Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3765

Peter Gertner, Crucifixion, 1537 (Renaissance), oil on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.246

Joseph Beuys, Objects & Drawings from the collection of van der Grinten, 1971, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00750

Käthe Kollwitz, Betendes Madchen (Young woman praying), 1892, published 1931, Etching, aquatint, soft-ground etching on smooth light grey-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15480

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5512

Otto Dix, Lustmord (Lust murder), 1922, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65708

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/936

Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5659

Albrecht Dürer, The Resurrection of Christ (from 'The Large Passion' series), 1510, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12711

Hermann Nitsch, Christus der Widder Gott (Christ's conception of an angry God), 1983, published 1983, Screenprint with blood on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9902

Joseph Beuys, Works from the collections Munchen, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00758

Emil Nolde, Old Man and Papa Sentis, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4838

Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245

Katharina Hinsberg, [Untitled], 1999, White card, cut and with traces of graphite, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5671

Alfred Kubin, Spaziergaenger und Schaedel (no. 7 from 'Wassermann Mappe') (Walker and skull (no. 7 from 'Water-carrier portfolio')), c.1920, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12829

Albrecht Dürer, The Beast with Two Horns like a Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19087

Joseph Beuys, Joseph Beuys by Andy Warhol, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00772

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8935

Albrecht Dürer, The Whore of Babylon (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19253

Emil Nolde, The Ortler dreams of lost Times, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4625

Emil Nolde, Near St. Martino. Cima the Castrozza and Val di Rota., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4627

German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131

Otto Mueller, Poster for the Potsdamer Kunstsommer (Potsdam Art Summer) 1921, 1921, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65749

Stephan Baumkötter, [Untitled], 2003, Oil pastel on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5366

Ludwig Nieper, Selma Knauth Bowditch (1853-1918), 1871, Oil on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4655

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5023

Joseph Beuys, Joseph Beuys: Discussion. Art and Design Centre, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00769

Käthe Kollwitz, Selbstbildnis am Tisch (Self portrait seated at a table), c.1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15483

Joseph Beuys, documenta 7 expects everyone to do his duty, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00760

Joseph Beuys, Joseph Beuys: The Secret Block for A Secret Person in Ireland. Municipal Gallery of Modern Art, Dublin, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00770

Albrecht Dürer, The Apocalyptic Woman (from 'The Apocalypse' series), c.1497, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12708

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5022

Joseph Beuys, Joseph Beuys: Konrad Fischer. Düsselfdorf, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00817

Max Liebermann, Portrait of Gerhart Hauptmann, 1922, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15482

Käthe Kollwitz, Vier Manner in der Kneippe (Tavern interior), 1892 or 1893, published 1931, Etching, aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15481

Joseph Beuys, BEUYS tracce in Italia, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00753

Emil Nolde, The Guards of the Rose Garden, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1427

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5272

Willi Baumeister, Tennis Player, 1932, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32962

Joseph Beuys, Joseph Beuys: Discussion. Centre for Continuing Education, Derry City, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00767

Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4851

Paul Klee, Carnival-style Funeral, 1913, Black ink on off-white laid paper, mounted to card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5652

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2883

Max Liebermann, Restaurant am Wasser (Restaurant on the water), 1911, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6814

Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5283

Joseph Beuys, Joseph Beuys. Mönchehaus, Museum for Modern Art, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00930

Franz Marc, Tigers, 1912, Woodcut on pale cream Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65743

Joseph Beuys, Vent’anni con Beuys. Lucio Amelio, Naples, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00897

Joseph Beuys, Beuys at Forest Hill. The Richard Demarco Gallery, Edinburgh, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00771

Albrecht Dürer, St John before God and the Elders (from 'The Apocalypse' series), c.1496, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12703

Erich Buchholz, (Untitled) (from untitled portfolio), 1922, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4849

Matthes Gebel, Medal of Arnold and Nicholas Wenck, 1537 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.480

