Walker Evans, Jigsaw House at Ocean City, New Jersey, 1931, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13773 László Moholy-Nagy, Nuclear I, CH, 1945, Oil and graphite on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59822 Saul Steinberg, Untitled (Hedda Stern and Saul Steinberg in Cadillac), 1947, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220495 Gordon Matta-Clark, Photo Fry, 1969, Internal dye diffusion transfer print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200036 Saul Steinberg, Aspera, 1959, Pen and black ink with traces of graphite on cream paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220512 Paul Klee, Asiatic God, 1924, Oil and plaster, over gauze, on panel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111668 Mary Cassatt, After the Bath, 1901, pastel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/101646 Winslow Homer, Early Morning After a Storm at Sea, 1900–1903, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106088 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 Saul Steinberg, Monuments: The Important People, 1945, Pen and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220491 Edmund C. Tarbell, On Bos'n's Hill, 1901, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156813 László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431 Saul Steinberg, Bombing, China, 1945, Pen and brush and black ink, over graphite and erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220492 Albrecht Dürer, Arm of Eve, 1507, point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141931 Thomas Sully, Portrait of Jean Terford David, 1813, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/96263 Charles Sheeler, Church Street El, 1920, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149112 Saul Steinberg, Untitled (Rush Hour), c. 1969, Rubber stamps in black ink, and pen and black ink, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220521 László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486 László Moholy-Nagy, [Untitled], c. 1940, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29276 László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399 Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082 Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/126219 Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501 Jakob Binck, Portrait of Reinneir, 1525, Engraving and etching in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60948 Saul Steinberg, Roller Derby, 1954, Pen and black ink, with scraping, on ivory wove paper, cut-and-pasted on white paperboard, ruled in graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220507 Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503 Saul Steinberg, B Movie, 1948, Pen and brush and black ink and graphite with wiping, smudging and erasing, with colored crayon, watercolor, rubber stamp in gray ink, and gummed registration crosses, ruled in graphite, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220502 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Johann Liss, Cupid (Amor), c. 1630, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145452 Saul Steinberg, Motels and Highway, 1959, Pen and black inks, with black crayon, on ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220511 Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324 Albrecht Dürer, Philip Melanchthon, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4115 Lucas Cranach, Hunting near Hartenfels Castle, 1540, oil, originally on wood, transferred to masonite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135428 Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904 Willem de Kooning, [Untitled], 1948/49, Oil and enamel on paper, mounted on composition board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62290 Hans Baldung, The Mass of Saint Gregory, 1511, oil and tempera on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129220 Saul Steinberg, Untitled [Mask], 1961–62, Pastel, with black crayon, over graphite, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220513 Walker Evans, Torn Movie Poster; Truro, Massachusetts, 1930, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88591 László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220515 László Moholy-Nagy, Negative Portrait, 1925/29, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54428 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085 László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473 Saul Steinberg, Villa Maria No. 1, 1969, Pen and black ink, over graphite with erasing, with colored pencil, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220524 Saul Steinberg, Untitled (Equestrian Monument with Speech Balloons), 1961/65, Pen and black ink, over graphite, with black ballpoint pen, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220517 Lewis Wickes Hine, Italian Family, Chicago, 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11343 Tiffany & Co., Tall Clock, c. 1880, mahogany, teak with dial faces of gilded and patinated metal, glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156855 Gordon Parks, The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223896 László Moholy-Nagy, [Untitled], 1922, Collodion silver chloride photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55465 Albrecht Dürer, Melencolia I, 1514, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108501 Albrecht Dürer, Ulrich Varnbüler, 1522, printed c. 1620, Woodcut in black on ivory laid paper with added brown and sepia tone blocks, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36035 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Saul Steinberg, Cornices, 1952, Pen and black ink, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220506 László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476 Lewis Wickes Hine, Old Time Garment Shop, New York City, 1912, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/148316 Stefan Lochner, The Virgin Crowned by Angels, c. 1450, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143761 Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087 Albrecht Dürer, Erasmus of Rotterdam, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4118 László Moholy-Nagy, Negative Cat, c. 