Federal Works Agency, "Florida Pictorial" Quilt, 1939/1943, Appliquéd and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158419

Laura Lange, Panel (Curtain Fabric), 1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35463

Anne Wilson, Dispersions (no. 20), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223145

Wiener Werkstätte, Waldfee (Fairy of the Woods) (Dress or Furnishing Fabric), 1912/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11989

Antoine Caron, The Feast [central part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/464

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86367

Lia Cook, Facing Touch, 2011, Cotton and rayon, weaving on digital hand loom, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234539

Workshop of Daniel IV Leyniers, Procession of the Fat Ox from a Teniers Series, 1729–1768, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8 mm
Weft: Count: varies from 22 to 48 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.5–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.3–0.8 mm; wool and silk: three yarns, one yarn of S-ply of two Z-spun wool elements and two yarns of S-ply of two Z-twisted silk elements; diameters: 0.6–0.9 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73269

Workshop of Gerard Peemans, The Massacre at Jerusalem from The Story of Titus and Vespasian, 1650/75, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count: 9 warps per cm; wool: S-ply of four Z-spun elements; diameters: 0.7–0.8 mm
Weft: Count: varies from 20 to 38 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.5–1.0 mm; silk: pairs and three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.8–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78965

Claire Zeisler, Breakwater, 1968, Jute and wool, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/30659

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110682

Hans Krondahl, Kyoto (Furnishing Fabric), 1965, Cotton, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51368

William Morris, Utrecht Velvet, Design c. 1871, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121947

Circle of Bernard van Orley, July, before 1528, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: varies from 8 to 10 warps per cm; wool; S-ply of six Z-spun elements; diameters: 0.4–0.7 mm
Weft: Count: varies from 22 to 44 wefts per cm; wool: S-ply of two Z-spun elements; S-ply of three Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters; 0.15–0.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73059

Wilda A. Rice, Collier's Magazine Cover Art Quilt, 1932, Painted, embroidered and pieced quilt; dyed and undyed cotton plain weave fabrics; paint and cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185332

Anne Wilson, Dispersions (no. 22), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223146

Workshop of Jan van Tieghem, The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 5 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.2 mm
Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters; 0,4–1.2 mm; silk: S-ply of two Z-twisted elements; diameters: 0.5–1.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79796

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73172

Maria Monaci Gallenga, Panel, 1920/30, Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76769

Wauters Workshop, Orpheus Playing the Lyre to Hades and Persephone, from Orpheus and Eurydice or The Metamorphoses, c. 1685, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm
Weft: Count: varies from 18 to 40 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.4–1.1 mm; silk: Z-ply of two S-twisted elements; diameters: 0.4–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78969

Michael Olszewski, The Clearing, 2008, Silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217519

Dagobert Peche, Krone (Crown) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11992

Workshop of Elisabeth van Zuylen, Tubular Skirt (Sarong), 1900/25, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180384

Josef Hoffmann, Fragment, 1895/1915, Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/137030

Jennie C. Trein, "Sunday School Picnic" Quilt, 1932, Appliquéd, pieced and embroidered quilt; dyed and printed cotton, linen and rayon plain, twill, satin and patterned weave fabrics; cotton, silk and rayon embroidery fabrics; plastic liberty bell charm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158426

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111433

Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887

Ella Maria Deacon, Friendship Quilt, 1842, Appliquéd and pieced quilt; dyed and printed plain weave cotton fabrics; ink inscriptions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54071

Royal Savonnerie Manufactory, Chaillot Workshops, Panel: Spring, c. 1715, Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129250

Alfred Fehr, Student Notebook Containing Notes, Diagrams and Swatches, c. 1898–1900, Bound notebook of technical notes and weave samples: fabrics for clothing and mixed goods, ribbed and twill cottons, and jacquard; 176 pages, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230315

Thomas Hope, Settee, c. 1802–07, gilt-wood, reproduction wool upholstery, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169465

Charles Le Brun, Autumn, from The Seasons, 1700/20, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96698

Workshop of H. Mohammed Masina, Hip Wrapper (Kain Panjang), c. 1970, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180391

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Silk, satin weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86371

Laura Lange, Panel (Dress or Furnishing Fabric), 1922/1928, Cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35339

Lucy Goffin, Black and White Apertures, 1990, Pieced and embroidered quilt; dyed cotton, silk and polyester plain, patterned, twill and satin weaves; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145410

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73186

Laura Lange, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35342

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73196

Dagobert Peche, Regenbogen (Rainbow) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86386

Yan Hui, The Lantern Night Excursion of Zhong Kui, late 1200s–early 1300s, handscroll; ink and slight color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136668

Willem de Pannemaker, Christ Appearing to Mary Magdalene (Noli Me Tangere), 1540–1545, Wool and silk; slit, single, and double interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.85 mm
Weft: Count: varies from 32 to 56 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.85 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96697