Erich Buchholz, (Untitled) (from untitled portfolio), 1920, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4850

Joseph Beuys, Works from 1947 to 1967 from the Collection 1968 Karl Strohe I, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00747

Joseph Beuys, Die Grünen Bürgerhaus, Nordweststad, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00776

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5514

Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4888

Peter Fischli, Pilze in Wasser [Mushroom in Water], 1998, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5118

Joseph Beuys, Experimenta 3. Deutsche Akademie der Darstellenden Künste, Frankfurt, 1969, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00910

Emil Nolde, Virgin, Monk and Eiger, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5309

Käthe Kollwitz, Die Carmagnole, 1901, Etching, aquatint, sandpaper aquatint on smooth light brown Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15455

Emil Nolde, Der Tod als Tänzerin (Death as a Dancer), 1918, Etching and aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65750

Joseph Beuys, Waste of Energy, 1978, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4905

Christian Rohlfs, Zwei tanzende (Two dancers), 1913, Woodcut on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65765

Sigmar Polke, Venusian enemy who went from high society to marry a prince; The Jersey Royal, 2000, Synthetic polymer paint and Indian ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14125

Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4875

Joseph Beuys, BEUYS, 1981, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00759

Albrecht Dürer, The Circumcision (from 'The Life of the Virgin' series), c.1503–05, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2414

Emil Nolde, .1 Elderly Men .2 Mythical Creatures, (1926, published 1927), Two lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11613

Joseph Beuys, Man, 1983, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4874

Emil Nolde, Cima della Pala and the Vezzana, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4639

Hans R. Reinhart, Medal of Johann Friedrich, Duke of Saxony, 1544 (Renaissance), gilded silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.668

Joseph Beuys, Video Opera. Beuys Paik Duet +10. Seibu Museum of Art, Sogetsu, Tokyo, 1994, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00891

Candida Höfer, Schloss Cecilienhof, Potsdam II, 1990, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/985

Karl Schmidt-Rottluff, Mädchen vor dem spiegel (Girl before a mirror), 1914, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65768

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3411

Albrecht Dürer, Joachim's Offering (from 'The Life of the Virgin' series), 1504, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9684

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4846

Joseph Beuys, Stripes from the House of the Shaman, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00756

Franz Marc, Schopfungsgeschichte II (Story of creation II), 1914, Colour woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13524

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5510

Joseph Beuys, Joseph Beuys: Beyond the Border to Eurasia. The Watari Museum of Contemporary Art, 1991, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00905

Joseph Beuys, Jospeh Beuys: Discussion, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00768

Kurt Schwitters, Die Kathedrale (Die Silbergäule, vol. 41/42) (The Cathedral [The Silver Horse, vol. 41/42]), 1920, Illustrated book with eight lithographs (one with collage additions), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65769

Joseph Beuys, Joseph Beuys: Multiplizierte Kunst Ikarus Galerie und Edition, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00775

Joseph Beuys, My Mother's Axe, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5007

Joseph Beuys, COMMENT:, 1982, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00761

Emil Nolde, Walliser Bergriesen. Wide Horn and Company., c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4609

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5234

Joseph Beuys, Considering Joseph Beuys. The New School, 1995, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00892

Joseph Beuys, Podiumsdiskussion: Volksentscheid. Bonn, 1984, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00904

Markus Raetz, Untitled (for Parkett no. 8), 1986, Aquatint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11344

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2006

Vera Lutter, Engine, Frankfurt Airport, April 19, 2001, April 19, 2001, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5180

Adam Elsheimer, Tobias and the Angel (Apocrypha, Tobit, V-VI), 17th century, oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1140

Moritz Retzsch, Scene at Spa, 1851, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1277

Erich Heckel, Zwei maenner am tisch (Two men at a table), 1913, Woodcut on Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6938

Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5839

Rosemarie Trockel, Rose von Kasanlak (from 'The readymade boomerang' portfolio), 1990, Photogravure on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3448

