Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3765

Peter Gertner, Crucifixion, 1537 (Renaissance), oil on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.246

Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068

Joseph Beuys, Objects & Drawings from the collection of van der Grinten, 1971, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00750

Käthe Kollwitz, Betendes Madchen (Young woman praying), 1892, published 1931, Etching, aquatint, soft-ground etching on smooth light grey-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15480

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5512

Otto Dix, Lustmord (Lust murder), 1922, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65708

Yayoi Kusama, Fireflies on the Water, 2002, Mirrors, plexiglass, lights, and water, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2003.322

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/936

Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5659

Qian Hui'an, Scene from the Novel ""The Red Chamber Dream"", 1860–1880, ink and color on paper mounted on cloth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.101L

Albrecht Dürer, The Resurrection of Christ (from 'The Large Passion' series), 1510, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12711

Ichinomiya Nagatsune, Kozuka with Daikoku with Jewels and Rats, 1770–1787 (Edo), copper alloy with gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.840

Sasayama Tokuoki, Tsuba with Orchid and Chrysanthemum Leaves, 1828–1891 (late Edo-Meiji), iron, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.94

Gian Lorenzo Bernini, The Risen Christ, 1673–1674 (Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2281

Nara Toshinaga I, Fuchi with Demon, 1667–1736 (Edo), shibuichi with copper, silver, gold, and shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1054

Joseph Beuys, Works from the collections Munchen, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00758

Emil Nolde, Old Man and Papa Sentis, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4838

Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245

Maki Haku, Poem 70-11, Shōwa period, 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1433

Katharina Hinsberg, [Untitled], 1999, White card, cut and with traces of graphite, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5671

Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749

Italian, Border of Brocatelle with Adoration of the Christ Child, 15th century (Renaissance), colored and metal threads with red taffeta lining, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/83.649

Albrecht Dürer, The Beast with Two Horns like a Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19087

Joseph Beuys, Joseph Beuys by Andy Warhol, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00772

Gotô Shinjô, Water Dropper with Rabbit in Landscape with Distant Mountains, 19th century (Edo), copper alloy, silver, and gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1423

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8935

Albrecht Dürer, The Whore of Babylon (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19253

Emil Nolde, The Ortler dreams of lost Times, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4625

Emil Nolde, Near St. Martino. Cima the Castrozza and Val di Rota., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4627

Minayama Masaoki, Kozuka with Cicada on a Pine Tree Trunk, 1st half 19th century (late Edo), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1305

German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131

Otto Mueller, Poster for the Potsdamer Kunstsommer (Potsdam Art Summer) 1921, 1921, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65749

Stephan Baumkötter, [Untitled], 2003, Oil pastel on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5366

Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655

Florentine, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.277

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5023

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.17A

Joseph Beuys, Joseph Beuys: Discussion. Art and Design Centre, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00769

Hamano Yasuyuki, Kozuka with a Man Pulling a Piece of Coral, 1763–1836 (late Edo), shibuichi, copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.636

Käthe Kollwitz, Selbstbildnis am Tisch (Self portrait seated at a table), c.1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15483

Joseph Beuys, documenta 7 expects everyone to do his duty, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00760

Joseph Beuys, Joseph Beuys: The Secret Block for A Secret Person in Ireland. Municipal Gallery of Modern Art, Dublin, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00770

Albrecht Dürer, The Apocalyptic Woman (from 'The Apocalypse' series), c.1497, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12708

Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5022

Joseph Beuys, Joseph Beuys: Konrad Fischer. Düsselfdorf, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00817

Max Liebermann, Portrait of Gerhart Hauptmann, 1922, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15482

Giorgio Andreoli, Dish with Saint John the Baptist in the Wilderness, c. 1530–1540 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1355

Kitagawa Soten, Tsuba with the Story of Shûtendôji, 19th century (late Edo), shibuichi, details of gold and copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.299

Pietro Perugino, Portrait Bust of Perugino, c. 1525–1550 or later (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1060

