Alphonse Legros, Cardinal Manning, n.d., Lithograph on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4167 Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32 Yayoi Kusama, Fireflies on the Water, 2002, Mirrors, plexiglass, lights, and water, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2003.322 Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489 Qian Hui'an, Scene from the Novel ""The Red Chamber Dream"", 1860–1880, ink and color on paper mounted on cloth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.101L Chantilly Porcelain Manufactory, Circular Snuffbox, c. 1740, soft paste porcelain, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.768 Pierre-Auguste Renoir, Baigneuse debout a mi jambes (Standing bather, three quarter view), 1910, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12742 Jacques Villon, Les Bucoliques II (Pastoral scene II), 1953, Colour lithograh on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2812 Paul Cezanne, Les Grands Baigneurs (The large bathers), 1896-c.1898, Colour lithograph on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13088 Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595 Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796 Ichinomiya Nagatsune, Kozuka with Daikoku with Jewels and Rats, 1770–1787 (Edo), copper alloy with gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.840 Sasayama Tokuoki, Tsuba with Orchid and Chrysanthemum Leaves, 1828–1891 (late Edo-Meiji), iron, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.94 Ossip Zadkine, Figure with guitar, 1964, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9222 Pénicaud family, The Ascension, 1560–1600 (late Renaissance), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.61 Robert Delaunay, Rhythm/3 (Rythme/3) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1938), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31869 Vasily Kandinsky, Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, Portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31860 Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795 Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225 Henri de Toulouse-Lautrec, Portrait d'un homme (Portrait of a man), 1898, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10836 Georges D'espagnat, HANGED MEN (plate, page 197) from L'YMAGIER, Tome I, No.8, Paris, 1896., Woodcut, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31999 Nara Toshinaga I, Fuchi with Demon, 1667–1736 (Edo), shibuichi with copper, silver, gold, and shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1054 Alphonse Legros, A woodland study, 1903, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24797 Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006 Claude Lorrain, Le naufrage (The shipwreck), c.1638–41, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2053 Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820 Georges Rouault, Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star)), 1934, printed 1936, Colour aquatint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12973 Maki Haku, Poem 70-11, Shōwa period, 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1433 André Masson, L'Espagne assassinée from Solidarité, 1938, Etching on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5529 Gotô Shinjô, Water Dropper with Rabbit in Landscape with Distant Mountains, 19th century (Edo), copper alloy, silver, and gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1423 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00725 Minayama Masaoki, Kozuka with Cicada on a Pine Tree Trunk, 1st half 19th century (late Edo), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1305 François Joseph Marteau, Snuffbox, 1743–1744, gold, rubies (or spinels), emeralds (or beryls), diamonds, mounted in silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.165 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.17A Camille Pissarro, Faneuse d'Eragny (Winnower at Eragny), 1897, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13014 Hamano Yasuyuki, Kozuka with a Man Pulling a Piece of Coral, 1763–1836 (late Edo), shibuichi, copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.636 Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304 Maurice de Vlaminck, Nature morte (Still life), c.1910, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13486 Maxime Lalanne, Beuzeville, n.d., Etching and aquatint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15508 Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314 Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725 Kitagawa Soten, Tsuba with the Story of Shûtendôji, 19th century (late Edo), shibuichi, details of gold and copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.299 Fukui Ryōnosuke 福井良之助, Female Figure, 20th century, Mimeograph or etching; ink and color on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/388767 Nardon Pénicaud, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.438 Martin Didier Pape, Plaque with Medea's Murder of Absyrtus, 1580–1600 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.281 Mario Prassinos, The forest, 1956, Brush and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13265 Alphonse Legros, Les faiseurs de fagots (Fagot-makers), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24798 Omori Teruhide, Tsuba with Waves, 1776 (Edo), silver, shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1219.2 Kiyotatsu, Tsuba with a Pair of Folding Screens, late 18th century (mid Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.122 Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634 Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275 Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123 Satô Tôhô, Tsuba with Stag, Crane, Rock, and Fungus, 1824–1859 (late Edo), iron, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.329 Yayoi Kusama, Air Mail Stickers, 1962, Collaged paper on canvas, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/64.34 Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645 Odilon Redon, Centaure visant les nues (Centaur aiming at the clouds), 1895, Lithograph on chine applique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12991 François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483 Henri Matisse, Nu au bracelet (Nude with a bracelet), 1938, Linocut on japon-nacre paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2298 Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555 Pierre Pénicaud, Plaque with Acrobats, c. 1550 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.189 Abraham Bosse, Charity (one of three images of 'Les Vertus': Faith, Hope and Charity), 1636, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22673 Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537 Louis Majorelle, Inlaid table, c.1900, Fruit wood with rounded rectangular top, inlaid with a design of Dutchman's pipe in various woods