Max Pechstein, Und führe uns nicht in versuchung (And lead us not into temptation) (from 'Das Vater Unser (The Lord's Prayer)’), 1921, Hand-coloured woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65756

Joseph Beuys, Joseph Bueys: Zeichnungen und Grafik.,Galerie-Verein, Munich, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00773

Albrecht Dürer, The Four Horsemen of The Apocalypse (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19090

Erich Buchholz, Untitled - Suspended circle at vertical, 1921–22, Ink and watercolour with bronze leaf on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9522

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5236

Gerhard Marcks, Die eule (The owl), 1921, Woodcut on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65744

Joseph Beuys, Table with Back Support, 1972, Cast iron and wood, Tate, London. https://dartabase.art/cite/tate/AR00620

Albrecht Dürer, The Opening of the Seventh Seal (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19088

Albrecht Dürer, The Virgin Appearing to St John (from 'The Apocalypse' series), 1511, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19089

Katharina Hinsberg, [Untitled], 1999, Graphite on white card, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5658

Candida Höfer, Museum Karlshorst, Berlin III, 1991, Type C photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5715

Joseph Beuys, Discussion with Beuys, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00752

Erich Buchholz, Konstanten-Variablen (Constant variables) (portfolio), 1964–72, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14427

Jean Tinguely, For Lino Fayen, 1970, Collage and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3158

Emil Nolde, Wildpeak, the Bad and the cute little white Ball, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4610

Hermann Nitsch, Last Supper, 1976–79, published 1983, Screenprint on cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6507

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5511

Erich Heckel, Hockende (Crouching woman) (from 'Elf holzschnitte (Eleven woodcuts)' portfolio), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65719

Albrecht Dürer, St John's Vision of the Seven Candlesticks (from 'The Apocalypse' series), c.1496–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12702

Albrecht Dürer, The Adoration of The Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21615

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/698

Joseph Beuys, There Are People, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4941

Albrecht Dürer, The Opening of the Fifth and Sixth Seals (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12704

Joseph Beuys, Joseph Beuys directional forces, 1980, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00757

Peter Flötner, Allegory of Envy, c. 1540 (Renaissance), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1869

Candida Höfer, Théâtre municipal Calais II, 2001, Chromogenic print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5179

Erich Heckel, Junges mädchen (Young girl), 1913, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65720

Albrecht Dürer, St John Devouring the Book (from 'The Apocalypse' series), c.1498, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12707

Carsten Sievers, [Untitled], 1998, Red ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5857

Albrecht Dürer, The Martyrdom of St John the Evangelist (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3286

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5513

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4845

Joseph Beuys, Multiples - Sammlung Ulbricht, 1978, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00754

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5235

Joseph Beuys, Together with Beuys, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00751

Jeremiah Nathan, St. Francis of Assisi in Adoration, 1610–1623 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.928

Johann Blum, Marriage Medal of Willem of Orange and Mary of England, 1641 (Baroque), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/59.585

Käthe Kollwitz, Sitzender mannlicher Akt (Seated male nude), 1891, published 1945, Etching on smooth light-brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15479

Emil Nolde, Dufour and his Beautiful Donna Rosa, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4619

Albrecht Dürer, The Four Angels of Death (from 'The Apocalypse' series), c.1496–98, German edition, 1498, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12706

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2174

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5742

Erich Buchholz, Suspended sphere, 1920, reworked 1972, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4797

Joseph Beuys, The Morning II, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4940

Joseph Beuys, Joseph Beuys: Objekter. Grafik. Multi Gallerie Per Sten, Kopenhagen, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00777

Joseph Beuys, The Morning III, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4872

Franz Erhard Walther, Illustrated Instructions for First Workset, Number 26:  Head Body Limbs, 2004, Graphite on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5190

Joseph Beuys, Joseph Beuys. Palazzo Regale, 1986, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00950

