Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068

Alphonse Legros, Cardinal Manning, n.d., Lithograph on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4167

Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32

Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489

Chantilly Porcelain Manufactory, Circular Snuffbox, c. 1740, soft paste porcelain, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.768

Pierre-Auguste Renoir, Baigneuse debout a mi jambes (Standing bather, three quarter view), 1910, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12742

Jacques Villon, Les Bucoliques II (Pastoral scene II), 1953, Colour lithograh on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2812

Paul Cezanne, Les Grands Baigneurs (The large bathers), 1896-c.1898, Colour lithograph on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13088

Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595

Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796

Ossip Zadkine, Figure with guitar, 1964, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9222

Pénicaud family, The Ascension, 1560–1600 (late Renaissance), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.61

Robert Delaunay, Rhythm/3 (Rythme/3) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1938), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31869

Vasily Kandinsky, Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, Portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31860

Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795

Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225

Henri de Toulouse-Lautrec, Portrait d'un homme (Portrait of a man), 1898, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10836

Georges D'espagnat, HANGED MEN (plate, page 197) from L'YMAGIER, Tome I, No.8, Paris, 1896., Woodcut, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31999

Gian Lorenzo Bernini, The Risen Christ, 1673–1674 (Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2281

Alphonse Legros, A woodland study, 1903, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24797

Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006

Claude Lorrain, Le naufrage (The shipwreck), c.1638–41, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2053

Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820

Georges Rouault, Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star)), 1934, printed 1936, Colour aquatint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12973

André Masson, L'Espagne assassinée from Solidarité, 1938, Etching on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5529

Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749

Italian, Border of Brocatelle with Adoration of the Christ Child, 15th century (Renaissance), colored and metal threads with red taffeta lining, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/83.649

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00725

François Joseph Marteau, Snuffbox, 1743–1744, gold, rubies (or spinels), emeralds (or beryls), diamonds, mounted in silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.165

Florentine, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.277

Camille Pissarro, Faneuse d'Eragny (Winnower at Eragny), 1897, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13014

Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304

Maurice de Vlaminck, Nature morte (Still life), c.1910, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13486

Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496

Maxime Lalanne, Beuzeville, n.d., Etching and aquatint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15508

Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314

Giorgio Andreoli, Dish with Saint John the Baptist in the Wilderness, c. 1530–1540 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1355

Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725

Pietro Perugino, Portrait Bust of Perugino, c. 1525–1550 or later (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1060

Nardon Pénicaud, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.438

Martin Didier Pape, Plaque with Medea's Murder of Absyrtus, 1580–1600 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.281

Mario Prassinos, The forest, 1956, Brush and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13265

Alphonse Legros, Les faiseurs de fagots (Fagot-makers), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24798

Italian, Pax with Christ as the Man of Sorrows, c. 1500 (European Renaissance), painted enamels and gold on copper over silver foil, glass-pastes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.129

Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634

Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275

Grifo di Tancredi, Saint James Major, c. 1310, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/0

Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123

Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488

Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645

Odilon Redon, Centaure visant les nues (Centaur aiming at the clouds), 1895, Lithograph on chine applique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12991

François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483

Henri Matisse, Nu au bracelet (Nude with a bracelet), 1938, Linocut on japon-nacre paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2298

Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555

Pierre Pénicaud, Plaque with Acrobats, c. 1550 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.189

Abraham Bosse, Charity (one of three images of 'Les Vertus': Faith, Hope and Charity), 1636, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22673

Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537

Louis Majorelle, Inlaid table, c.1900, Fruit wood with rounded rectangular top, inlaid with a design of Dutchman's pipe in various woods and mother of pearl.  The legs carved with Dutch iris, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4984

Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952

Romagna, A Franciscan Monk Preaching, c. 1515–1525 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.507

Pasquale Santoro, Memory, 1965, Wax pastel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33014

Henri Matisse, Patitcha souriante (Patitcha smiling), 1947, Brush aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6167

Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827

Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916

Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711

Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28092

René Lalique, Brooch of Leaves and Berries, c. 1903, gold, glass, enamel, citrine, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.940

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657

Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526

Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909

Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853

Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569

Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207

Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600

Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966

Mario Prassinos, Plate II (suite of second states) from L'INSTANT FATAL, 1946, Drypoint, aquatint, and engraving, printed in black, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16228

Jacques Laudin I, Plaque with Apollo and Daphne, c. 1650 (Baroque), painted enamel with traces of gilding on copper; gilded brass frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.280

Pseudo Granacci, The Nativity, c. 1500 (Renaissance), tempera (?) on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.584

Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362

Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556

Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28091

Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661

Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040

Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008

Gustave Leheutre, La falaise d'Orbigny, n.d., Etching on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4018

