Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3765 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03815 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03520 Joseph Beuys, Objects & Drawings from the collection of van der Grinten, 1971, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00750 Käthe Kollwitz, Betendes Madchen (Young woman praying), 1892, published 1931, Etching, aquatint, soft-ground etching on smooth light grey-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15480 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03342 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04870 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03690 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03491 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03581 Laura Knight, Pavlova, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3415 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04387 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5512 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04265 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02402 Otto Dix, Lustmord (Lust murder), 1922, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65708 Walter Richard Sickert, Looking up at Old Middlesex, c.1894, Pencil on buff wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15416 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03568 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02895 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/936 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03609 Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5659 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02887 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02735 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03682 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03768 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03818 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04836 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03812 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02429 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04284 David Hockney, Vase and Flowers, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P13156 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03588 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02563 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03463 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02847 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03763 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02612 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03675 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03577 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02769 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04852 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03502 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02562 David Hockney, White Lines Dancing in Printing Ink, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12457 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02630 John Piper, Malmesbury, Wiltshire: the south porch, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12962 Joseph Beuys, Works from the collections Munchen, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00758 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03680 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01037 Emil Nolde, Old Man and Papa Sentis, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4838 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03767 Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03613 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03603 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03830 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04275 Eduardo Paolozzi, Illumination and the eye, 1967, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12937 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02639 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04873 Katharina Hinsberg, [Untitled], 1999, White card, cut and with traces of graphite, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5671 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03483 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03829 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04872 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04335 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02680 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03773 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02872 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04871 Augustus John, A girl's head (H. the flowered toque), c.1919, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3724 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03713 Ben Nicholson, Jug, 1967, Engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12899 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03748 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04837 Joseph Mallord William Turner, [blank], c.1801, Tate, London. https://dartabase.art/cite/tate/D03669 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02898 Elisabeth Frink, Spinning man VIII, 1965, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12953 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03744 Joseph Beuys, Joseph Beuys by Andy Warhol, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00772 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8935 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04382 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03565 Emil Nolde, The Ortler dreams of lost Times, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4625 Emil Nolde, Near St. Martino. Cima the Castrozza and Val di Rota., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4627 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04829 German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131 Otto Mueller, Poster for the Potsdamer Kunstsommer (Potsdam Art Summer) 1921, 1921, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65749 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04220 Stephan Baumkötter, [Untitled], 2003, Oil pastel on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5366 Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02844 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04255 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5023 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04258 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04825 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03749 Joseph Beuys, Joseph Beuys: Discussion. Art and Design Centre, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00769 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02561 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04246 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03024 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02602 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03614 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D02590 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04370 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03464 Joseph Mallord William Turner, [blank], 1801, Tate, London. https://dartabase.art/cite/tate/D03336 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04278 