Hendrick Goltzius, Landscape with a Waterfall, probably 1592/1595, chiaroscuro woodcut in sepia-ochre, olive and black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7368 Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663 Hendrick Goltzius, The Adoration of the Magi, c. 1586, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7401 Lorenzo Lotto, Allegory of Chastity, c. 1505, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/288 Hendrick Goltzius, Frederik de Vries, 1597, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7366 Paolo Veronese, Allegorie des "Beneficio", c. 1550–1560, Pinsel in Graubraun, weiß gehöht, Spuren von blauer Farbe am Postament und an der linken Hand, allseitige Einfassungslinie in Schwarz, auf grün grundiertem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7191 Hendrick Goltzius, Calliope, 1592, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7361 Hendrick Goltzius, Nicolaus Petri van Deventer, 1595, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7385 Hendrick Goltzius, Françoise van Egmond, 1580, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7397 Karel van Mander, Vor der Sintflut, 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2072 Hendrick Goltzius, Pluto, 1588/1590, chiaroscuro woodcut in sepia-ochre, green and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7371 Paolo Veronese, Mars und Venus, nach 1580, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/888 Hendrick Goltzius, Landscape with a Farmhouse, probably 1592/1595, chiaroscuro woodcut in sepia-ochre, olive and black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7369 Agnolo Bronzino, A Young Woman and Her Little Boy, c. 1540, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1143 Lorenzo Lotto, Allegory of Virtue and Vice, 1505, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/297 Hendrick Goltzius, Terpsichore, probably 1592, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7365 El Greco, Saint Ildefonso, c. 1603/1614, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/90 Paolo Veronese, Portrait of Agostino Barbarigo, after c. 1571, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109507 Lorenzo Lotto, Saint Catherine, 1522, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/258 Rosso Fiorentino, Madonna mit Kind und Johannesknaben, 1515, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/945 Hendrick Goltzius, Melpomene, probably 1592, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7363 Hendrick Goltzius, Johannes Zurenus (Jan van Zuren), 1590, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7384 Hendrick Goltzius, Allegory of Prudence, c. 1586, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7376 Hendrick Goltzius, Gillis van Breen, 1588/92, Chiaroscuro woodcut in black, ochre, and brown, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74811 Hendrick Goltzius, Jan Nicquet, 1595, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7383 Paolo Veronese, The Annunciation, c. 1580, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127572 Hendrick Goltzius, Pietà (The Sorrowing Virgin with the Dead Christ in Her Lap), 1596, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7402 Hendrick Goltzius, Tethys, 1588/1590, chiaroscuro woodcut in sepia-ochre, olive and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7370 Parmigianino, Madonnenstudie, c. 1526–1530, Pinsel in Braun über schwarzer Kreide, hellbraun laviert, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7049 El Greco, The Holy Family with Mary Magdalen, c. 1590–95, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108541 Hendrick Goltzius, Nox, 1588/1590, chiaroscuro woodcut in ochre-sepia, dark olive and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7375 Hendrick Goltzius, Frederick II, King of Denmark and Norway, 1590, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7382 Hendrick Goltzius, Clio, probably 1592, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7364 Hendrick Goltzius, Cliff on a Seashore, probably 1592/1595, chiaroscuro woodcut in sepia-ochre, green and black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7367 Lorenzo Lotto, The Nativity, 1523, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/431 Hendrick Goltzius, Demogorgon in der Höhle der Ewigkeit, aus der Folge "Demogorgon und die Gottheiten", c. 1588–1590, Helldunkel-Holzschnitt, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/38473 Tintoretto, Moses schlägt Wasser aus dem Felsen, c. 1555–1570, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1507 Agnolo Bronzino, Bildnis einer Dame in Rot (Francesca Salviati?), c. 1533, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1127 Karel van Mander, Emblematische Darstellung, 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2352 Cristofano Allori, Studie eines Knabenkopfes mit Schirmmütze, c. 1600, Zwei verschiedene Rötel über Spuren von Kohle auf wohl mit Kreide weiß präpariertem Büttenpapier, links oben eine geschwungene Linie mit schwarzem Stift, leichte Griffelspuren am linken Auge und linken Wangenkontur, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/112148 Hendrick Goltzius, Thalia, probably 1592, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7362 Abraham Bloemaert, Der Brand Trojas, c. 1593, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1778 Hendrick Goltzius, Hieronymus Scholiers, 1583, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7386 Abraham Bloemaert, Judith zeigt das Haupt des Holofernes, c. 1593, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1569 Agnolo Bronzino, The Holy Family, c. 1527/1528, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/531 Hendrick Goltzius, The Captain of the Infantry, 1587, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7396 Hendrick Goltzius, Gerrit de Jong, 1583, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7400 Jacopo Pontormo, Aktstudien (Zwei sitzende Männer, in einen Handspiegel blickend, und ein sitzender Knabe), c. 1520, Schwarze und weiße Kreide auf blau meliertem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7222 El Greco, Saint Martin and the Beggar, 1597/1599, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1164 Lorenzo Lotto, Portrait of a Man, Possibly Girolamo Rosati, 1533–34, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127571 Abraham Bloemaert, Das Goldene Zeitalter, 1603, Feder in Braun sowie Pinsel in Grau und Braungrau über schwarzer Kreide, weiß gehöht (Gouache und Bleiweiß, oxidiert), durchgegriffelt, Einfassungslinie mit der Feder in Dunkelbraun über dünnerer Einfassung mit der Feder in Hellbraun, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19223 Hendrick Goltzius, Christopher Plantin, probably c. 1583, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7399 El Greco, Madonna and Child with Saint Martina and Saint Agnes, 1597/1599, oil on canvas, wooden strip added at bottom, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1165 Hendrick Goltzius, Mucius Scaevola, 1586, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7393 Hendrick Goltzius, Marcus Valerius Corvus, 1586, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7392 Hendrick Goltzius, Standing Officer Holding a Boar's Spear, 1586, Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/157331 Veronese, The Finding of Moses, c. 1581/1582, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/45 Hendrick Goltzius, Aether, 1588/1590, chiaroscuro woodcut in gold, olive and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7374 Tintoretto, Cristo risorgente (The risen Christ), c.1555, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5833 Francesco Primaticcio, Der Tanz der Horen, c. 1547–1548, Rote Kreide über einer Kreis- und Ovalmarkierung (Zirkelblindlinien) und Hilfslinien mit roter Kreide, rot und weiß laviert, weiß gehöht, allseitige Einfassungslinie mit der Feder in Schwarz, auf Papier, unregelmäßige Überklebung in der Mitte, altmontiert auf blauem, mit Goldrahmung versehenem Passepartout der Sammlung Pierre-Jean Mariette, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7207 Parmigianino, Märtyrerin mit zwei Engelsknaben (Die heilige Katharina von Alexandrien?), c. 1523–1524, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1483 Hendrick Goltzius, Oceanus, 1588/1590, chiaroscuro woodcut printed in sepia-ochre, olive and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7372 Hendrick Goltzius, Hercules Killing Cacus, 1588, chiaroscuro woodcut in two shades of sepia and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7373 Hendrick Goltzius, Vier Studien einer rechten Hand, c. 1588–1589, Schwarze und rote Kreide, allseitige Einfassungslinie (Kreide?), auf leicht getöntem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19200