Enzo Cucchi, Elegy and Etching (for Parkett no. 1), April 1994 (plate printed November 1983)., Aquatint and drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10824

Claude Lorrain, The dance under the trees, c.1660, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7994

Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444

Alphonse Legros, L'incendie (The fire), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24794

Simone dei Crocifissi, New Testament and Apocryphal Scenes with Saints, 1360–1369 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.723

Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166

Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00729

Paul Gauguin, Les vieilles filles, Arles (The spinsters, Arles), 1889, printed c.1894, Lithograph on cream wove paper (simili-japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13254

Claude Lorrain, Le Bouvier (The cowherd), 1636, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10880

Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109

Jacques Villon, Les Bucoliques I (Pastoral scene I), 1953, Colour lithograh on off-white oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2780

Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629

Charles Despiau, Nude Resting, (n.d.), Sanguine on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33084

Italian, Half-length Portrait of an Old Man, c. 1740 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1834

Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792

Constantin Guys, Reviewing the Regiment, n.d., iron gall ink and wash on slightly textured, medium-weight, cream, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2383

Antoine-Louis Barye, Arab Horseman Killing a Lion, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.158

Henri de Toulouse-Lautrec, Tete de fille (Head of a girl), 1892, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7072

Jean Pénicaud II, Samson Firing the Grain of the Philistines, 1525–1575 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.342

Italian, Door Panel with Castle, c. 1190 (Medieval), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1058

Pierre-Auguste Renoir, Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30166

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28093

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00723

Henri Matisse, Masque de jeune garçon (Mask of a young boy), 1945, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17532

Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759

Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327

Annibale Fontana, Plaque with Hercules Attacking the Lernean Hydra, c. 1560–1570 (Renaissance), rock crystal, enameled gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.70

Pierre Puvis de Chavannes, Le pauvre pêcheur (The poor fisherman), 1897, Lithograph on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5838

Suzanne Valadon, Adèle préparant le tub et Ketty aux bras levés (Adele prepares the bath and Ketty has arms raised), 1905, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2617

André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828

Valerio Belli, Intaglio of Mars and Venus, c. 1540–1560 (Renaissance), agate; modern gold mount, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.1021

Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799

Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18

Italian, Dish with Symbols of Christ's Passion, c. 1550–1600 (Renaissance), rock crystal, gilded silver, gold, enamel, rubies, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.74

Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789

Benedetto da Maiano, Plaque with the Virgin and Child, c. 1500–1550 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1315

Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108

Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831

Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426

Ernest Meissonier, Two Persons, n.d., iron gall ink and graphite on smooth, medium-weight, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2606

René Lalique, Brooch with Nude, c. 1902, gold, enamel, diamond brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.944

Alphonse Legros, Banks of the Somme, n.d., Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12646

Domenico da Venezia, Apothecary Jar with Two Female Busts, c. 1560–1570 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1768

Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28095

Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85

Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592

Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368

Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709

Italian, Dish with Foliage Design, c. 1525–1530 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1367

Pierre-Auguste Renoir, Femme nue couchee, tournee a gauche (Nude woman reclining, facing left), c.1906, printed later, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12745

Antoine-Louis Barye, Deer Brought Down by Three Hounds of Algeria, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.126

Henri Matisse, La Belle Martiniquaise - Les Fleurs du Mal, 1946, Etching on chine applique mounted on backing sheet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3232

Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180

Sonia Delaunay, Composition with triangles and semi-circles, unknown, Colour etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33166

Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966

Sonia Delaunay, [Untitled], c.1970, Colour etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12898

Pietro di Francesco degli Orioli, Sulpicia, c. 1493–1495 (Renaissance), tempera and oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.616

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624

Jacopo del Casentino, The Last Judgment and the Crucifixion, 1340–1349 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.722

Jean-Léon Gérôme, Le Fumeur (The smoker), mid 19th century, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1988

Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419

Marco Zoppo, Saint Francis Receiving the Stigmata, c. 1471 (Renaissance), tempera on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.544

Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401

Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369

Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559

Yves Klein, Yves Klein Shirt, 1948/2001, Screenprint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2129

Suzanne de Court, Oval Plaque with the Annunciation, c. 1600 (Early Modern), painted enamel and gilding on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.191

Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331

Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174

Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87

Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289

Mimmo Rotella, Plate 16 from L'avaguardia internazionale, Volume 3/L'avant-garde internationale, Volume 3/The International Avant-Gardem Volume 3, 1962, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24884

Itur-ili, Tablet Recording a Business Letter, c. 1840–1730 BCE (Assyrian Colony), clay, hand made; impressed, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1462

Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092

James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009

Antoine-Louis Barye, Two Spaniels on a Cushion, 19th century, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.193

