Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3765 Peter Gertner, Crucifixion, 1537 (Renaissance), oil on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.246 Alphonse Legros, Cardinal Manning, n.d., Lithograph on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4167 Joseph Beuys, Objects & Drawings from the collection of van der Grinten, 1971, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00750 Käthe Kollwitz, Betendes Madchen (Young woman praying), 1892, published 1931, Etching, aquatint, soft-ground etching on smooth light grey-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15480 Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5512 Otto Dix, Lustmord (Lust murder), 1922, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65708 Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/936 Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5659 Chantilly Porcelain Manufactory, Circular Snuffbox, c. 1740, soft paste porcelain, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.768 Pierre-Auguste Renoir, Baigneuse debout a mi jambes (Standing bather, three quarter view), 1910, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12742 Jacques Villon, Les Bucoliques II (Pastoral scene II), 1953, Colour lithograh on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2812 Paul Cezanne, Les Grands Baigneurs (The large bathers), 1896-c.1898, Colour lithograph on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13088 Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595 Albrecht Dürer, The Resurrection of Christ (from 'The Large Passion' series), 1510, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12711 Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796 Ossip Zadkine, Figure with guitar, 1964, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9222 Pénicaud family, The Ascension, 1560–1600 (late Renaissance), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.61 Robert Delaunay, Rhythm/3 (Rythme/3) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1938), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31869 Vasily Kandinsky, Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, Portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31860 Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795 Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225 Henri de Toulouse-Lautrec, Portrait d'un homme (Portrait of a man), 1898, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10836 Georges D'espagnat, HANGED MEN (plate, page 197) from L'YMAGIER, Tome I, No.8, Paris, 1896., Woodcut, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31999 Alphonse Legros, A woodland study, 1903, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24797 Joseph Beuys, Works from the collections Munchen, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00758 Emil Nolde, Old Man and Papa Sentis, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4838 Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245 Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006 Claude Lorrain, Le naufrage (The shipwreck), c.1638–41, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2053 Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820 Georges Rouault, Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star)), 1934, printed 1936, Colour aquatint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12973 Katharina Hinsberg, [Untitled], 1999, White card, cut and with traces of graphite, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5671 André Masson, L'Espagne assassinée from Solidarité, 1938, Etching on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5529 Albrecht Dürer, The Beast with Two Horns like a Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19087 Joseph Beuys, Joseph Beuys by Andy Warhol, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00772 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8935 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00725 Albrecht Dürer, The Whore of Babylon (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19253 Emil Nolde, The Ortler dreams of lost Times, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4625 Emil Nolde, Near St. Martino. Cima the Castrozza and Val di Rota., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4627 German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131 François Joseph Marteau, Snuffbox, 1743–1744, gold, rubies (or spinels), emeralds (or beryls), diamonds, mounted in silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.165 Otto Mueller, Poster for the Potsdamer Kunstsommer (Potsdam Art Summer) 1921, 1921, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65749 Pieter Snayers, Cavalry Battle, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.338 Stephan Baumkötter, [Untitled], 2003, Oil pastel on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5366 Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5023 Camille Pissarro, Faneuse d'Eragny (Winnower at Eragny), 1897, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13014 Joseph Beuys, Joseph Beuys: Discussion. Art and Design Centre, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00769 Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304 Maurice de Vlaminck, Nature morte (Still life), c.1910, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13486 Käthe Kollwitz, Selbstbildnis am Tisch (Self portrait seated at a table), c.1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15483 Joseph Beuys, documenta 7 expects everyone to do his duty, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00760 Joseph Beuys, Joseph Beuys: The Secret Block for A Secret Person in Ireland. Municipal Gallery of Modern Art, Dublin, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00770 Albrecht Dürer, The Apocalyptic Woman (from 'The Apocalypse' series), c.1497, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12708 Maxime Lalanne, Beuzeville, n.d., Etching and aquatint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15508 Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5022 Joseph Beuys, Joseph Beuys: Konrad Fischer. Düsselfdorf, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00817 Max Liebermann, Portrait of Gerhart Hauptmann, 1922, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15482 Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725 Käthe Kollwitz, Vier Manner in der Kneippe (Tavern interior), 1892 or 1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15481 Joseph Beuys, BEUYS tracce in Italia, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00753 Nardon Pénicaud, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.438 Emil Nolde, The Guards of the Rose Garden, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1427 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5272 Martin Didier Pape, Plaque with Medea's Murder of Absyrtus, 1580–1600 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.281 Mario Prassinos, The forest, 1956, Brush and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13265 Alphonse Legros, Les faiseurs de fagots (Fagot-makers), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24798 Willi Baumeister, Tennis Player, 1932, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32962 Joseph Beuys, Joseph Beuys: Discussion. Centre