Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Mike Parr, Radio daze (minus 17 - minus 53), 1998, 35 bronze casts, electrical flex with light bulb, portable radio receiver and mixed media drawings on 220 sheets of pasteboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12380 G. Bessi, (Neo classic bust), c.1925, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5548 Jean-Louis Lemoyne, A Companion of Diana, 1710–1724, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1272 Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32 Jean-Henri Riesener, Roll-top Desk (Bureau à cylindre), c. 1775/1785, veneered on oak principally with tulipwood and purplewood, with ebony (or wood stained to resemble ebony) and boxwood for stringing; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1570 Daphne - Sculptor, P.J. LOWTHER & SONS Mayo, Memorial to Hon. David Bowman, M.L.A., 1918–19, Ulam marble relief portrait set in marble plaque, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3730 Mina Laing, Plaque, c.1943–44, cast 1989, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8633 Peter Agostini, The Clothesline, 1960, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/66.133 Ingrid Kellenbach, Brooch. 1K2, 1979, Coloured steel, sterling silver, phosphor bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/238 A. Phimister Proctor, Pursued, modeled 1914, remodeled 1928, bronze; 17 x 24 1/8 x 5 5/8 in. (43.3 x 61.3 x 14.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381060218-1 Daphne Mayo, Professor T. Jones, 1954, Bronze medallion, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12166 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Messenger Company, Argand Lamp, 1835–40, Bronze, gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/139 AH XIAN, Metaphysica: Statue with human head and bird body, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10805 UNKNOWN, William IV pedestal table, c.1830, Rosewood with marble top; the circular top with asymmetrical specimen marble and hardstone inlay within a gadrooned border, the turned pillar with lotus and scroll carving surmounted by paterae, on a tri-form base with carved claw feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15980 Elie Nadelman, Classical Figure, c. 1909–1910, Marble; 34 5/8 x 13 1/2 x 15in. (87.9 x 34.3 x 38.1cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861717-0 William Zorach, Future Generation, 1942–1947, Marble, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/51.32 Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899 Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595 George Baxter, Polar Sky, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53957 Max Beckmann, Adam und Eva, 1936, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4237 Messenger Company, Argand Lamp, 1835–40, Gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/140 Clodion, Monumental Urn, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/577 Pierre Stephan, Figure of Admiral Samuel Hood, c. 1785, Earthenware, basalt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/38 UNKNOWN, Chess piece, c.1900–50, Ivory, carved and stained red, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10050 British 18th Century, Rearing Horse, late 18th or 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1261 Manufacturer: Wedgwood, Teapot, c. 1780, Basalt ware (black stoneware), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.8.52a%2C%20b Joel Elenberg, Rhinoceros head, c.1977, Bronze, glass, timber and metal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7044 Aristide Maillol, Frau mit Krabbe, 1900–1909 (vor 1913), Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4600 HIROYUKI, Netsuke: (peasant in a large straw hat), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1266 Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006 Gerald Lewers, Gong, c.1950, Copper and wood on basalt rock base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7076 JOSIAH WEDGWOOD & CO., Tea-set, c.1920–23, Black basalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8001 Warraba Weatherall, To know and possess, 2021, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38555 Stephen Skillitzi, The African, 1982, Hot blown clear glass of swelling form enclosing a group of marbles wtih yellow paint and flock decoration. Surmounted with hot-worked glass in the shape of a flower with a blue cast glass head. Thrown stoneware base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10883 Margaret West, Aubade, 1998, Marble (Thassos), paint, sterling silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11690 Honoré Daumier, Joseph, Baron de Podenas, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3213 Lindy Lee, Unnameable, 2017, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34689 Joel Elenberg, Mask, 1979, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15477 Les Kossatz, Down the chute, 1978, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12155 George Brecht, All imagined names and forms are the playthings of children, 1990–95, Marble on rosewood veneer box with bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9913 Abastenia St. Leger Eberle, Old Woman Picking Up Coal, 1906, Bronze; 11 1/2 x 10 5/8 x 6 in. (29.2 x 27 x 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859744-1 DUTCH STYLE, Wellington chest, c.1700, Ebonised wood, the eight drawers inlaid in various woods with scrolls, flowers and cartouches framing the bronze key escutcheons and lion mask handles. Brown marble top, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7649 Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138 UNKNOWN, Incense burner, 1868–1912 (Meiji Period), Bronze cast in the shape of a quail and set on a wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6425 Anonymous Artist, Lamp, Upper Portion, c. 1800/1899, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1289 Margaret West, Nocturne, 1999, Granite (Zimbabwe), paint, sterling silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3701 F. Derwent Wood, Billy Hughes, 1919, cast 1959, Bronze on wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6892 George Baxter, Eagle and Vulture, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53944 Emiko Kasahara, Untitled - (In)different, 1994, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8942 Karl Millard, Bulbous pepper grinder, 1996, Cast sterling silver, bronze, brass, Peugeot mechanism, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2286 June Engish, Three pouches, 1981, Handmade felt (lambswool, silk and horse hair), linen, cane, ceramic, beads, granite and feathers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4202 Bertram Mackennal, Madonna, c.1906, Bronze, cast, shell, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6541 Kato Masayuki, Netsuke: (Tadatsune slaying a wild boar), 1850–1900, Carved ivory with flat base and inset red lacquer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7599 Jean-François Leleu, Combined Toilet and Writing Table (toilette à transformations), c. 1764/1775, veneered on oak with tulipwood, kingwood, pearwood, purplewood, sycamore, holly, boxwood, and ebony, some of the woods being originally stained green and other colors; drawers partially of mahogany; sparsely mounted with gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1582 Clodion, (Claude Michel), Pair of Eight Light Candelabra, c. 1785 or 19th century, Patinated and gilded bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24554 Harold Parker, Narcissus, 1920, Bronze statuette, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34137 Daphne Mayo, Fat man, 