Walker Evans, Jigsaw House at Ocean City, New Jersey, 1931, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13773 László Moholy-Nagy, Nuclear I, CH, 1945, Oil and graphite on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59822 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Saul Steinberg, Untitled (Hedda Stern and Saul Steinberg in Cadillac), 1947, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220495 Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105 Gordon Matta-Clark, Photo Fry, 1969, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200036 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190739 Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512 Mary Cassatt, After the Bath, 1901, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/101646 Winslow Homer, Early Morning After a Storm at Sea, 1900–1903, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106088 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758 Saul Steinberg, Monuments: The Important People, 1945, Pen and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220491 Mino da Fiesole, Julius Caesar, c. 1455–60, marble with traces of bole (red clay) and limestone with traces of paint, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/167459 Edmund C. Tarbell, On Bos'n's Hill, 1901, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156813 László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431 Saul Steinberg, Bombing, China, 1945, Pen and brush and black ink, over graphite and erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220492 Thomas Sully, Portrait of Jean Terford David, 1813, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/96263 Charles Sheeler, Church Street El, 1920, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149112 Parri Spinelli, Navicella (recto), c. 1410s, pen and brown ink (iron gall), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136899 Marco d'Oggiono, Portrait of a Youth as Saint Sebastian, late 1480s, oil on wood, transferred to pressed wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153406 Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119614 Saul Steinberg, Untitled (Rush Hour), c. 1969, Rubber stamps in black ink, and pen and black ink, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220521 László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486 László Moholy-Nagy, [Untitled], c. 1940, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29276 László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399 Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082 Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501 Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507 Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503 Giovanni Francesco Rustici, Model for a Fallen Warrior, c. 1520, wax on a metal armature, mounted on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/139817 Saul Steinberg, B Movie, 1948, Pen and brush and black ink and graphite with wiping, smudging and erasing, with colored crayon, watercolor, rubber stamp in gray ink, and gummed registration crosses, ruled in graphite, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220502 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324 Paolo Veronese, Portrait of Agostino Barbarigo, after c. 1571, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109507 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Willem de Kooning, [Untitled], 1948/49, Oil and enamel on paper, mounted on composition board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62290 Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135539 Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107 Saul Steinberg, Untitled [Mask], 1961–62, Pastel, with black crayon, over graphite, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220513 Walker Evans, Torn Movie Poster; Truro, Massachusetts, 1930, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88591 László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478 Godefroid de Huy, Pendant with the Virgin and Child, c. 1160–1170, gilded copper, champlevé enamel; the reverse decorated in vernis brun, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108743 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220515 László Moholy-Nagy, Negative Portrait, 1925/29, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54428 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085 László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473 Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524 Saul Steinberg, Untitled (Equestrian Monument with Speech Balloons), 1961/65, Pen and black ink, over graphite, with black ballpoint pen, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220517 Lewis Wickes Hine, Italian Family, Chicago, 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11343 Tiffany & Co., Tall Clock, c. 1880, mahogany, teak with dial faces of gilded and patinated metal, glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156855 Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Gordon Parks, The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223896 László Moholy-Nagy, [Untitled], 1922, Collodion silver chloride photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55465 Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301 Andrea del Sarto, The Sacrifice of Isaac, c. 1527, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117032 Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586 Paolo Veronese, The Annunciation, c. 1580, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127572 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Saul Steinberg, Cornices, 1952, Pen and black ink, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220506 László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476 Lewis Wickes Hine, Old Time Garment Shop, New York City, 1912, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/148316 Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500 Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326 Orazio Gentileschi, Danaë, c. 1623, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145463 Giovanni di Paolo, The Adoration of the Magi, 1440–45, tempera and gold on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122223 Sano di Pietro, Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist, 1400s, tempera and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106094 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087 Fra Bartolommeo, Farmhouse on the Slope of a Hill, c. 1508, pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134951 László Moholy-Nagy, Negative Cat, c. 