Henry Fuseli, Milton Dictating to His Daughter, 1794, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44739

László Moholy-Nagy, Nuclear I, CH, 1945, Oil and graphite on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59822

Jean-François Rafaëlli, Portrait of the Sculptor Auguste Rodin in his Studio, c. 1889, Opaque watercolor over black crayon, with charcoal, brush and black ink, and touches of translucent watercolor on tan board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/80888

Master of Heiligenkreuz, Death of the Virgin, c. 1400, tempera and oil with gold on panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115783

Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105

Berthe Morisot, Reading, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128072

Rembrandt van Rijn, Portrait of a Woman, 1635 or earlier, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124089

Odilon Redon, Vase of Flowers, c. 1905, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115067

Paul Klee, Asiatic God, 1924, Oil and plaster, over gauze, on panel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111668

Gego (Gertrud Goldschmidt), Drawing Without Paper 85.22 (Dibujo sin papel 85.22), 1985, Aluminum, steel wire, screws, wooden pins, iron rods, and coiled springs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/224867

Winslow Homer, Early Morning After a Storm at Sea, 1900–1903, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106088

Ivan Albright, Self-Portrait, 1935, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62273

Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522

Saul Steinberg, Beverly Hills, 1950, Pen and black ink, over graphite and erasing, with watercolor, ruled in graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220499

Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink,  and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523

Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758

Cauleen Smith, Blues Legacies and Black Feminism, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238005

Emanuel de Witte, Interior of a Church, c. 1680, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145450

Edmund C. Tarbell, On Bos'n's Hill, 1901, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156813

Albrecht Dürer, Arm of Eve, 1507, point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141931

Thomas Sully, Portrait of Jean Terford David, 1813, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/96263

Cauleen Smith, Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238023

Édouard Manet, Claire Campbell, 1876, Pastel with oil on fine-weave canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134236

Charles Sheeler, Church Street El, 1920, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149112

Marco d'Oggiono, Portrait of a Youth as Saint Sebastian, late 1480s, oil on wood, transferred to pressed wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153406

Cauleen Smith, The World and Africa, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238011

Camille Pissarro, The Lock at Pontoise, 1872, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155626

Henry Fuseli, Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso), c. 1781, Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113888

Daniel Hudson Burnham, Plate 122 from The Plan of Chicago, 1909: Chicago. Railway Station Scheme West of the River Between Canal and Clinton Streets, Showing the Relation With the Civic Center., 1905, Graphite and watercolor on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196359

Henry Church, Self-Portrait with Five Muses, c. 1880, oil on paper mounted to board, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170082

Cauleen Smith, Women, Race & Class, from Human_3.0 Reading List, 2015, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238007

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Rembrandt van Rijn, A Bearded Man Wearing a Hat, c. 1655–60, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127573

Auguste Rodin, Leaving the Earth, 1900/05, Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66961

Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/126219

Saul Steinberg, Parade, 1951, Pen and black ink and rubber stamps in various colors, with watercolor and colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220501

Henri Rousseau, Fight Between a Tiger and a Buffalo, 1908, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/126769

Edgar Degas, Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135238

Henry Fuseli, Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso), Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59989

Hyacinthe Rigaud, Portrait of Cardinal Guillaume Dubois, 1723, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143206

Daniel Hudson Burnham, Plan of the Center of the City, the 1909 Plan of Chicago, 1909, Ink and watercolor on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196352

Cauleen Smith, Dhalgren, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238008

Valentin de Boulogne, Samson, 1630–31, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147020

Saul Steinberg, B Movie, 1948, Pen and brush and black ink and graphite with wiping, smudging and erasing, with colored crayon, watercolor, rubber stamp in gray ink, and gummed registration crosses, ruled in graphite, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220502

Claire Zeisler, Work Box, 1960s-70s, Plastic box containing metal needles of various sizes; ball-head pins; sewing needle; ball head knitting needles; wire thread guides; cotton floss wrapped wooden dowels; knitting needle with glass beads, jute balls wrapped in cotton in simple loop stitch; knitting needle with jute ball wrapped in cotton in simple loop stitches and wrapped with cotton floss; bast fiber coils ("slinky") sample fragments; bast fiber coil ("slinky") sample fragment wrapped in wool; cluster of cotton coils, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229421

Gustave Courbet, Panoramic View of the Alps, Les Dents du Midi, 1877, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141168

Cauleen Smith, More Brilliant than the Sun, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches brush and blue ink and opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238014

Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509

Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956

Johann Liss, Cupid (Amor), c. 1630, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145452

Jean Auguste Dominique Ingres, Antiochus and Stratonice, c. 1838, oil on linen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142298

Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819

Cauleen Smith, Black Skin, White Masks, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238015

Cauleen Smith, The Black Interior, from Human_3.0 Reading List, 2015, Graphite and watercolor, with touches of brush and blue ink and traces of silver ink, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237996

Ciro Ferri, The Madonna and Child in Glory Appearing to a Kneeling Young Man, 1655/59, Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto), incised for transfer; graphite or black chalk on ivory laid paper (verso), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185930

Henry Fuseli, Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75, Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84473

Paolo Veronese, Portrait of Agostino Barbarigo, after c. 1571, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109507

Jules Guérin, Proposed Chicago Civic Center, Chicago, Illinois, Perspective, 1908, Ink, colored inks, graphite, and watercolor on toned paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90737

Lucas Cranach, Hunting near Hartenfels Castle, 1540, oil, originally on wood, transferred to masonite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135428

Nicolas Poussin, The Holy Family on the Steps, 1648, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150389

Thomas Eakins, The Biglin Brothers Turning the Stake, 1873, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151904

Hans Franckenberger, the Elder, Saint John the Evangelist, 1519, Pen and black ink, with brush and gray wash, heightened with white gouache, on cream laid paper, prepared with a brown wash ground, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/218916

Cauleen Smith, The Fire Next Time, from Human_3.0 Reading List, 2015, Graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237999

Thomas Lawrence, Portrait of Catherine Grey, Lady Manners, 1794, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136682

Jean Bernard Restout, Sleep, c. 1771, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/139729

Willem de Kooning, [Untitled], 1948/49, Oil and enamel on paper, mounted on composition board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62290

Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107

Hans Baldung, The Mass of Saint Gregory, 1511, oil and tempera on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129220

Daniel Hudson Burnham, Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907, Gouache and graphite on toned paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196398

Rembrandt van Rijn, Tobias Healing His Father's Blindness, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144844

William Adolphe Bouguereau, Rest, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173641

Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220515

Jean-Baptiste Mallet, The Evening Prayer, 1790, Opaque watercolor, over traces of black chalk, on cream laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229972

Maerten van Heemskerck, Portrait of Machtelt Suijs, c. 1540–45, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153603

Edgar Degas, Frieze of Dancers, c. 1895, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125104

Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249

Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108

John Steuart Curry, Hogs Killing a Snake, c. 1930, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60510

Gustave Caillebotte, Portrait of a Man, 1880, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/167142

Claude Monet, Water Lilies (Agapanthus), c. 1915–26, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136510

Nicolas Poussin, The Return of the Holy Family to Nazareth, c. 1627, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130392

Rembrandt van Rijn, Old Man with a Gold Chain, 1631, Oil on panel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/95998

John Downman, Study after Nature, 1774, Brush and brown wash, varnished, with oil paint, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114496

Jean-Léon Gérôme, Lion on the Watch, c. 1885, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124256

Cauleen Smith, Camera Lucida, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238000

Leblanc (Firm), Point Paper (mise-en-carte), c. 1880, Opaque watercolor (gouache) over graphite with black ink on mold paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217073

Jan Steen, Esther, Ahasuerus, and Haman, c. 1668, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140152

Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301

Cauleen Smith, Archaeologies of the Future, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238028

Andrea del Sarto, The Sacrifice of Isaac, c. 1527, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117032

Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with watercolor and colored crayons on gray wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246570

Bryde Glynn, Glimpses of Ireland, 1984, Appliquéd, pieced and embroidered quilt; dyed plain and twill weave fabrics of wool, silk, cotton, linen, polyester, rayon, nylon and acrylic in single and multi-fiber blends; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180161

Paolo Veronese, The Annunciation, c. 1580, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127572

Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508

El Greco, The Holy Family with Mary Magdalen, c. 1590–95, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108541

Cauleen Smith, Open Veins of Latin America, from Human_3.0 Reading List, 2016, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238018

Théodore Géricault, Fighting Horses, c. 1820, watercolor over graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110565

Gerard ter Borch, Portrait of a Woman, c. 1665, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124092

Gabriel Jacques de Saint-Aubin, The Promenade on the Boulevard, c. 1760, Black chalk, with brush and black, brown and gray wash, heightened with white gouache, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199587

Daniel Hudson Burnham, View of the Proposed Civic Center Plaza and Buildings, The 1909 Plan of Chicago, 1908, Graphite and watercolor on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196393

Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293

Cauleen Smith, Harriet Tubman, from Human_3.0 Reading List, 2016, Graphite and and brush and colored inks with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238029

Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247

Mme. Peigné, Study of a Bunch of Grapes, 1790/1810, Watercolor over black chalk on pale blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145831

Stefan Lochner, The Virgin Crowned by Angels, c. 1450, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143761