1940, Bronze, wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5630 A. Phimister Proctor, Stalking Panther, modeled 1891–1893, cast 1910, bronze; 10 1/4 × 31 × 4 1/2 in. (26.0 × 78.7 × 11.4 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381068911-0 Marjorie Fletcher, Self-torso, 1934, cast 1992, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3707 Richard Cosway, Self-Portrait, c. 1770–75, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435994 George Baxter, Man as a Moral and Accountable Being, 1840, Book with letterpress and two Baxter prints on ivory wove paper, bound in hardcover with green cloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61618 Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 32.8 x 13.6 x 13.5 cm (12 15/16 x 5 3/8 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404720-0 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 J.L. Watts, Sketch model of the late David Bowman, 1916, Plaster, bronzed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7139 MESZAROS, Andor Pinches - Medallist, Medallion: Vere hic homo filius dei erat, 1952, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1751 French, Circular Box with Venus and Cupid, 1760–1780, gilt-metal, tortoiseshell, ivory, glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.118 Samuel Murray, The Boxer (Elwood Mc Closkey), COPYRIGHT: DECEMBER 14, 1900, Bronze; 16 7/8 x 5 7/8 X 9 3/8 in. (42.6 x 14.9 x 23.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861690-1 Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496 UNKNOWN, Fan, c.1850, Carved ivory guards with finely carved pierced ivory spokes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6368 Challinor, Taylor and Company, Boot with Spur, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/564 Honoré Daumier, Auguste-Hilarion, Comte de Kératry, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3216 Web Gilbert, The bomber, c.1915–21, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8498 Joan Miró, Monument, cast 1970, Bronze with black patina; base of welded steel, painted black, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6138 MESZAROS, Andor Pinches - Medallist, Medallion: Christus figiturad crucem, 1943, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6148 George Baxter, The Mosaic Pavement at Pitney, also called The Roman Pavement at Pitney, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54018 May Howard Jackson, Portrait Bust of an African, 1899, cast 1980s, bronze; 16 × 12 1/4 × 8 in. (40.6 × 31.1 × 20.3 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1692780316260-1692780339142-1 Alexander Archipenko, Torso in Space, 1936, cast 1967, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.10 UNKNOWN, Figurine, c.1800–1900, Ivory, carved in the form of a seated child and wooden stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11548 Cousineau Père et Fils, Harp, c. 1787–90, Mahogany, ivory, pigment, gilt, and metal works, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.5 Honoré Daumier, Fugitives (Emigrants), model c. 1850/1852, cast 1893, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3237 Antoine-Louis Barye, Ape Riding a Gnu, (c. 1845), Bronze; 9 1/8 × 10 3/4 × 4 in. (23.1 × 27.3 × 10 cm) incl. base, Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858433-0 UNKNOWN, (Buddha with cobras), c.1900, Ivory, carved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15180 Jacob Epstein, Kitty, 1957, Bronze, marble pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14603 MESZAROS, Andor Pinches - Medallist, Medallion: Filiac Jerusalem, 1955, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3333 Colin Colahan, L'abbe Breuil, c.1950–58, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7440 Jacques Delaplace, Portrait of a Woman, c. 1805–10, Ivory extended by card, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436181 Harold Parker, Spring awakening, 1913, cast 1993, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/355 Auguste Rodin, The Walking Man, Modeled 1877–1900, cast before 1917, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69852 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 George Baxter, Prospectus with Royal Arms in Gold and Colours, 1840, Letterpress in black and block printing in colours on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59532 Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503 Otto Freundlich, Composition, 1933, Bronze, schwarz patiniert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/105842 Samuel Cotes, Portrait of a Woman, 1767, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435999 Auguste Rodin, Adam, Modeled 1881, cast c. 1924, Bronze with dark brown patina, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11320 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 UNKNOWN, Pair of belt purse rings with chrysanthemum design, c.1780, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16160 Daphne Mayo, Olympian, c.1946, cast after 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9675 Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488 Harold Parker, The first breath of spring, 1911, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9247 MESZAROS, Andor Pinches - Medallist, Medallion: Veronica faciem Christi tersil, 1963, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/346 Barbara Heath, Bracelet, 1988, Sterling silver, bronze, gold with haematite ring, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8684 attrib. to LÖTZ WITWE, Bowl, c.1900–25, Flared rimmed bowl with iridescent luster, exterior shaded blue to bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4308 David Aronson, Samson and Delilah, 1961, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/65.97a-b AH XIAN, Metaphysica: Baby boy, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8298 Edgar Degas, Danseuse regardant la plante de son pied droit, quatrième étude (Dancer looking at the sole of her right foot, fourth study), c.1882–1900, cast before 1954, Bronze, dark brown and green patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16265 MESZAROS, Andor Pinches - Medallist, Medallion: Christus convenit matrem, 1957, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7291 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Arthur Fleischmann, Hairdressing in Bali, 1939, cast 1980s, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6112 Jacob Epstein, Esther, 1949, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7997 United Spanish War Veterans, Medal for United Spanish War Veterans, after 1904, bronze and ribbon; 2 5/8 x 7/8 x 1/4 in. (6.7 x 2.2 x 0.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744152-0 Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Richard Artschwager, Window/Table, 1980, Pen and ink on yellow paper on board, with marbled paper overlay, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/97.108.1a-b Danila Vassilieff, Children with blue and green eyes, 1947, Lilydale limestone and rhinestones, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35880 Challinor, Taylor and Company, Bowl, 1870–85, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/790 Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2811 Auguste Rodin, La femme accroupie (The crouching woman), 1880–82, cast 1955, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12123 Hiram Powers, Greek Slave, modeled 1841–1843, carved c. 1873, marble; 44 x 14 x 13 1/2 in. (111.8 x 35.6 x 34.