Käthe Kollwitz, Selbstbildnis am Tisch (Self portrait seated at a table), c.1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15483 Bridget Riley, Big Blue, 1981–82, Oil over synthetic polymer paint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7210 Joseph Beuys, documenta 7 expects everyone to do his duty, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00760 Joe Tilson, New York decals 3 and 4, 1967, Screenprint with collage of envelopes and label, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12455 Joseph Beuys, Joseph Beuys: The Secret Block for A Secret Person in Ireland. Municipal Gallery of Modern Art, Dublin, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00770 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04384 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04843 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5022 Joseph Beuys, Joseph Beuys: Konrad Fischer. Düsselfdorf, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00817 Hamish Fulton, Song path. (Two walks, January 1992 and January 1993) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1766 Max Liebermann, Portrait of Gerhart Hauptmann, 1922, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15482 William Scott, Towards the left, 1963, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1769 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04661 Michael Craig-Martin, Order of appearance, 1990, Screenprint on drafting film, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1419 Matthew Smith, Girl in yellow, c.1941–42, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14590 Matthew Smith, Cornish landscape, 1923, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14254 Käthe Kollwitz, Vier Manner in der Kneippe (Tavern interior), 1892 or 1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15481 Joseph Beuys, BEUYS tracce in Italia, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00753 Jacob Epstein, Kitty, 1957, Bronze, marble pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14603 Emil Nolde, The Guards of the Rose Garden, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1427 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5272 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04841 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04847 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04667 Richard Long, Somerset Willow Line, 1980, Willow wood, Tate, London. https://dartabase.art/cite/tate/AR00615 Willi Baumeister, Tennis Player, 1932, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32962 Anish Kapoor, [Untitled], 2006–07, Resin fibreglass and lacquer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14801 Joseph Beuys, Joseph Beuys: Discussion. Centre for Continuing Education, Derry City, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00767 Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4851 Paul Klee, Carnival-style Funeral, 1913, Black ink on off-white laid paper, mounted to card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5652 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2883 Max Liebermann, Restaurant am Wasser (Restaurant on the water), 1911, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6814 Matthew Smith, (Still life with sculpture and fruit), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14217 Hamish Fulton, Night life. (One walk, March 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2543 Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5283 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12455 Walter Richard Sickert, Little Rachel, 1907, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14229 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04296 Joseph Beuys, Joseph Beuys. Mönchehaus, Museum for Modern Art, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00930 Franz Marc, Tigers, 1912, Woodcut on pale cream Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65743 Walter Richard Sickert, Old Heffel of Rowton's, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10843 Henry Rushbury, Piazza Cavour, Genova, 1930, Watercolour, pen and ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6361 Joseph Beuys, Beuys at Forest Hill. The Richard Demarco Gallery, Edinburgh, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00771 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04475 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04365 John Piper, The Four Seasons as foliate heads (4 panels), c.1981–82, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1357 David Hockney, Hotel Acatlan: First Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20112 Eduardo Paolozzi, Karakus Döner, Havada (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12463 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04821 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04245 Jacob Epstein, Esther, 1949, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7997 Erich Buchholz, (Untitled) (from untitled portfolio), 1922, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4849 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04286 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04853 Walter Richard Sickert, Portrait of a young lady, c.1894, Chalk on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15461 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04857 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04224 Augustus John, A village girl, c.1935, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14243 Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4850 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04244 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04467 Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04234 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04487 Walter Richard Sickert, Dressing for Church, c. 1911, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5856 Richard Hamilton, Carapace, 1954, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14389 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04260 Joseph Beuys, Die Grünen Bürgerhaus, Nordweststad, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00776 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5514 Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4888 Bridget Riley, [Untitled], 1978, Colour screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12977 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04859 Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910 Emil Nolde, Virgin, Monk and Eiger, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5309 Gilbert & George, Leaners, 1989, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13566 Käthe Kollwitz, Die Carmagnole, 1901, Etching, aquatint, sandpaper aquatint on smooth light brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15455 Emil Nolde, Der Tod als Tänzerin (Death as a Dancer), 1918, Etching and aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65750 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04256 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04858 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04833 Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4905 Hamish Fulton, The crow speaks. (Two walks, summer 1991 and June 1986) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1285 Christian Rohlfs, Zwei tanzende (Two dancers), 1913, Woodcut