William Blake, The Holy Family (Christ in the Lap of Truth), c. 1805, black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127561

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295

Jean Auguste Dominique Ingres, Antiochus and Stratonice, c. 1838, oil on linen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142298

Thomas Lawrence, Portrait of Catherine Grey, Lady Manners, 1794, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136682

Théodore Géricault, Fighting Horses, c. 1820, watercolor over graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110565

Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259

Joseph Mallord William Turner, Flüelen, from the Lake of Lucerne, 1845, watercolor with gouache and scratch-away, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131338

William Blake, Urizen, 1794, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151451