Per Kirkeby, [Untitled], 1989, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5739

Olafur Eliasson, Mirrorstage for Merce, 2004, 3-color photogravure, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4594

Itur-ili, Tablet Recording a Business Letter, c. 1840–1730 BCE (Assyrian Colony), clay, hand made; impressed, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1462

Henning Christiansen, Yes! he is dead on the line; Stranger on the Shore [Danish]; Stranger on the Shore [English], from the portfolio "Hommage à Arthur Köpcke", 1980, Collage and offset, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5516

Per Kirkeby, The painter and his model (from 'Hommage à Arthur Köpcke' (Hommage to Arthur Kopcke) portfolio), 1979, Etching and lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/503

Olafur Eliasson, The cubic structural evolution project, 2004, ABS plastic, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15255

Henning Christiansen, Yes! he is dead on the line; Stranger on the Shore [Danish]; Stranger on the Shore [English], from the portfolio "Hommage à Arthur Köpcke", 1980, Collage and offset, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5515

Olafur Eliasson, Riverbed, 2014, Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34280