Fernand Léger, Verdun, The Trench Diggers ( Verdun, les foreurs ), 1916, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34690 Fernand Léger, Study for Cinematic Mural, Study I, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37922 Fernand Léger, Study for a mural, 1938, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34588 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Fernand Léger, Seated Nude, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34199 Fernand Léger, A Skater. Costume design for the ballet Skating Rink, 1924, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34216 Aleksandr Rodchenko, [Untitled], c. 1921, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20059 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Carlos Mérida, Dances of Mexico, c. 1937, Portfolio of ten lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33113 Fernand Léger, Kneeling Nude, c. 1907–08, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37365 Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082 Fernand Léger, Fragment of a Nut, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36300 Fernand Léger, Study for Cinematic Mural, Study V, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37925 Romare Bearden, Beginning to Loom Larger and Larger on the Horizon, 1936–37, Crayon, gouache, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36853 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Fernand Léger, Mise-en-scène for the ballet La Création du monde (The Creation of the World), 1922, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36693 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864 Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Fernand Léger, Composition, 1920, Gouache und Feder in Schwarz über Bleistift auf Velinpapier (raues Aquarellpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10544 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Fernand Léger, The Constructors, 1951, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38258 Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561 Fernand Léger, The Viaduct ( Le Viaduc ), c. 1922, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37141 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364 Fernand Léger, Repose, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38740 Romare Bearden, He Is Arisen, 1945, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34896 Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734 Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Fernand Léger, The Game of Cards, 1916, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38600 Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Romare Bearden, The Conjur Woman, 1964, Cut-and-pasted printed paper and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36567 Auguste Herbin, Composition, c. 1925, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38224 Fernand Léger, Study for Cinematic Mural, Study IV, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37918 Fernand Léger, Costume design for the ballet Skating Rink, 1922, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35819 Fernand Léger, The Accordionist, 1930, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38601 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Auguste Herbin, Project for a Painting, c. 1955, Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38227 Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759 Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993 Fernand Léger, Two Women (Deux Femmes ), 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35179 Fernand Léger, Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31861 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Fernand Léger, Study for Cinematic Mural, Study III, 1938–39, Gouache, ink, colored pencil, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37948 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Romare Bearden, Pardon Me - But Could You Direct Me to the Oceanic Dredging Company?, 1935, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36848 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Auguste Herbin, Composition, (1941), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38225 Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301 Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361 Fernand Léger, Study for Cinematic Mural, Study VI, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37928 Carlos Mérida, Tempo in Red Major, 1942, Crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37921 Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420 Fernand Léger, Circus Family, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37209 Fernand Léger, Study for Cinematic Mural, Study II, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37932 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Romare Bearden, The Dove, 1964, Cut-and-pasted printed paper, gouache, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36572 Fernand Léger, La partie de campagne, 1950, Gouache und Feder (?) in Schwarz, etwas Bleistift, über Quadrierung mit Bleistift, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128569 Auguste Herbin, Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31872 Romare Bearden, Music on the Gallery, 1975, Monotype with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32968 Fernand Léger, Contrast of Forms, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34165 Fernand Léger, Compass and Paint Tubes, 1926, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36765 Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512 Fernand Léger, Study for Cinematic Mural, Study VII, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37944 Francis Picabia, Self-Portrait, (1923), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38310 Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572 Fernand Léger, Deity. Costume design for the ballet La Création du monde (The Creation of the World), 1922, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36233 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Francis Picabia, Portrait (Possibly Raymond Radiquet), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38507 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624 Fernand Léger, Face and Hands, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33238 Fernand Léger, Die Fischer, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2116