Alphonse Legros, Cardinal Manning, n.d., Lithograph on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4167

Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32

Georges Rouault, Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere'), 1923, printed 1927, Etching, aquatint, sugar-lift aquatint and burnishing over heliogravure plate on off-white laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10489

Chantilly Porcelain Manufactory, Circular Snuffbox, c. 1740, soft paste porcelain, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.768

Pierre-Auguste Renoir, Baigneuse debout a mi jambes (Standing bather, three quarter view), 1910, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12742

Jacques Villon, Les Bucoliques II (Pastoral scene II), 1953, Colour lithograh on wove oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2812

Paul Cezanne, Les Grands Baigneurs (The large bathers), 1896-c.1898, Colour lithograph on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13088

Charles Despiau, Apollo, c.1936–46, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14595

Alphonse Legros, Portrait of Edward Poynter, 1877, Etching and drypoint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24796

Ossip Zadkine, Figure with guitar, 1964, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9222

Pénicaud family, The Ascension, 1560–1600 (late Renaissance), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.61

Robert Delaunay, Rhythm/3 (Rythme/3) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1938), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31869

Vasily Kandinsky, Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, Portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31860

Alphonse Legros, La charrette brisée (The broken cart), 1876, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24795

Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225

Henri de Toulouse-Lautrec, Portrait d'un homme (Portrait of a man), 1898, Drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10836

Georges D'espagnat, HANGED MEN (plate, page 197) from L'YMAGIER, Tome I, No.8, Paris, 1896., Woodcut, printed in color, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31999

Alphonse Legros, A woodland study, 1903, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24797

Paul Gauguin, Madame Schuffenecker, c.1890, cast c.1960, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10006

Claude Lorrain, Le naufrage (The shipwreck), c.1638–41, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2053

Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820

Georges Rouault, Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star)), 1934, printed 1936, Colour aquatint on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12973

André Masson, L'Espagne assassinée from Solidarité, 1938, Etching on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5529

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00725

François Joseph Marteau, Snuffbox, 1743–1744, gold, rubies (or spinels), emeralds (or beryls), diamonds, mounted in silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.165

Camille Pissarro, Faneuse d'Eragny (Winnower at Eragny), 1897, Etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13014

Henri Matisse, Nu au coussin bleu (Nude on blue cushion), 1924, Lithograph on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14304

Maurice de Vlaminck, Nature morte (Still life), c.1910, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13486

Maxime Lalanne, Beuzeville, n.d., Etching and aquatint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15508

Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314

Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725

Nardon Pénicaud, The Man of Sorrows, early 16th century (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.438

Martin Didier Pape, Plaque with Medea's Murder of Absyrtus, 1580–1600 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.281

Mario Prassinos, The forest, 1956, Brush and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13265

Alphonse Legros, Les faiseurs de fagots (Fagot-makers), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24798

Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634

Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275

Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123

Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645

Odilon Redon, Centaure visant les nues (Centaur aiming at the clouds), 1895, Lithograph on chine applique, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12991

François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483

Henri Matisse, Nu au bracelet (Nude with a bracelet), 1938, Linocut on japon-nacre paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2298

Georges Rouault, Homme a la moustache et aux lunettes (Man with a moustache and spectacles), 1928, Etching, aquatint, sugar-lift aquatint over heliogravure plate on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11555

Pierre Pénicaud, Plaque with Acrobats, c. 1550 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.189

Abraham Bosse, Charity (one of three images of 'Les Vertus': Faith, Hope and Charity), 1636, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22673

William Kentridge, Zeno writing, 2002, Betacam SP and DVD formats: 11 minutes, black and white, stereo, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14104

Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537

Louis Majorelle, Inlaid table, c.1900, Fruit wood with rounded rectangular top, inlaid with a design of Dutchman's pipe in various woods and mother of pearl.  The legs carved with Dutch iris, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4984

Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952

Henri Matisse, Patitcha souriante (Patitcha smiling), 1947, Brush aquatint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6167

Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827

Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916

Albert Gleizes, Composition, 1922, Pencil on light wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65711

Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28092

René Lalique, Brooch of Leaves and Berries, c. 1903, gold, glass, enamel, citrine, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.940

Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526

Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909

Émile-Antoine Bourdelle, Madame Bourdelle, c.1905–15, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7853

Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207

Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600

Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966

Mario Prassinos, Plate II (suite of second states) from L'INSTANT FATAL, 1946, Drypoint, aquatint, and engraving, printed in black, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16228

Jacques Laudin I, Plaque with Apollo and Daphne, c. 1650 (Baroque), painted enamel with traces of gilding on copper; gilded brass frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.280

Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362

Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556

Victor Vasarely, [Untitled], c.1958, Colour linocut on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6336

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28091

Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661

Roger de La Fresnaye, [Untitled], 1922, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1008

Gustave Leheutre, La falaise d'Orbigny, n.d., Etching on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4018

William Kentridge, Zeno writing (portfolio), 2002, Photogravure with drypoint and burnishing on Hahnemühle paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11575

Claude Lorrain, The dance under the trees, c.1660, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7994

Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444

Alphonse Legros, L'incendie (The fire), unknown, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24794

Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166

Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00729

Paul Gauguin, Les vieilles filles, Arles (The spinsters, Arles), 1889, printed c.1894, Lithograph on cream wove paper (simili-japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13254

Claude Lorrain, Le Bouvier (The cowherd), 1636, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10880

Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109

Jacques Villon, Les Bucoliques I (Pastoral scene I), 1953, Colour lithograh on off-white oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2780

Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629

Charles Despiau, Nude Resting, (n.d.), Sanguine on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33084

Alphonse Legros, Extase Poetique, 1876, Etching with drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24792

Constantin Guys, Reviewing the Regiment, n.d., iron gall ink and wash on slightly textured, medium-weight, cream, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2383

William Kentridge, Atlas procession II, 2000, Etching, aquatint, drypoint, letterpress and hand-colouring on Velin Arches Blanc paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11492

Antoine-Louis Barye, Arab Horseman Killing a Lion, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.158

Henri de Toulouse-Lautrec, Tete de fille (Head of a girl), 1892, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7072

Jean Pénicaud II, Samson Firing the Grain of the Philistines, 1525–1575 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.342

Pierre-Auguste Renoir, Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30166

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28093

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00723

Henri Matisse, Masque de jeune garçon (Mask of a young boy), 1945, Etching on Arches wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17532

Francis Picabia, Réveil matin (Alarm clock), poster of cover illustration for 'Dada' 4-5, 1919, Letterpress print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65759

Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327

Pierre Puvis de Chavannes, Le pauvre pêcheur (The poor fisherman), 1897, Lithograph on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5838

Suzanne Valadon, Adèle préparant le tub et Ketty aux bras levés (Adele prepares the bath and Ketty has arms raised), 1905, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2617

André Masson, Four trial proofs for plates from Histoire de l'oeil, 1928, Illustrated book with four lithographs, two with blue pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19828

Alphonse Legros, L'incendie (The fire), c.1875, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24799

Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18

Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789

Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108

Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831

Ernest Meissonier, Two Persons, n.d., iron gall ink and graphite on smooth, medium-weight, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2606

René Lalique, Brooch with Nude, c. 1902, gold, enamel, diamond brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.944

Alphonse Legros, Banks of the Somme, n.d., Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12646

Léo Marchutz, Drawing from L'Évangile (The Gospel), c. 1949, Pencil on paper from the supplementary suite of four drawings accompanying the illustrated book with eighty-six lithographs (including wrapper), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/28095

Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85

Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368

Max Ernst, Fiat modes pereat ars (Let there be fashion, down with art), c.1919, Lithograph on tan wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65709

Pierre-Auguste Renoir, Femme nue couchee, tournee a gauche (Nude woman reclining, facing left), c.1906, printed later, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12745

Antoine-Louis Barye, Deer Brought Down by Three Hounds of Algeria, 19th century, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.126

Henri Matisse, La Belle Martiniquaise - Les Fleurs du Mal, 1946, Etching on chine applique mounted on backing sheet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3232

Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180

Sonia Delaunay, Composition with triangles and semi-circles, unknown, Colour etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33166

Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966

Sonia Delaunay, [Untitled], c.1970, Colour etching, aquatint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12898

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624

Jean-Léon Gérôme, Le Fumeur (The smoker), mid 19th century, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1988

Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419

Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401

Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369

Roger de La Fresnaye, [Untitled], 1922, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10559

