Cornelis de Bye, Coconut Cup with Old Testament Scenes, before 1598 (Renaissance), coconut, silver mounts, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1046

Karel Appel, (Head and fish), c.1950s, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2437

Lara Schnitger, Betty Ford, 2005, Lycra, wool, faux fur, pins, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5142

Karel Appel, Crying head, 1963, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13506

Per Kirkeby, [Untitled], 1989, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5739

Olafur Eliasson, Mirrorstage for Merce, 2004, 3-color photogravure, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4594

Henning Christiansen, Yes! he is dead on the line; Stranger on the Shore [Danish]; Stranger on the Shore [English], from the portfolio "Hommage à Arthur Köpcke", 1980, Collage and offset, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5516

Adriaen van Ostade, ETUDE POUR UNE KERMESSE, 2e quart 17e siècle;2e moitié 17e siècle, crayon noir; plume; encre; papier (blanc), Musée Grobet-Labadié, Marseille. https://dartabase.art/cite/joconde/000DE021370

Per Kirkeby, The painter and his model (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Etching and lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/503

Olafur Eliasson, The cubic structural evolution project, 2004, ABS plastic, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15255

Jan Dibbets, Cupola A, B, C, 1989–90, Screenprint with photo-collage on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3051

Henning Christiansen, Yes! he is dead on the line; Stranger on the Shore [Danish]; Stranger on the Shore [English], from the portfolio "Hommage à Arthur Köpcke", 1980, Collage and offset, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5515

Jacob Isaacksz. van Ruisdael, Cottage on the summit of a tree covered hill, c.1649, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10520

Olafur Eliasson, Riverbed, 2014, Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34280

Adriaen van Ostade, The family, 1647, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7288

Jan van Goyen, In den duinen voor Den Haag (In the dunes in front of The Hague), 1653, Chalk and grey ink wash on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13075

Cornelis van Poelenburgh, Portrait of Jan Pellicorne, c. 1626 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.226