Pierre Bonnard, The Bath, c. 1925, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73386

Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076

Gustav G. Klutsis, In the Storm of the Third Year of the Five Year Plan (Na shturm 3go goda piatiletka), 1930, Color offset lithograph on cream wove paper, laid down on cheesecloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199180

Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772

Henri-Gabriel Ibels, Anna Thibaud, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125986

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7659

Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Édouard Manet, The Toilette, 1862, Etching in black on ivory laid Chinese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45808

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7672

Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598

Eldzier Cortor, Dance Composition No. 31, 1978, Etching, aquatint, and flat bite with color additions on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216698

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221149

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7662

Mira Schendel, [Untitled], 1964, Monotype on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238461

James Caldwall, The Witches Appear to Macbeth and Banquo, 1798, Etching on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/154520

David Alfaro Siqueiros, Self-Portrait, 1936, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16750

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221150

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7644

Henry Fuseli, Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c. 1818, Etching and aquatint on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/117603

Rembrandt van Rijn, Cornelis Claesz. Anslo, Preacher, 1641, Etching and drypoint in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29068

Eldzier Cortor, Dual Form No. III, 1978, Color aquatint, etching, soft ground, and flat bite viscosity on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228084

Eldzier Cortor, Sepia Odalisque III, 1998, Etching and aquatint with flat bite on cut plate in brown-black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216687

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7666

Achille Devéria, Self-Portrait, c. 1835, Lithograph in black on off-white China paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9544

Charles Meryon, Portrait of Edmond de Courtives, c. 1849, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74007

Jakob Binck, Portrait of Reinneir, 1525, Engraving and etching in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60948

Eldzier Cortor, Sepia Odalisque II, 1998, Etching and aquatint on cut plate in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216688

Henri de Toulouse-Lautrec, Paula Brébion, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20321

Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7650

Henri-Gabriel Ibels, Emilienne d'Alençon Rehearsing at the Folies-Bergère, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125985

Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324

Albrecht Dürer, Philip Melanchthon, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4115

Louis Jean Desprez, Tomb with Sphinxes and an Owl, 1779–84, Etching and aquatint in brown on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209884

Edgar Degas, Singer at a Café-Concert, 1876–77, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/43554

Eldzier Cortor, Dance I/Diptych, n.d., Mezzotint with etching in blue, with aquatint in silver and embossing, from multiple plates, with hand-coloring, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216682

Jean-Louis Forain, Dancers in their Dressing Room, c. 1876, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/133143

Odilon Redon, Closed Eyes, 1890, lithograph on China paper laid on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109147

Gustav G. Klutsis, The Campaign for a Bolshevist Harvest is a Campaign for Socialism (Bor'ba za bol'shevistskuiu uborku urozhaia - bor'ba za sotsializm), 1931, Color offset lithograph on cream wove paper (pieced), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199172

Henri de Toulouse-Lautrec, At the Ambassadeurs—Singer at the Café-concert, from the sixth album of L'Estampe originale, 1894, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74662

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221145

Eldzier Cortor, Dance II/Diptych, n.d., Mezzotint with etching in blue, with aquatint in silver and embossing, from multiple plates, with hand-coloring, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216683

Jan Lievens, Joost van den Vondel, 1644/50, Etching and engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40790

Gego (Gertrud Goldschmidt), Plate one, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237534

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085

Henri de Toulouse-Lautrec, Yvette Guilbert, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21092

Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433

Mira Schendel, [Untitled], 1964, Monotype on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238460

Hendrick Goltzius, Gillis van Breen, 1588/92, Chiaroscuro woodcut in black, ochre, and brown, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74811

Honoré Daumier, “Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63482

Eldzier Cortor, Jewels/Theme I, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216691

Édouard Manet, Marine, 1865–66, Etching, aquatint and roulette in brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103101

Eldzier Cortor, Dance Composition No. 35, 1978, Color etching, aquatint, and flat bite from two plates on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216697

Henri-Gabriel Ibels, Kam-Hill, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125982

Gustav G. Klutsis, From NEP Russia Will Come Socialist Russia (“Iz Rossii nepovskoi budet Rossiia sotsialisticheskogo” (Lenin)), 1930, Color offset lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199170

Rembrandt van Rijn, Jan Cornelius Sylvius, Preacher, 1646, Etching, engraving, and drypoint in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29262

Albrecht Dürer, Melencolia I, 1514, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108501

Albrecht Dürer, Ulrich Varnbüler, 1522, printed c. 1620, Woodcut in black on ivory laid paper with added brown and sepia tone blocks, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36035

Suzanne Valadon, Woman at Her Bath, 1908, Drypoint and etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3433

Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586

Anni Albers, Eclat (Furnishing Fabric), 1974 (produced 1976), Cotton, linen and rayon; plain weave with paired warps; screenprinted, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/225809

Eldzier Cortor, Jewels/Theme IV, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216694

Eldzier Cortor, Environment No. V, 1969, printed 2000, Color etching, aquatint, and collagraph on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216684

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7653

Eldzier Cortor, L'Abbatoire III, 1980, Soft ground etching and aquatint, with flat bite, in black and red on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216955

Gego (Gertrud Goldschmidt), Plate six, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237549

Henry Fuseli, A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228999

Henri de Toulouse-Lautrec, Mary Hamilton, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8803

Robert Nanteuil, Francois Molé, 1649, Engraving in black on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41727

Edgar Degas, Mlle Bécat at the Café des Ambassadeurs, 1877–78, Lithograph in black on grayish white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13560

Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221146

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7657

Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267

Antoine Masson, Portrait of Henri de Lorraine, Comte d'Harcourt, Grand Squire of France, 1667, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/47030

Gustav G. Klutsis, Worker Men and Women: Everyone Vote in the Soviet Elections (Raboche i rabotnitsy: vse na perevybory sovetov), 1930, Color offset lithograph on cream wove paper, pieced and laid down on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199171

Eldzier Cortor, Sepia Odalisque I, 1998, Etching and aquatint with flat bite on cut plate in brown-black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216689

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221151

Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312

Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729

Honoré Daumier, I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212975

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087

Albrecht Dürer, Erasmus of Rotterdam, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4118

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7675

Henri de Toulouse-Lautrec, Woman Washing—The Toilet, plate five from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36003

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221148

Alejandro Otero, Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela), 1972, Color screenprint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45086

Honoré Daumier, Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86425

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7640

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221144

Anton Graff, Self-Portrait before an Easel, c. 1787, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73500

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199176

Paul Cezanne, Small Bathers, 1896–97, Color lithograph on ivory China paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82071

Henri de Toulouse-Lautrec, Edmée Lescot, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4596

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7685

Gego (Gertrud Goldschmidt), Plate three, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237545

Rembrandt van Rijn, Jan Lutma, Goldsmith, 1656, Etching and drypoint in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13119

Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506

Gustav G. Klutsis, Building Socialism Under the Banner of Lenin (Pod znamenem Lenina, za sotsialisticheskoe stroitel’st), 1930, Color offset lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199168

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7679

Gego (Gertrud Goldschmidt), Plate seven, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237550

Henri-Gabriel Ibels, Jeanne Bloch, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125987

Henri de Toulouse-Lautrec, Woman Fastening a Corset, Passing Conquest, plate nine from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36010

Eugène Carrière, Rodin Sculpting, 1900, Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105773

Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593

Henri de Toulouse-Lautrec, American Singer, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7615

James Barry, Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229002

Mira Schendel, [Untitled], 1964, Monotype on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238463

Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265

Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560

Henri-Gabriel Ibels, Polin, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125981

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7683

Gego (Gertrud Goldschmidt), Plate two, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237535

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086

Jan Harmensz. Muller, Portrait of Hendrick Goltzius, c. 1617, Engraving in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32814

Eldzier Cortor, Jewels/Theme VI, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216681

Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551

Charles Maurin, Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale, 1893, Aquatint and etching in brown on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111929

Peeter de Jode, the younger, Antoon Triest, 1630/45, Etching and engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55858

Eldzier Cortor, Dance Composition No. 34, 1980s, Etching, aquatint, and flat bite from two plates in brown and black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216686

Gego (Gertrud Goldschmidt), Plate five, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237548

Eldzier Cortor, Jewels/Theme V, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216695

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7638

Henri de Toulouse-Lautrec, Ducarre at the Ambassadeurs, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7611

Edgar Degas, Leaving the Bath, 1879–80, Drypoint and aquatint in black on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64982

Gego (Gertrud Goldschmidt), Plate four, from The Never Projected (Lo Nunca Proyectado), 1964, Inkless intaglio on cream wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237547

Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384

Christoffel Jegher, Portrait of a Venetian Nobleman, 1632/36, Chiaroscuro woodcut in beige, ochre, and two tones of brown on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27889

Eldzier Cortor, Composition Jewels, n.d., Relief etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216680

Henri de Toulouse-Lautrec, A Spectator, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36036

Paul Pontius, Jan van den Wouwer, 1630/45, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55862

John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599

Hans Burgkmair, Equestrian Portrait of the Emperor Maximilian, 1508, woodcut, in black and white on paper washed blue, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128048

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088

Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000

Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640

El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130

Henry Fuseli, Sleeping Woman with a Cupid, 1780/90, Etching in red-brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/141447

Gustav G. Klutsis, Postcard Commemorating the Russian All-Union Spartakiada, 1928, Color lithograph on off-white wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221147

Antoine Masson, Denis Marin de la Châtaigneraye, Secretary to the King, 1672, Engraving in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16580

Gustav G. Klutsis, Under the Sign of the Komsomol, 1924, Color offset lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199078

Eldzier Cortor, Dual Form No. III, 1978, Aquatint, etching, soft ground, and flat bite   viscosity inked in black and brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216690

Henri de Toulouse-Lautrec, Portrait of Aristide Bruant, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54723

Eldzier Cortor, Jewels/Theme VII, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216696

Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7669

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090

Mira Schendel, [Untitled], 1964, Monotype on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238459

Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561

Henri-Gabriel Ibels, Paulus, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125990

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089

Félix Bracquemond, Portrait of Edmond de Goncourt, 1882, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28675

Rembrandt van Rijn, Ephraim Bonus, Jewish Physician, 1647, Etching and drypoint in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29084

Albrecht Dürer, Five Landsknechte and an Oriental Man on Horseback, c. 1495, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111843

Manuel Espinoza, Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela), 1972, Color screenprint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45080

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Mira Schendel, [Untitled], 1964, Monotype on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238464

Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777

Eldzier Cortor, Jewels/Theme III, 1985, Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/216693

Edgar Degas, Actresses in Their Dressing Rooms, 1879–80, Etching and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21522

Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589

Paul Cezanne, Large Bathers, 1896–c. 1898, Color lithograph with hand-coloring on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/39508

Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686

Marco Alvise Pitteri, Portrait of the Painter Giovanni Battista Piazzetta, c. 1750, Engraving in black on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40137

Mira Schendel, [Untitled], 1964, Monotype in black on white translucent Eastern paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238462