Cauleen Smith, Things Fall Apart, from Human_3.0 Reading List, 2016, Brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237995

Saul Steinberg, Gamblers I and II, 1951, Pen and black ink, watercolor, and black and colored crayon, with scraping, on two sheets of ivory wove paper, pieced, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220500

Claire Zeisler, Untitled Leather Construction, 1974–1975, Cut leather (suede), cotton, glazed ceramic, glass, coins, foil-wrapped stones, mother-of-pearl button, and clear plastic shells; appliquéd, pieced and over sewn with cotton needle lace; straight, button hole, stem and roman stitches; some printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229420

Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326

Cauleen Smith, The Gift, from Human_3.0 Reading List, 2015, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238019

Orazio Gentileschi, Danaë, c. 1623, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145463

Giovanni di Paolo, The Adoration of the Magi, 1440–45, tempera and gold on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122223

Sano di Pietro, Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari;  Christ Crucified with the Virgin and Saint John the Evangelist, 1400s, tempera and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106094

Cauleen Smith, The Wretched of the Earth, from Human_3.0 Reading List, 2016, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238016

William Merritt Chase, Portrait of Dora Wheeler, 1882–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/102578

Grant Wood, American Gothic, 1930, Oil on Beaver Board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6565

Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328

John I Smart, Self-Portrait, 1802, watercolor on ivory in a gold frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130330

Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127227

Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549

León Ferrari, [Untitled], 1997, Watercolor on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230231

Philippe de Champaigne, Portrait of King Charles II of England, 1653, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135875

Cauleen Smith, Simians, Cyborgs, and Women, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238021

Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951

Henry Fuseli, Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116101

Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911

Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583

John I Smart, Portrait of a Man, Possibly Sir Soulden Lawrence, 1770, watercolor on ivory in an amalgam frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119033

Cauleen Smith, The Autobiography of Malcolm X, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238020

Pierre-Auguste Renoir, The Apple Seller, c. 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135480

Pierre Ozanne, The Bark, 1771/80, Pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190591

Georges de La Tour, Saint Peter Repentant, 1645, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128842

Pierre Puvis de Chavannes, Summer, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95287

George Bellows, Stag at Sharkey's, 1909, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/92937

Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106

Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841

Pieter de Hooch, Portrait of a Family Playing Music, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128391

Jackson Pollock, [Untitled], c. 1938–41, Oil on linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151364

Cauleen Smith, African Fractals, from Human_3.0 Reading List, 2015, Graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238013

Giovanni Battista Gaulli, Detail Study for The Assumption of St. Agnes, 1670/90, Pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk, on tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203869

Joseph Wright of Derby, Portrait of Colonel Charles Heathcote, c. 1771–72, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/302209

Camille Pissarro, Edge of the Woods Near L'Hermitage, Pontoise, 1879, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128392

Richard Cosway, Portrait of Catherine Clemens and Her Son, John Marcus Clemens, c. 1800, watercolor on ivory in a gold and split pearl frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/120827

Daniel Hudson Burnham, Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park., 1907, Watercolor with graphite on cream wove paper, discolored to tan, laid down on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196323

Vincent van Gogh, Adeline Ravoux, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135299

Gaylen Gerber, Untitled (Clear Sky), n.d., reframed 2009, Gelatin silver print, acrylic frame fabricated from a souvenir from Daniel Buren’s Crossing Through the Colors, a work in situ, 2006, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/227001

Claude Monet, Spring Flowers, 1864, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130391

Saul Steinberg, Untitled [Mask], 1961–62, Black and purple crayons, over graphite with erasing, and white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220514

Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510

Master of Santa Chiara, Processional Cross, c. 1320, oil on canvas on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123024

Winslow Homer, The Brierwood Pipe, 1864, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124040

Anne-Louis Girodet de Roussy-Trioson, Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus, c. 1801, Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/147061

Édouard Manet, Berthe Morisot with a Muff, c. 1871–72, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135336

Lorenzo Lotto, Portrait of a Man, Possibly Girolamo Rosati, 1533–34, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127571

Paul Gauguin, In the Waves (Dans les Vagues), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149410

Giovanni di Paolo, Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit, 1460s, tempera and gold on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142384

Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958

Paul Cezanne, Mount Sainte-Victoire, c. 1904, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135185

László Moholy-Nagy, [Untitled], 1941, Pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/200631

Cauleen Smith, Love & Rockets, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238022

R. H.  Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, Acrylic, silk-screened tempera, gesso on wood, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217365

Frederic Edwin Church, Twilight in the Wilderness, 1860, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141639

Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518

Adolph von Menzel, In a Railway Carriage (After a Night's Journey), 1851, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215327

