Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03815 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03520 Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03342 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04870 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03690 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03491 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03581 Laura Knight, Pavlova, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3415 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04387 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04265 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02402 Walter Richard Sickert, Looking up at Old Middlesex, c.1894, Pencil on buff wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15416 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03568 Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02895 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03609 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02887 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02735 Pierre-Auguste Renoir, Baigneuse debout a mi jambes (Standing bather, three quarter view), 1910, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12742 Jacques Villon, Les Bucoliques II (Pastoral scene II), 1953, Colour lithograh on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2812 Paul Cezanne, Les Grands Baigneurs (The large bathers), 1896-c.1898, Colour lithograph on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13088 Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595 Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03682 Ossip Zadkine, Figure with guitar, 1964, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9222 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03768 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03818 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04836 Robert Delaunay, Rhythm/3 (Rythme/3) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1938), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31869 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03812 Vasily Kandinsky, Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, Portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31860 Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795 Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02429 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04284 David Hockney, Vase and Flowers, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P13156 Henri de Toulouse-Lautrec, Portrait d'un homme (Portrait of a man), 1898, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10836 Georges D'espagnat, HANGED MEN (plate, page 197) from L'YMAGIER, Tome I, No.8, Paris, 1896., Woodcut, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31999 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03588 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02563 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03463 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02847 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03763 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02612 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03675 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03577 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02769 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04852 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03502 Alphonse Legros, A woodland study, 1903, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24797 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02562 David Hockney, White Lines Dancing in Printing Ink, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12457 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02630 John Piper, Malmesbury, Wiltshire: the south porch, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12962 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03680 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01037 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03767 Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03613 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03603 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03830 Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04275 Georges Rouault, Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star)), 1934, printed 1936, Colour aquatint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12973 Eduardo Paolozzi, Illumination and the eye, 1967, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12937 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02639 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04873 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03483 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03829 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04872 André Masson, L'Espagne assassinée from Solidarité, 1938, Etching on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5529 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04335 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02680 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03773 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02872 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04871 Augustus John, A girl's head (H. the flowered toque), c.1919, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3724 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03713 Ben Nicholson, Jug, 1967, Engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12899 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03748 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04837 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03669 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02898 Elisabeth Frink, Spinning man VIII, 1965, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12953 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03744 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04382 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03565 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04829 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04220 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02844 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04255 Camille Pissarro, Faneuse d'Eragny (Winnower at Eragny), 1897, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13014 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04258 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04825 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03749 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02561 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04246 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03024 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02602 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03614 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02590 Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04370 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03464 Maurice de Vlaminck, Nature morte (Still life), c.1910, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13486 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03336 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04278 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03509 Bridget Riley, Big Blue, 1981–82, Oil over synthetic polymer paint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7210 Joe Tilson, New York decals 3 and 4, 1967, Screenprint with collage of envelopes and label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12455 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03770 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03570 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03678 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04384 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03631 Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03521 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04843 Hamish Fulton, Song path. (Two walks, January 1992 and January 1993) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1766 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03527 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03662 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03704 William Scott, Towards the left, 1963, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1769 Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02645 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04661 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03554 Michael Craig-Martin, Order of appearance, 1990, Screenprint on drafting film, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1419 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03765 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03750 Matthew Smith, Girl in yellow, c.1941–42, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14590 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03549 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03367 Matthew Smith, Cornish landscape, 1923, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14254 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02441 Jacob Epstein, Kitty, 1957, Bronze, marble pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14603 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04841 Mario Prassinos, The forest, 1956, Brush and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13265 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03589 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03571 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03346 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04847 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04667 