on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65765 Jacob Epstein, The Visitation, 1926, cast 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5381 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12460 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04864 Augustus John, The dawn (from 'The ideals', the second part of 'The Great War: Britain's efforts and ideals shown in a series of lithographic prints' series), 1917, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/788 Elisabeth Frink, Horse and rider V, 1970–71, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12938 Sigmar Polke, Venusian enemy who went from high society to marry a prince; The Jersey Royal, 2000, Synthetic polymer paint and Indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14125 Joe Tilson, Lufbery and Rickenbacker, 1963, Colour screenprint and photo-screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12450 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04491 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04819 Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4875 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04856 Joseph Beuys, BEUYS, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00759 Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04242 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04839 Joseph Beuys, Man, 1983, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4874 Walter Richard Sickert, Whistler's studio, c.1915–17, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1441 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04835 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01034 Emil Nolde, Cima della Pala and the Vezzana, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4639 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04247 Graham Sutherland, The village, 1925, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6545 Stanley Spencer, Interior at Cookham with spring flowers, 1937, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4408 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04326 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12456 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04325 Joseph Beuys, Video Opera. Beuys Paik Duet +10. Seibu Museum of Art, Sogetsu, Tokyo, 1994, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00891 Charles William Cain, Daughter of Israel, Bagdad, c.1916–19, Etching and drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12578 Candida Höfer, Schloss Cecilienhof, Potsdam II, 1990, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/985 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04210 Karl Schmidt-Rottluff, Mädchen vor dem spiegel (Girl before a mirror), 1914, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65768 Henry Moore, Two reclining figures linear, 1969, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15431 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3411 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4846 Joseph Beuys, Stripes from the House of the Shaman, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00756 Franz Marc, Schopfungsgeschichte II (Story of creation II), 1914, Colour woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13524 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04363 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04285 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5510 Joseph Beuys, Joseph Beuys: Beyond the Border to Eurasia. The Watari Museum of Contemporary Art, 1991, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00905 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04861 Henry Moore, Reclining figure: Prop, 1975, Bronze maquette, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7612 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04261 Joseph Beuys, Jospeh Beuys: Discussion, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00768 Kurt Schwitters, Die Kathedrale (Die Silbergäule, vol. 41/42) (The Cathedral [The Silver Horse, vol. 41/42]), 1920, Illustrated book with eight lithographs (one with collage additions), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65769 Joseph Beuys, Joseph Beuys: Multiplizierte Kunst Ikarus Galerie und Edition, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00775 Walter Richard Sickert, St. Remy, Dieppe, c.1900, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12391 Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5007 Joseph Beuys, COMMENT:, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00761 Emil Nolde, Walliser Bergriesen. Wide Horn and Company., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4609 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04281 John Piper, Foliate head, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12963 Walter Richard Sickert, Mon Bon Dodo, 1915, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5655 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04838 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04330 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5234 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04483 Joseph Beuys, Considering Joseph Beuys. The New School, 1995, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00892 Jacob Epstein, Nan, 1909, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7514 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04840 Joseph Beuys, Podiumsdiskussion: Volksentscheid. Bonn, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00904 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04854 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04850 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04252 Richard Hamilton, Picasso's meninas (from 'Hommage à Picasso' portfolio), 1973, Hard-ground, soft-ground and stipple etching, open bite and lift ground aquatint, engraving, drypoint and burnishing on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14300 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04824 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04276 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2006 Vera Lutter, Engine, Frankfurt Airport, April 19, 2001, April 19, 2001, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5180 Walter Richard Sickert, Sketches of an Audience, c. 1885, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5650 Henry Moore, Elephant Skull, 1970, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19428 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04846 Moritz Retzsch, Scene at Spa, 1851, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1277 Erich Heckel, Zwei maenner am tisch (Two men at a table), 1913, Woodcut on Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6938 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04254 Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5839 Rosemarie Trockel, Rose von Kasanlak (from 'The readymade boomerang' portfolio), 1990, Photogravure on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3448 Matthew Smith, Tulips, 1925, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8175 Max Pechstein, Und führe uns nicht in versuchung (And lead us not into temptation) (from 'Das Vater Unser (The Lord's Prayer)’), 1921, Hand-coloured woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65756 Walter Richard Sickert, Dieppe, The Old Hotel Royal, c. 1910, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5651 