Fukui Ryōnosuke 福井良之助, Female Figure, 20th century, Mimeograph or etching; ink and color on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/388767

Käthe Kollwitz, Vier Manner in der Kneippe (Tavern interior), 1892 or 1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15481

Joseph Beuys, BEUYS tracce in Italia, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00753

Emil Nolde, The Guards of the Rose Garden, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1427

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5272

Omori Teruhide, Tsuba with Waves, 1776 (Edo), silver, shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1219.2

Willi Baumeister, Tennis Player, 1932, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32962

Joseph Beuys, Joseph Beuys: Discussion. Centre for Continuing Education, Derry City, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00767

Kiyotatsu, Tsuba with a Pair of Folding Screens, late 18th century (mid Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.122

Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4851

Paul Klee, Carnival-style Funeral, 1913, Black ink on off-white laid paper, mounted to card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5652

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2883

Max Liebermann, Restaurant am Wasser (Restaurant on the water), 1911, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6814

Italian, Pax with Christ as the Man of Sorrows, c. 1500 (European Renaissance), painted enamels and gold on copper over silver foil, glass-pastes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.129

Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5283

Grifo di Tancredi, Saint James Major, c. 1310, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/0

Satô Tôhô, Tsuba with Stag, Crane, Rock, and Fungus, 1824–1859 (late Edo), iron, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.329

Yayoi Kusama, Air Mail Stickers, 1962, Collaged paper on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/64.34

Joseph Beuys, Joseph Beuys. Mönchehaus, Museum for Modern Art, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00930

Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488

Franz Marc, Tigers, 1912, Woodcut on pale cream Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65743

Joseph Beuys, Vent’anni con Beuys. Lucio Amelio, Naples, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00897

Joseph Beuys, Beuys at Forest Hill. The Richard Demarco Gallery, Edinburgh, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00771

Albrecht Dürer, St John before God and the Elders (from 'The Apocalypse' series), c.1496, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12703

Tamagawa Hôju, Kashira with a Gourd and a Horse, 19th century (?) (Edo), copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.971

Romagna, A Franciscan Monk Preaching, c. 1515–1525 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.507

Pasquale Santoro, Memory, 1965, Wax pastel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33014

Erich Buchholz, (Untitled) (from untitled portfolio), 1922, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4849

Matthes Gebel, Medal of Arnold and Nicholas Wenck, 1537 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.480

Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4850

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658

Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747

Sakuma Yoshihide, Tsuba with a Horse, 1st half 19th century (late Edo), iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.395

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657

Hamano Masanobu, Tsuba with a Hawk and a Sparrow, 1836 (late Edo), sentoku (copper-tin alloy), copper, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.381

Maki Haku, Poem 70-26, Shōwa period, 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4679

Joseph Beuys, Die Grünen Bürgerhaus, Nordweststad, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00776

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5514

Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4888

Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910

Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569

Emil Nolde, Virgin, Monk and Eiger, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5309

Umetada Narikazu, Kogai with Waves, 1629–1700 (Edo), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1152.4

Käthe Kollwitz, Die Carmagnole, 1901, Etching, aquatint, sandpaper aquatint on smooth light brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15455

Kikuoka Mitsunori, Fuchi with Japanese Warrior under a Pine Tree, c. 1829 (late Edo), nigurome, copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1004

Emil Nolde, Der Tod als Tänzerin (Death as a Dancer), 1918, Etching and aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65750

Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4905

Pseudo Granacci, The Nativity, c. 1500 (Renaissance), tempera (?) on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.584

Christian Rohlfs, Zwei tanzende (Two dancers), 1913, Woodcut on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65765

Sigmar Polke, Venusian enemy who went from high society to marry a prince; The Jersey Royal, 2000, Synthetic polymer paint and Indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14125

Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4875

Utagawa Hiroshige, Tango Province: Ama no hashidate (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4709