for Continuing Education, Derry City, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00767 Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4851 Paul Klee, Carnival-style Funeral, 1913, Black ink on off-white laid paper, mounted to card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5652 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2883 Max Liebermann, Restaurant am Wasser (Restaurant on the water), 1911, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6814 Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5283 Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634 Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275 Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123 Joseph Beuys, Joseph Beuys. Mönchehaus, Museum for Modern Art, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00930 Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645 Franz Marc, Tigers, 1912, Woodcut on pale cream Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65743 Odilon Redon, Centaure visant les nues (Centaur aiming at the clouds), 1895, Lithograph on chine applique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12991 Joseph Beuys, Vent’anni con Beuys. Lucio Amelio, Naples, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00897 François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483 Henri Matisse, Nu au bracelet (Nude with a bracelet), 1938, Linocut on japon-nacre paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2298 Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555 Joseph Beuys, Beuys at Forest Hill. The Richard Demarco Gallery, Edinburgh, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00771 Pierre Pénicaud, Plaque with Acrobats, c. 1550 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.189 Albrecht Dürer, St John before God and the Elders (from 'The Apocalypse' series), c.1496, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12703 Abraham Bosse, Charity (one of three images of 'Les Vertus': Faith, Hope and Charity), 1636, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22673 Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537 Louis Majorelle, Inlaid table, c.1900, Fruit wood with rounded rectangular top, inlaid with a design of Dutchman's pipe in various woods and mother of pearl. The legs carved with Dutch iris, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4984 Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952 Henri Matisse, Patitcha souriante (Patitcha smiling), 1947, Brush aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6167 Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827 Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916 Erich Buchholz, (Untitled) (from untitled portfolio), 1922, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4849 Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711 Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449 Matthes Gebel, Medal of Arnold and Nicholas Wenck, 1537 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.480 Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4850 Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28092 René Lalique, Brooch of Leaves and Berries, c. 1903, gold, glass, enamel, citrine, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.940 Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526 Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909 Joseph Beuys, Die Grünen Bürgerhaus, Nordweststad, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00776 Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5514 Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4888 Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910 Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207 Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600 Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966 Emil Nolde, Virgin, Monk and Eiger, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5309 Mario Prassinos, Plate II (suite of second states) from L'INSTANT FATAL, 1946, Drypoint, aquatint, and engraving, printed in black, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16228 Jacques Laudin I, Plaque with Apollo and Daphne, c. 1650 (Baroque), painted enamel with traces of gilding on copper; gilded brass frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.280 Käthe Kollwitz, Die Carmagnole, 1901, Etching, aquatint, sandpaper aquatint on smooth light brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15455 Emil Nolde, Der Tod als Tänzerin (Death as a Dancer), 1918, Etching and aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65750 Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4905 Christian Rohlfs, Zwei tanzende (Two dancers), 1913, Woodcut on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65765 Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362 Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556 Sigmar Polke, Venusian enemy who went from high society to marry a prince; The Jersey Royal, 2000, Synthetic polymer paint and Indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14125 Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336 Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4875 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28091 Joseph Beuys, BEUYS, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00759 Albrecht Dürer, The Circumcision (from 'The Life of the Virgin' series), c.1503–05, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2414 Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613 Joseph Beuys, Man, 1983, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4874 Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661 Emil Nolde, Cima della Pala and the Vezzana, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4639 Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008 Hans R. Reinhart, Medal of Johann Friedrich, Duke of Saxony, 1544 (Renaissance), gilded silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.668 Gustave Leheutre, La falaise d'Orbigny, n.d., Etching on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4018 Joseph Beuys, Video Opera. Beuys Paik Duet +10. Seibu Museum of Art, Sogetsu, Tokyo, 1994, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00891 Candida Höfer, Schloss Cecilienhof, Potsdam II, 1990, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/985 Karl Schmidt-Rottluff, Mädchen vor dem spiegel (Girl before a mirror), 1914, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65768 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3411 Albrecht Dürer, Joachim's Offering (from 'The Life of the Virgin' series), 1504, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9684 Claude Lorrain, The dance under the trees, c.1660, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7994 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4846 Joseph Beuys, Stripes from the House of the Shaman, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00756 Franz Marc, Schopfungsgeschichte II (Story of creation II), 1914, Colour woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13524 Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5510 Joseph Beuys, Joseph Beuys: Beyond the Border to Eurasia. The Watari Museum of Contemporary Art, 1991, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00905 