Jacob Epstein, Figure study, c.1928, Pencil on thin smooth cream wove, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15417 Joseph Beuys, Joseph Bueys: Zeichnungen und Grafik.,Galerie-Verein, Munich, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00773 Erich Buchholz, Untitled - Suspended circle at vertical, 1921–22, Ink and watercolour with bronze leaf on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9522 Joe Tilson, Transparency, clip-o-matic breast, 1971, Colour screenprint and photo-screenprint on overlaid foil, acetate and thick smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12457 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04383 Walter Richard Sickert, The bridle path (Pulteney Bridge), c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11102 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04233 William Roberts, Head of a woman [Cecilia Kramer], 1920–21, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5533 Hamish Fulton, No talking for seven days. (One walk, February 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2805 David Hockney, The Berliner and the Bavarian, 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12883 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5236 Gerhard Marcks, Die eule (The owl), 1921, Woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65744 Joseph Beuys, Table with Back Support, 1972, Cast iron and wood, Tate, London. https://dartabase.art/cite/tate/AR00620 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04381 Hamish Fulton, Seven 7 day walks. (Seven walks, March 1985, June 1986, February 1988, September 1988, September 1990, March 1991, April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1991 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04283 Walter Richard Sickert, Kitty K., Red Lion Square (The Large Plate), c. 1915, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5656 David Hockney, Très (End of Triple), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12461 Francis Dodd, En famille, c.1930, Charcoal on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12553 Katharina Hinsberg, [Untitled], 1999, Graphite on white card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5658 Candida Höfer, Museum Karlshorst, Berlin III, 1991, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5715 Joseph Beuys, Discussion with Beuys, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00752 John Piper, Buckden in a storm, 1978, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11303 Erich Buchholz, Konstanten-Variablen (Constant variables) (portfolio), 1964–72, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14427 Emil Nolde, Wildpeak, the Bad and the cute little white Ball, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4610 Reg Butler, Figure in space, 1962–63, Lithograph on thin wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12951 Walter Richard Sickert, A wicked piece, c.1922, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5315 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5511 Lucian Freud, Male figure, 1946, Pen and ink on thin smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15432 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04346 Augustus John, A girl's head, c.1919, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7235 Henry Moore, Hands I, 1973, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15429 Eduardo Paolozzi, Turkische Musik (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12464 Erich Heckel, Hockende (Crouching woman) (from 'Elf holzschnitte (Eleven woodcuts)' portfolio), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65719 Richard Hamilton, The Orangeman (from 'The readymade boomerang' portfolio), 1990, Five colour offset lithograph with hand-applied enamel on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14301 Ben Nicholson, Torcello I, 1962, Etching on wove paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1691 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04823 Joseph Mallord William Turner, Mountain-Tops, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04477 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04332 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/698 Joseph Beuys, There Are People, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4941 Joseph Beuys, Joseph Beuys directional forces, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00757 Richard Hamilton, Fashion-plate, 1969–70, Photo-offset lithograph, collage, screenprint and pochoir, retouched with cosmetics on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14299 David Hockney, Self-Portrait, 1962, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11496 Walter Richard Sickert, The Old Mogul Tavern Drury Lane, 1908, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5657 Laura Knight, Pavlova's practice dress, c.1919, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5415 Bernard Cohen, [Untitled], 1965, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33088 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04848 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04221 Candida Höfer, Théâtre municipal Calais II, 2001, Chromogenic print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5179 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04350 Erich Heckel, Junges mädchen (Young girl), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65720 Carsten Sievers, [Untitled], 1998, Red ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5857 Joe Tilson, Ho Chi Minh, 1970, Screenprint, photo-screenprint and collage on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12456 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04241 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01035 David Hockney, Christopher Isherwood and Don Bachardy (from 'Portraits of friends' series), 1976, Colour lithograph on grey wove hand-made paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2315 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04257 Anish Kapoor, Void (#13), 1991–92, Fibreglass and pigment, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5041 Lucian Freud, Self-Portrait: Reflection, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11509 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5513 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4845 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04288 Joseph Beuys, Multiples - Sammlung Ulbricht, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00754 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5235 Joseph Beuys, Together with Beuys, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00751 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04860 Käthe Kollwitz, Sitzender mannlicher Akt (Seated male nude), 1891, published 1945, Etching on smooth light-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15479 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04259 Emil Nolde, Dufour and his Beautiful Donna Rosa, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4619 Walter Richard Sickert, Le Mont de Neuville, Dieppe, c.1894, Pencil on thin brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12680 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04356 Henry Moore, Reclining figure and mother and child studies, 1978, Colour lithograph on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11302 