Koretomo, Kozuka with Cherry Tree and Swallows, c. 1850 (late Edo), silver, shakudo, gold,sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1295.4

Joseph Beuys, BEUYS, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00759

Albrecht Dürer, The Circumcision (from 'The Life of the Virgin' series), c.1503–05, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2414

Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613

Joseph Beuys, Man, 1983, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4874

Emil Nolde, Cima della Pala and the Vezzana, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4639

Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040

Hans R. Reinhart, Medal of Johann Friedrich, Duke of Saxony, 1544 (Renaissance), gilded silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.668

Enzo Cucchi, Elegy and Etching (for Parkett no. 1), April 1994 (plate printed November 1983)., Aquatint and drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10824

Joseph Beuys, Video Opera. Beuys Paik Duet +10. Seibu Museum of Art, Sogetsu, Tokyo, 1994, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00891

Candida Höfer, Schloss Cecilienhof, Potsdam II, 1990, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/985

Karl Schmidt-Rottluff, Mädchen vor dem spiegel (Girl before a mirror), 1914, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65768

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3411

Albrecht Dürer, Joachim's Offering (from 'The Life of the Virgin' series), 1504, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9684

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4846

Joseph Beuys, Stripes from the House of the Shaman, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00756

Franz Marc, Schopfungsgeschichte II (Story of creation II), 1914, Colour woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13524

Maki Haku, Cell-A, Shōwa period, circa 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5076

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5510

Joseph Beuys, Joseph Beuys: Beyond the Border to Eurasia. The Watari Museum of Contemporary Art, 1991, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00905

Haruta Hirotsugu, Tsuba with Fly and Spiders, 1st half 18th century (mid Edo), iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.391

Ohara Mitsuhiro, Writer's Seal with Grazing Deer, 19th century (Edo; Meiji), ivory, pigment, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.891

Kawanabe Gyosai, Zashiki juku doke Chushingura, 1878 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.653

Simone dei Crocifissi, New Testament and Apocryphal Scenes with Saints, 1360–1369 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.723

Joseph Beuys, Jospeh Beuys: Discussion, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00768

Yokoyama Masayuki, Tsuba with a Snake and a Monkey on a Pine Branch, late 19th-early 20th century, iron, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.246

Kurt Schwitters, Die Kathedrale (Die Silbergäule, vol. 41/42) (The Cathedral [The Silver Horse, vol. 41/42]), 1920, Illustrated book with eight lithographs (one with collage additions), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65769

Joseph Beuys, Joseph Beuys: Multiplizierte Kunst Ikarus Galerie und Edition, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00775

Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5007

Ichinomiya Nagatsune, Tsuba with a Hunter on Horseback with a Falcon, 1732–1786 (mid Edo), iron, silver, gold, copper, shibuichi, copper alloy, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.318

Joseph Beuys, COMMENT:, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00761

Emil Nolde, Walliser Bergriesen. Wide Horn and Company., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4609

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5234

Joseph Beuys, Considering Joseph Beuys. The New School, 1995, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00892

Yamada Chözaburö, Wind God, c. 1915 (Taisho), repoussé iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/52.158

Joseph Beuys, Podiumsdiskussion: Volksentscheid. Bonn, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00904

Iwama Masayoshi, Tsuba with Warrior Yoshitsune Learning to Fence from the Goblin Tengu King, early 19th century (Edo period), copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.214

Irie Sadayoshi, Dagger with Seashells on the Sheath, 1825–1875 (late Edo; Meiji; Muromachi), steel, gold, dark brown lacquer, ray skin, sea shell, gilded copper, baleen, horn, copper alloy, wood, textile, leather, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1294

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2006

Sawa Yoshisato, Kozuka with Foreign Ships, c. 1825 (late Edo), shibuichi, gold, silver, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.682

Vera Lutter, Engine, Frankfurt Airport, April 19, 2001, April 19, 2001, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5180

Hidemitsu, Crab, c. 1818–1843 (late Edo), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1364

