Edgar Degas, The Bath, 1892/95, Pastel and charcoal on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185911

Jean Baptiste Camille Corot, Standing Male Nude, 1843, Graphite, with stumping, on greenish ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203630

Jean Baptiste Huet, Design for Trophy with Gardening Tools, n.d., Red chalk on ivory laid paper, tipped onto tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114925

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032

Paul Delaroche, Portrait de Mme. E. D., 1829, Black, white, and red chalks, with stumping and erasing on ivory wove paper, perimeter mounted to Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191212

Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512

Mary Cassatt, After the Bath, 1901, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/101646

Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663

Saul Steinberg, Monuments: The Important People, 1945, Pen and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220491

Jean Antoine Watteau, Two Studies of a Dancer, Raising Her Skirt in Her Two Hands, 1712/13, Red chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158393

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

Saul Steinberg, Bombing, China, 1945, Pen and brush and black ink, over graphite and erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220492

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515

Kemang Wa Lehulere, falling event 10, 2015, Brush and pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228513

Dong Qichang, Mt. Qingbian, 1617, hanging scroll, ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149791

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614

Saul Steinberg, Untitled (Rush Hour), c. 1969, Rubber stamps in black ink, and pen and black ink, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220521

Achille Etna Michallon, View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome, 1819, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/183257

Henri Matisse, Nude in a Folding Chair, c. 1906, Brush and black wash on ivory laid paper, pieced at top edge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151435

Kemang Wa Lehulere, falling event 1, 2014, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228482

Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507

Edgar Degas, Dancers, c. 1896, pastel with charcoal on tracing paper mounted on paper and backed with gray board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95271

Julius Schnorr von Carolsfeld, Portrait of a Woman, 1821, Brush and brown wash and pen and brown ink, with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191195

Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511

Odilon Redon, Orpheus, c. 1903–10, pastel on brown paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108544

Inagaki Tomoo, Cat Making Up, 1962, Ink and pencil on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84181

Jean Michel Moreau, Creusa Pleads with Aeneas as He Leaves for War, 1803, Pen and brown ink, brush and brown wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/182927

Claude Joseph Vernet, Study of a Warship's Prow with British Warships and Naples Harbor Beyond, c. 1748, Pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207321

Henry Fuseli, Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress, 1783, Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116079

Giuseppe Passeri, Saint Augustine and Two Angels Adoring the Crucifix, 1685/1695, Pen and brown ink, heightened with lead white, over red chalk on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150768

Pierre-Auguste Renoir, Splashing Figure (Study for "The Large Bathers"), 1884/85, Red, white, and black chalk, with stumping, and black Conté crayon on tan wove (tracing) paper, laid down on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65814

Jean Antoine Watteau, Study for "The Romancer" (Le Conteur), c. 1716, red chalk; red and black chalk (upper left figure), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110060

Hatsuyama Shigeru, Colts, 1948, Colored pencil and ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84187

Saul Steinberg, Untitled [Mask], 1961–62, Pastel, with black crayon, over graphite, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220513

Henri Matisse, Madame Matisse with Her Fan, 1906, Pen and black ink over graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150816

Henry Fuseli, Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso), 1819, Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113841

Justus van Egmont, The Marriage of Zenobia and Odenatus, n.d., Black chalk with brush and brown wash on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110099

Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364

Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524

Saul Steinberg, Untitled (Equestrian Monument with Speech Balloons), 1961/65, Pen and black ink, over graphite, with black ballpoint pen, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220517

Simon Vouet, Portrait of a Young Woman with Pearl Earrings, 1632/35, Black chalk and pastel, heightened with white chalk, on light brown laid paper, laid down on an eighteenth-century mount with framing lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209865

Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088

Georges Braque, Bal (recto); Guitar (verso), 1912, Collage composed of charcoal and cut-and-pasted commercially printed tan wove papers (recto) and charcoal (verso) on white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180666

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135341

Joseph Wright of Derby, Self-Portrait in a Fur Cap, 1765/68, Monochrome pastel (grisaille) on blue-gray laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76295

Henry Fuseli, Portrait of a Woman (Martha Hess), 1781, Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36126

Christoffer Wilhelm Eckersberg, Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso), 1812, Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/214356

Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135469

Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197

Dr. Jeannette Dean Throckmorton, State Birds and Flowers Quilt, c. 1950, Appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads; graphite pencil pattern outlines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/18421

Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291

Henry Fuseli, The Spirit of Knowledge, 1798, Black chalk and brush and gray wash on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150038

Saul Steinberg, Cornices, 1952, Pen and black ink, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220506

Frank Stella, Sharpeville, 1962, Colored pencil, over graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/264785

Kemang Wa Lehulere, falling event 9, 2014, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228483

Cauleen Smith, The New Jim Crow, from Human_3.0 Reading List, 2015, Graphite and brush and black and colored inks with touches of brush and silver ink on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237997

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027

George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402

Henry Fuseli, Thetis Mourning the Body of Achilles, 1780, Brush and brown and brownish-red wash, over graphite, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84471

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Terry Winters, [Untitled], 1990, Charcoal, with stumping and erasing, on off-white wove Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113993

Zhang Wo, Nine Songs, 1361, handscroll; ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135595

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Gustav Friedrich Hetsch, A View in San Lorenzo Fuori le Mura, Rome, c. 1820, Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213428

Philip Guston, [Untitled], 1976, Pen and ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73468

Johan Tobias Sergel, Chryses Imploring the Help of Apollo, from Iliad, Book I, 1765/66, Black chalk on off-white laid paper, tipped onto wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241156