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55468 William Merritt Chase, Portrait of Dora Wheeler, 1882–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/102578 Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127227 Gordon Parks, Battered Man, 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184378 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223900 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223899 László Moholy-Nagy, [Untitled], 1941, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104896 László Moholy-Nagy, [Untitled], c. 1923/25, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/132717 Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911 Bruce Nauman, LAAIR, 1970, Offset print, booklet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226719 Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259 Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506 Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724 Alfred Stieglitz, Sun Rays—Paula, Berlin, 1889, printed 1920/39, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66284 George Bellows, Stag at Sharkey's, 1909, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/92937 Lewis Wickes Hine, Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina, 1908, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11344 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223898 Mel Bochner, Sixteen Isomorphs (Negative), 1967, Gelatin silver prints mounted on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111641 Jackson Pollock, [Untitled], c. 1938–41, Oil on linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151364 Saul Steinberg, Two Fighting Women, 1945, Pen and black ink on ivory card (recto and verso), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220489 Saul Steinberg, Untitled (Bar Scene), 1945, Pen and black ink, over graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220493 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086 Lewis Wickes Hine, Fresh Air for the Baby, New York East Side, c. 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11340 Saul Steinberg, Untitled [Mask], 1961–62, Black and purple crayons, over graphite with erasing, and white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220514 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 Winslow Homer, The Brierwood Pipe, 1864, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124040 Saul Steinberg, Untitled (Mask), 1961, Pen and brush and black ink, with black and green crayon, over black pencil, with cut-and-pasted brown and white paper collaged elements, on brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220519 Saul Steinberg, Untitled (People Looking Up), 1949, Pen and black ink, ruled in graphite, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220497 Saul Steinberg, Fur Coats, 1951, Pen and brush and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220504 László Moholy-Nagy, [Untitled], 1941, Pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200631 John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599 Hans Burgkmair, Equestrian Portrait of the Emperor Maximilian, 1508, woodcut, in black and white on paper washed blue, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128048 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088 Frederic Edwin Church, Twilight in the Wilderness, 1860, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141639 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518 Adolph von Menzel, In a Railway Carriage (After a Night's Journey), 1851, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215327 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Saul Steinberg, Head, 1945, Pen and brush and black ink, with graphite and erasing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220490 Saul Steinberg, Untitled (Florida Types), 1952, Pen and black ink, with graphite, on ivory wove paper, cut-and-pasted on white paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220498 Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103 László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173 Saul Steinberg, Untitled (Cowboy), 1951/52, Pen and black ink on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220496 Clara Wolcott Driscoll, Peony Floor Lamp with a Bamboo Base, c. 1905–10, Leaded glass, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/296869 Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730 David Johnson, Study, North Conway, New Hampshire, 1851, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143140 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, over graphite, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220516 László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Cut out pieces for photomontage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223680 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090 Georgia O'Keeffe, Morning Glory with Black, 1926, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135420 Morris Kantor, Haunted House, 1930, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9614 Gordon Parks, Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184381 Joseph Anton Koch, Landscape with Saint George and the Dragon and the Monte Soratte, c. 1816, Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203867 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089 Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187 Lewis Wickes Hine, Playground in a Mill Village (Playground in a Tenement Alley), Boston, 1909, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11345 Ilya Bolotowsky, Study for 1939 New York World's Fair Mural, Hall of Medical Science, 1938–39, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93779 Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164 Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777 Saul Steinberg, Untitled (Braque, bric-a-brac...), 1964, Collage of cut-and-pasted papers with pen and black ink, colored pencil, graphite with erasing, and gummed labels, on brown wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220520 Gordon Parks, Off on My Own (Harlem, New York), from the series "Harlem is Nowhere", 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/235298 Charles Demuth, ...And the Home of the Brave, 1931, Oil and graphite on fiber board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64276 Arthur Dove, Swing Music (Louis Armstrong), 1938, Emulsion, oil, and wax on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65901 Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581 Saul Steinberg, Downtown Building, 1952, Collage of cut-and-pasted commercially printed papers, and pen and black ink, over graphite with erasing, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220505 Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223897 László Moholy-Nagy, [Untitled], 1939, Oil and ink on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100248