Yves Klein, Yves Klein Shirt, 1948/2001, Screenprint on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2129

Suzanne de Court, Oval Plaque with the Annunciation, c. 1600 (Early Modern), painted enamel and gilding on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.191

Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174

Louis Majorelle, Wall Cabinet, late 19th century, fruit wood with marquetry, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.87

Itur-ili, Tablet Recording a Business Letter, c. 1840–1730 BCE (Assyrian Colony), clay, hand made; impressed, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1462

Jean Lurçat, [Untitled], 1959, Colour lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1092

James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009

Antoine-Louis Barye, Two Spaniels on a Cushion, 19th century, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.193

Antoine-Louis Barye, Spaniel and Goose, 19th century, yellow bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.54

Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113

Aristide Maillol, Femme en berceau no. 1 (Woman cradled), 1923–24, Lithograph on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12954

Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00728

Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178

Henri Fantin-Latour, Les brodeuses (The embroiderers), 1898, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9516

Albert Marquet, Le port de Hambourg (The port of Hamburg), c.1935+, Drypoint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11653

Jean Dubuffet, Le bivouac, 1976, Synthetic polymer paint on paper collaged onto canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13503

Henri Fantin-Latour, La source (The source), 1903, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3104

Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700

Philippe Poncet, Allegory of Spring, c. 1650–1675 (Baroque), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.174

Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123

Robert Filliou, Imitating the song of a bird (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Offset print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1383

Laurent-Honoré Marqueste, Severn Teackle Wallis, 1904, plaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.373

Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220

François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00727

André Masson, Rodeo, 1945, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5530

Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219

Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268

Alphonse Legros, Portrait of G.F. Watts, c.1877–90, Etching with drypoint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24793

Henri de Toulouse-Lautrec, Divan Japonais, 1892–93, Lithograph on poster paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3839

Georges Tonnellier, Cameo Portrait of Mme Tonnellier, 1911, onyx, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/42.99

Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527

Pierre Puvis de Chavannes, Doux pays (Pleasant land), c.1880–82, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13540

Pierre-Philippe Thomire, Bust of Voltaire, 1790, terracotta, alabaster, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.362

Etienne-Maurice Falconet, Nymph Seated, 18th century, white marble, gilt bronze base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.390

Victor Vasarely, [Untitled], c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3029

Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584

Jules Dalou, La Sagesse soutenant la Liberté (Wisdom supporting Liberty), 1889, cast c.1902–05, Bronze with brown patina, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12183

Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897

Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625

Henri Gaudier-Brzeska, Female nude seated, 1913, Pen and ink on linen paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2325

Gustave Doré, Street scene, unknown, Watercolour and gouache on wove paper mounted on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14223

Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457

Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455

Eugène Rousseau, Carp Vase, 1878–1884, layered and engraved glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/47.384

David Le Marchand, Portrait of Louis, Grand Dauphin of France, c. 1680–1685 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.480

Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00726

Joinville-Vignory Workshop, Annunciation, 1425–1430 (Late Gothic), limestone, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.301

Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662

Maurice Denis, Allegorie (no. 1 from 'Amour' suite), 1892–99, Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3789

Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834

Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192

Antoine-Louis Barye, Bear Standing Upright, 19th century, bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.137

François Dumont, Mademoiselle de Montbrizon, 1795, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.337

Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069

Victor Vasarely, Tridim, c.1968, Screenprint on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1962

Alphonse Legros, [title not known], date not known, Bronze, Tate, London. https://dartabase.art/cite/tate/A00724

Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392

Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100

Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177

Paul Gauguin, Manao Tupapau, 1894, Lithograph on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13076

Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934

Alfred Manessier, [Untitled], n.d., Colour lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5687

William Kentridge, Automatic writing (from 'Point of view:  An anthology of the moving image' series), 2003, DVD:  2:38 minutes, colour, sound, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14711

Fernand Léger, Composition sur fond bleu (Composition on blue background), 1930, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12417

Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338

Pierre-Auguste Renoir, Coco et Jean, c.1904–5, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7071

Georges Rouault, Autoportrait, 1926, Lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4563

Camille Pissarro, La lessive à Éragny (Washing day at Éragny ), 1901, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14225

Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59

Berthe Morisot, La lecon de dessin (The drawing lesson), c.1889–1890+, Drypoint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4564