Adam Elsheimer, Tobias and the Angel (Apocrypha, Tobit, V-VI), 17th century, oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1140

Italian, Half-length Portrait of an Old Man, c. 1740 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1834

Maizono Gen-ö, Cloisonné Goblet, c. 1876 (Meiji period (1868–1912)), Silver, gold, gilded silver, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.531

Kurowa Katsutoshi, Tsuba with the Oil Monk (Abura-bozu), c. 1750 (mid Edo), copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.170

Toshiyuki, Fuchi with Heron, 19th century (Edo), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.962

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.14B

Moritz Retzsch, Scene at Spa, 1851, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1277

Erich Heckel, Zwei maenner am tisch (Two men at a table), 1913, Woodcut on Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6938

Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5839

Akihiro, Short Sword with Buddhist Deities and Dragon, 1825–1875 (Edo; Meiji), lacquer, steel, silver, gold, ray skin, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1201

Matsuke Heikichi, Nogaku zue, 1898 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.237

Rosemarie Trockel, Rose von Kasanlak (from 'The readymade boomerang' portfolio), 1990, Photogravure on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3448

Italian, Door Panel with Castle, c. 1190 (Medieval), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1058

Max Pechstein, Und führe uns nicht in versuchung (And lead us not into temptation) (from 'Das Vater Unser (The Lord's Prayer)’), 1921, Hand-coloured woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65756

Joseph Beuys, Joseph Bueys: Zeichnungen und Grafik.,Galerie-Verein, Munich, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00773

Albrecht Dürer, The Four Horsemen of The Apocalypse (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19090

Erich Buchholz, Untitled - Suspended circle at vertical, 1921–22, Ink and watercolour with bronze leaf on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9522

Annibale Fontana, Plaque with Hercules Attacking the Lernean Hydra, c. 1560–1570 (Renaissance), rock crystal, enameled gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.70

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5236

Gerhard Marcks, Die eule (The owl), 1921, Woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65744

Joseph Beuys, Table with Back Support, 1972, Cast iron and wood, Tate, London. https://dartabase.art/cite/tate/AR00620

Albrecht Dürer, The Opening of the Seventh Seal (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19088

Albrecht Dürer, The Virgin Appearing to St John (from 'The Apocalypse' series), 1511, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19089

Katharina Hinsberg, [Untitled], 1999, Graphite on white card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5658

Candida Höfer, Museum Karlshorst, Berlin III, 1991, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5715

Valerio Belli, Intaglio of Mars and Venus, c. 1540–1560 (Renaissance), agate; modern gold mount, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.1021

Joseph Beuys, Discussion with Beuys, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00752

Erich Buchholz, Konstanten-Variablen (Constant variables) (portfolio), 1964–72, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14427

Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.25

Sasaki Toyokichi, Nihon hana zue, 1896 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.209

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.4B

Emil Nolde, Wildpeak, the Bad and the cute little white Ball, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4610

Italian, Dish with Symbols of Christ's Passion, c. 1550–1600 (Renaissance), rock crystal, gilded silver, gold, enamel, rubies, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.74

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5511

Benedetto da Maiano, Plaque with the Virgin and Child, c. 1500–1550 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1315

Ogawa Teikan, Tsuba with Peony and Butterfly, 1871 (Meiji), silver, shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1227.2

Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426

Gotô Shinjô, Box in the Shape of a Teahouse, 1780–1848 (late Edo), copper, gold, silver, and gold alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/53.98

Domenico da Venezia, Apothecary Jar with Two Female Busts, c. 1560–1570 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1768

Erich Heckel, Hockende (Crouching woman) (from 'Elf holzschnitte (Eleven woodcuts)' portfolio), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65719

Albrecht Dürer, St John's Vision of the Seven Candlesticks (from 'The Apocalypse' series), c.1496–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12702

Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534

Sasaki Toyokichi, Nihon hana zue, 1895 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.205

Albrecht Dürer, The Adoration of The Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21615

Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592

Masatoshi, Tsuka with Shells and Fish, mid 19th century (late Edo), ray skin, silver, shakudo, gold, copper alloys, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1242.2B

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/698

Italian, Dish with Foliage Design, c. 1525–1530 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1367

Joseph Beuys, There Are People, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4941

Albrecht Dürer, The Opening of the Fifth and Sixth Seals (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12704

Joseph Beuys, Joseph Beuys directional forces, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00757

Otsuki Mitsuoki, Tsuba with Dragon and Waves, 1826 (late Edo), silver alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.386

Peter Flötner, Allegory of Envy, c. 1540 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1869

Pietro di Francesco degli Orioli, Sulpicia, c. 1493–1495 (Renaissance), tempera and oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.616

Lan Ying, Pine Tree, White Hawk, and Rock, 1664 (Qing), ink and color on silk mounted on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.6

Candida Höfer, Théâtre municipal Calais II, 2001, Chromogenic print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5179

Erich Heckel, Junges mädchen (Young girl), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65720

Albrecht Dürer, St John Devouring the Book (from 'The Apocalypse' series), c.1498, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12707

Irie Toshiyoshi, Kozuka with the Servant from the Play ""Suehirogari"", mid 19th century (late Edo-Meiji), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.671

Carsten Sievers, [Untitled], 1998, Red ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5857

Jacopo del Casentino, The Last Judgment and the Crucifixion, 1340–1349 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.722

Hamano Noriyuki, Fuchi with a Chinese Boy, 1736–1787 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.950

Kôno Haruaki, Fuchi with Fukurokujû or Daruma on a Boat, 1827–1857 (late Edo), shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.956

Albrecht Dürer, The Martyrdom of St John the Evangelist (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3286

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5513

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4845

Marco Zoppo, Saint Francis Receiving the Stigmata, c. 1471 (Renaissance), tempera on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.544

Joseph Beuys, Multiples - Sammlung Ulbricht, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00754

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5235

Ishiguro Masayoshi II, Fuchi with Herons and Reeds, 19th century (late Edo-Meiji), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1066

Joseph Beuys, Together with Beuys, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00751

Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.1

Jeremiah Nathan, St. Francis of Assisi in Adoration, 1610–1623 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.928

Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331

Sasayama Tokuoki, Tsuba with a Tiger on a Cliff, 1813–1896 (late Edo-Meiji), iron, shibuichi, gold, silver, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.146

Kaigyokusai Masatsugu, Reclining Ox, 19th century (Edo-Meiji), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.961

Johann Blum, Marriage Medal of Willem of Orange and Mary of England, 1641 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.585

Käthe Kollwitz, Sitzender mannlicher Akt (Seated male nude), 1891, published 1945, Etching on smooth light-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15479

Emil Nolde, Dufour and his Beautiful Donna Rosa, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4619

Tamagawa Yoshiharu, Tsuba with an Immortal with His Tiger, mid 19th century (late Edo-Meiji), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.181

Albrecht Dürer, The Four Angels of Death (from 'The Apocalypse' series), c.1496–98, German edition, 1498, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12706

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2174

Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289

Mimmo Rotella, Plate 16 from L'avaguardia internazionale, Volume 3/L'avant-garde internationale, Volume 3/The International Avant-Gardem Volume 3, 1962, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24884

Itur-ili, Tablet Recording a Business Letter, c. 1840–1730 BCE (Assyrian Colony), clay, hand made; impressed, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1462

Harutoshi, Fuchi with Carp and Water Milfoil, 1st half 19th century (late Edo), silver, sentoku, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.901

Marino Marini, Pomona, c.1939–41, Terracotta, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8563

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5742

Erich Buchholz, Suspended sphere, 1920, reworked 1972, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4797

Matsuke Heikichi, Nogaku zue, 1898 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.236

Tamagawa Hôju, Fuchi with Horses Emerging from a Gourd, 19th century (?) (Edo), copper, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.970