Richard Long, Somerset Willow Line, 1980, Willow wood, Tate, London. https://dartabase.art/cite/tate/AR00615 Anish Kapoor, [Untitled], 2006–07, Resin fibreglass and lacquer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14801 Matthew Smith, (Still life with sculpture and fruit), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14217 Hamish Fulton, Night life. (One walk, March 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2543 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12455 Walter Richard Sickert, Little Rachel, 1907, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14229 Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634 Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275 Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04296 Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645 Walter Richard Sickert, Old Heffel of Rowton's, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10843 Henry Rushbury, Piazza Cavour, Genova, 1930, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6361 Odilon Redon, Centaure visant les nues (Centaur aiming at the clouds), 1895, Lithograph on chine applique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12991 Henri Matisse, Nu au bracelet (Nude with a bracelet), 1938, Linocut on japon-nacre paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2298 Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04475 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04365 John Piper, The Four Seasons as foliate heads (4 panels), c.1981–82, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1357 David Hockney, Hotel Acatlan: First Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20112 Eduardo Paolozzi, Karakus Döner, Havada (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12463 Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04821 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04245 Louis Majorelle, Inlaid table, c.1900, Fruit wood with rounded rectangular top, inlaid with a design of Dutchman's pipe in various woods and mother of pearl. The legs carved with Dutch iris, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4984 Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952 Jacob Epstein, Esther, 1949, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7997 Henri Matisse, Patitcha souriante (Patitcha smiling), 1947, Brush aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6167 Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827 Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04286 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04853 Walter Richard Sickert, Portrait of a young lady, c.1894, Chalk on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15461 Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04857 Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04224 Augustus John, A village girl, c.1935, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14243 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04244 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04467 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28092 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04234 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04487 René Lalique, Brooch of Leaves and Berries, c. 1903, gold, glass, enamel, citrine, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.940 Walter Richard Sickert, Dressing for Church, c. 1911, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5856 Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526 Richard Hamilton, Carapace, 1954, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14389 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04260 Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909 Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853 Bridget Riley, [Untitled], 1978, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12977 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04859 Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600 Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966 Mario Prassinos, Plate II (suite of second states) from L'INSTANT FATAL, 1946, Drypoint, aquatint, and engraving, printed in black, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16228 Gilbert & George, Leaners, 1989, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13566 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04256 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04858 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04833 Hamish Fulton, The crow speaks. (Two walks, summer 1991 and June 1986) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1285 Jacob Epstein, The Visitation, 1926, cast 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5381 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12460 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04864 Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362 Augustus John, The dawn (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/788 Elisabeth Frink, Horse and rider V, 1970–71, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12938 Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556 Joe Tilson, Lufbery and Rickenbacker, 1963, Colour screenprint and photo-screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12450 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04491 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04819 Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04856 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28091 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04242 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04839 Walter Richard Sickert, Whistler's studio, c.1915–17, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1441 Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04835 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01034 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04247 Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008 Graham Sutherland, The village, 1925, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6545 Stanley Spencer, Interior at Cookham with spring flowers, 1937, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4408 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04326 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12456 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04325 Charles William Cain, Daughter of Israel, Bagdad, c.1916–19, Etching and drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12578 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04210 Henry Moore, Two reclining figures linear, 1969, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15431 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04363 Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04285 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04861 Henry Moore, Reclining figure: Prop, 1975, Bronze maquette, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7612 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04261 Walter Richard Sickert, St. Remy, Dieppe, c.1900, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12391 Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04281 Paul Gauguin, Les vieilles filles, Arles (The spinsters, Arles), 1889, printed c.1894, Lithograph on cream wove paper (simili-japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13254 John Piper, Foliate head, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12963 Walter Richard Sickert, Mon Bon Dodo, 1915, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5655 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04838 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04330 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04483 Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109 Jacob Epstein, Nan, 1909, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7514 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04840 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04854 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04850 Jacques Villon, Les Bucoliques I (Pastoral scene I), 1953, Colour lithograh on off-white oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2780 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04252 Richard Hamilton, Picasso's meninas (from 'Hommage à Picasso' portfolio), 1973, Hard-ground, soft-ground and stipple etching, open bite and lift ground aquatint, engraving, drypoint and burnishing on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14300 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04824 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04276 Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629 Walter Richard Sickert, Sketches of an Audience, c. 1885, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5650 Henry Moore, Elephant Skull, 1970, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19428 Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04846 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04254 Henri de Toulouse-Lautrec, Tete de fille (Head of a girl), 1892, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7072 Matthew Smith, Tulips, 1925, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8175 Pierre-Auguste Renoir, Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30166 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28093 Walter Richard Sickert, Dieppe, The Old Hotel Royal, c. 1910, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5651 Jacob Epstein, Figure study, c.1928, Pencil on thin smooth cream wove, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15417 Joe Tilson, Transparency, clip-o-matic breast, 1971, Colour screenprint and photo-screenprint on overlaid foil, acetate and thick smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12457 