Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068 Charles Winkler, VUE DE HAGUENAU : EGLISE SAINT-NICOLAS, 3e quart 19e siècle, plume; encre noire; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066540 Gian Lorenzo Bernini, The Risen Christ, 1673–1674 (Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2281 René Beeh, SCENE DE RUE, 1er quart 20e siècle, sanguine; papier; carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065636 Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749 Nicolaus Hoffmann, Brie, Poitou, Bresse, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025388 Italian, Border of Brocatelle with Adoration of the Christ Child, 15th century (Renaissance), colored and metal threads with red taffeta lining, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/83.649 Florentine, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.277 Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496 Giorgio Andreoli, Dish with Saint John the Baptist in the Wilderness, c. 1530–1540 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1355 Daniel Specklin, PLAN DES FORTIFICATIONS DE STRASBOURG AU XVI SIECLE, 4e quart 19e siècle, plume; encre noire; aquarelle; papier (blanc); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067315 Pietro Perugino, Portrait Bust of Perugino, c. 1525–1550 or later (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1060 Italian, Pax with Christ as the Man of Sorrows, c. 1500 (European Renaissance), painted enamels and gold on copper over silver foil, glass-pastes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.129 Grifo di Tancredi, Saint James Major, c. 1310, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/0 Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488 Romagna, A Franciscan Monk Preaching, c. 1515–1525 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.507 Pasquale Santoro, Memory, 1965, Wax pastel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33014 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658 René Beeh, VACHE COUCHEE, 1er quart 20e siècle, sanguine; papier; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065646 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657 German von Bohn, PORTRAIT DE DIANE DE GOBINEAU AGEE D'UN AN, 2e quart 19e siècle, crayon noir; craie blanche; papier (chamois), MUDO - musée de l'Oise, Beauvais. https://dartabase.art/cite/joconde/000DE023036 Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569 MAESTLE, VUE D'ALSACE : EGLISE A SAVERNE, 2e quart 19e siècle, aquarelle; mine de plomb; vernis; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066546 Pseudo Granacci, The Nativity, c. 1500 (Renaissance), tempera (?) on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.584 Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040 Henri Ebel, FEMME MALADE, 1er quart 20e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065602 Enzo Cucchi, Elegy and Etching (for Parkett no. 1), April 1994 (plate printed November 1983)., Aquatint and drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10824 Simone dei Crocifissi, New Testament and Apocryphal Scenes with Saints, 1360–1369 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.723 Italian, Half-length Portrait of an Old Man, c. 1740 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1834 Italian, Door Panel with Castle, c. 1190 (Medieval), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1058 Annibale Fontana, Plaque with Hercules Attacking the Lernean Hydra, c. 1560–1570 (Renaissance), rock crystal, enameled gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.70 Valerio Belli, Intaglio of Mars and Venus, c. 1540–1560 (Renaissance), agate; modern gold mount, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.1021 A Hoffmann, VILLAGE EN RUINES, 1er quart 20e siècle, plume; encre noire; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066591 Italian, Dish with Symbols of Christ's Passion, c. 1550–1600 (Renaissance), rock crystal, gilded silver, gold, enamel, rubies, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.74 Benedetto da Maiano, Plaque with the Virgin and Child, c. 1500–1550 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1315 Nicolaus Hoffmann, SAVOIE-CARIGNAN-AQUITAINE-ANJOU, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025391 Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426 Domenico da Venezia, Apothecary Jar with Two Female Busts, c. 1560–1570 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1768 Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534 Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592 Italian, Dish with Foliage Design, c. 1525–1530 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1367 Georges Alexandre Daubner, AVANT ; PROJET POUR PARSIFAL, 4e quart 19e siècle;1er quart 20e siècle, lavis gris; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065695 Pietro di Francesco degli Orioli, Sulpicia, c. 1493–1495 (Renaissance), tempera and oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.616 Jacopo del Casentino, The Last Judgment and the Crucifixion, 1340–1349 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.722 Marco Zoppo, Saint Francis Receiving the Stigmata, c. 1471 (Renaissance), tempera on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.544 Giulio Romano, LUCRECE, 1ère moitié 16e siècle, plume; encre brune; lavis brun; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE021384 Nicolaus Hoffmann, Languedoc-Beauce ; Médoc, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025401 Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331 Hélène Strasck, PORTRAIT DE LANDELIN OHMACHT, 1er quart 19e siècle, pierre noire; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067234 Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289 Mimmo Rotella, Plate 16 from L'avaguardia internazionale, Volume 3/L'avant-garde internationale, Volume 3/The International Avant-Gardem Volume 3, 1962, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24884 Nicolaus Hoffmann, Dillon-Berwick-Walsh, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025406 Marino Marini, Pomona, c.1939–41, Terracotta, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8563 Italian, Mirror Case with the Virgin and Saints, 1st quarter 15th century (Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.282 Annibale Fontana, Hercules and Cerberus, 16th century, rock crystal, enamel frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.110 Italian, Wall Fountain, c. 1450–1500 (Renaissance), Red Verona marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.344 Mimmo Rotella, Poema fonetico (Phonetic poem), unknown, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2333 Piero Dorazio, Untitled XXVIII, 1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4328 Tommaso da Modena, Wing of a Reliquary Diptych with the Crucifixion and Saints, c. 1355–1370 (Medieval), tempera and gold leaf on panel with marble, ceramic, and verre églomisé insets on a gilded wood frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1686 Georges Alexandre Daubner, AVANT-PROJET POUR PARSIFAL, 4e quart 19e siècle;1er quart 20e siècle, lavis gris; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065694 Italian, Locket with the Deaths of Pyramus and Thisbe, c. 1550 (Renaissance), agate, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.474 Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503 Italian, Reliquary Cross, c. 1450–1475 (Renaissance), rock crystal, gilded copper, ""basse-taille"" enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.303 BUNGERT, SOLDAT BLESSE, 1er quart 20e siècle, encre noire; pinceau; plume; gouache blanche; papier (gris); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065660 Jacob Van der Heyden, VUE DE STRASBOURG : TEMPLE NEUF ET GYMASE PROTESTANT, 1ère moitié 19e siècle, plume; encre grise; lavis gris; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/000DE022857 Lombardy, Profile of a Gypsy Woman, 1500–1525 (Renaissance), tempera on wood (spruce) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1110 Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135 Salviati & Co., Bowl with Allegorical figures, 1890–1911, glass, enamel, metal handles, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.354 Nicolaus Hoffmann, Foix-Rohan-Soubise-Barrois, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025405 Francesco Squarcione, Madonna and Child, 1430–1450 (Renaissance), tempera and gold leaf on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.519 Andrea Briosco, called Riccio, Oil Lamp in the Shape of Silenus Straddling a Wine-Skin, 1st half 16th century (Renaissance), bronze, the wineskin originally plated with silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.37 René Beeh, FEMME ET ENFANT NOIRS AGENOUILLES, 1er quart 20e siècle, plume; encre noire; papier; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065652 Nicolaus Hoffmann, Rouergue, Bourgogne, Normandie, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025399 German von Bohn, PORTRAIT DE CHRISTINE DE GOBINEAU AGEE DE DEUX ANS, 3e quart 19e siècle, crayon noir; craie blanche; papier (chamois), MUDO - musée de l'Oise, Beauvais. https://dartabase.art/cite/joconde/000DE023037 René Beeh, CHIEN COUCHE, 1er quart 20e siècle, mine de plomb; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065650 Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096 Giuseppe Maria Crespi, The Penitent Magdalene, c. 1725–1730 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1130 Italian, Footed Plate with Saint Emygdius (?), Bishop and Martyr, mid 18th century (Baroque), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1754 Georges Alexandre Daubner, AVANT-PROJET POUR PARSIFAL, 4e quart 19e siècle;1er quart 20e siècle, lavis gris; papier, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065692 Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745 Giovanni di Paolo, Christ on the Way to Calvary, 1426 (Renaissance), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.489B Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3 Franz Xaver Winterhalter, Portrait d’homme, 2e quart 19e siècle, lavis gris; crayon noir; fusain; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067271 BUNGERT, SOLDATS AU REPOS, 1er quart 20e siècle, mine de plomb; papier (collé en plein), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065669 Nicolaus Hoffmann, Navarre-Armagnac-Champagne, 4e quart 18e siècle, gouache; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025381 Giuseppe Capogrossi, [Untitled], c.1960–70, Screenprint on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9382 Daniel Caffe, PORTRAIT DE L'ARTISTE AVEC SON FILS, 1er quart 19e siècle, pierre noire; sanguine; craie blanche; gouache; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067270 Florentine, Madonna and Child with Four Saints, 1500–1520 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.692