Florence Elizabeth Marvin, 'Crazy Quilt' with Animals, 1886, Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/181720

Dagobert Peche, Storchenschnabel (Stork's or Crane's Bill) (Furnishing or Dress Fabric), 1911/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11983

Dorothy Liebes, Sample (Upholstery Fabric), 1948, Cotton, plain weave with supplementary pile warps forming uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/155105

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110679

Michael Olszewski, Fields, 2004, Two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217520

Larsen Design Studio, Conquistador (Furnishing Fabric), 1966, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; resist-dyed (batik); printed selvedge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103432

Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545

Elizabeth Wells Robertson, Child's Crib Quilt, c. 1950, Appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111592

Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35438

Franz Wiedl, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35383

Belle Wright, Quilt, c. 1930, Pieced and embroidered quilt; dyed and undyed cotton satin and plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153634

Arthur Silver, Panel, 1896, Cotton, twill weave with supplementary pile wefts forming cut velvet; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/72905

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86368

Workshop of Jan II Leyniers, The Offering of the Boar's Head from The Story of Meleager and Atalanta, 1673/86, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count: 9 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–0.8 mm
Weft: Count: varies from 32 to 36 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.9 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.2–0.6 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40724

Lorenzo Lippi, Medici Armorial, 1643/44, Wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50905

Khamseh, Khamseh Carpet, c. 1890, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Turkish (Ghiordes) knots", Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226149

Nicolaas van Orley, Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great, c. 1600, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count; 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.5 mm
Weft: Count: varies from 17 to 28 wefts per cm; wool; S-ply of two Z-spun elements; pairs of S-ply ol two Z-spun elements; diameters: 0.5–1.5 mm; silk: S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; diameters: 0.35–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameter: 0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22248

Mi Youren, Cloudy Mountains, 1130, Handscroll; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/113945

Anne Wilson, Dispersions (no. 9), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223144

Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066

Charlotte Guerin, Sampler, 1765/66, Linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215917

Josef Hillerbrand, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35394

Lissy Funk, Wie das Gras (Like the Grass), 1977, Linen, plain weave; backed with cotton, plain weave; embroidered with silk and linen and gilt-metal-strip-wrapped silk in stem, satin, long and short, padded satin and variations on buttonhole stitches; French knots; laid work and couching; glass beads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215631

Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35432

Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73174

Tommi Parzinger, Panel (Curtain Fabric), Mid–1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35456

Mariano Fortuny y Madrazo, Panel, 1906/49 (based on 15th–century Venetian design), Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105112

Lulu Bennett, "Mother-in-Law" Quilt, c. 1930, Appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158439

Barbara Palzewicz, "Dorothy's Quilt", 2000/01, Appliquéd and embroidered quilt; dyed and printed cotton and polyester plain weave fabrics; cotton embroidery threads; printed, embroidered and edged cotton handkerchiefs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158445

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243

Lodewijk van Schoor, Abundantia from The Four Continents and Related Allegories, c. 1680/1700, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft: Count: varies from 28 to 44 wefts per cm; wool: single S-spun elements; S-ply of two Z-spun elements; diameters: 0.2–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.6–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14696

Karel van Mander, II, The Crossing of the Granicus from The Story of Alexander the Great, 1619, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65167

Noda Tetsuya, Diary: Nov. 7th '68 (#2), 1968, Woodblock and silkscreen prints, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99365

Franz von Zülow, "Narcissus" Dress Fabric, 1910/12, Silk, plain weave; block-printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11986

Deutsche Werkstätten GmbH., Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35347

John Henry Dearle, Florence, Design c. 1890, made 1890–1917, Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145349

Osborne & Little (Firm), Rambouillet (Furnishing Fabric), 1990, Cotton, plain weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149447

Eileen Hunter, Panel, 1933/39, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150593

George Washington Maher, Portière, 1901, Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/37097

Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594

Josef Hillerbrand, Panel (Curtain Fabric), 1924, Cotton, machine-made lace: twist net; machine- embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35508

Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223

Guy-Louis Vernansal, The Emperor Sailing from The Story of the Emperor of China, 1716/22, Wool, silk, and silvered- and-gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with some areas of 2:2 plain interlacings of silvered-and-gilt-metal wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/189775

Luigi Bevilacqua, Panel (Furnishing Fabric), 1875/1925, Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58027

Claire Zeisler, Necklace, 1960s-70s, Wool and jute; knotting (double buttonhole knots) with extended double knot fringe; silver medallions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229422

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363

Maya Romanoff, Kyoto Evergreen (Furnishing Fabric), 1989, Rayon, plain weave with supplementary pile warps forming cut solid velvet; tie-dyed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76776