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04383 Henri Matisse, Masque de jeune garçon (Mask of a young boy), 1945, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17532 Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759 Walter Richard Sickert, The bridle path (Pulteney Bridge), c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11102 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04233 William Roberts, Head of a woman [Cecilia Kramer], 1920–21, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5533 Hamish Fulton, No talking for seven days. (One walk, February 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2805 Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327 David Hockney, The Berliner and the Bavarian, 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12883 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04381 Hamish Fulton, Seven 7 day walks. (Seven walks, March 1985, June 1986, February 1988, September 1988, September 1990, March 1991, April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1991 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04283 Walter Richard Sickert, Kitty K., Red Lion Square (The Large Plate), c. 1915, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5656 David Hockney, Très (End of Triple), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12461 Francis Dodd, En famille, c.1930, Charcoal on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12553 Pierre Puvis de Chavannes, Le pauvre pêcheur (The poor fisherman), 1897, Lithograph on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5838 Suzanne Valadon, Adèle préparant le tub et Ketty aux bras levés (Adele prepares the bath and Ketty has arms raised), 1905, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2617 André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828 Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799 John Piper, Buckden in a storm, 1978, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11303 Reg Butler, Figure in space, 1962–63, Lithograph on thin wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12951 Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789 Walter Richard Sickert, A wicked piece, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5315 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 Lucian Freud, Male figure, 1946, Pen and ink on thin smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15432 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04346 Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831 Augustus John, A girl's head, c.1919, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7235 René Lalique, Brooch with Nude, c. 1902, gold, enamel, diamond brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.944 Henry Moore, Hands I, 1973, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15429 Eduardo Paolozzi, Turkische Musik (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12464 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28095 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 Richard Hamilton, The Orangeman (from 'The readymade boomerang' portfolio), 1990, Five colour offset lithograph with hand-applied enamel on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14301 Ben Nicholson, Torcello I, 1962, Etching on wove paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1691 Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04823 Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709 Joseph Mallord William Turner, Mountain-Tops, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04477 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04332 Pierre-Auguste Renoir, Femme nue couchee, tournee a gauche (Nude woman reclining, facing left), c.1906, printed later, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12745 Richard Hamilton, Fashion-plate, 1969–70, Photo-offset lithograph, collage, screenprint and pochoir, retouched with cosmetics on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14299 Henri Matisse, La Belle Martiniquaise - Les Fleurs du Mal, 1946, Etching on chine applique mounted on backing sheet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3232 Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180 David Hockney, Self-Portrait, 1962, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11496 Walter Richard Sickert, The Old Mogul Tavern Drury Lane, 1908, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5657 Laura Knight, Pavlova's practice dress, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5415 Sonia Delaunay, [Untitled], c.1970, Colour etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12898 Bernard Cohen, [Untitled], 1965, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33088 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04848 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04221 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04350 Joe Tilson, Ho Chi Minh, 1970, Screenprint, photo-screenprint and collage on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12456 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04241 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01035 David Hockney, Christopher Isherwood and Don Bachardy (from 'Portraits of friends' series), 1976, Colour lithograph on grey wove hand-made paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2315 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04257 Anish Kapoor, Void (#13), 1991–92, Fibreglass and pigment, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5041 Lucian Freud, Self-Portrait: Reflection, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11509 Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04288 Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401 Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559 Yves Klein, Yves Klein Shirt, 1948/2001, Screenprint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2129 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04860 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04259 Walter Richard Sickert, Le Mont de Neuville, Dieppe, c.1894, Pencil on thin brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12680 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04356 Henry Moore, Reclining figure and mother and child studies, 1978, Colour lithograph on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11302 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04277 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04844 Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174 Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04209 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04323 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04868 Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04851 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04222 James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009 Walter Richard Sickert, Mr Sheepshanks's house, c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8174 Lynn Chadwick, The Jewel, study for the sculpture The Inner Eye, 1952, Watercolor and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33042 Allen Jones, Left hand lady, c.1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12960 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 Richard Long, Ring of stones, 1982, Stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2098 Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04223 Joe Tilson, 21st, 1964, Screenprint, photo-screenprint and collage on smooth paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12451 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04855 David Hockney, Panama Hat with a Bow Tie on a Chair, 1998, Aquatint, etching, and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.62.3 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04822 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04237 Hamish Fulton, Geese flying south. (One walk, September 1990) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1139 David Hockney, According to Prescriptions of Ancient Magicians, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77567 Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178 John Walker, Memory I, print 2, 1989, Screenprint with woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3997 Henri Fantin-Latour, Les brodeuses (The embroiderers), 1898, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9516 Albert Marquet, Le port de Hambourg (The port of Hamburg), c.1935+, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11653 Joe Tilson, Ziggurat 5, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12452 Jean Dubuffet, Le bivouac, 1976, Synthetic polymer paint on paper collaged onto canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13503 Graham Sutherland, Predatory form, 1953, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4197 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04243 Henri Fantin-Latour, La source (The source), 1903, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3104 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04282 Peter Blake, Babe rainbow, 1967, Colour screenprint and photo-screenprint on tin with gloss varnish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12947 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04830 Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123 Robert Filliou, Imitating the song of a bird (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Offset print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1383 Laurent-Honoré Marqueste, Severn Teackle Wallis, 1904, plaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.373 Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220 Joe Tilson, A-Z BOX, FRAGMENTS OF ONEIRIC ALPHABET (portfolio), 1969, 26 screenprints, some with collage, some printed