Cornelis de Bye, Coconut Cup with Old Testament Scenes, before 1598 (Renaissance), coconut, silver mounts, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1046

Karel Appel, (Head and fish), c.1950s, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2437

Joan Miró, Monument, cast 1970, Bronze with black patina;  base of welded steel, painted black, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6138

Francisco Goya, 'Bien tirada esta' (plate 17 from 'Caprichos' series) ('It is well pulled up' (plate 17 from 'Caprices' series)), 1797–98+, Etching, burnished aquatint and burin on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12878

Francisco Goya, 'Nada.  Ello dira' (plate 69 from 'Desastres de la guerra' series) ('Nothing.  It speaks for itself' (plate 69 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3020

Francisco Goya, 'Espiró sin remedio' (plate 53 from 'Desastres de la guerra' series) ('There was nothing to be done and he died' (plate 53 from 'The disasters of war' series)), c.1812, published c.1903, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3806

Ferrer Bassa, Virgin and Child, with the Crucifixion and the Annunciation, and the Coronation of the Virgin and the Presentation in the Temple, c. 1340–1348 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.468

Joan Miró, (Untitled) (from 'Noire et rouge' series), 1938, Drypoint on Arches paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1519

Mariano Fortuny, The Rare Vase, 1870, watercolor and opaque watercolor with selectively applied glaze over traces of charcoal (?) on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.148

Lara Schnitger, Betty Ford, 2005, Lycra, wool, faux fur, pins, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5142

Karel Appel, Crying head, 1963, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13506

Francisco Goya, 'Que locura!' (plate 68 from 'Desastres de la guerra' series) ('What folly' (plate 68 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4062

Bernat Pintor, Tomb Relief with a Bishop Giving a Funeral Blessing, c. 1370–1390 (Medieval), limestone with paint, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.11

Adriaen van Ostade, ETUDE POUR UNE KERMESSE, 2e quart 17e siècle;2e moitié 17e siècle, crayon noir; plume; encre; papier (blanc), Musée Grobet-Labadié, Marseille. https://dartabase.art/cite/joconde/000DE021370

Jan Dibbets, Cupola A, B, C, 1989–90, Screenprint with photo-collage on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3051

Jacob Isaacksz. van Ruisdael, Cottage on the summit of a tree covered hill, c.1649, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10520

Adriaen van Ostade, The family, 1647, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7288

Jan van Goyen, In den duinen voor Den Haag (In the dunes in front of The Hague), 1653, Chalk and grey ink wash on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13075

Cornelis van Poelenburgh, Portrait of Jan Pellicorne, c. 1626 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.226