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04277 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04844 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04209 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2174 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04323 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04868 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04851 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04222 Walter Richard Sickert, Mr Sheepshanks's house, c.1918, Oil on board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8174 Lynn Chadwick, The Jewel, study for the sculpture The Inner Eye, 1952, Watercolor and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33042 Allen Jones, Left hand lady, c.1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12960 Richard Long, Ring of stones, 1982, Stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2098 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04223 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5742 Erich Buchholz, Suspended sphere, 1920, reworked 1972, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4797 Joe Tilson, 21st, 1964, Screenprint, photo-screenprint and collage on smooth paperboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12451 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04855 David Hockney, Panama Hat with a Bow Tie on a Chair, 1998, Aquatint, etching, and drypoint, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/99.62.3 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04822 Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4940 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04237 Hamish Fulton, Geese flying south. (One walk, September 1990) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1139 Joseph Beuys, Joseph Beuys: Objekter. Grafik. Multi Gallerie Per Sten, Kopenhagen, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00777 David Hockney, According to Prescriptions of Ancient Magicians, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77567 John Walker, Memory I, print 2, 1989, Screenprint with woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3997 Joseph Beuys, The Morning III, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4872 Joe Tilson, Ziggurat 5, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12452 Graham Sutherland, Predatory form, 1953, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4197 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04243 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04282 Franz Erhard Walther, Illustrated Instructions for First Workset, Number 26: Head Body Limbs, 2004, Graphite on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5190 Peter Blake, Babe rainbow, 1967, Colour screenprint and photo-screenprint on tin with gloss varnish, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12947 Joseph Beuys, Joseph Beuys. Palazzo Regale, 1986, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00950 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04830 Joseph Beuys, Mysteries, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4873 Joe Tilson, A-Z BOX, FRAGMENTS OF ONEIRIC ALPHABET (portfolio), 1969, 26 screenprints, some with collage, some printed on both sides, some on double- sized folded sheets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10015 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04225 Joe Tilson, Alchera: Notes for country works (Wiltshire and Tuscany) 1970-1974, 1976, Book containing 10 loose, folded leaves, title page, frontispiece, 33 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; photo-screenprinted and brown hand-made paper wrapper and endpapers, portfolio with colour screenprinted paper boards and label on front, linen-covered corners and spine with gilt title, black cloth on front, linen-covered corners and spine with gilt title, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12461 Emil Nolde, The sweet Sugar Cone and the wild Priest, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4638 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04294 Duncan Grant, Tulips, c.1911–12, Oil on plywood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14232 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5508 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04232 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04831 Georg Baselitz, Im Wald (In the forest), 1990, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13553 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04226 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04324 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04263 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4844 Hamish Fulton, Wind through the pines. (Two walks, March 1985 and April 1991) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/669 Joseph Beuys, Joseph Beuys: Discussion. Ulster Museum, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00765 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04849 Elisabeth Frink, Wild boar, 1958, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12130 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04826 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8936 Laura Knight, Mighty lak a rose, c.1935, Oil on canvas laid down on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14588 Joseph Beuys, Joseph Beuys: ‘Ja, jetzt brechen wir hier den Scheiß ab’. Galerie René Block, Berlin, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00774 Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5653 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04867 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04828 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04663 Samuel Palmer, The bellman, 1879, Etching on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6416 Henry Moore, Pallas heads, 1973, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15471 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5507 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04385 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04231 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04219 Joseph Beuys, Joseph Beuys: The Secret Block for the Secret Person in Ireland. Institute of Contemporary Arts, The Mall, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00764 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4847 David Hockney, Portrait of Felix Man 1969, 1970–71, Lithograph on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12958 Joseph Beuys, Drawings - Objects, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00755 Joseph Beuys, Joseph Beuys: Leeds City Art Gallery, 1983, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00762 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04297 Roger Fry, Landscape, 1903, Watercolour, brush and ink over pencil on off-white wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7439 Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04253 Joseph Beuys, The Morning I, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4887 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04337 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04866 Rosemarie Trockel, Singend kehrte ich heim (I returned home singing) (portfolio), 1999, Screenprints on paper and videotape: 5:25 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8823 Carsten Sievers, [Untitled], 