Francisco Goya, 'Bien tirada esta' (plate 17 from 'Caprichos' series) ('It is well pulled up' (plate 17 from 'Caprices' series)), 1797–98+, Etching, burnished aquatint and burin on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12878

François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483

Francisco Goya, 'Nada.  Ello dira' (plate 69 from 'Desastres de la guerra' series) ('Nothing.  It speaks for itself' (plate 69 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3020

Francisco Goya, 'Espiró sin remedio' (plate 53 from 'Desastres de la guerra' series) ('There was nothing to be done and he died' (plate 53 from 'The disasters of war' series)), c.1812, published c.1903, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3806

Francisco Goya, 'Que locura!' (plate 68 from 'Desastres de la guerra' series) ('What folly' (plate 68 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4062

George Romney, Mrs Yates as the Tragic Muse, Melpomene, 1771, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13522

Thomas Gainsborough, Wooded landscape with buildings, c.1755–59, Pencil on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15448