and mother of pearl. The legs carved with Dutch iris, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4984 Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952 Tamagawa Hôju, Kashira with a Gourd and a Horse, 19th century (?) (Edo), copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.971 Henri Matisse, Patitcha souriante (Patitcha smiling), 1947, Brush aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6167 Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827 Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916 Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711 Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449 Sakuma Yoshihide, Tsuba with a Horse, 1st half 19th century (late Edo), iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.395 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28092 René Lalique, Brooch of Leaves and Berries, c. 1903, gold, glass, enamel, citrine, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.940 Hamano Masanobu, Tsuba with a Hawk and a Sparrow, 1836 (late Edo), sentoku (copper-tin alloy), copper, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.381 Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526 Maki Haku, Poem 70-26, Shōwa period, 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4679 Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909 Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853 Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207 Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600 Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966 Mario Prassinos, Plate II (suite of second states) from L'INSTANT FATAL, 1946, Drypoint, aquatint, and engraving, printed in black, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16228 Umetada Narikazu, Kogai with Waves, 1629–1700 (Edo), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1152.4 Jacques Laudin I, Plaque with Apollo and Daphne, c. 1650 (Baroque), painted enamel with traces of gilding on copper; gilded brass frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.280 Kikuoka Mitsunori, Fuchi with Japanese Warrior under a Pine Tree, c. 1829 (late Edo), nigurome, copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1004 Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362 Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556 Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28091 Utagawa Hiroshige, Tango Province: Ama no hashidate (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4709 Koretomo, Kozuka with Cherry Tree and Swallows, c. 1850 (late Edo), silver, shakudo, gold,sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1295.4 Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661 Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008 Gustave Leheutre, La falaise d'Orbigny, n.d., Etching on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4018 Claude Lorrain, The dance under the trees, c.1660, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7994 Maki Haku, Cell-A, Shōwa period, circa 1970, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5076 Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444 Haruta Hirotsugu, Tsuba with Fly and Spiders, 1st half 18th century (mid Edo), iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.391 Alphonse Legros, L'incendie (The fire), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24794 Ohara Mitsuhiro, Writer's Seal with Grazing Deer, 19th century (Edo; Meiji), ivory, pigment, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.891 Kawanabe Gyosai, Zashiki juku doke Chushingura, 1878 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.653 Yokoyama Masayuki, Tsuba with a Snake and a Monkey on a Pine Branch, late 19th-early 20th century, iron, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.246 Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166 Ichinomiya Nagatsune, Tsuba with a Hunter on Horseback with a Falcon, 1732–1786 (mid Edo), iron, silver, gold, copper, shibuichi, copper alloy, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.318 Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00729 Paul Gauguin, Les vieilles filles, Arles (The spinsters, Arles), 1889, printed c.1894, Lithograph on cream wove paper (simili-japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13254 Claude Lorrain, Le Bouvier (The cowherd), 1636, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10880 Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109 Yamada Chözaburö, Wind God, c. 1915 (Taisho), repoussé iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/52.158 Iwama Masayoshi, Tsuba with Warrior Yoshitsune Learning to Fence from the Goblin Tengu King, early 19th century (Edo period), copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.214 Irie Sadayoshi, Dagger with Seashells on the Sheath, 1825–1875 (late Edo; Meiji; Muromachi), steel, gold, dark brown lacquer, ray skin, sea shell, gilded copper, baleen, horn, copper alloy, wood, textile, leather, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1294 Jacques Villon, Les Bucoliques I (Pastoral scene I), 1953, Colour lithograh on off-white oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2780 Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629 Charles Despiau, Nude Resting, (n.d.), Sanguine on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33084 Sawa Yoshisato, Kozuka with Foreign Ships, c. 1825 (late Edo), shibuichi, gold, silver, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.682 Hidemitsu, Crab, c. 1818–1843 (late Edo), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1364 Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792 Maizono Gen-ö, Cloisonné Goblet, c. 1876 (Meiji period (1868–1912)), Silver, gold, gilded silver, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.531 Kurowa Katsutoshi, Tsuba with the Oil Monk (Abura-bozu), c. 1750 (mid Edo), copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.170 Toshiyuki, Fuchi with Heron, 19th century (Edo), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.962 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.14B Constantin Guys, Reviewing the Regiment, n.d., iron gall ink and wash on slightly textured, medium-weight, cream, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2383 Akihiro, Short Sword with Buddhist Deities and Dragon, 1825–1875 (Edo; Meiji), lacquer, steel, silver, gold, ray skin, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1201 Matsuke Heikichi, Nogaku zue, 1898 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.237 Antoine-Louis Barye, Arab Horseman Killing a Lion, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.158 Henri de Toulouse-Lautrec, Tete de fille (Head of a girl), 1892, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7072 Jean Pénicaud II, Samson Firing the Grain of the Philistines, 1525–1575 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.342 Pierre-Auguste