Federal Works Agency, "Florida Pictorial" Quilt, 1939/1943, Appliquéd and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158419 Laura Lange, Panel (Curtain Fabric), 1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35463 Anne Wilson, Dispersions (no. 20), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223145 Wiener Werkstätte, Waldfee (Fairy of the Woods) (Dress or Furnishing Fabric), 1912/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11989 Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86367 Lia Cook, Facing Touch, 2011, Cotton and rayon, weaving on digital hand loom, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234539 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110682 Hans Krondahl, Kyoto (Furnishing Fabric), 1965, Cotton, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51368 William Morris, Utrecht Velvet, Design c. 1871, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121947 Wilda A. Rice, Collier's Magazine Cover Art Quilt, 1932, Painted, embroidered and pieced quilt; dyed and undyed cotton plain weave fabrics; paint and cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185332 Anne Wilson, Dispersions (no. 22), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223146 Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73172 Maria Monaci Gallenga, Panel, 1920/30, Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76769 Michael Olszewski, The Clearing, 2008, Silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217519 Dagobert Peche, Krone (Crown) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11992 Workshop of Elisabeth van Zuylen, Tubular Skirt (Sarong), 1900/25, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180384 Josef Hoffmann, Fragment, 1895/1915, Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/137030 Jennie C. Trein, "Sunday School Picnic" Quilt, 1932, Appliquéd, pieced and embroidered quilt; dyed and printed cotton, linen and rayon plain, twill, satin and patterned weave fabrics; cotton, silk and rayon embroidery fabrics; plastic liberty bell charm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158426 Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159 Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111433 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Ella Maria Deacon, Friendship Quilt, 1842, Appliquéd and pieced quilt; dyed and printed plain weave cotton fabrics; ink inscriptions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54071 Alfred Fehr, Student Notebook Containing Notes, Diagrams and Swatches, c. 1898–1900, Bound notebook of technical notes and weave samples: fabrics for clothing and mixed goods, ribbed and twill cottons, and jacquard; 176 pages, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230315 Workshop of H. Mohammed Masina, Hip Wrapper (Kain Panjang), c. 1970, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180391 Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Silk, satin weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86371 Laura Lange, Panel (Dress or Furnishing Fabric), 1922/1928, Cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35339 Lucy Goffin, Black and White Apertures, 1990, Pieced and embroidered quilt; dyed cotton, silk and polyester plain, patterned, twill and satin weaves; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145410 Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73186 Laura Lange, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35342 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73196 Dagobert Peche, Regenbogen (Rainbow) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86386 Yan Hui, The Lantern Night Excursion of Zhong Kui, late 1200s–early 1300s, handscroll; ink and slight color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136668 Florence Elizabeth Marvin, 'Crazy Quilt' with Animals, 1886, Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/181720 Dagobert Peche, Storchenschnabel (Stork's or Crane's Bill) (Furnishing or Dress Fabric), 1911/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11983 Dorothy Liebes, Sample (Upholstery Fabric), 1948, Cotton, plain weave with supplementary pile warps forming uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/155105 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110679 Michael Olszewski, Fields, 2004, Two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217520 Larsen Design Studio, Conquistador (Furnishing Fabric), 1966, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; resist-dyed (batik); printed selvedge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103432 Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545 Elizabeth Wells Robertson, Child's Crib Quilt, c. 1950, Appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111592 Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35438 Franz Wiedl, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35383 Belle Wright, Quilt, c. 1930, Pieced and embroidered quilt; dyed and undyed cotton satin and plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153634 Arthur Silver, Panel, 1896, Cotton, twill weave with supplementary pile wefts forming cut velvet; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/72905 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86368 Khamseh, Khamseh Carpet, c. 1890, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Turkish (Ghiordes) knots", Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226149 Mi Youren, Cloudy Mountains, 1130, Handscroll; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/113945 Anne Wilson, Dispersions (no. 9), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223144 Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066 Charlotte Guerin, Sampler, 1765/66, Linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215917 Josef Hillerbrand, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35394 Lissy Funk, Wie das Gras (Like the Grass), 1977, Linen, plain weave; backed with cotton, plain weave; embroidered with silk and linen and gilt-metal-strip-wrapped silk in stem, satin, long and short, padded satin and variations on buttonhole