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381053123-1 Félix Bracquemond, Hand Mirror, c. 1900, gold, enamel, and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149386 Attributed to Jean-Jacques Caffieri, Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780, Marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.49 Honoré Daumier, Jean-Charles Persil, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3227 Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1241 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658 Carl Mcconnell, Water dropper, c.1975–79, Stoneware, thrown peach shape with tripod feet impressed with motifs. Trailing limestone glaze and salt glazed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4487 MESZAROS, Andor Pinches - Medallist, Medallion: Corpus Christi desumitaura cruce, 1948, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1750 XU BING, A book from the sky, 1987–91, Woodblock print, wood, leather, ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14345 George Baxter, Modifications of Clouds, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53950 Olin Levi Warner, Poor Crane, Ya-Tin-Ee-Ah-Witz, Chief of the Cayuses, 1891, bronze; 11 in. (28.0 cm) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381057051-0 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Leonard Shillam, The goat, 1950, Sandstone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12111 George Baldessin, Aged dancer, 1964, Fibreglass and polyester resin with bronze coloured patination, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8646 George Baxter, Caroline Mordaunt, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53994 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657 William Rudolf O'Donovan, Marie Heimlicher, (1884), Bronze; 10 3/8 x 8 x 1/4 in. (26 x 20.3 x 0.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861871-0 Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853 Honoré Daumier, Benjamin Delessert, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3214 AH XIAN, Metaphysica: Rabbit, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3842 Daphne Mayo, Portrait of Lloyd Rees, c.1944, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4953 Emilio Greco, Bather no. 1, 1956, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8496 Jean-Mathieu Chevallier, Chest of Drawers (commode), mid-18th century, possibly 1743/1744, veneered on oak stained black with tulipwood, kingwood, sycamore, purplewood, boxwood, and other woods, some showing traces of having been colored by staining; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1574 Joel Elenberg, Mask, 1979, Bronze, single cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15475 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Olin Levi Warner, Seltice, Chief of the Coeur D'Alênes, 1891, bronze; 7 3/8 in. (18.6 cm) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381057061-0 Jacob Epstein, The Visitation, 1926, cast 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5381 Léon Marcotte, Armchair, c. 1860, Maple, gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/227 L.J. Harvey, Head of a girl, 1936, Earthenware, modelled with bronze lustre glaze and blue glazed plinth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15696 Charles Paul Jérôme de Bréa, Benjamin Franklin (1706–1790), after a Painting by Greuze of 1777, 1777, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436109 Jacques Thouron, Portrait Miniature of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/495 Harold Parker, Lady Rosa Robinson, 1905, Plaster, bronze paint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7568 David Roentgen, Writing Table with Mechanical Fittings (table mécanique or schreibtisch), partly c. 1779, partly 19th century, oak carcass; pictorial marquetry principally of sycamore, rosewood, applewood with some traces of coloring, and boxwood; table veneered principally with tulipwood, amboyna, ebony, and boxwood; interior fittings of Cuban mahogany; gilded bronze and brass mounts; steel mechanical fitments, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1576 Edgar Degas, Danseuse au repos, les mains sur les hanches, jambe droite en avant, première étude (Dancer at rest, hands on her hips, right leg forward, first study), c.1882–95, cast c.1919–21, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5532 Auguste Rodin, Morning, 1906, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1011 William Zorach, The Artist's Daughter, c. 1930, Marble, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/68.114 Lyndon Dadswell, Head, c.1949, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5583 L.J. Harvey, Profile of a boy, 1922, Carved white marble plaque mounted in silky oak bracket frame in Art Nouveau style, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15676 Honoré Daumier, Charles Henry Verhuel, Count of Sevenaar (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3232 Kato Masayuki, Netsuke: (two figures with diadems (crowns) seated in a bath tub and teasing a demon), 1850–1900, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3656 Auguste Rodin, Head of Balzac, 1895–1896, cast c. 1902–1910, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5494 Bernard Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1579 Martin Carlin, Work and Writing Table, c. 1770, veneered with sycamore, tulipwood, purplewood, ebony, boxwood, and various other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1585 Alick Sweet, [Untitled], 1988, Bronze and painted timber, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9972 MESZAROS, Andor Pinches - Medallist, Medallion: Christus ante Pilatum, 1943, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3850 John Quincy Adams Ward, Head of a Black Man, copyrighted 1898, bronze on brass mount; relief: 4 x 3 in. (10.2 x 7.6 cm) brass mount: 5 x 3 3/4 in. (12.7 x 9.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381068471-0 Jules Dalou, The Ornamenter Edouard Lindenhener, 1878, Bronze; sculpture: 7 1/2 x 4 x 5 7/8 in. (19 x 11.5 x 15 cm) base: 2 x 4 1/4 x 5 1/4 in. (5.1 x 10.8 x 13.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859280-0 Honoré Daumier, Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3223 Robert Capner, National Agricultural and Industrial Association of Queensland medallion presented to Bessie Gibson - First Prize, Drawing, Juvenile Exhibition, 1883, 1883, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4599 UNKNOWN, International Co-operation Art Award Australia medallion presented to Ian Fairweather, 1972, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15418 Jacques-François-Joseph Saly, Bust of a Little Girl, model 1744, cast probably 1750/1753, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1267 Jean-Henri Riesener, Writing Table (table à écrire), c. 1780, veneered on oak with mahogany, sycamore, purplewood, boxwood, ebony, and holly; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1569 Eric Andersen, The crying stone, 1989, Marble in mahogany-lidded box and metal tripod, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2254 TADATOSHI, Netsuke: (ox), c.1781–1800, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4561 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Pierre Migeon II, Lean-to Writing Desk (table à abbattant), c. 1750, veneered on oak with tulipwood, purplewood and kingwood; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1584 Richard Crosse, Portrait of a Woman, possibly c. 1780, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436058 Jock Clutterbuck, Bobbincandlenoster, 1989, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4803 MESZAROS, Andor Pinches - Medallist, Medallion: Crux imponitur Simoni Cyrenensi, 1970, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13760 Henry Moore, Reclining figure: Prop, 1975, Bronze maquette, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7612 