Renoir, Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30166 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28093 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00723 Henri Matisse, Masque de jeune garçon (Mask of a young boy), 1945, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17532 Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759 Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327 Pierre Puvis de Chavannes, Le pauvre pêcheur (The poor fisherman), 1897, Lithograph on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5838 Suzanne Valadon, Adèle préparant le tub et Ketty aux bras levés (Adele prepares the bath and Ketty has arms raised), 1905, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2617 André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828 Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.25 Sasaki Toyokichi, Nihon hana zue, 1896 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.209 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.4B Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18 Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 Ogawa Teikan, Tsuba with Peony and Butterfly, 1871 (Meiji), silver, shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1227.2 Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831 Gotô Shinjô, Box in the Shape of a Teahouse, 1780–1848 (late Edo), copper, gold, silver, and gold alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/53.98 Ernest Meissonier, Two Persons, n.d., iron gall ink and graphite on smooth, medium-weight, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2606 René Lalique, Brooch with Nude, c. 1902, gold, enamel, diamond brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.944 Alphonse Legros, Banks of the Somme, n.d., Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12646 Sasaki Toyokichi, Nihon hana zue, 1895 (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.205 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28095 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368 Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709 Masatoshi, Tsuka with Shells and Fish, mid 19th century (late Edo), ray skin, silver, shakudo, gold, copper alloys, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1242.2B Pierre-Auguste Renoir, Femme nue couchee, tournee a gauche (Nude woman reclining, facing left), c.1906, printed later, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12745 Otsuki Mitsuoki, Tsuba with Dragon and Waves, 1826 (late Edo), silver alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.386 Antoine-Louis Barye, Deer Brought Down by Three Hounds of Algeria, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.126 Henri Matisse, La Belle Martiniquaise - Les Fleurs du Mal, 1946, Etching on chine applique mounted on backing sheet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3232 Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180 Sonia Delaunay, Composition with triangles and semi-circles, unknown, Colour etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33166 Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966 Sonia Delaunay, [Untitled], c.1970, Colour etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12898 Lan Ying, Pine Tree, White Hawk, and Rock, 1664 (Qing), ink and color on silk mounted on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.6 Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624 Irie Toshiyoshi, Kozuka with the Servant from the Play ""Suehirogari"", mid 19th century (late Edo-Meiji), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.671 Hamano Noriyuki, Fuchi with a Chinese Boy, 1736–1787 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.950 Jean-Léon Gérôme, Le Fumeur (The smoker), mid 19th century, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1988 Kôno Haruaki, Fuchi with Fukurokujû or Daruma on a Boat, 1827–1857 (late Edo), shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.956 Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419 Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401 Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369 Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559 Ishiguro Masayoshi II, Fuchi with Herons and Reeds, 19th century (late Edo-Meiji), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1066 Yves Klein, Yves Klein Shirt, 1948/2001, Screenprint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2129 Suzanne de Court, Oval Plaque with the Annunciation, c. 1600 (Early Modern), painted enamel and gilding on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.191 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.1 Sasayama Tokuoki, Tsuba with a Tiger on a Cliff, 1813–1896 (late Edo-Meiji), iron, shibuichi, gold, silver, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.146 Kaigyokusai Masatsugu, Reclining Ox, 19th century (Edo-Meiji), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.961 Tamagawa Yoshiharu, Tsuba with an Immortal with His Tiger, mid 19th century (late Edo-Meiji), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.181 Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174 Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87 Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092 James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009 Antoine-Louis Barye, Two Spaniels on a Cushion, 19th century, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.193 Antoine-Louis Barye, Spaniel and Goose, 19th century, yellow bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.54 Harutoshi, Fuchi with Carp and Water Milfoil, 1st half 19th century (late Edo), silver, sentoku, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.901 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954 Matsuke Heikichi, Nogaku zue, 1898 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.236 Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635 Tamagawa Hôju, Fuchi with Horses Emerging from a Gourd, 19th century (?) (Edo), copper, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.970 Kimura Tomonaga, Kashira with Seven Sages in a Bamboo Grove, c. 1850 (late Edo-Meiji), shibuichi, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.987 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00728 Maki Haku, Poem 68-55, Shōwa period, 1968, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5075 Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178 Henri Fantin-Latour, Les brodeuses (The embroiderers), 1898, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9516 Albert Marquet, Le port de Hambourg (The port of Hamburg), c.1935+, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11653 Takahashi Kiyotsugu, Fuchi with Horses and Cherry Blossoms, 2nd half 19th century (Edo-Meiji), gold, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1288.2A Jean Dubuffet, Le bivouac, 1976, Synthetic polymer paint on paper collaged onto canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13503 