Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068 Varvara Stepanova, [Untitled], 1920, printed 1999, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14217 Gian Lorenzo Bernini, The Risen Christ, 1673–1674 (Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2281 Aleksandr Rodchenko, [Untitled], c. 1921, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20059 Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749 Italian, Border of Brocatelle with Adoration of the Christ Child, 15th century (Renaissance), colored and metal threads with red taffeta lining, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/83.649 Nikolai Sedelnikov, Printer's proof for cover for Avtomobil' i upravlenie im (The Automobile and Driving It), 1928, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32041 Florentine, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.277 Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496 Giorgio Andreoli, Dish with Saint John the Baptist in the Wilderness, c. 1530–1540 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1355 Pietro Perugino, Portrait Bust of Perugino, c. 1525–1550 or later (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1060 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume I, 1957–61, published 1961, Portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12667 Italian, Pax with Christ as the Man of Sorrows, c. 1500 (European Renaissance), painted enamels and gold on copper over silver foil, glass-pastes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.129 Grifo di Tancredi, Saint James Major, c. 1310, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/0 Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488 Romagna, A Franciscan Monk Preaching, c. 1515–1525 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.507 Pasquale Santoro, Memory, 1965, Wax pastel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33014 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658 Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657 Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569 Pseudo Granacci, The Nativity, c. 1500 (Renaissance), tempera (?) on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.584 Henrik Wigström, Oval Box with Monogram of Nicholas II, early 20th century, nephrite, gold (56 zolotnik), diamonds, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1047 Mikhail Larionov, Design for ticket for Grand Bal des Artistes Travesti Transmental, 1923, Colour woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65735 Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040 Enzo Cucchi, Elegy and Etching (for Parkett no. 1), April 1994 (plate printed November 1983)., Aquatint and drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10824 El Lissitzky, Cover for 'Wendingen' journal, volume IV, number 11, 1921, Colour lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65736 El Lissitzky, Figurines. The Three-Dimensional Design of the Electro-Mechanical Spectacle: Victory Over the Sun, 1923, 11 lithographic prints in a portfolio with cover, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4631 Simone dei Crocifissi, New Testament and Apocryphal Scenes with Saints, 1360–1369 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.723 Varvara Stepanova, Tekhprop (Tech-prop), 1933, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14389 Italian, Half-length Portrait of an Old Man, c. 1740 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1834 Italian, Door Panel with Castle, c. 1190 (Medieval), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1058 Vladimir Lebedev, Maquette/proof for the poster Chastushka. (Ekh, gorit moe serdechko…) (Folk Song [Akh, My Heart's Afire!]), 1920, Letterpress with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32042 Annibale Fontana, Plaque with Hercules Attacking the Lernean Hydra, c. 1560–1570 (Renaissance), rock crystal, enameled gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.70 Roberto Estopinán, Prisoner, 1967, Colored ink and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33104 Valerio Belli, Intaglio of Mars and Venus, c. 1540–1560 (Renaissance), agate; modern gold mount, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.1021 Italian, Dish with Symbols of Christ's Passion, c. 1550–1600 (Renaissance), rock crystal, gilded silver, gold, enamel, rubies, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.74 Benedetto da Maiano, Plaque with the Virgin and Child, c. 1500–1550 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1315 Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426 Domenico da Venezia, Apothecary Jar with Two Female Busts, c. 1560–1570 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1768 Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534 Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592 Italian, Dish with Foliage Design, c. 1525–1530 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1367 Pietro di Francesco degli Orioli, Sulpicia, c. 1493–1495 (Renaissance), tempera and oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.616 Jacopo del Casentino, The Last Judgment and the Crucifixion, 1340–1349 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.722 El Lissitzky, Proun 2 B (from 'Proun' portfolio), 1920, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65739 Marco Zoppo, Saint Francis Receiving the Stigmata, c. 1471 (Renaissance), tempera on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.544 Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331 Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289 Mimmo Rotella, Plate 16 from L'avaguardia internazionale, Volume 3/L'avant-garde internationale, Volume 3/The International Avant-Gardem Volume 3, 1962, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24884 Marino Marini, Pomona, c.1939–41, Terracotta, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8563 El Lissitzky, Suprematisch worden van tWee kWA drA ten in six konstrukties (from the book 'About two squares: a Suprematist tale of two squares in six constructions’), 1922, Letterpress leaf on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65738 Italian, Mirror Case with the Virgin and Saints, 1st quarter 15th century (Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.282 Annibale Fontana, Hercules and Cerberus, 16th century, rock crystal, enamel frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.110 Italian, Wall Fountain, c. 1450–1500 (Renaissance), Red Verona marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.344 Mimmo Rotella, Poema fonetico (Phonetic poem), unknown, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2333 Piero Dorazio, Untitled XXVIII, 1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4328 Tommaso da Modena, Wing of a Reliquary Diptych with the Crucifixion and Saints, c. 1355–1370 (Medieval), tempera and gold leaf on panel with marble, ceramic, and verre églomisé insets on a gilded wood frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1686 Roberto Estopinán, [Untitled], 1967, Transfer and ink on pink paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33123 Italian, Locket with the Deaths of Pyramus and Thisbe, c. 1550 (Renaissance), agate, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.474 Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503 Italian, Reliquary Cross, c. 1450–1475 (Renaissance), rock crystal, gilded copper, ""basse-taille"" enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.303 Lombardy, Profile of a Gypsy Woman, 1500–1525 (Renaissance), tempera on wood (spruce) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1110 Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135 Salviati & Co., Bowl with Allegorical figures, 1890–1911, glass, enamel, metal handles, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.354 Francesco Squarcione, Madonna and Child, 1430–1450 (Renaissance), tempera and gold leaf on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.519 Andrea Briosco, called Riccio, Oil Lamp in the Shape of Silenus Straddling a Wine-Skin, 1st half 16th century (Renaissance), bronze, the wineskin originally plated with silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.37 Vadim Kovrigin, Aleksandr Rodchenko and Varvara Rodchenko, 1948, Gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26954 Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096 Giuseppe Maria Crespi, The Penitent Magdalene, c. 1725–1730 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1130 El Lissitzky, Portrait of Kurt Schwitters, 1924, printed 1985, Gelatin silver photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65737 Italian, Footed Plate with Saint Emygdius (?), Bishop and Martyr, mid 18th century (Baroque), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1754 Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745 Giovanni di Paolo, Christ on the Way to Calvary, 1426 (Renaissance), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.489B Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3 Giuseppe Capogrossi, [Untitled], c.1960–70, Screenprint on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9382 Florentine, Madonna and Child with Four Saints, 1500–1520 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.692