Daisy Makeig-Jones, Plate Showing Imps on a Bridge and Tree House, 1924–1930, lusterware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2754

Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862

Joan Miró, Monument, cast 1970, Bronze with black patina;  base of welded steel, painted black, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6138

Francisco Goya, 'Bien tirada esta' (plate 17 from 'Caprichos' series) ('It is well pulled up' (plate 17 from 'Caprices' series)), 1797–98+, Etching, burnished aquatint and burin on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12878

Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869

Francisco Goya, 'Nada.  Ello dira' (plate 69 from 'Desastres de la guerra' series) ('Nothing.  It speaks for itself' (plate 69 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3020

Thomas Flatman, John Lee Warner, Lord Chief Justice, c. 1670–1675 (Baroque), opaque watercolor on vellum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.160

Francisco Goya, 'Espiró sin remedio' (plate 53 from 'Desastres de la guerra' series) ('There was nothing to be done and he died' (plate 53 from 'The disasters of war' series)), c.1812, published c.1903, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3806

Ferrer Bassa, Virgin and Child, with the Crucifixion and the Annunciation, and the Coronation of the Virgin and the Presentation in the Temple, c. 1340–1348 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.468

Joan Miró, (Untitled) (from 'Noire et rouge' series), 1938, Drypoint on Arches paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1519

Mariano Fortuny, The Rare Vase, 1870, watercolor and opaque watercolor with selectively applied glaze over traces of charcoal (?) on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.148

Francisco Goya, 'Que locura!' (plate 68 from 'Desastres de la guerra' series) ('What folly' (plate 68 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4062

Bernat Pintor, Tomb Relief with a Bishop Giving a Funeral Blessing, c. 1370–1390 (Medieval), limestone with paint, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.11

Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842

Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769