Ohara Mitsuhiro, Writer's Seal with Grazing Deer, 19th century (Edo; Meiji), ivory, pigment, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.891 L.J. Harvey, Covered pot, 1919, Earthenware, modelled with two winged dragons encircling the rim with blue and bronze glazes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15645 G. Ugolini, Plaque: (Elderly couple with child), c.1908, Slate panel inset with marble and semi precious stones, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9131 William Leslie Bowles, Commerce, Industry & Agriculture, 1931, Bronze architectural panels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3906 Tony Coleing, Untitled (from ‘Alternate War Memorials’ series), 1975–92, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/74666 Joel Elenberg, Mask, 1979, Black marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15473 Raffaello Romanelli, Charles Stuart Mein (Justice of Supreme Court of Queensland), 1890, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13470 Harold Parker, Billy, c.1930, Plaster cast with bronze finish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15742 British 18th Century, Andiron: Apollo with the Serpent, 18th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3151 Tom Roberts, Mrs Tom Roberts (Lillie, 1860-1928, the artist's wife), 1905+, Bronze bas relief, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/206 Phillip Mcconnell, Dish with landscape decoration, c.1979, Stoneware, wheelthrown with iron oxide glaze and poured limestone and trailed celadon glazes over wax resist, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13344 TADAKATSU, Netsuke: (nine masks), c.1850–1900, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/863 Enrico Glicenstein, Hermes, (1898), Bronze; 13 3/8 x 9 3/4 x 10 3/8 in. (33.8 x 24.6 x 26.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860208-0 HIROYUKI, Netsuke: (vendor with a crab), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3909 Honoré Daumier, Antoine Odier, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3229 Richard Cosway, Ensign Lionel Robert Tollemache (1774–1793), 1762, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435996 Clodion, Monumental Urn, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/578 Bruce Nauman, Partial Truth, 1997, Granite, Tate, London. https://dartabase.art/cite/tate/AR00575 Jacob Epstein, Nan, 1909, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7514 In the manner of Pierre Gouthière, Pair of Candelabra, c. 1789, Bronze gilt, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24552 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 George Baxter, Convolvulus Leaves, Flower, and Bud, from Baxter's Agricultural and Horticultural Gleaner, 1836, Block printing in colors, and letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54009 UNKNOWN, Set of kakemono bunchin (weights for hanging scrolls), c.1900–60, Pear shaped alabaster beads stained grey-green with silk cord and tassels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4073 AH XIAN, Metaphysica: Maitreya, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3132 Jean-François Oeben, Writing and Toilet Table (table mécanique), c. 1750/1755, veneered on oak with marquetry of tulipwood, kingwood, sycamore, ebony, boxwood, and other woods, some of them stained green and with traces of other colors; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1573 Max Klinger, Cassandra, (1886–1895/cast 1895–1904), Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860887-1 Marc Clark, Stairway to nowhere, 1978, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2109 UNKNOWN, Set of kakemono bunchin (weights for hanging scrolls), c.1900–60, Hexagonal alabaster beads with silk cord and tassels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1172 Michael Parekōwhai, The World Turns, 2011–12, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19047 Hidemitsu, Crab, c. 1818–1843 (late Edo), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1364 MESZAROS, Andor Pinches - Medallist, Medallion: Christus deponiturin sepulchrum, 1948, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/163 Louis Benjamin Huber Defeuille, Plaque Portrait of Benjamin Franklin, 1800–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/466 Edgar Degas, Tänzerin, den rechten Fuß in der rechten Hand haltend, 1900–1911, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4427 Warren Langley, Druid site #63, 1988, Fused and cast glass and patinated bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6235 Ernest Hew, Dialogue, 1995, Grand Dee grey granite, black Zimbabwe granite and basalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3457 MESZAROS, Andor Pinches - Medallist, Medallion: Veronica faciem Christi tersil, 1963, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6147 Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1571 UNKNOWN, Fan, c.1880–90, Ivory sticks with organdie painted with a bird, butterflies, and a flower with silk tassel. One stick carved with a butterfly and coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7647 Daphne Mayo, Bust of Dr J.V. Duhig, 1940, cast 1947, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2146 Antoine-Louis Barye, Arab Horseman Killing a Lion, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.158 Harriet Goodhue Hosmer, The Sleeping Faun, modeled 1864, carved c. 1870, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159838 Auguste Rodin, Eve after the Fall, Modeled 1883, carved c. 1886, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16963 Richard Collins, George Howard (1773–1848), Lord Morpeth, 1775, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435919 UNKNOWN, Bust of a woman, c.1890, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3505 Les Kossatz, Sculpture maquette, 1980, Metal on marble stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15500 Daphne Mayo, Sketch (of a boy), 1921, cast 1961, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5210 Jacques Lipchitz, Musical instruments, 1925, reworked at a later date, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12418 UNKNOWN, Set of kakemono bunchin (weights for hanging scrolls), c.1900–60, Square alabaster beads stained aqua with silk cord and tassels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1461 UNKNOWN, Tea caddy, c.1800–15, Rosewood, gilt bronze, bone, watermarked taffeta, glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16009 Otto Freundlich, Ascension, 1929, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4385 Jean-Antoine Houdon, Louise Brongniart, 1777, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1263 Leonard Shillam, Reclining woman, 1942, Sandstone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1224 Alexander Hoda, Untitled (Orange), 2011, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19366 George Baxter, Scene on the Mountain Tops, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53982 Daphne Mayo, Portrait of R. Godfrey Rivers, c.1925–27, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5212 Peter Taylor, Figures in a changing landscape no. 1, 1981, Polychromed wood, metal and bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3967 Joel Elenberg, Mask, 1979, Bronze, single cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15476 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625 Daphne Mayo, Bancroft medal for the British Medical Association (now AMA), Queensland Branch, 1927–28, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/38537 Universal Negro Improvement Association, Bronze African Redemption Medal of the Universal Negro Improvement