Daisy Makeig-Jones, Plate Showing Imps on a Bridge and Tree House, 1924–1930, lusterware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2754

Pierre Alechinsky, Poem, 1960, Etching, Whitney Museum of American Art, New York. https://dartabase.art/cite/whitney/96.198.1

James Ensor, L'Orgueil (Pride), 1904, Etching, hand-coloured on thick smooth yellowed wove paper (simili Japan), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11320

Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862

Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869

Florent Willems, The Health of the King, c. 1861, oil on panel (mahogany), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.50

Thomas Flatman, John Lee Warner, Lord Chief Justice, c. 1670–1675 (Baroque), opaque watercolor on vellum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.160

Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842

Itur-ili, Tablet Recording a Business Letter, c. 1840–1730 BCE (Assyrian Colony), clay, hand made; impressed, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1462

Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769