Alphonse Legros, L'incendie (The fire), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24794 Joseph Beuys, Jospeh Beuys: Discussion, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00768 Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166 Kurt Schwitters, Die Kathedrale (Die Silbergäule, vol. 41/42) (The Cathedral [The Silver Horse, vol. 41/42]), 1920, Illustrated book with eight lithographs (one with collage additions), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65769 Joseph Beuys, Joseph Beuys: Multiplizierte Kunst Ikarus Galerie und Edition, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00775 Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5007 Joseph Beuys, COMMENT:, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00761 Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662 Emil Nolde, Walliser Bergriesen. Wide Horn and Company., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4609 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00729 Paul Gauguin, Les vieilles filles, Arles (The spinsters, Arles), 1889, printed c.1894, Lithograph on cream wove paper (simili-japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13254 Claude Lorrain, Le Bouvier (The cowherd), 1636, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10880 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5234 Joseph Beuys, Considering Joseph Beuys. The New School, 1995, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00892 Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109 Joseph Beuys, Podiumsdiskussion: Volksentscheid. Bonn, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00904 Jacques Villon, Les Bucoliques I (Pastoral scene I), 1953, Colour lithograh on off-white oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2780 Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2006 Charles Despiau, Nude Resting, (n.d.), Sanguine on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33084 Vera Lutter, Engine, Frankfurt Airport, April 19, 2001, April 19, 2001, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5180 Adam Elsheimer, Tobias and the Angel (Apocrypha, Tobit, V-VI), 17th century, oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1140 Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792 Constantin Guys, Reviewing the Regiment, n.d., iron gall ink and wash on slightly textured, medium-weight, cream, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2383 Moritz Retzsch, Scene at Spa, 1851, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1277 Erich Heckel, Zwei maenner am tisch (Two men at a table), 1913, Woodcut on Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6938 Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5839 Antoine-Louis Barye, Arab Horseman Killing a Lion, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.158 Henri de Toulouse-Lautrec, Tete de fille (Head of a girl), 1892, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7072 Rosemarie Trockel, Rose von Kasanlak (from 'The readymade boomerang' portfolio), 1990, Photogravure on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3448 Jean Pénicaud II, Samson Firing the Grain of the Philistines, 1525–1575 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.342 Pierre-Auguste Renoir, Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30166 Max Pechstein, Und führe uns nicht in versuchung (And lead us not into temptation) (from 'Das Vater Unser (The Lord's Prayer)’), 1921, Hand-coloured woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65756 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28093 Joseph Beuys, Joseph Bueys: Zeichnungen und Grafik.,Galerie-Verein, Munich, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00773 Albrecht Dürer, The Four Horsemen of The Apocalypse (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19090 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00723 Erich Buchholz, Untitled - Suspended circle at vertical, 1921–22, Ink and watercolour with bronze leaf on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9522 Henri Matisse, Masque de jeune garçon (Mask of a young boy), 1945, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17532 Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759 Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5236 Gerhard Marcks, Die eule (The owl), 1921, Woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65744 Joseph Beuys, Table with Back Support, 1972, Cast iron and wood, Tate, London. https://dartabase.art/cite/tate/AR00620 Albrecht Dürer, The Opening of the Seventh Seal (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19088 Albrecht Dürer, The Virgin Appearing to St John (from 'The Apocalypse' series), 1511, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19089 Pierre Puvis de Chavannes, Le pauvre pêcheur (The poor fisherman), 1897, Lithograph on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5838 Katharina Hinsberg, [Untitled], 1999, Graphite on white card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5658 Candida Höfer, Museum Karlshorst, Berlin III, 1991, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5715 Suzanne Valadon, Adèle préparant le tub et Ketty aux bras levés (Adele prepares the bath and Ketty has arms raised), 1905, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2617 André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828 Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799 Joseph Beuys, Discussion with Beuys, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00752 Erich Buchholz, Konstanten-Variablen (Constant variables) (portfolio), 1964–72, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14427 Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18 Emil Nolde, Wildpeak, the Bad and the cute little white Ball, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4610 Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5511 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831 Ernest Meissonier, Two Persons, n.d., iron gall ink and graphite on smooth, medium-weight, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2606 René Lalique, Brooch with Nude, c. 1902, gold, enamel, diamond brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.944 Alphonse Legros, Banks of the Somme, n.d., Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12646 Erich Heckel, Hockende (Crouching woman) (from 'Elf holzschnitte (Eleven woodcuts)' portfolio), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65719 Albrecht Dürer, St John's Vision of the Seven Candlesticks (from 'The Apocalypse' series), c.1496–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12702 Albrecht Dürer, The Adoration of The Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21615 Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28095 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 Giambologna, The Flagellation of Christ, c.1579, Red wax relief on a wooden ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13490 Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368 Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/698 Joseph Beuys, There Are People, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4941 Pierre-Auguste Renoir, Femme nue couchee, tournee a gauche (Nude woman reclining, facing