Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135539

Godefroid de Huy, Pendant with the Virgin and Child, c. 1160–1170, gilded copper, champlevé enamel; the reverse decorated in vernis brun, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108743

Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135538

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–1410, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119132

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686