Association, c. 1920, bronze and leather; 2011.57.18a: 1 3/4 × 1 5/8 × 1/16 in. (4.5 × 4.2 × 0.2 cm); 2011.57.18b: 6 5/16 × 11/16 × 13/16 in. (16 × 1.8 × 2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398745206-0 H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270968 Daphne Mayo, Susannah, 1942, Plaster, mould cast with simulated bronze patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12167 GYOKKO, Netsuke: (group of four figures), c.1830–67, Carved ivory with flat base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7052 George Baxter, Little Grebes and Nests, from The Feathered Tribes of the British Islands, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53937 Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18 MESZAROS, Andor Pinches - Medallist, Medallion: Christus iterum cadit, 1947, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/130 George Baxter, South Down Sheep, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54006 Jean-Antoine Houdon, Alexandre Brongniart, 1777, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1262 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 Honoré Daumier, André-Marie-Jean-Jacques Dupin Aîné, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3222 John Deare, Bacchus Feeding a Panther, 1792, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/157162 Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831 after EASTERN HAN ARTIST, Flying horse of Kansu, cast 1973, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2259 Alexander Archipenko, King Solomon, 1963, enlarged and cast posthumously c. 1968–1969, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/69.111 Calvin Albert, Galleon, 1952, Lead on bronze and stainless steel, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/59.1 Daphne Mayo, Susannah, 1946, cast 1995, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4694 Max Beckmann, Tänzerin, 1935, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4904 Richard Tipping, Copyright, 1977–79, Blue pearl granite and gold leaf, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10247 Ola Cohn, Polar bear, c.1942, Sandstone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14388 British 18th Century, Andiron: Vulcan with His Anvil, 18th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3152 Auguste Rodin, The Evil Spirits, c. 1899, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1010 Pierre-Auguste - Artist, GUINÓ BOIX, Richard Renoir, Portrait of Madame Renoir, c.1916, cast 1952, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7595 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 AH XIAN, Metaphysica: Pigeon, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11337 Jean-Baptiste Carpeaux, Jean-Léon Gerôme, (1871/cast 1871–1888), Bronze; 23 15/16 x 9 7/8 x 9 15/16 in. (60.8 x 24.8 x 25 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858882-0 George Baxter, Dippers and Nest, from The Feathered Tribes of the British Islands, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53935 Jacques Joseph de Gault, Marie-Thérèse-Charlotte (1778–1851), Daughter of Louis XVI, 1795, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436110 Auguste Rodin, Sorrow, Modeled 1882, cast c. 1913–23, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13600 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Joel Elenberg, Anna, cast 1979, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8000 AH XIAN, Metaphysica: Immortal on deer, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11746 Jean Baptiste Carpeaux, Genie de la danse (Spirit of the dance), cast c.1898, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9064 Nicolas François Dun, Portrait of a Woman, Said to Be Madame Récamier (1777–1849), c. 1812–14, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436233 Louise Bourgeois, Nature Study, 1984, Bronze on steel base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/84.42 UNKNOWN, British Empire Exhibition 1925 medal, 1925, Cast bronze (with medal box), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/212 Fumio Nishimura, The abyss of Time V, 1978, Granite, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5001 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Antoine-Louis Barye, Deer Brought Down by Three Hounds of Algeria, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.126 Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1 Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180 Philip Corner, Sound stones, 1985, Bronze with ball bearings enclosed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5705 Daphne Mayo, Blackie, c.1943, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12165 Peg Mecham, Vase, c.1976, Stoneware, thrown brown body with slightly crawled deep bronze green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3535 Gustav G. Klutsis, Lenin's Language: Eleven Devices of Lenin's Speech (Iazyk Lenina. Odinadtsat' priemov Leninskoi rechi), 1925, Letterpress book in black on ivory wove paper, with four letterpress illustrations in black, and cover in letterpress in black with stencil in red, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199208 Auguste Rodin, L'acrobate (The acrobat), 1909, cast 1956, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14210 Franz von Stuck, Reitende Amazone, 1897, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4276 Louise Bourgeois, Amoeba, 1963–5, cast 1984, Bronze, Tate, London. https://dartabase.art/cite/tate/T07780 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Tony Coleing, Untitled (from ‘Alternate War Memorials’ series), 1975–92, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/74667 Honoré Daumier, Félix Barthe, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3217 Alfred Gilbert, Perseus arming, c.1882, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13477 Ray Norman, Neckring, 1981, Forged iron with ivory ring, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1743 Harold Parker, Esther, 1903, Marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8359 L.J. Harvey, Tall standard lamp, 1930, English oak, carved and surmounted with an alabaster light shade (reversed), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15734 Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0 Continental Painter, Portrait of a Woman, 1745, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435932 George Baxter, The Seasons, 1835, Block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53967 Auguste Rodin, La France, 1904, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1002 Charles Louis Hinton, Vanity, 1915, bronze; 26 1/2 x 23 1/2 x 8 1/2 in. (67.2 x 59.7 x 21.7 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381046913-0 Tony Coleing, Untitled (from ‘Alternate War Memorials’ series), 1975–92, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/74668 Auguste Rodin, L'Age d'airain (The Bronze age), 1876–77, cast 1955, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13484 Augustin Dubourg, Portrait of a Woman, 1778, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436220 MESZAROS, Andor Pinches - Medallist, Medallion: Christus prima cadit, 1959, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/749 MESZAROS, Andor Pinches - Medallist, Medallion: Christus accipit crucem, 1965, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6211 Continental Painter, Portrait of a Woman, 1740, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435931 Käthe Kollwitz, Die Klage, 1938–1941, Bronze (Wachsausschmelzverfahren), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4346 William Zorach, Draped Figure, 1927, Bronze on wood base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/31.87a-b Auguste Rodin, Katherine Seney Simpson (Mrs. John W. Simpson), 1902–1903, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1009 Rhyl Hinwood, Dove, c.2004, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/37949 George Baxter, Hindoo and Mohamedan Buildings, 1834, printed 1835, Block printing in colors, on ivory wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59514 Kaigyokusai Masatsugu, Reclining Ox, 19th century (Edo-Meiji), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.961 Edgar Degas, The Tub, Modeled 1889, cast 1919–21, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68369 Thomas Eakins, Knitting, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 3 3/8 in. (47 x 37.9 x 8.