Hermann Nitsch, Christus der Widder Gott (Christ's conception of an angry God), 1983, published 1983, Screenprint with blood on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9902

Alfred Kubin, Spaziergaenger und Schaedel (no. 7 from 'Wassermann Mappe') (Walker and skull (no. 7 from 'Water-carrier portfolio')), c.1920, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12829

Pieter Snayers, Cavalry Battle, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.338

Hermann Nitsch, Last Supper, 1976–79, published 1983, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6507

Giambologna, The Flagellation of Christ, c.1579, Red wax relief on a wooden ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13490

Published by Gerard de Jode, Twelve Scenes from Ovid's Metamorphosis, c. 1606, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4604

Oskar Kokoschka, Houses of Parliament, c.1960–70, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5615

Adriaen Collaert, Twelve Scenes from the Life of Christ (Emblemata Evangelica) plus title page, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4605

Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846