Kimura Tomonaga, Kashira with Seven Sages in a Bamboo Grove, c. 1850 (late Edo-Meiji), shibuichi, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.987

Italian, Mirror Case with the Virgin and Saints, 1st quarter 15th century (Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.282

Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4940

Annibale Fontana, Hercules and Cerberus, 16th century, rock crystal, enamel frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.110

Joseph Beuys, Joseph Beuys: Objekter. Grafik. Multi Gallerie Per Sten, Kopenhagen, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00777

Maki Haku, Poem 68-55, Shōwa period, 1968, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5075

Joseph Beuys, The Morning III, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4872

Italian, Wall Fountain, c. 1450–1500 (Renaissance), Red Verona marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.344

Takahashi Kiyotsugu, Fuchi with Horses and Cherry Blossoms, 2nd half 19th century (Edo-Meiji), gold, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1288.2A

Mimmo Rotella, Poema fonetico (Phonetic poem), unknown, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2333

Franz Erhard Walther, Illustrated Instructions for First Workset, Number 26:  Head Body Limbs, 2004, Graphite on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5190

Joseph Beuys, Joseph Beuys. Palazzo Regale, 1986, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00950

Joseph Beuys, Mysteries, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4873

Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.9

Shibayama Soichi, Bamboo Section with Ants and a Worm, mid-late 19th century (Meiji), bamboo with lacquer and ivory inlay, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/61.227

Albrecht Dürer, St Michael Fighting the Dragon (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24245

Emil Nolde, The sweet Sugar Cone and the wild Priest, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4638

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5508

Bizen School, Dagger with Pine, Plum, and Bamboo on the Fittings, 1536 (late Edo; Meiji; Muromachi), steel, gold, East Indian ironwood, gilded copper, textile, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1277

Nara Jôi, Tsuba with Shôki the Demon Queller, c. 1701–1761 (Edo), brass with gold, gold-copper, silver, sentuko, and copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.219

Albrecht Dürer, The Flagellation of Christ (from 'The Large Passion' series), c.1497–1500, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12709

Albrecht Dürer, The Angel with the Key to the Bottomless Pit (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/500

Georg Baselitz, Im Wald (In the forest), 1990, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13553

Matsuke Heikichi, Nogaku zue, 1899 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.247

Piero Dorazio, Untitled XXVIII, 1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4328

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4844

Tommaso da Modena, Wing of a Reliquary Diptych with the Crucifixion and Saints, c. 1355–1370 (Medieval), tempera and gold leaf on panel with marble, ceramic, and verre églomisé insets on a gilded wood frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1686

Joseph Beuys, Joseph Beuys: Discussion. Ulster Museum, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00765

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8936

Joseph Beuys, Joseph Beuys: ‘Ja, jetzt brechen wir hier den Scheiß ab’. Galerie René Block, Berlin, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00774

Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5653

Nankoku Hidai, Work 60 B, 1960, Brush and ink on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33010

Italian, Locket with the Deaths of Pyramus and Thisbe, c. 1550 (Renaissance), agate, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.474

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5507

Takase Eiju, Fuchi with Yamabushi Monks in the Mountains, c. 1775–1800 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1128

Joseph Beuys, Joseph Beuys: The Secret Block for the Secret Person in Ireland. Institute of Contemporary Arts, The Mall, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00764

Maki Haku, Poem 69-8, Shōwa period, 1969, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4680

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4847

Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503

Joseph Beuys, Drawings - Objects, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00755

Joseph Beuys, Joseph Beuys: Leeds City Art Gallery, 1983, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00762

Italian, Reliquary Cross, c. 1450–1475 (Renaissance), rock crystal, gilded copper, ""basse-taille"" enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.303

Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.9A

Joseph Beuys, The Morning I, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4887

Rosemarie Trockel, Singend kehrte ich heim (I returned home singing) (portfolio), 1999, Screenprints on paper and videotape:  5:25 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8823

