Francisco de Zurbarán, Christ and the Virgin in the House at Nazareth, c. 1640, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136217

Albrecht Dürer, Arm of Eve, 1507, point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141931

Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111

Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929

Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/126219

Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377

Lucas Cranach, Hunting near Hartenfels Castle, 1540, oil, originally on wood, transferred to masonite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135428

Hans Baldung, The Mass of Saint Gregory, 1511, oil and tempera on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129220

Jean de la Huerta, Mourner from the Tomb of John the Fearless and Margaret of Bavaria, 1443–45, salins alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119143

Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898

Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364

Albrecht Dürer, Melencolia I, 1514, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108501

Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027

Stefan Lochner, The Virgin Crowned by Angels, c. 1450, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143761

Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549

Hans Holbein the Younger, Terminus, the Device of Erasmus, c. 1532, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145960

Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420

Tilman Riemenschneider, Saint Lawrence, 1502–8, lindenwood with polychromy and gilding, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135920

Hans Burgkmair, Equestrian Portrait of the Emperor Maximilian, 1508, woodcut, in black and white on paper washed blue, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128048

Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103

Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414

Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216

Albrecht Dürer, Five Landsknechte and an Oriental Man on Horseback, c. 1495, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111843