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859679-1 Auguste Rodin, The Age of Bronze, 1875–76, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98627 Honoré Daumier, Charles-Léonard Gallois (?), model c. 1832/1835 or c. 1849, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3233 Louise Bourgeois, The Curved House, 2010, Marble, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2010.63 Harold Parker, Lady Rosa Robinson, 1905, cast 1994, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6106 Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174 Auguste Rodin, The Kiss (Le Baiser), model 1880–1887, cast c. 1898/1902, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1008 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 George Baxter, The Mosaic Pavement at Pitney, also called At Pitney, Co. Somt. 1829, 1836, Block printing in colors, with debossing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54015 Fiona Foley, Mangrove paddle, 2000, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10226 Jannis Kounellis, Bells, 1993, Bronze bells, wooden beams and rope, Tate, London. https://dartabase.art/cite/tate/AR00071 William Zorach, Bunny, 1930, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.52 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Antoine-Louis Barye, Two Spaniels on a Cushion, 19th century, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.193 Antoine-Louis Barye, Spaniel and Goose, 19th century, yellow bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.54 George Baxter, Air Bird, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53985 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 Saul Steinberg, Two Fighting Women, 1945, Pen and black ink on ivory card (recto and verso), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220489 Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635 Auguste Rodin, The Age of Bronze (L'Age d'Airain), model 1875–1876, cast 1903–1904, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1003 HOMIN, Netsuke: (two drummers and a dancer), c.1800–50, Carved ivory with flat base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4045 Jean-Antoine Houdon, Voltaire, 1778, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1266 Aleks Danko, ANXIETY SWITCH, 1969–70, Bronze, velvet, wood, plastic, wool, metal, paper, felt and ink, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13759 Jeann-Antoine Lepine, Mantle clock, c. 1770, Marble, ormulu, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.2 Honoré Daumier, Jean Vatout, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3236 AH XIAN, Metaphysica: Buddha hand with lotus, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8299 UNKNOWN, Pair of crocodiles, c.1900–50, Ivory, carved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4115 Auguste Rodin, Eva, 1881, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4585 Jacques - Decorator, SÈVRES Micaud, Cylindrical cup and saucer, 1775, Soft-paste porcelain painted in overglaze colours with a vase of flowers on a marbled ledge within an oval gilt panel with vertical bands painted with roses alternating with other flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6664 Harold Parker, Eve repentant, 1928, Bronze on marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8595 Harold Parker, Queenslanders (Daniel and Jane Parker, the sculptor's parents), 1921, Bronze bas relief, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/23404 George Baxter, The End of Time, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53954 REGENCY STYLE, Pot cupboard, c.1820–40, Satinwood with marble inset top, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/305 UNKNOWN, Chandelier, c.1890–1900, electrified c.1920, Crystal, bronze, eight electric lights, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15981 UNKNOWN, Free form vase, c.1960–69, Cast bronze pod shape with striated lines and green patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10607 Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178 Jacques Thouron, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/468 Bertram Mackennal, Daphne, 1897, Bronze on bronze base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7795 Ingrid Kellenbach, Brooch. 1K1, c.1979–80, Coloured steel, sterling silver and phosphor bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1501 MESZAROS, Andor Pinches - Medallist, Medallion: Christus den voatur vestibus, 1969, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3851 UNKNOWN, Fan, c.1870–1900, Ivory mount and lace bark (Largetta linteria) and the winged seeds of French cotton (Calotropis procea). The border is the spathe of the cabbage palm (Oreodoa oleracea). The tassel fibre is made from Bromelia pinguin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10742 L.J. Harvey, Sculpture: Love's coronet, 1922, Plaster, cast from wooden carving (?) with bronze finish. Wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2775 Mervyn Muhling, Brooch: Implement 380, 1981, Sterling silver box with implement of sterling silver, bronze with white delrin, inlay. Screws and pin stem of stainless steel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1299 Honoré Daumier, Alfred-Frédéric-Pierre, Comte de Falloux, model possibly 1848/1850, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3235 Challinor, Taylor and Company, Bowl, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/789 George Baxter, Virginia Water, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53997 Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2810 Honoré Daumier, Claude Bailliot, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3234 Pierre Stephan, Figure of Admiral George Rodney, c. 1785, Earthenware, basalt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/37 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2 Honoré Daumier, Jean-Claude Fulchiron, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3215 Honoré Daumier, Jean-Auguste Chevandier de Valdrome, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3226 Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123 Honoré Daumier, François, Marquis de Barbé-Marbois (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3225 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Shibayama Soichi, Bamboo Section with Ants and a Worm, mid-late 19th century (Meiji), bamboo with lacquer and ivory inlay, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/61.227 Judy Watson, tow row, 2016, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24945 Georg Kolbe, Frauenraub, 1916–1919, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4395 François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65 Thomas Eakins, Spinning, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 2 1/2 in. OVAL (46.8 x 37.9 x 6.