Piero Dorazio, [Untitled], 1959, Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33068

Hermann Nitsch, Christus der Widder Gott (Christ's conception of an angry God), 1983, published 1983, Screenprint with blood on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9902

Gian Lorenzo Bernini, The Risen Christ, 1673–1674 (Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2281

Alfred Kubin, Spaziergaenger und Schaedel (no. 7 from 'Wassermann Mappe') (Walker and skull (no. 7 from 'Water-carrier portfolio')), c.1920, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12829

Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749

Italian, Border of Brocatelle with Adoration of the Christ Child, 15th century (Renaissance), colored and metal threads with red taffeta lining, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/83.649

Florentine, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.277

Giovanni Battista Foggini, Hercules and Omphale, c.1700, Bronze, brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13496

Giorgio Andreoli, Dish with Saint John the Baptist in the Wilderness, c. 1530–1540 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1355

Pietro Perugino, Portrait Bust of Perugino, c. 1525–1550 or later (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1060

Italian, Pax with Christ as the Man of Sorrows, c. 1500 (European Renaissance), painted enamels and gold on copper over silver foil, glass-pastes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.129

Grifo di Tancredi, Saint James Major, c. 1310, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/0

Giovanni Bonazza, Medallion with Portraits of Flavius Arioald, Lombard King of Italy and his Wife Gundiberga, 18th century (Baroque), carved marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.488

Romagna, A Franciscan Monk Preaching, c. 1515–1525 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.507

Pasquale Santoro, Memory, 1965, Wax pastel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33014

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: Africa, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.658

Francesco Bertos, Allegorical Groups Representing the Four Parts of the World: America, c. 1710–1725 (Late Baroque), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.657

Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569

Pseudo Granacci, The Nativity, c. 1500 (Renaissance), tempera (?) on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.584

Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040

Enzo Cucchi, Elegy and Etching (for Parkett no. 1), April 1994 (plate printed November 1983)., Aquatint and drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10824

Simone dei Crocifissi, New Testament and Apocryphal Scenes with Saints, 1360–1369 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.723

Italian, Half-length Portrait of an Old Man, c. 1740 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1834

Italian, Door Panel with Castle, c. 1190 (Medieval), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1058

Annibale Fontana, Plaque with Hercules Attacking the Lernean Hydra, c. 1560–1570 (Renaissance), rock crystal, enameled gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.70

Valerio Belli, Intaglio of Mars and Venus, c. 1540–1560 (Renaissance), agate; modern gold mount, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.1021

Hermann Nitsch, Last Supper, 1976–79, published 1983, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6507

Italian, Dish with Symbols of Christ's Passion, c. 1550–1600 (Renaissance), rock crystal, gilded silver, gold, enamel, rubies, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.74

Benedetto da Maiano, Plaque with the Virgin and Child, c. 1500–1550 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1315

Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426

Domenico da Venezia, Apothecary Jar with Two Female Busts, c. 1560–1570 (Renaissance), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1768

Giacinto Melillo, Archaeological-Style Necklace with Intaglios, late 19th-early 20th century, gold, sardonyx, agate, rock crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1534

Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592

Italian, Dish with Foliage Design, c. 1525–1530 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1367

Pietro di Francesco degli Orioli, Sulpicia, c. 1493–1495 (Renaissance), tempera and oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.616

Jacopo del Casentino, The Last Judgment and the Crucifixion, 1340–1349 (Medieval), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.722

Marco Zoppo, Saint Francis Receiving the Stigmata, c. 1471 (Renaissance), tempera on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.544

Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331

Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289

Mimmo Rotella, Plate 16 from L'avaguardia internazionale, Volume 3/L'avant-garde internationale, Volume 3/The International Avant-Gardem Volume 3, 1962, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24884

Marino Marini, Pomona, c.1939–41, Terracotta, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8563

Italian, Mirror Case with the Virgin and Saints, 1st quarter 15th century (Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.282

Annibale Fontana, Hercules and Cerberus, 16th century, rock crystal, enamel frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/41.110

Italian, Wall Fountain, c. 1450–1500 (Renaissance), Red Verona marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.344

Mimmo Rotella, Poema fonetico (Phonetic poem), unknown, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2333

Piero Dorazio, Untitled XXVIII, 1970, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4328

Tommaso da Modena, Wing of a Reliquary Diptych with the Crucifixion and Saints, c. 1355–1370 (Medieval), tempera and gold leaf on panel with marble, ceramic, and verre églomisé insets on a gilded wood frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1686

Italian, Locket with the Deaths of Pyramus and Thisbe, c. 1550 (Renaissance), agate, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.474

Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503

Italian, Reliquary Cross, c. 1450–1475 (Renaissance), rock crystal, gilded copper, ""basse-taille"" enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.303

Lombardy, Profile of a Gypsy Woman, 1500–1525 (Renaissance), tempera on wood (spruce) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1110

Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135

Salviati & Co., Bowl with Allegorical figures, 1890–1911, glass, enamel, metal handles, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.354

Francesco Squarcione, Madonna and Child, 1430–1450 (Renaissance), tempera and gold leaf on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.519

Andrea Briosco, called Riccio, Oil Lamp in the Shape of Silenus Straddling a Wine-Skin, 1st half 16th century (Renaissance), bronze, the wineskin originally plated with silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.37

Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096

Giuseppe Maria Crespi, The Penitent Magdalene, c. 1725–1730 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1130

Italian, Footed Plate with Saint Emygdius (?), Bishop and Martyr, mid 18th century (Baroque), earthenware with tin glaze (maiolica), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1754

Oskar Kokoschka, Houses of Parliament, c.1960–70, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5615

Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745

Giovanni di Paolo, Christ on the Way to Calvary, 1426 (Renaissance), tempera and gold leaf on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.489B

Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3

Giuseppe Capogrossi, [Untitled], c.1960–70, Screenprint on wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9382

Florentine, Madonna and Child with Four Saints, 1500–1520 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.692