left), c.1906, printed later, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12745 Albrecht Dürer, The Opening of the Fifth and Sixth Seals (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12704 Joseph Beuys, Joseph Beuys directional forces, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00757 Antoine-Louis Barye, Deer Brought Down by Three Hounds of Algeria, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.126 Peter Flötner, Allegory of Envy, c. 1540 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1869 Henri Matisse, La Belle Martiniquaise - Les Fleurs du Mal, 1946, Etching on chine applique mounted on backing sheet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3232 Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180 Sonia Delaunay, Composition with triangles and semi-circles, unknown, Colour etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33166 Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966 Sonia Delaunay, [Untitled], c.1970, Colour etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12898 Candida Höfer, Théâtre municipal Calais II, 2001, Chromogenic print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5179 Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624 Erich Heckel, Junges mädchen (Young girl), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65720 Albrecht Dürer, St John Devouring the Book (from 'The Apocalypse' series), c.1498, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12707 Carsten Sievers, [Untitled], 1998, Red ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5857 Jean-Léon Gérôme, Le Fumeur (The smoker), mid 19th century, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1988 Albrecht Dürer, The Martyrdom of St John the Evangelist (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3286 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5513 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4845 Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419 Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401 Joseph Beuys, Multiples - Sammlung Ulbricht, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00754 Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369 Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5235 Yves Klein, Yves Klein Shirt, 1948/2001, Screenprint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2129 Joseph Beuys, Together with Beuys, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00751 Suzanne de Court, Oval Plaque with the Annunciation, c. 1600 (Early Modern), painted enamel and gilding on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.191 Jeremiah Nathan, St. Francis of Assisi in Adoration, 1610–1623 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.928 Johann Blum, Marriage Medal of Willem of Orange and Mary of England, 1641 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.585 Käthe Kollwitz, Sitzender mannlicher Akt (Seated male nude), 1891, published 1945, Etching on smooth light-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15479 Emil Nolde, Dufour and his Beautiful Donna Rosa, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4619 Albrecht Dürer, The Four Angels of Death (from 'The Apocalypse' series), c.1496–98, German edition, 1498, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12706 Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174 Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2174 Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092 James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009 Antoine-Louis Barye, Two Spaniels on a Cushion, 19th century, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.193 Antoine-Louis Barye, Spaniel and Goose, 19th century, yellow bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.54 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5742 Erich Buchholz, Suspended sphere, 1920, reworked 1972, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4797 Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635 Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4940 Joseph Beuys, Joseph Beuys: Objekter. Grafik. Multi Gallerie Per Sten, Kopenhagen, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00777 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00728 Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178 Joseph Beuys, The Morning III, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4872 Henri Fantin-Latour, Les brodeuses (The embroiderers), 1898, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9516 Albert Marquet, Le port de Hambourg (The port of Hamburg), c.1935+, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11653 Jean Dubuffet, Le bivouac, 1976, Synthetic polymer paint on paper collaged onto canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13503 Henri Fantin-Latour, La source (The source), 1903, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3104 Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700 Franz Erhard Walther, Illustrated Instructions for First Workset, Number 26: Head Body Limbs, 2004, Graphite on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5190 Joseph Beuys, Joseph Beuys. Palazzo Regale, 1986, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00950 Philippe Poncet, Allegory of Spring, c. 1650–1675 (Baroque), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.174 Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123 Robert Filliou, Imitating the song of a bird (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Offset print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1383 Laurent-Honoré Marqueste, Severn Teackle Wallis, 1904, plaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.373 Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220 Joseph Beuys, Mysteries, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4873 Albrecht Dürer, St Michael Fighting the Dragon (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24245 Published by Gerard de Jode, Twelve Scenes from Ovid's Metamorphosis, c. 1606, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4604 Emil Nolde, The sweet Sugar Cone and the wild Priest, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4638 François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5508 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00727 Albrecht Dürer, The Flagellation of Christ (from 'The Large Passion' series), c.1497–1500, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12709 André Masson, Rodeo, 1945, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5530 Albrecht Dürer, The Angel with the Key to the Bottomless Pit (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/500 Georg Baselitz, Im Wald (In the forest), 1990, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13553 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4844 Joseph Beuys, Joseph Beuys: Discussion. Ulster Museum, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00765 Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219 Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8936 Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793 Henri de Toulouse-Lautrec, Divan Japonais, 1892–93, Lithograph on poster paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3839 Georges Tonnellier, Cameo Portrait of Mme Tonnellier, 