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859680-0 Auguste Rodin, Faun; Der alte Baum; Die alte Eiche, c. 1885, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4423 Carl Mcconnell, Mishima ware bowl, 1981, Stoneware, thrown Pinjarra Hills red clay incised and with white slip inlay and limestone glaze. Fired to 1350 degrees Celsius, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4211 Hermann Hohaus, Catherine, 1967, Bronze, single cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10465 David - Potter, BOYD, Hermia Boyd, Wine jug and six goblets, c.1960, Earthenware, thrown. The jug with erect flaring spout and semicircular handle on waisted base. Glazed mottled manganese green with pewter base and bronze handle. Goblets glazed mottled manganese with bronze foot, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12219 Charles Louis Hinton, Columbia's Call to Arms, 1917, plaster/bronzed; 32 7/8 x 9 7/8 x 20 5/8 in. (83.6 x 25.1 x 52.4 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381046912-0 UNKNOWN, (Old man with deer), c.1900–25, Ivory, carved and incised and inset, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1762 Leonard Shillam, Elephant seal, c.1951, Black granite, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8467 Auguste Rodin, The Thinker (Le Penseur), model 1880, cast 1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1005 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Jo Davidson, Andrew W. Mellon, 1941, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/988 Edgar Degas, Study for portrait of Madame S., c.1892, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10733 Elisabeth Frink, Wild boar, 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12130 Lindsay Daen, Jemmy Morrill and the brolgas, c.1980–83, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12416 William Zorach, Torso of a Girl, 1927, Bronze, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/71.243 Auguste-Emile Rinquet-Leprince, Armchair, c. 1843, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/265 Harold Parker, (Head of a girl), c.1931, Ulam marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12490 Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249 Aleks Danko, HEAVY AESTHETIC QUALITY - MANTELPIECE EDITION, 1971, cast 1995, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13844 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Pierre-Philippe Thomire, Bust of Voltaire, 1790, terracotta, alabaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.362 Etienne-Maurice Falconet, Nymph Seated, 18th century, white marble, gilt bronze base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.390 Phillip Mcconnell, Square bottle, c.1971, Stoneware, wheelthrown with battered faces and limestone glaze and trailed iron oxide slip, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14043 Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1577 Jean Desforges, Chest of Drawers (commode), 1745/1749, veneered on oak, mostly stained black, with panels of Japanese black-and-gold (_togidashi_) lacquer; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1568 Bertram Mackennal, Queen Victoria at her coronation, 1897, Bronze, cast, shell, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7493 Honoré Daumier, Dr. Clément-François-Victor-Gabriel Prunelle, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3220 Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183 D. B., Portrait of an Officer, 1812, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436066 Danila Vassilieff, Dancing girl, 1952, Lilydale marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5864 L.J. Harvey, Sculpture: (Woman's head), 1922, Plaster, cast from modelled original, with bronze paint and wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4517 Auguste Rodin, Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/100824 Bernard Vanrisamburgh II, Work and Writing Table (table en chiffonnière), c. 1750/1760, veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1580 Jeff Koons, Bourgeois Bust - Jeff and Ilona, 1991, Marble, Tate, London. https://dartabase.art/cite/tate/AR00597 Victor Vasarely, [Untitled], 1940, Collage of cut-and-pasted, black and painted wove papers on painted, ivory wove paper, laid down on tan board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196132 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Joel Elenberg, Totem, 1979, White carrara marble, with porfirico inlays, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15472 Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1 George Baxter, The Welsh Harper, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53947 Auguste Rodin, The Walking Man (L'Homme qui marche), model 1878–1900, cast probably 1903, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1004 Auguste Rodin, A Burgher of Calais (Jean d'Aire), model 1884–1889, reduction cast probably 1895, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1006 Daphne Mayo, Susannah, 1946, Plaster, hollow mould cast with simulated bronze patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5488 Honoré Daumier, Charles-Malo-François, Comte de Lameth, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3230 UNKNOWN, Fan, c.1850, Ivory guards with dragon embroidered on gauze with polychrome silks. Complete with black lacquered box, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8166 Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1572 Jean Martin Renaud, [Untitled], 1800–1883, Bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/479 Auguste Rodin, Head of Balzac, model 1897, cast probably early 20th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1007 Catharina Hampson, Daphne, 1992, Bronze on granite base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4825 Indian, Powder Flask, 18th-1st half 19th century (late Mughal), hippopotamus ivory, amber, steel, copper alloy, and silver with traces of paint, resin, and gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.418 Mervyn Muhling, Brooch: Implement 580, 1981, Sterling silver box with implement of sterling silver and bronze with white delrin inlay. Stainless steel screws and pins, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1877 Gilbert P. Riswold, Bust, Captain Hugh Knyvett, c.1918, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5214 G. Malt, Plaque: Lilian Pedersen, c.1918, Cast bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3706 Clara Wolcott Driscoll, Peony Floor Lamp with a Bamboo Base, c. 1905–10, Leaded glass, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/296869 Charles Cressent, Writing Table (bureau plat), c. 1740/1745, veneered on oak and pine with kingwood, tulipwood, purplewood, boxwood, and ebony; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1583 L.J. Harvey, Spirit of Night, 1918, Plaster cast, bronze finish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15704 Etienne-Maurice Falconet, The Punishment of Cupid, 1716, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1255 Guy Boyd, Head of Jan Metazas, 1971, cast 1976, Bronze on black granite, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13845 WEDGWOOD STYLE, Milk jug, c.1820–50, Stoneware, black basalt slip-cast with interior glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4070 AESTHETIC STYLE, Vase, c.1880–1900, Black glass bulbous body with waisted neck decorated with a bird, cactus and bamboo in green, bronze and gilt in the aesthetic taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1659 Mimmo Paladino, Canto notturno (Night song), 1984, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4667 Marilyn Mcgrath, Lyrate, c.1973, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14052 H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956 Auguste Rodin, Woman and Child (originally Première Impression