Antoine-Louis Barye, Spaniel and Goose, 19th century, yellow bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.54

Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113

Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954

Marino Marini, Pomona, c.1939–41, Terracotta, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8563

Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635

Italian, Mirror Case with the Virgin and Saints, 1st quarter 15th century (Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.282

Annibale Fontana, Hercules and Cerberus, 16th century, rock crystal, enamel frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.110

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00728

Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178

Henri Fantin-Latour, Les brodeuses (The embroiderers), 1898, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9516

Albert Marquet, Le port de Hambourg (The port of Hamburg), c.1935+, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11653

Italian, Wall Fountain, c. 1450–1500 (Renaissance), Red Verona marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.344

Jean Dubuffet, Le bivouac, 1976, Synthetic polymer paint on paper collaged onto canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13503

Mimmo Rotella, Poema fonetico (Phonetic poem), unknown, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2333

Henri Fantin-Latour, La source (The source), 1903, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3104

Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700

Philippe Poncet, Allegory of Spring, c. 1650–1675 (Baroque), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.174

Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123

Robert Filliou, Imitating the song of a bird (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Offset print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1383

Laurent-Honoré Marqueste, Severn Teackle Wallis, 1904, plaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.373

Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220

François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00727

André Masson, Rodeo, 1945, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5530

Piero Dorazio, Untitled XXVIII, 1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4328

Tommaso da Modena, Wing of a Reliquary Diptych with the Crucifixion and Saints, c. 1355–1370 (Medieval), tempera and gold leaf on panel with marble, ceramic, and verre églomisé insets on a gilded wood frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1686

Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219

Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268

Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793

Henri de Toulouse-Lautrec, Divan Japonais, 1892–93, Lithograph on poster paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3839

Georges Tonnellier, Cameo Portrait of Mme Tonnellier, 1911, onyx, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.99

Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527

Pierre Puvis de Chavannes, Doux pays (Pleasant land), c.1880–82, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13540

Pierre-Philippe Thomire, Bust of Voltaire, 1790, terracotta, alabaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.362

Etienne-Maurice Falconet, Nymph Seated, 18th century, white marble, gilt bronze base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.390

Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029

Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584

Italian, Locket with the Deaths of Pyramus and Thisbe, c. 1550 (Renaissance), agate, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.474

Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183

Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897

Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625

Henri Gaudier-Brzeska, Female nude seated, 1913, Pen and ink on linen paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2325

Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503

Gustave Doré, Street scene, unknown, Watercolour and gouache on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14223

Italian, Reliquary Cross, c. 1450–1475 (Renaissance), rock crystal, gilded copper, ""basse-taille"" enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.303

Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457

Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455

Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384

David Le Marchand, Portrait of Louis, Grand Dauphin of France, c. 1680–1685 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.480

Lombardy, Profile of a Gypsy Woman, 1500–1525 (Renaissance), tempera on wood (spruce) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1110

Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135

Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00726

Salviati & Co., Bowl with Allegorical figures, 1890–1911, glass, enamel, metal handles, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.354

Joinville-Vignory Workshop, Annunciation, 1425–1430 (Late Gothic), limestone, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.301

Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662

Maurice Denis, Allegorie (no. 1 from 'Amour' suite), 1892–99, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3789

Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834

Francesco Squarcione, Madonna and Child, 1430–1450 (Renaissance), tempera and gold leaf on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.519

Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192

Antoine-Louis Barye, Bear Standing Upright, 19th century, bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.137

François Dumont, Mademoiselle de Montbrizon, 1795, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.337

Andrea Briosco, called Riccio, Oil Lamp in the Shape of Silenus Straddling a Wine-Skin, 1st half 16th century (Renaissance), bronze, the wineskin originally plated with silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.37

Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069

Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00724

Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392

Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100

Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177

Paul Gauguin, Manao Tupapau, 1894, Lithograph on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13076

Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096

Giuseppe Maria Crespi, The Penitent Magdalene, c. 1725–1730 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1130

Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934

Italian, Footed Plate with Saint Emygdius (?), Bishop and Martyr, mid 18th century (Baroque), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1754

Alfred Manessier, [Untitled], n.d., Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5687

Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745

Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417

Giovanni di Paolo, Christ on the Way to Calvary, 1426 (Renaissance), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.489B

Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338

Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3

Pierre-Auguste Renoir, Coco et Jean, c.1904–5, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7071

Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563

Camille Pissarro, La lessive à Éragny (Washing day at Éragny ), 1901, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14225

Giuseppe Capogrossi, [Untitled], c.1960–70, Screenprint on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9382

Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59

Berthe Morisot, La lecon de dessin (The drawing lesson), c.1889–1890+, Drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4564

Florentine, Madonna and Child with Four Saints, 1500–1520 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.692