stitches; French knots; laid work and couching; glass beads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215631 Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35432 Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633 Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73174 Tommi Parzinger, Panel (Curtain Fabric), Mid–1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35456 Mariano Fortuny y Madrazo, Panel, 1906/49 (based on 15th–century Venetian design), Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105112 Lulu Bennett, "Mother-in-Law" Quilt, c. 1930, Appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158439 Barbara Palzewicz, "Dorothy's Quilt", 2000/01, Appliquéd and embroidered quilt; dyed and printed cotton and polyester plain weave fabrics; cotton embroidery threads; printed, embroidered and edged cotton handkerchiefs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158445 Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243 Franz von Zülow, "Narcissus" Dress Fabric, 1910/12, Silk, plain weave; block-printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11986 Deutsche Werkstätten GmbH., Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35347 John Henry Dearle, Florence, Design c. 1890, made 1890–1917, Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145349 Osborne & Little (Firm), Rambouillet (Furnishing Fabric), 1990, Cotton, plain weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149447 Eileen Hunter, Panel, 1933/39, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150593 George Washington Maher, Portière, 1901, Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/37097 Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594 Josef Hillerbrand, Panel (Curtain Fabric), 1924, Cotton, machine-made lace: twist net; machine- embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35508 Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223 Luigi Bevilacqua, Panel (Furnishing Fabric), 1875/1925, Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58027 Claire Zeisler, Necklace, 1960s-70s, Wool and jute; knotting (double buttonhole knots) with extended double knot fringe; silver medallions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229422 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Maya Romanoff, Kyoto Evergreen (Furnishing Fabric), 1989, Rayon, plain weave with supplementary pile warps forming cut solid velvet; tie-dyed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76776 Maria Monaci Gallenga, Panel from a Lady's Evening Tunic, c. 1920, Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105095 Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen; plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86364 Theresa Zett Smith, "Top Sheets" Tobacco Premium Quilt, 1913, Pieced and embroidered quilt; napped and printed cotton plain and twill weave fabrics and silk satin weave fabric; silk embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76263 Ruth Hildegard Geyer-Raack, Panel (Dress or Furnishing Fabric), 1920s, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35420 Sample book of swatches, 19th c., Sample book of swatches: cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229401 Michael Olszewski, Mourning, 1989, Silk, plain weave, pleated; appliquéd with layers of silk, plain weaves, some resist dyed, some printed, some dyed; embroidered with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217521 Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221 Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365 Bertha Stenge, "American Holidays" Quilt, 1948, Appliquéd, pieced and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; machine made lace; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/193445 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86378 Hubert von Herkomer, Panel, 1890 (produced 1890/94), Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121994 James Bassler, A Weaving, 2012, Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228240 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86405 Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86401 Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Silk, satin weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86376 Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86373 Charles Frederick Worth, Panel (from a Dress), 1875/1925, Silk, satin weave with supplementary pile warps forming cut, voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/107742 June Groff, Spice Garden (Furnishing Fabric), 1981, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103431 Mildred Jacobs Chappell, "The Settling of the West" Quilt, March 1931/September 1932, Appliquéd and embroidered quilt; dyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153632 Claire Zeisler, Sling Bag, 1960s-70s, Jute, hemp, and wool; plain crochet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229419 Annie Ensminger Kready, "Garfield and Arthur" Quilt, c. 1880, Pieced quilt; printed, cotton plain and twill weave fabrics; printed, cotton plain weave handkerchief, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158431 Bertha Stenge, "Quilt Show" Quilt, 1943, Appliquéd and pieced quilt; dyed and printed plain and patterned weave cotton fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143689 Rahul Jain, Panel (Hanging), 2007, Silk, satin weave with two-color supplementary pile warps forming cut velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/195731 Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1860/80, Bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery); drawstring (possibly suede), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228242 Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Mrs. Howard C. Blake, Upholstery Fabric for the Fisher Theater, c. 1928, Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149696 Guido Cadorin, Panel, c. 1935, Cotton, silk and silvered-metal strip, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121930 Josef Hoffmann, Santa Sofia, 1910/12, Silk and cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11995