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55468 William Merritt Chase, Portrait of Dora Wheeler, 1882–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/102578 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127227 Gordon Parks, Battered Man, 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184378 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223900 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223899 László Moholy-Nagy, [Untitled], 1941, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104896 László Moholy-Nagy, [Untitled], c. 1923/25, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/132717 Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911 Bruce Nauman, LAAIR, 1970, Offset print, booklet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226719 Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259 Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506 Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724 Alfred Stieglitz, Sun Rays—Paula, Berlin, 1889, printed 1920/39, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66284 Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135538 George Bellows, Stag at Sharkey's, 1909, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/92937 Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106 Lewis Wickes Hine, Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina, 1908, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11344 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Pietro Perugino, Saint Sebastian, c. 1493, metalpoint, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135407 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223898 Mel Bochner, Sixteen Isomorphs (Negative), 1967, Gelatin silver prints mounted on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111641 Jackson Pollock, [Untitled], c. 1938–41, Oil on linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151364 Saul Steinberg, Two Fighting Women, 1945, Pen and black ink on ivory card (recto and verso), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220489 Saul Steinberg, Untitled (Bar Scene), 1945, Pen and black ink, over graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220493 Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–1410, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119132 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086 Lewis Wickes Hine, Fresh Air for the Baby, New York East Side, c. 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11340 Saul Steinberg, Untitled [Mask], 1961–62, Black and purple crayons, over graphite with erasing, and white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220514 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 Master of Santa Chiara, Processional Cross, c. 1320, oil on canvas on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123024 Winslow Homer, The Brierwood Pipe, 1864, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124040 Lorenzo Lotto, Portrait of a Man, Possibly Girolamo Rosati, 1533–34, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127571 Saul Steinberg, Untitled (Mask), 1961, Pen and brush and black ink, with black and green crayon, over black pencil, with cut-and-pasted brown and white paper collaged elements, on brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220519 Saul Steinberg, Untitled (People Looking Up), 1949, Pen and black ink, ruled in graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220497 Giovanni di Paolo, Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit, 1460s, tempera and gold on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142384 Saul Steinberg, Fur Coats, 1951, Pen and brush and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220504 László Moholy-Nagy, [Untitled], 1941, Pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200631 John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088 Frederic Edwin Church, Twilight in the Wilderness, 1860, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141639 Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Saul Steinberg, Head, 1945, Pen and brush and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220490 Saul Steinberg, Untitled (Florida Types), 1952, Pen and black ink, with graphite, on ivory wove paper, cut-and-pasted on white paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220498 Raphael, Studies of a Seated Female, Child's Head, and Three Studies of a Baby, c. 1507–8, metalpoint, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149377 László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Saul Steinberg, Untitled (Cowboy), 1951/52, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220496 Clara Wolcott Driscoll, Peony Floor Lamp with a Bamboo Base, c. 1905–10, Leaded glass, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/296869 Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730 David Johnson, Study, North Conway, New Hampshire, 1851, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143140 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, over graphite, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220516 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Cut out pieces for photomontage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223680 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090 Georgia O'Keeffe, Morning Glory with Black, 1926, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135420 Morris Kantor, Haunted House, 1930, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9614 Gordon Parks, Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184381 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089 Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187 Lewis Wickes Hine, Playground in a Mill Village (Playground in a Tenement Alley), Boston, 1909, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11345 Ilya Bolotowsky, Study for 1939 New York World's Fair Mural, Hall of Medical Science, 1938–39, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93779 Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164 Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777 Saul Steinberg, Untitled (Braque, bric-a-brac...), 1964, Collage of cut-and-pasted papers with pen and black ink, colored pencil, graphite with erasing, and gummed labels, on brown wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220520 Gordon Parks, Off on My Own (Harlem, New York), from the series "Harlem is Nowhere", 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/235298 Charles Demuth, ...And the Home of the Brave, 1931, Oil and graphite on fiber board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64276 Arthur Dove, Swing Music (Louis Armstrong), 1938, Emulsion, oil, and wax on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65901 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740 Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581 Saul Steinberg, Downtown Building, 1952, Collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220505 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223897 László Moholy-Nagy, [Untitled], 1939, Oil and ink on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100248 Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686