Jean Antoine Watteau, Two Studies of a Dancer, Raising Her Skirt in Her Two Hands, 1712/13, Red chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158393

Jean Antoine Watteau, Study for "The Romancer" (Le Conteur), c. 1716, red chalk; red and black chalk (upper left figure), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110060

George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951

George Romney, Prospero, Miranda, and Caliban, from The Tempest, c. 1786, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116239

François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130150

George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

George Romney, Sketchbook, 1793/94, Book with eleven graphite drawings on cream wove paper, bound in colored marble paperboard cover with brown leather spine and gold stamps, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11883

François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175

Jean Honoré Fragonard, The Supper at Emmaus, 1760/61, Black chalk on ivory laid paper, laid down on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221187