Erasmus de Pannemaker, I, Pluto and Proserpina with Falconry, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft; Count: varies from 19 to 60 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.4–1.5 mm; silk; S-ply of two elements with no appreciable twist; paired elements with no appreciable twist; diameters: 0.3–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/135326

Maria Monaci Gallenga, Panel from a Lady's Evening Tunic, c. 1920, Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105095

Noda Tetsuya, Diary: Nov. 7th '68 ( #1), 1968, Woodblock and silkscreen prints, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99366

Jacques Geubels, I, Venus and Adonis (?) with the Duck Hunt, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.5–1.2. mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/2581

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen; plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86364

Theresa Zett Smith, "Top Sheets" Tobacco Premium Quilt, 1913, Pieced and embroidered quilt; napped and printed cotton plain and twill weave fabrics and silk satin weave fabric; silk embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76263

Ruth Hildegard Geyer-Raack, Panel (Dress or Furnishing Fabric), 1920s, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35420

Sample book of swatches, 19th c., Sample book of swatches: cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229401

Michael Olszewski, Mourning, 1989, Silk, plain weave, pleated; appliquéd with layers of silk, plain weaves, some resist dyed, some printed, some dyed; embroidered with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217521

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365

Bertha Stenge, "American Holidays" Quilt, 1948, Appliquéd, pieced and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; machine made lace; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/193445

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86378

Circle of Andrea Mantegna, The Annunciation, 1484/1519, Wool, silk, and gilt- and silvered-metal-strip-wrapped silk, slit, dovetailed and interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111307

Workshop of Albert Auwercx, Cyrus Defeats Spargapises from The Story of Cyrus, c. 1670, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of two Z-spun elements; diameters: 0.7–0.8 mm
Weft: Count: varies from 18 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.45–1.0 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.55 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151988

Hubert von Herkomer, Panel, 1890 (produced 1890/94), Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121994

James Bassler, A Weaving, 2012, Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228240

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86405

Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86401

Circle of Bernard van Orley, February, before 1528, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of six Z-spun elements; ; diameters: 0.8–1.0 mm
Weft: Count: varies from 26 to 60 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk: pairs of S-ply of two Z-twisted elements; diameters; 0.25–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73058

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Silk, satin weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86376

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86373

Charles Frederick Worth, Panel (from a Dress), 1875/1925, Silk, satin weave with supplementary pile warps forming cut, voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/107742

June Groff, Spice Garden (Furnishing Fabric), 1981, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103431

Workshop of Gillis Ydens, The Diversion of the Euphrates from The Story of Cyrus, c. 1670, Wool and silk, slit and single interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–1.0 mm
Weft: Count: varies from 19 to 44 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.5 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.15–0.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27849

Angelo Testa, Sportsmen's Blues (Furnishing Fabric), Designed 1942; produced c. 1947, Cotton, plain weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/97081

Mildred Jacobs Chappell, "The Settling of the West" Quilt, March 1931/September 1932, Appliquéd and embroidered quilt; dyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153632

Claire Zeisler, Sling Bag, 1960s-70s, Jute, hemp, and wool; plain crochet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229419

Workshop of Gaspard (Jasper) van der Borcht, Village Fete (Saint George's Fair) from a Teniers series, c. 1710, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–1.0 mm
Weft: Count: varies from 24 to 40 wefts per cm; wool: S-ply of two Z-spun elements; three yarns of S-ply of two Z-spun elements; diameters: 0.5–1.0 mm; silk: Z-ply of two yarns of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters: 0.6–0.9 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78972

Annie Ensminger Kready, "Garfield and Arthur" Quilt, c. 1880, Pieced quilt; printed, cotton plain and twill weave fabrics; printed, cotton plain weave handkerchief, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158431

Bertha Stenge, "Quilt Show" Quilt, 1943, Appliquéd and pieced quilt; dyed and printed plain and patterned weave cotton fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143689

Rahul Jain, Panel (Hanging), 2007, Silk, satin weave with two-color supplementary pile warps forming cut velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/195731

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1860/80, Bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery);
drawstring (possibly suede), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228242

Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164

Hans Bol, Diana and Her Nymphs with the Ox Hunt, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6–7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm
Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.1 mm; silk; S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted silk elements; diameters: 0.7–1.2 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7957

Wauters Workshop, Pygmalion from Stories from Ovid, c. 1675, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–1.0 mm
Weft: Count: varies from 16 to 32 wefts per cm; wool: pairs of S-ply of two Z-spun elements; diameters: 0.6–1.2 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.7–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79537

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877

Mrs.  Howard C. Blake, Upholstery Fabric for the Fisher Theater, c. 1928, Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149696

Guido Cadorin, Panel, c. 1935, Cotton, silk and silvered-metal strip, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121930

Antoine Caron, The Petitions [right part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/463

Josef Hoffmann, Santa Sofia, 1910/12, Silk and cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11995