d'Amour), model c. 1885, carved c. 1900–1901, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1012 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Joel Elenberg, Anna, cast 1979, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9283 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Stephen Walker, Plant form, c.1964–66, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8495 Thomas Woolner, Portrait medallion of Alfred Lord Tennyson, 1856, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10941 Honoré Daumier, Charles Philipon, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3224 Bertram Mackennal, Truth, 1894, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8007 BOHEMIAN STYLE, Bottle, c.1840–60, Hot-worked deep red and white marbled glass. Gilt details base and neck (top broken), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2609 UNKNOWN, (Figure of a Chinese immortal), c.1800–1900, Carved ivory figure of an immortal with carved wooden stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15194 Honoré Daumier, Horace-François-Bastien Sébastiani (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3231 AH XIAN, Metaphysica: Crane on tortoise, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8203 N.N. Rimzon, House of heavens, 1995, Resin, fibreglass, aluminium and marble dust, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3253 Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192 German 19th Century, Bacchanal, 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1247 Kongo artist, Tusk, c. 1860, Ivory; H x W x Diameter: 72.4 x 14.6 x 6 cm (28 1/2 x 5 3/4 x 2 3/8 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621406345-0 Antoine-Louis Barye, Bear Standing Upright, 19th century, bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.137 MESZAROS, Andor Pinches - Medallist, Medallion: Christus tertio cadit, 1966, Bronze, cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/894 Clive Stephen, Bull pup, c.1935–37, Black marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15266 Carl Andre, Paraglyph, 1989, Steel plates, Quincy granite, and Eastern pine, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2011.150a-c Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392 Honoré Daumier, Pierre-Paul Royer-Collard, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3218 Danie Mellor, Matter Matters, 2019, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36220 Fiona Foley, Sacred lotus lily, 2003, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36574 Charles Douglas Richardson, The cloud, c.1900, Plaster with bronze patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4145 Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177 Auguste Rodin, Torse de jeune femme (A young woman's torso), 1909, cast 1961, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6856 Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187 Max Klinger, Bildnis Büste Friedrich Nietzsche, 1903–1904, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4244 English, Toilet Case with Scenes from the ""Metamorphoses"", c. 1750, case: gold, diamond; utensils: gold, silver, steel, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.953 UNKNOWN, British Empire Exhibition 1924 medal, 1924, Cast bronze (with medal box), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4601 Daphne Mayo, Susannah, 1942, cast 1980, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12169 UNKNOWN, British Empire Exhibition 1925. Bronze medallion presented to LJ Harvey, 1925, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24929 Bruce Nauman, Untitled (Hand Circle), 1996, Bronze, silver solder and copper, Tate, London. https://dartabase.art/cite/tate/AR00580 Harold Parker, Mrs McConnel of Queensland, 1910, Marble bas relief panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10705 Franz von Stuck, Amazon, 1897 (cast after 1905), Bronze, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4995 Frédéric Dubois, Portrait of a Woman, 1793, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436219 Honoré Daumier, Auguste-Hippolyte Ganneron, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3219 A. Phimister Proctor, Buffalo Hunt, modeled 1914–1916, copyrighted 1917, bronze; 18 1/4 x 27 1/2 x 12 1/2 in. (46.4 x 69.9 x 31.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381066673-0 Carl Mcconnell, Handled vase, c.1960–61, Stoneware, thrown brown clay with lug handles and bronze green teadust glaze (made from wood ash and red clay), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11014 Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 34.4 x 13.5 x 13.5 cm (13 9/16 x 5 5/16 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404718-0 Olafur Eliasson, Riverbed, 2014, Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34280 Alexander Archipenko, Torso in Space, 1936, Terra-cotta, metalized with bronze on painted wood base, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/58.24 Isamu Noguchi, Trinity, 1945, cast 1974, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/259192 Ann Brownsworth, Brooch: Horizons are relative, c.1980–81, Sterling silver, ivory, oyster shell and slate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8067 Jacob Epstein, Bernard Shaw, 1934, Bronze, marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1469 attrib. to Kaigyokusai Masatsugu, Netsuke: (manju (button)), c.1828–92, Carved ivory with two figures among patterned drapery. The reverse with a pouch and foliage. Movable central fixture with rust cord, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9695 Honoré Daumier, Jean-Pons-Guillaume Viennet, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3221 Joel Elenberg, Mask, 1979, Bronze, single cast, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15474 Nam June Paik, TV cello, 2000, DVDs, video monitors, perspex, wooden cello neck with coloured plastic strings and wooden tail piece, marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13304 Tissa De Alwis, Blue set, 1996–99, Plasticine, wire, cloth, gold thread, a glass marble, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12385 AH XIAN, Metaphysica: Cicada on leaf, 2007, Bronze and brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8297 Enzo Plazzotta, Nadia Nerina - rehearsal II, c.1968, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1672 Andrew Dunn, Portrait of an Officer, 1800, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436234 Samuel Collins, Portrait of a Man, 1755, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435920 Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581 UNKNOWN, Hat finial for a fifth grade official, c.1890 (Qing dynasty), Crystal, gilt bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16169 A. Phimister Proctor, Buffalo (model for Q. Street Bridge, Washington D.C.), 1912, bronze; 13 1/2 × 19 × 9 3/4 in. (34.3 × 48.3 × 24.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381068890-0 John Mckay, Teapot, c.1781–82, Silver, bullet shaped, with foliate knob, embossed with floral swags and engraved with scrolls and crest of the Ivory family. Bone inset in handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/255 Honoré Daumier, Alexandre Lecomte, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3228 Continental Painter, Portrait of a Woman, Said to Be Princess Apraxine, 1775, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435933 Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood, sycamore and kingwood veneers; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1578 L.J. Harvey, Bruce, 1939, Plaster, modelled, with bronze finish and wooden stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15705