1911, onyx, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.99 Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527 Joseph Beuys, Joseph Beuys: ‘Ja, jetzt brechen wir hier den Scheiß ab’. Galerie René Block, Berlin, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00774 Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5653 Pierre Puvis de Chavannes, Doux pays (Pleasant land), c.1880–82, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13540 Pierre-Philippe Thomire, Bust of Voltaire, 1790, terracotta, alabaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.362 Etienne-Maurice Falconet, Nymph Seated, 18th century, white marble, gilt bronze base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.390 Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029 Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584 Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5507 Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897 Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505 Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625 Henri Gaudier-Brzeska, Female nude seated, 1913, Pen and ink on linen paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2325 Joseph Beuys, Joseph Beuys: The Secret Block for the Secret Person in Ireland. Institute of Contemporary Arts, The Mall, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00764 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4847 Gustave Doré, Street scene, unknown, Watercolour and gouache on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14223 Joseph Beuys, Drawings - Objects, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00755 Joseph Beuys, Joseph Beuys: Leeds City Art Gallery, 1983, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00762 Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457 Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748 Joseph Beuys, The Morning I, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4887 Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455 Rosemarie Trockel, Singend kehrte ich heim (I returned home singing) (portfolio), 1999, Screenprints on paper and videotape: 5:25 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8823 Carsten Sievers, [Untitled], 1998, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5660 Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384 David Le Marchand, Portrait of Louis, Grand Dauphin of France, c. 1680–1685 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.480 Erich Buchholz, Untitled no. 25, 1921, Watercolour on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9523 Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726 Joseph Beuys, Düsseldorfer Szene. Kunstmuseum Luzern, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00861 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00726 Joseph Beuys, The collection of the Emmanuel Hoffmann Foundation, 1970, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00749 Erich Buchholz, [Untitled], 1952, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11333 Max Liebermann, Selbstportrat (Self portrait), c.1913, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/297 Emil Nolde, The King of the east Alps (The King Peak), c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4626 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/564 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5271 Joinville-Vignory Workshop, Annunciation, 1425–1430 (Late Gothic), limestone, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.301 Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662 Maurice Denis, Allegorie (no. 1 from 'Amour' suite), 1892–99, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3789 Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834 Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192 Antoine-Louis Barye, Bear Standing Upright, 19th century, bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.137 Paul Klee, Seiltänzer (Tightrope walker), 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65730 François Dumont, Mademoiselle de Montbrizon, 1795, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.337 Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069 Joseph Beuys, Joseph Beuys: Discussion. The Unviversity of Ulster, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00763 Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962 Joseph Beuys, Manifesto, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4942 Max Pechstein, Prinzessin (Princess), 1918, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65755 Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00724 Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392 Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100 Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177 Paul Gauguin, Manao Tupapau, 1894, Lithograph on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13076 Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934 Franz Erhard Walther, First Workset, Number 26: Head Body Limbs Bag with Graphite Drawings, 2004, Unbleached white nettle cloth, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5549 Adriaen Collaert, Twelve Scenes from the Life of Christ (Emblemata Evangelica) plus title page, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4605 Alfred Manessier, [Untitled], n.d., Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5687 Joseph Beuys, On a Search, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4906 Albrecht Dürer, The Holy Family with the Mayfly, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/909 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5509 Willi Geiger, Death on a Horse, 1901, Chalks, paint, gouache, ink, wash, and graphite on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4926 Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417 Albrecht Dürer, The Crucifixion (from 'The Large Passion' series), c.1497–1500, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12710 Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338 Pierre-Auguste Renoir, Coco et Jean, c.1904–5, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7071 Joseph Beuys, Joseph Beuys: Discussion. The Teacher’s Centre, Magee University College, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00766 Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563 Meissen Porcelain Manufactory, Teapot, 1724–1725, porcelain with glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2781 Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846 Camille Pissarro, La lessive à Éragny (Washing day at Éragny ), 1901, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14225 Wolfgang Kilian, Twelve Roman Emperors (XII Caesarum), 1608, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1426 Albrecht Dürer, The Four Angels Staying the Winds (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12705 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5506 Emil Nolde, The Myths, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4837 Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59 Berthe Morisot, La lecon de dessin (The drawing lesson), c.1889–1890+, Drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4564 Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2854 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5270