Daisy Makeig-Jones, Plate Showing Imps on a Bridge and Tree House, 1924–1930, lusterware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2754

Pieter Snayers, Cavalry Battle, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.338

Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862

Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869

Thomas Flatman, John Lee Warner, Lord Chief Justice, c. 1670–1675 (Baroque), opaque watercolor on vellum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.160

Giambologna, The Flagellation of Christ, c.1579, Red wax relief on a wooden ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13490

Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842

Published by Gerard de Jode, Twelve Scenes from Ovid's Metamorphosis, c. 1606, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4604

Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769

Adriaen Collaert, Twelve Scenes from the Life of Christ (Emblemata Evangelica) plus title page, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4605

Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846