Carsten Sievers, [Untitled], 1998, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5660

Erich Buchholz, Untitled no. 25, 1921, Watercolour on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9523

Lombardy, Profile of a Gypsy Woman, 1500–1525 (Renaissance), tempera on wood (spruce) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1110

Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135

Joseph Beuys, Düsseldorfer Szene. Kunstmuseum Luzern, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00861

Joseph Beuys, The collection of the Emmanuel Hoffmann Foundation, 1970, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00749

Erich Buchholz, [Untitled], 1952, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11333

Max Liebermann, Selbstportrat (Self portrait), c.1913, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/297

Matsuke Heikichi, Nogaku zue, 1899 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.271

Salviati & Co., Bowl with Allegorical figures, 1890–1911, glass, enamel, metal handles, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.354

Emil Nolde, The King of the east Alps (The King Peak), c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4626

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/564

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5271

Ueda Kazutsune, Tsuba with a ""Ja-kago"" (Gabion) and Reeds, 1848–1868 (late Edo), iron, gold detail, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.91

Francesco Squarcione, Madonna and Child, 1430–1450 (Renaissance), tempera and gold leaf on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.519

Paul Klee, Seiltänzer (Tightrope walker), 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65730

Morimoto Shigeaki, Kozuka with Autumn Flowers, c. 1875 (Meiji), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1234.3

Aoki Harutsura, Kozuka with a Horse and Show Monkey, 1805–1858 (late Edo), nigurome, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.634

Andrea Briosco, called Riccio, Oil Lamp in the Shape of Silenus Straddling a Wine-Skin, 1st half 16th century (Renaissance), bronze, the wineskin originally plated with silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.37

Joseph Beuys, Joseph Beuys: Discussion. The Unviversity of Ulster, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00763

Joseph Beuys, Manifesto, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4942

Max Pechstein, Prinzessin (Princess), 1918, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65755

Hamano Noriyuki, Fuchi with a Chinese Man on a Horse and a Peasant, 1736–1787 (Edo), shakudo (?), shibuichi (?), gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.974

Tsuchiya Yasuchika, Tsuba with a Carp, 1670–1744 (Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.291

Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096

Giuseppe Maria Crespi, The Penitent Magdalene, c. 1725–1730 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1130

Yayoi Kusama, Accumulation, c. 1963, Sewn and stuffed fabric, wood chair frame, paint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.342

Franz Erhard Walther, First Workset, Number 26:  Head Body Limbs Bag with Graphite Drawings, 2004, Unbleached white nettle cloth, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5549

Italian, Footed Plate with Saint Emygdius (?), Bishop and Martyr, mid 18th century (Baroque), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1754

Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.5A

Joseph Beuys, On a Search, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4906

Albrecht Dürer, The Holy Family with the Mayfly, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/909

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5509

Willi Geiger, Death on a Horse, 1901, Chalks, paint, gouache, ink, wash, and graphite on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4926

Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745

Albrecht Dürer, The Crucifixion (from 'The Large Passion' series), c.1497–1500, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12710

Giovanni di Paolo, Christ on the Way to Calvary, 1426 (Renaissance), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.489B

Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3

Joseph Beuys, Joseph Beuys: Discussion. The Teacher’s Centre, Magee University College, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00766

Meissen Porcelain Manufactory, Teapot, 1724–1725, porcelain with glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2781

Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.24

Mizuno Toshikata, Sanjuroku sen ju, 1890s (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.443

Wolfgang Kilian, Twelve Roman Emperors (XII Caesarum), 1608, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1426

Ishiguro Masatsune II, Fuchi with Diving Duck, c. 1800–1850 (late Edo), shakudo, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1112

Albrecht Dürer, The Four Angels Staying the Winds (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12705

Giuseppe Capogrossi, [Untitled], c.1960–70, Screenprint on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9382

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5506

Emil Nolde, The Myths, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4837

Florentine, Madonna and Child with Four Saints, 1500–1520 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.692

Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2854

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5270