1998, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5660 Matthew Smith, (Still life with wooden figure), c.1955, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14230 Augustus John, Henry John, c.1934, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14209 Erich Buchholz, Untitled no. 25, 1921, Watercolour on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9523 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04329 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04386 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04842 Joseph Beuys, The collection of the Emmanuel Hoffmann Foundation, 1970, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00749 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04248 Erich Buchholz, [Untitled], 1952, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11333 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04820 Max Liebermann, Selbstportrat (Self portrait), c.1913, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/297 Emil Nolde, The King of the east Alps (The King Peak), c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4626 Jacob Epstein, (Sketch for sculpture), 1954, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5633 Augustus John, John Hope Johnstone, 1919, published 1920, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12422 Sir Oswald Hornby Joseph Birley, Andrew W. Mellon, 1933, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/984 David Hockney, The First Marriage (A Marriage of Styles I), 1962, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00596 Walter Richard Sickert, Cafe des Tribuneaux, Dieppe, 1885, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5670 Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/564 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04863 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5271 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04671 John Piper, Untitled (abstract landscape), c.1970, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11308 Paul Klee, Seiltänzer (Tightrope walker), 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65730 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04309 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04235 Joseph Beuys, Joseph Beuys: Discussion. The Unviversity of Ulster, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00763 Joseph Beuys, Manifesto, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4942 Max Beerbohm, Mr - and Miss - Nervously Perpetuating the Touch of a Vanished Hand, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01059 Max Pechstein, Prinzessin (Princess), 1918, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65755 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04862 Hamish Fulton, Eroded rock outline Beinn Mheadhoin. (Two walks, summer 1991 and September 1988) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4136 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04279 David Hockney, The Marriage in Hawaii of David and Ann, 1983, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20102 Reg Butler, Studies for Woman Standing, (1951), Pencil, crayon, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33006 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04669 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04336 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04295 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04834 Franz Erhard Walther, First Workset, Number 26: Head Body Limbs Bag with Graphite Drawings, 2004, Unbleached white nettle cloth, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5549 Rachel Whiteread, Twenty-five spaces, 1995, Cast resin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13586 Hamish Fulton, Seven days walking and seven nights camping in a wood Scotland. (One walk, March 1985) (from 'Ten toes towards the rainbow' portfolio), 1993, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4135 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04832 Joseph Beuys, On a Search, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4906 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5509 Willi Geiger, Death on a Horse, 1901, Chalks, paint, gouache, ink, wash, and graphite on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4926 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04280 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04473 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04489 David Hockney, Study for Doll Boy, 1960, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12882 Eduardo Paolozzi, 'Franko' Amsterd (from 'Kottbüsserdamm pictures and Turkish music' suite), 1974, Colour screenprint and photo-screenprint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12462 John Piper, Llangloffan Pembrokeshire, the Baptist Chapel, 1964, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12961 Duncan Grant, Kinetic Realisation of T01744 made for Tate Gallery, 1974, Film, Tate, London. https://dartabase.art/cite/tate/A01111 Augustus John, Jacob Epstein no. 2, c.1906, published 1919, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12421 Jacob Epstein, Bernard Shaw, 1934, Bronze, marble base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1469 Joseph Mallord William Turner, A Mountain Stream, Perhaps Bolton Glen, c.1810–5, Mixed media and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00910 Joseph Beuys, Joseph Beuys: Discussion. The Teacher’s Centre, Magee University College, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00766 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04331 Allen Jones, Ways and means, 1976, Book containing 18 loose, folded leaves, with title page, frontispiece, 30 colour screenprints and photo-screenprints, photo-screenprinted text and colophon; colour screenprinted wrapper and endpapers, buff, linen-covered portfolio with title on front and spine tooled in black, black cloth slipcase, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6265 David Hockney, Eine (Part 1), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12459 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04865 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04389 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04869 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04827 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04845 Allen Jones, Portrait one, 1971, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1264 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04481 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5506 Joe Tilson, Ziggurat 7, 1966, Screenprint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12454 Joe Tilson, Ziggurat 6, 1966, Screenprint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12453 Emil Nolde, The Myths, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4837 Graham Sutherland, Portrait of Aloys Senefelder, 1971, Colour lithograph on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12936 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04479 Francis Dodd, Winchester Road, Bromley, 1925, Watercolour and gouache over pencil on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9691 Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2854 Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5270 Frank Auerbach, [title not known], 1959, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01036