boat At Anchor, 1878, Pencil on paper; 9 x 12 1/16 in. (22.8 x 30.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859788-0

Auguste Rodin, Two Figures, (n.d.), Watercolor and pencil on paper; 11 7/8 x 8 1/16 in. (30.2 x 20.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862415-1

Louis Michel Eilshemius, Samoa, 1911, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37498

Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732

Louis Michel Eilshemius, Keene Valley Brook, 1886, Pencil on paper mounted to paperboard; sheet: 8 1/8 × 6 3/8 in. (20.6 × 16.1 cm) mount: 10 × 7 15/16 in. (25.3 × 20.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859774-2

Louis Michel Eilshemius, Dark Clouds, (c. 1901), Watercolor and pencil on paper; 10 1/16 x 14 1/8 in. (25.5 x 35.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859766-2

Auguste Rodin, Tanzende mit nach hinten geworfenem Kopf, Rückansicht, c. 1890–1917, Bleistift und Aquarell auf rosa getöntem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11474

Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733

Louis Michel Eilshemius, Girl Resting, (c. 1910), Oil on paperboard mounted on paperboard; 12 5/8 x 20 5/8 in. (31.9 x 52.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859753-1

Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747

Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726

Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744

Auguste Rodin, Leaving the Earth, 1900/05, Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66961

Alexander Calder, Cowboy and Rope Ladder, 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33549

Louis Michel Eilshemius, Indian Adobe House, Yuma, Arizona, 1894, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35791

Auguste Rodin, The Walking Man, Modeled 1877–1900, cast before 1917, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69852

Alexander Calder, [Untitled], 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35121

Auguste Rodin, Adam, Modeled 1881, cast c. 1924, Bronze with dark brown patina, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11320

Auguste Rodin, Stretching Figure, c. 1900–1906, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35633

Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956

Alexander Calder, Portrait of Curt Valentin, 1947 or before, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33007

Louis Michel Eilshemius, Self-Portrait, 1896, Pencil on paper; 13 11/16 × 9 11/16 in. (34.7 × 24.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859780-0

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389

Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727

Louis Michel Eilshemius, Samoan Scene, 1908, Oil on fiberboard; 23 1/4 x 30 in. (59.1 x 76.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859786-1

Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736

Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728

Auguste Rodin, The Embrace, 1900–1910, Graphite, watercolor, and gouache, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334656

Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735

Auguste Rodin, Bust of Balzac, 19th-20th century, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5137

Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394

Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752

Auguste Rodin, Head of Balzac, 1895–1896, cast c. 1902–1910, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5494

Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739

Louis Michel Eilshemius, Sailboat, Stormy Sea, (c. 1907), Oil on paperboard mounted on fiberboard; 22 1/8 x 28 1/4 in. (56 x 71.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859763-0

Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750

Robert Rauschenberg, Traces Suspectes en Surface, 1972–78, published 1978, Illustrated book with twenty-six lithographs (including four colophon pages), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10721

Louis Michel Eilshemius, In The Woods, 1889, Watercolor on paper; 19 7/8 x 13 15/16 in. (50.6 x 35.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859796-1

Louis Michel Eilshemius, Two Nudes, 1900, Watercolor and pencil on paper; 13 15/16 x 19 15/16 in. (35.4 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859792-1

Alexander Calder, The Catch II, 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33553

Auguste Rodin, Reclining Woman, c. 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35622

Alexander Calder, [Untitled], (n.d.), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35130

Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721

Louis Michel Eilshemius, Blue Mountains, 1888, Watercolor on paper; 14 1/16 x 20 in. (36.7 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859755-2

Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393

Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734

Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740

Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746

Alexander Calder, Many, 1931, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38688

Auguste Rodin, Eve after the Fall, Modeled 1883, carved c. 1886, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16963

Alexander Calder, [Untitled], 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33812

Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741

Louis Michel Eilshemius, Woodland Brook, 1890, Oil on canvas; 24 1/8 x 20 1/8 in. (64.1 x 50.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859763-1

Louis Michel Eilshemius, Girl on a Pier, (c. 1900), Watercolor and pencil on paper; 12 1/8 x 20 in. (30.7 x 50.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859779-1

Louis Michel Eilshemius, Mosque near Biskra, (c. 1915), Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36009

Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345

Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749

Auguste Rodin, Sorrow, Modeled 1882, cast c. 1913–23, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13600

Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751

Robert Rauschenberg, General delivery, 1971, Photo-offset lithograph with collage on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1537

Alexander Calder, Circus Interior, 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33545

Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743

Louis Michel Eilshemius, Study for Mosque near Biskra, (c. 1915), Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33087

Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720

Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737

Alexander Calder, Score for Ballet 0-100 from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32005

Auguste Rodin, Nude Study, (c. 1890–92), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35263

Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841

Auguste Rodin, The Age of Bronze, 1875–76, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98627

Robert Rauschenberg, Rush 16 (Cloister), 1980, Transfer drawing, cut-and-pasted printed paper and cut-pasted fabric on painted wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35814

Louis Michel Eilshemius, Delaware Water Gap, (c. 1890), Watercolor and pencil on paper; 13 15/16 x 20 in. (35.3 x 50.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859756-0

Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316

Louis Michel Eilshemius, Spanish Lady, 1889, Watercolor on paper; 11 5/8 x 8 7/16 in. (29.5 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-2

Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745

Auguste Rodin, Seated Woman, 1900–06, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35605

Auguste Rodin, Eva, 1881, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4585

Louis Michel Eilshemius, Shelter, 1878, Pencil on colored paper; 8 5/8 x 12 7/16 in. (21.9 x 31.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-0

Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722

Auguste Rodin, Faun; Der alte Baum; Die alte Eiche, c. 1885, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4423

Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724

Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958

Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729

Auguste Rodin, Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/100824

Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388

Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748

Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742

Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738

Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36731

Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718

Louis Michel Eilshemius, Fishermen in Rapids, 1884, Opaque paint on paper; 9 7/8 x 14 in. (25.1 x 35.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859845-2

Louis Michel Eilshemius, In the Studio, c. 1911, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33595

Louis Michel Eilshemius, The Demon of the Rocks, 1901, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35995

Robert Rauschenberg, Speaking In Tongues poster, 1983, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9664

Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730

Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725

Auguste Rodin, Two Female Figures Embracing, n.d., Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37848

Louis Michel Eilshemius, The Hudson at Yonkers, 1911, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36002

Robert Rauschenberg, Speaking In Tongues, 1983, Vinyl record in plastic case, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7508

Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723

Louis Michel Eilshemius, Windmill #2, 1878, Watercolor and pencil on paper; 8 x 11 3/4 in. (20 x 29.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859754-0

Auguste Rodin, Kneeling Woman, 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35613

Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755

Louis Michel Eilshemius, Bedouin Children, 1892, Watercolor and pencil on paper; left panel: 5 1/8 x 2 7/8 in. (12.9 x 7.3 cm) right panel: 5 1/8 x 2 7/8 in. (13 x 7.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-1

Louis Michel Eilshemius, Autumn Landscape, 1889, Oil on paperboard mounted on fiberboard; 18 3/8 x 24 3/8 in. (46.4 61.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859762-1