Henri Fantin-Latour, La source (The source), 1903, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3104 Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700 Philippe Poncet, Allegory of Spring, c. 1650–1675 (Baroque), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.174 Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123 Robert Filliou, Imitating the song of a bird (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Offset print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1383 Laurent-Honoré Marqueste, Severn Teackle Wallis, 1904, plaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.373 Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.9 Shibayama Soichi, Bamboo Section with Ants and a Worm, mid-late 19th century (Meiji), bamboo with lacquer and ivory inlay, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/61.227 François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00727 Bizen School, Dagger with Pine, Plum, and Bamboo on the Fittings, 1536 (late Edo; Meiji; Muromachi), steel, gold, East Indian ironwood, gilded copper, textile, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1277 Nara Jôi, Tsuba with Shôki the Demon Queller, c. 1701–1761 (Edo), brass with gold, gold-copper, silver, sentuko, and copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.219 André Masson, Rodeo, 1945, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5530 Matsuke Heikichi, Nogaku zue, 1899 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.247 Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219 Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268 Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793 Henri de Toulouse-Lautrec, Divan Japonais, 1892–93, Lithograph on poster paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3839 Georges Tonnellier, Cameo Portrait of Mme Tonnellier, 1911, onyx, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.99 Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527 Pierre Puvis de Chavannes, Doux pays (Pleasant land), c.1880–82, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13540 Pierre-Philippe Thomire, Bust of Voltaire, 1790, terracotta, alabaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.362 Etienne-Maurice Falconet, Nymph Seated, 18th century, white marble, gilt bronze base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.390 Nankoku Hidai, Work 60 B, 1960, Brush and ink on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33010 Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029 Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584 Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183 Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897 Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505 Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625 Takase Eiju, Fuchi with Yamabushi Monks in the Mountains, c. 1775–1800 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1128 Henri Gaudier-Brzeska, Female nude seated, 1913, Pen and ink on linen paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2325 Maki Haku, Poem 69-8, Shōwa period, 1969, Woodblock print; ink and color on embossed paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4680 Gustave Doré, Street scene, unknown, Watercolour and gouache on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14223 Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.9A Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455 Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384 David Le Marchand, Portrait of Louis, Grand Dauphin of France, c. 1680–1685 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.480 Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00726 Matsuke Heikichi, Nogaku zue, 1899 (Meiji), pigments on mulberry paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.271 Joinville-Vignory Workshop, Annunciation, 1425–1430 (Late Gothic), limestone, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.301 Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662 Ueda Kazutsune, Tsuba with a ""Ja-kago"" (Gabion) and Reeds, 1848–1868 (late Edo), iron, gold detail, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.91 Maurice Denis, Allegorie (no. 1 from 'Amour' suite), 1892–99, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3789 Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834 Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192 Antoine-Louis Barye, Bear Standing Upright, 19th century, bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.137 François Dumont, Mademoiselle de Montbrizon, 1795, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.337 Morimoto Shigeaki, Kozuka with Autumn Flowers, c. 1875 (Meiji), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1234.3 Aoki Harutsura, Kozuka with a Horse and Show Monkey, 1805–1858 (late Edo), nigurome, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.634 Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069 Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00724 Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392 Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100 Hamano Noriyuki, Fuchi with a Chinese Man on a Horse and a Peasant, 1736–1787 (Edo), shakudo (?), shibuichi (?), gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.974 Tsuchiya Yasuchika, Tsuba with a Carp, 1670–1744 (Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.291 Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177 Paul Gauguin, Manao Tupapau, 1894, Lithograph on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13076 Yayoi Kusama, Accumulation, c. 1963, Sewn and stuffed fabric, wood chair frame, paint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/2001.342 Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934 Alfred Manessier, [Untitled], n.d., Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5687 Yoshizawa Setsuan, Leaf from Album Depicting Birds, Flowers, Landscapes, and Flower Pots, 1876 (Edo-Meiji), ink and colors on silk and paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.174.5A Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417 Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338 Pierre-Auguste Renoir, Coco et Jean, c.1904–5, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7071 Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563 Camille Pissarro, La lessive à Éragny (Washing day at Éragny ), 1901, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14225 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.24 Mizuno Toshikata, Sanjuroku sen ju, 1890s (Meiji), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.443 Ishiguro Masatsune II, Fuchi with Diving Duck, c. 1800–1850 (late Edo), shakudo, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1112 Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59 Berthe Morisot, La lecon de dessin (The drawing lesson), c.1889–1890+, Drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4564