Joseph Beuys, Mysteries, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4873

Albrecht Dürer, St Michael Fighting the Dragon (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24245

Emil Nolde, The sweet Sugar Cone and the wild Priest, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4638

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5508

Albrecht Dürer, The Flagellation of Christ (from 'The Large Passion' series), c.1497–1500, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12709

Albrecht Dürer, The Angel with the Key to the Bottomless Pit (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/500

Georg Baselitz, Im Wald (In the forest), 1990, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13553

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4844

Joseph Beuys, Joseph Beuys: Discussion. Ulster Museum, Belfast, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00765

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8936

Joseph Beuys, Joseph Beuys: ‘Ja, jetzt brechen wir hier den Scheiß ab’. Galerie René Block, Berlin, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00774

Carsten Sievers, [Untitled], 1997, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5653

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5507

Joseph Beuys, Joseph Beuys: The Secret Block for the Secret Person in Ireland. Institute of Contemporary Arts, The Mall, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00764

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4847

Joseph Beuys, Drawings - Objects, 1979, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00755

Joseph Beuys, Joseph Beuys: Leeds City Art Gallery, 1983, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00762

Joseph Beuys, Joseph Beuys FOND II, 1968, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00748

Joseph Beuys, The Morning I, 1982, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4887

Karl Bodmer, Stag In The Woods, 19th century, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2613

Rosemarie Trockel, Singend kehrte ich heim (I returned home singing) (portfolio), 1999, Screenprints on paper and videotape:  5:25 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8823

Carsten Sievers, [Untitled], 1998, Black ink on transparent paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5660

Erich Buchholz, Untitled no. 25, 1921, Watercolour on Japanese rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9523

Joseph Beuys, Düsseldorfer Szene. Kunstmuseum Luzern, date not known, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00861

Joseph Beuys, The collection of the Emmanuel Hoffmann Foundation, 1970, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00749

Erich Buchholz, [Untitled], 1952, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11333

Max Liebermann, Selbstportrat (Self portrait), c.1913, Drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/297

Emil Nolde, The King of the east Alps (The King Peak), c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4626

Erich Buchholz, (Untitled) (from '12 Holzschnitte' (12 woodcuts) portfolio), 1918–20, printed 1985, published 1986, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/564

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5271

Paul Klee, Seiltänzer (Tightrope walker), 1923, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65730

Joseph Beuys, Joseph Beuys: Discussion. The Unviversity of Ulster, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00763

Joseph Beuys, Manifesto, 1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4942

Max Pechstein, Prinzessin (Princess), 1918, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65755

Franz Erhard Walther, First Workset, Number 26:  Head Body Limbs Bag with Graphite Drawings, 2004, Unbleached white nettle cloth, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5549

Oskar Kokoschka, Houses of Parliament, c.1960–70, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5615

Joseph Beuys, On a Search, 1979, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4906

Albrecht Dürer, The Holy Family with the Mayfly, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/909

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5509

Willi Geiger, Death on a Horse, 1901, Chalks, paint, gouache, ink, wash, and graphite on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4926

Albrecht Dürer, The Crucifixion (from 'The Large Passion' series), c.1497–1500, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12710

Joseph Beuys, Joseph Beuys: Discussion. The Teacher’s Centre, Magee University College, Northern Ireland, 1974, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00766

Meissen Porcelain Manufactory, Teapot, 1724–1725, porcelain with glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2781

Wolfgang Kilian, Twelve Roman Emperors (XII Caesarum), 1608, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1426

Alberto Giacometti, Buste I, 1960, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13083

Albrecht Dürer, The Four Angels Staying the Winds (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12705

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5506

Emil Nolde, The Myths, c. 1897, Photomechanical print on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4837

Erich Buchholz, (Untitled) (from untitled portfolio), 1921, printed 1971, Screenprint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2854

Joseph Beuys, Postcard, 1984–1985, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5270