on both sides, some on double- sized folded sheets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10015 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04225 Joe Tilson, Alchera: Notes for country works (Wiltshire and Tuscany) 1970-1974, 1976, Book containing 10 loose, folded leaves, title page, frontispiece, 33 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; photo-screenprinted and brown hand-made paper wrapper and endpapers, portfolio with colour screenprinted paper boards and label on front, linen-covered corners and spine with gilt title, black cloth on front, linen-covered corners and spine with gilt title, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12461 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04294 Duncan Grant, Tulips, c.1911–12, Oil on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14232 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04232 André Masson, Rodeo, 1945, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5530 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04831 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04226 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04324 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04263 Hamish Fulton, Wind through the pines. (Two walks, March 1985 and April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/669 Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04849 Elisabeth Frink, Wild boar, 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12130 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04826 Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793 Laura Knight, Mighty lak a rose, c.1935, Oil on canvas laid down on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14588 Henri de Toulouse-Lautrec, Divan Japonais, 1892–93, Lithograph on poster paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3839 Georges Tonnellier, Cameo Portrait of Mme Tonnellier, 1911, onyx, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.99 Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527 Pierre Puvis de Chavannes, Doux pays (Pleasant land), c.1880–82, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13540 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04867 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04828 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04663 Samuel Palmer, The bellman, 1879, Etching on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6416 Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029 Henry Moore, Pallas heads, 1973, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15471 Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584 Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04385 Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897 Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04231 Henri Gaudier-Brzeska, Female nude seated, 1913, Pen and ink on linen paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2325 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04219 David Hockney, Portrait of Felix Man 1969, 1970–71, Lithograph on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12958 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04297 Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457 Roger Fry, Landscape, 1903, Watercolour, brush and ink over pencil on off-white wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7439 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04253 Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04337 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04866 Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384 Matthew Smith, (Still life with wooden figure), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14230 Augustus John, Henry John, c.1934, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14209 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04329 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04386 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04842 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04248 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04820 Jacob Epstein, (Sketch for sculpture), 1954, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5633 Augustus John, John Hope Johnstone, 1919, published 1920, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12422 Sir Oswald Hornby Joseph Birley, Andrew W. Mellon, 1933, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/984 David Hockney, The First Marriage (A Marriage of Styles I), 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00596 Walter Richard Sickert, Cafe des Tribuneaux, Dieppe, 1885, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5670 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04863 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04671 Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662 Maurice Denis, Allegorie (no. 1 from 'Amour' suite), 1892–99, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3789 Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834 John Piper, Untitled (abstract landscape), c.1970, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11308 Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192 Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04309 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04235 Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962 Max Beerbohm, Mr - and Miss - Nervously Perpetuating the Touch of a Vanished Hand, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01059 Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04862 Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100 Hamish Fulton, Eroded rock outline Beinn Mheadhoin. (Two walks, summer 1991 and September 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4136 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04279 David Hockney, The Marriage in Hawaii of David and Ann, 1983, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20102 Reg Butler, Studies for Woman Standing, (1951), Pencil, crayon, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33006 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04669 Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04336 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04295 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04834 Paul Gauguin, Manao Tupapau, 1894, Lithograph on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13076 Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934 Rachel Whiteread, Twenty-five spaces, 1995, Cast resin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13586 Hamish Fulton, Seven days walking and seven nights camping in a wood Scotland. (One walk, March 1985) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4135 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04832 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04280 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04473 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04489 David Hockney, Study for Doll Boy, 1960, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12882 Eduardo Paolozzi, 'Franko' Amsterd (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12462 John Piper, Llangloffan Pembrokeshire, the Baptist Chapel, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12961 Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417 Duncan Grant, Kinetic Realisation of T01744 made for Tate Gallery, 1974, Film, Tate, London. https://dartabase.art/cite/tate/A01111 Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338 Augustus John, Jacob Epstein no. 2, c.1906, published 1919, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12421 Jacob Epstein, Bernard Shaw, 1934, Bronze, marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1469 Joseph Mallord William Turner, A Mountain Stream, Perhaps Bolton Glen, c.1810–5, Mixed media and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00910 Pierre-Auguste Renoir, Coco et Jean, c.1904–5, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7071 Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04331 Camille Pissarro, La lessive à Éragny (Washing day at Éragny ), 1901, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14225 Allen Jones, Ways and means, 1976, Book containing 18 loose, folded leaves, with title page, frontispiece, 30 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; colour screenprinted wrapper and endpapers, buff, linen-covered portfolio with title on front and spine tooled in black, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6265 David Hockney, Eine (Part 1), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12459 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04865 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04389 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04869 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04827 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04845 Allen Jones, Portrait one, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1264 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04481 Joe Tilson, Ziggurat 7, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12454 Joe Tilson, Ziggurat 6, 1966, Screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12453 Graham Sutherland, Portrait of Aloys Senefelder, 1971, Colour lithograph on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12936 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04479 Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59 Francis Dodd, Winchester Road, Bromley, 1925, Watercolour and gouache over pencil on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9691 Berthe Morisot, La lecon de dessin (The drawing lesson), c.1889–1890+, Drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4564 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01036