Justus van Egmont, Zenobia Surrounded by Mounted Soldiers, n.d., Black chalk with brush and brown wash and touches of graphite, on cream laid paper, pieced together and laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110098

Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916

Cauleen Smith, 25 Kites that Fly, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238026

Adrian Zingg, Corner of the Meadow with Reeds and Other Plants, c. 1800, Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209984

Manuel Espinosa, Untitled, from Rectangular Background (Op. fondo rectangular), 1968, Pen and black ink, over traces of graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230930

André Derain, Sailboats at Collioure, 1905, Pen and brush and black ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111812

Manuel Espinosa, Untitled, from Lines (Op. líneas), 1968, Fiber-tipped pens, over graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230931

León Ferrari, Untitled, from Errors (Errores), February 22, 1991, Pen and black ink, with traces of graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230226

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528

Lygia Clark, [Untitled], 1952, Graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/235585

Edgar Degas, Before the Race, c. 1887–89, pastel with charcoal underdrawing on tracing paper mounted on cardboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135262

George Romney, Prospero, Miranda, and Caliban, from The Tempest, c. 1786, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116239

Kanô Yasunobu, School of, Shôki the Demon Queller, from an album of paintings of Shôki, Edo period (1615–1868), Edo period, 18th century, Album; ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35361

Cauleen Smith, Black Nature, from Human_3.0 Reading List, 2016, Brush and black and colored inks over graphite on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238012

Cauleen Smith, Blacks, from Human_3.0 Reading List, 2015, Graphite, with brush and orange, yellow and silver inks, on wove graph pape, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238001

Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937

Odilon Redon, Violette Heymann, 1910, pastel on gray wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148753

Saul Steinberg, Untitled (Bar Scene), 1945, Pen and black ink, over graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220493

Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024

Cauleen Smith, Monument Eternal, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238004

Cauleen Smith, Luz en lo Oscuro, from Human_3.0 Reading List, 2015, Brush and black and colored inks with touches of brush and silver ink on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237998

Henry Fuseli, Odin in the Underworld, 1770/72, Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84469

Nancy Spero, Themis, 1979, Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/197554

Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135405

François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130150

Manuel Espinosa, Untitled, from Rectangular Background (Op. fondo rectangular), c. 1968, Pen and black ink, over traces of graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230929

Saul Steinberg, Untitled (Mask), 1961, Pen and brush and black ink, with black and green crayon, over black pencil, with cut-and-pasted brown and white paper collaged elements, on brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220519

Saul Steinberg, Untitled (People Looking Up), 1949, Pen and black ink, ruled in graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220497

Suzanne Valadon, The Bath, 1905, Pastel, with fabricated black chalk and stumping on tan wove paper, edge mounted on millboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145875

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767

Saul Steinberg, Fur Coats, 1951, Pen and brush and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220504

Kemang Wa Lehulere, grass greener on the other side 4, 2015, Ink on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228484

Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358

Saul Steinberg, Head, 1945, Pen and brush and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220490

Saul Steinberg, Untitled (Florida Types), 1952, Pen and black ink, with graphite, on ivory wove paper, cut-and-pasted on white paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220498

Bada Shanren, Fish and Rocks, mid- to late 1600s, Handscroll; ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130497

George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382

Jean-Baptiste Le Prince, A Woman in Russian Dress, 1780, Red chalk on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199588

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

James Jefferys, Nude Male Figures Bearing the Bodies of their Dead Companions, c. 1779, Pen and black ink and brush and reddish-brown wash on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238624

Adrian Piper, Vanilla Nightmares #2, 1986, Charcoal and red crayon, with erasing, on tan wove paper (newsprint), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/119340

George Romney, Sketchbook, 1793/94, Book with eleven graphite drawings on cream wove paper, bound in colored marble paperboard cover with brown leather spine and gold stamps, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11883

Jean Etienne Liotard, Portrait of a Man Holding a Book, Turned to the Right, 1758/62, Black and white chalk, with traces of red chalk, on blue laid paper, rubbed on the verso with vermillion and traced with a stylus, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213969

León Ferrari, [Untitled], 1976, Colored pencils, with pen and brown ink and graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230227

Henry Fuseli, Ugolino and His Sons Starving to Death in the Tower, 1806, Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7566

León Ferrari, [Untitled], May 7, 1976, Black colored pencil on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230228

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Joseph Anton Koch, Landscape with Saint George and the Dragon and the Monte Soratte, c. 1816, Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203867

Henry Fuseli, Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71, Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151454

Louis de Carmontelle, Portrait of the Chevalier de Lézay, 1756, Red and black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213968

Edgar Degas, Woman at Her Toilette, 1900/05, Pastel on tracing paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25845

Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216

François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175

Cauleen Smith, Twerk, from Human_3.0 Reading List, 2016, Brush and colored inks over graphite on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238009

Manuel Espinosa, Untitled, from Squares (Cuadrados), c. 1970, Graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230932

Saul Steinberg, Untitled (Braque, bric-a-brac...), 1964, Collage of cut-and-pasted papers with pen and black ink, colored pencil, graphite with erasing, and gummed labels, on brown wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220520

Jean Honoré Fragonard, The Supper at Emmaus, 1760/61, Black chalk on ivory laid paper, laid down on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221187

Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740

Saul Steinberg, Downtown Building, 1952, Collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220505

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766

Simon Vouet, Bust Portrait of a Young Man, 1620/25, Black and red chalk, with stumping, on tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203870

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115

Johan Tobias Sergel, Achilles Restrained by Athena in Agamemnon's Tent, from Iliad, Book I, 1765/66, Black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241157

Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464

Odilon Redon, Melancholy, c. 1868, graphite on beige wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109138