Charles-François Daubigny, Villerville Seen from Le Ratier, 1855, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128363

Cauleen Smith, Young British & Black, from Human_3.0 Reading List, 2016, Graphite and bush and colored inks and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238017

Cauleen Smith, The Sons of the Wind, from Human_3.0 Reading List, 2015, Graphite and watercolor with touches of opaque watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238010

Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310

Doris Lee, Thanksgiving, c. 1935, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21727

Pierre Bonnard, Woman Bathing, c. 1942, Gouache with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/83638

Wifredo Arcay, [Untitled], 1953, Opaque watercolor, over traces of blue crayon, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237883

Cauleen Smith, Yearning, from Human_3.0 Reading List, 2015/16, Graphite and watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238025

Master of the Brussels Initials and Associates, Hours of Charles the Noble, King of Navarre (1361-1425), c. 1404, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140492

Gerrit van Honthorst, Samson and Delilah, c. 1616, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143803

Paul Cezanne, Standing Bather, Seen from the Back, 1879–82, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191564

David Johnson, Study, North Conway, New Hampshire, 1851, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143140

Charles Green Shaw, Wrigley's, 1937, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53042

Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, over graphite, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220516

Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938

Undurraga deves Arquitectos, Capilla del Retiro, Auco, Chile, Concept Sketch, c. 2012, Inkjet print with colored crayons, watercolor, and pen and red ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/246569

Claude Monet, Rocks at Port-Goulphar, Belle-Île, 1886, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20545

Georgia O'Keeffe, Morning Glory with Black, 1926, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135420

Baron François-Xavier Fabre, Cléombrote and Léonidas, c. 1795, Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/152033

Claude Monet, The Red Kerchief, c. 1868–73, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135382

Cauleen Smith, Wild Seed, from Human_3.0 Reading List, 2015, Graphite and brush and colored inks and watercolor, with traces of glitter glue, on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238003

Paul Cezanne, The Pigeon Tower at Bellevue, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115405

Morris Kantor, Haunted House, 1930, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9614

François Hippolyte Lalaisse, Two Girls in Regional Costume, n.d., Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229971

Joseph Mallord William Turner, Flüelen, from the Lake of Lucerne, 1845, watercolor with gouache and scratch-away, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131338

François Marius Granet, Monks on the Staircase of the Villa of Maecenas at Tivoli, c. 1826, Pen and brown ink and brush and brown wash, with touches of watercolor, over traces of graphite, on ivory laid paper, perimeter mounted on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203323

Cauleen Smith, Gender Trouble, from Human_3.0 Reading List, 2015, Graphite with red watercolor and blue watercolor with glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238002

Henry Fuseli, Perseus Starting from the Cave of the Gorgons, c. 1816, Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61546

Claude Monet, Gardener's House at Antibes, 1888, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95272

Rembrandt van Rijn, A Young Man with a Chain, c. 1629 or 1632, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122348

Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278

James Tissot, Seaside (July: Specimen of a Portrait), 1878, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150083

Ilya Bolotowsky, Study for 1939 New York World's Fair Mural, Hall of Medical Science, 1938–39, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93779

Jean Lecomte du Nouÿ, A Eunuch's Dream, 1874, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155871

Paul Gauguin, The Large Tree, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148297

Charles Demuth, ...And the Home of the Brave, 1931, Oil and graphite on fiber board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64276

Arthur Dove, Swing Music (Louis Armstrong), 1938, Emulsion, oil, and wax on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65901

El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814

Claude Monet, Low Tide at Pourville, near Dieppe, 1882, 1882, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125234

William Blake, Urizen, 1794, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151451

Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755

Francesco Panini, Interior View of the Church of St. Peter's in the Vatican, c. 1770, Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/147067

Cauleen Smith, The Black Jacobins, from Human_3.0 Reading List, 2016, Graphite and watercolor with touches of brush and colored inks and acrylic paint on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238027

Henri de Toulouse-Lautrec, May Belfort, 1895, oil on millboard, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135515

Franz Kline, Painting, 1952, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/102581

Henry Fuseli, Study for Inquisition, Illustration to Columbiad, c. 1806, Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7577

Cauleen Smith, Freedom is a Constant Struggle, from Human_3.0 Reading List, 2015, Brush and black and colored inks and graphite with touches of watercolor on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238006

László Moholy-Nagy, [Untitled], 1939, Oil and ink on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100248

Cauleen Smith, Ain't I a Woman, from Human_3.0 Reading List, 2016, Graphite and watercolor with traces of glitter glue on wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238024

Horace Hone, Portrait of Lady Grace Anna Newenham, 1784, watercolor on ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/121273

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128808